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Color name
HEX #2D378E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D378E it is the complementary color #D2C871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D378E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D378E shade: #323789, #43499C, #545BAF, #656DC2 and #767FD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D378E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D378E shade: #2D378E, #1C257B, #0B1368, #000155 and #000042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D378E shade: #2D378F, #3D2D8F, #582D8F, #722D8F and #8D2D8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D378E shade: #2D378F and #2D2D8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D378E shade matches the following richer shades: #2D378F, #1E2B9E and #0E1FAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D378E shade: #2D378F, #3C4380, #4B4F70, #5B5B61 and #6A6752

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D378E shade: #2D6D8F, #2D528F, #2D388F, #3C2D8F and #562D8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D378E shade: #191F50, #232B70, #2D378F, #3743AE and #4956C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D378E shade: #2D378E, #8F2D87 and #5F8F2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D378E shade: #2D378E, #8F2D38 and #388F2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D378E shade: #2D378E, #8F2D87, #8F832D and #2D8F35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D378E shade: #2D378E, #8F2D69, #8F832D and #2D8F52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 61 / 0 / 44

HEX #2D378E

RGB 45 55 142

HSL 233.81, 0.52%, 0.37%

LAB 27.42, 25.69, -49.57

 

Complementary color

CMYK 0 / 5 / 46 / 18

HEX #D2C871

RGB 210 200 113

HSL 53.81, 0.52%, 0.63%

LAB 79.73, -8.42, 44.53

 

CMYK 64 / 60 / 0 / 46

HEX #323789

RGB 50 55 137

HSL 236.55, 0.47%, 0.37%

LAB 27.34, 24.71, -46.58

 

CMYK 57 / 53 / 0 / 39

HEX #43499C

RGB 67 73 156

HSL 235.96, 0.4%, 0.44%

LAB 34.72, 22.8, -46.22

 

CMYK 52 / 48 / 0 / 31

HEX #545BAF

RGB 84 91 175

HSL 235.38, 0.36%, 0.51%

LAB 41.94, 21.26, -45.88

 

CMYK 48 / 44 / 0 / 24

HEX #656DC2

RGB 101 109 194

HSL 234.84, 0.43%, 0.58%

LAB 49.01, 20.01, -45.59

 

CMYK 45 / 40 / 0 / 16

HEX #767FD5

RGB 118 127 213

HSL 234.32, 0.53%, 0.65%

LAB 55.92, 18.96, -45.37

 

CMYK 68 / 61 / 0 / 44

HEX #2D378E

RGB 45 55 142

HSL 233.81, 0.52%, 0.37%

LAB 27.42, 25.69, -49.57

 

CMYK 77 / 70 / 0 / 52

HEX #1C257B

RGB 28 37 123

HSL 234.32, 0.63%, 0.3%

LAB 20.04, 28.36, -49.75

 

CMYK 89 / 82 / 0 / 59

HEX #0B1368

RGB 11 19 104

HSL 234.84, 0.81%, 0.23%

LAB 12.84, 31.39, -49.37

 

CMYK 100 / 99 / 0 / 67

HEX #000155

RGB 0 1 85

HSL 239.29, 1%, 0.17%

LAB 6.12, 34.13, -47.8

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 69 / 62 / 0 / 44

HEX #2D378F

RGB 45 55 143

HSL 233.88, 0.52%, 0.37%

LAB 27.5, 26.06, -50.05

 

CMYK 57 / 69 / 0 / 44

HEX #3D2D8F

RGB 61 45 143

HSL 249.8, 0.52%, 0.37%

LAB 26.31, 35.11, -51.94

 

CMYK 38 / 69 / 0 / 44

HEX #582D8F

RGB 88 45 143

HSL 266.33, 0.52%, 0.37%

LAB 29.25, 40.39, -47.03

 

CMYK 20 / 69 / 0 / 44

HEX #722D8F

RGB 114 45 143

HSL 282.24, 0.52%, 0.37%

LAB 32.78, 46.26, -41.15

 

CMYK 1 / 69 / 0 / 44

HEX #8D2D8F

RGB 141 45 143

HSL 298.78, 0.52%, 0.37%

LAB 36.97, 52.73, -34.22

 

CMYK 69 / 62 / 0 / 44

HEX #2D378F

RGB 45 55 143

HSL 233.88, 0.52%, 0.37%

LAB 27.5, 26.06, -50.05

 

CMYK 69 / 69 / 0 / 44

HEX #2D2D8F

RGB 45 45 143

HSL 240, 0.52%, 0.37%

LAB 25.01, 32.61, -54.12

 

CMYK 69 / 62 / 0 / 44

HEX #2D378F

RGB 45 55 143

HSL 233.88, 0.52%, 0.37%

LAB 27.5, 26.06, -50.05

 

CMYK 81 / 73 / 0 / 38

HEX #1E2B9E

RGB 30 43 158

HSL 233.91, 0.68%, 0.37%

LAB 25.18, 37.65, -63.1

 

CMYK 92 / 82 / 0 / 32

HEX #0E1FAD

RGB 14 31 173

HSL 233.58, 0.85%, 0.37%

LAB 23.97, 48.78, -74.2

 

CMYK 69 / 62 / 0 / 44

HEX #2D378F

RGB 45 55 143

HSL 233.88, 0.52%, 0.37%

LAB 27.5, 26.06, -50.05

 

CMYK 53 / 48 / 0 / 50

HEX #3C4380

RGB 60 67 128

HSL 233.82, 0.36%, 0.37%

LAB 30.72, 15.59, -35.5

 

CMYK 33 / 29 / 0 / 56

HEX #4B4F70

RGB 75 79 112

HSL 233.51, 0.2%, 0.37%

LAB 34.51, 6.93, -19.47

 

CMYK 6 / 6 / 0 / 62

HEX #5B5B61

RGB 91 91 97

HSL 240, 0.03%, 0.37%

LAB 38.85, 1.3, -3.44

 

CMYK 0 / 3 / 23 / 58

HEX #6A6752

RGB 106 103 82

HSL 52.5, 0.13%, 0.37%

LAB 43.32, -2.67, 12.3

 

CMYK 69 / 24 / 0 / 44

HEX #2D6D8F

RGB 45 109 143

HSL 200.82, 0.52%, 0.37%

LAB 43.48, -9, -24.61

 

CMYK 69 / 43 / 0 / 44

HEX #2D528F

RGB 45 82 143

HSL 217.35, 0.52%, 0.37%

LAB 35.15, 7.89, -37.71

 

CMYK 69 / 61 / 0 / 44

HEX #2D388F

RGB 45 56 143

HSL 233.27, 0.52%, 0.37%

LAB 27.76, 25.39, -49.62

 

CMYK 58 / 69 / 0 / 44

HEX #3C2D8F

RGB 60 45 143

HSL 249.18, 0.52%, 0.37%

LAB 26.22, 34.94, -52.09

 

CMYK 40 / 69 / 0 / 44

HEX #562D8F

RGB 86 45 143

HSL 265.1, 0.52%, 0.37%

LAB 29, 39.96, -47.44

 

CMYK 69 / 61 / 0 / 69

HEX #191F50

RGB 25 31 80

HSL 233.45, 0.52%, 0.21%

LAB 14.21, 15.23, -31.01

 

CMYK 69 / 62 / 0 / 56

HEX #232B70

RGB 35 43 112

HSL 233.77, 0.52%, 0.29%

LAB 21.04, 20.99, -41.07

 

CMYK 69 / 62 / 0 / 44

HEX #2D378F

RGB 45 55 143

HSL 233.88, 0.52%, 0.37%

LAB 27.5, 26.06, -50.05

 

CMYK 68 / 61 / 0 / 32

HEX #3743AE

RGB 55 67 174

HSL 233.95, 0.52%, 0.45%

LAB 33.74, 30.91, -58.64

 

CMYK 63 / 56 / 0 / 23

HEX #4956C5

RGB 73 86 197

HSL 233.71, 0.52%, 0.53%

LAB 41.38, 29.63, -59.68

 

CMYK 68 / 61 / 0 / 44

HEX #2D378E

RGB 45 55 142

HSL 233.81, 0.52%, 0.37%

LAB 27.42, 25.69, -49.57

 

CMYK 0 / 69 / 6 / 44

HEX #8F2D87

RGB 143 45 135

HSL 304.9, 0.52%, 0.37%

LAB 36.87, 51.84, -29.45

 

CMYK 34 / 0 / 69 / 44

HEX #5F8F2D

RGB 95 143 45

HSL 89.39, 0.52%, 0.37%

LAB 54.31, -32.76, 45.16

 

CMYK 68 / 61 / 0 / 44

HEX #2D378E

RGB 45 55 142

HSL 233.81, 0.52%, 0.37%

LAB 27.42, 25.69, -49.57

 

CMYK 0 / 69 / 61 / 44

HEX #8F2D38

RGB 143 45 56

HSL 353.27, 0.52%, 0.37%

LAB 33.99, 42.02, 16.52

 

CMYK 61 / 0 / 69 / 44

HEX #388F2D

RGB 56 143 45

HSL 113.27, 0.52%, 0.37%

LAB 52.59, -45.33, 42.82

 

CMYK 68 / 61 / 0 / 44

HEX #2D378E

RGB 45 55 142

HSL 233.81, 0.52%, 0.37%

LAB 27.42, 25.69, -49.57

 

CMYK 0 / 69 / 6 / 44

HEX #8F2D87

RGB 143 45 135

HSL 304.9, 0.52%, 0.37%

LAB 36.87, 51.84, -29.45

 

CMYK 0 / 8 / 69 / 44

HEX #8F832D

RGB 143 131 45

HSL 52.65, 0.52%, 0.37%

LAB 54.3, -6.05, 46.27

 

CMYK 69 / 0 / 63 / 44

HEX #2D8F35

RGB 45 143 53

HSL 124.9, 0.52%, 0.37%

LAB 52.35, -46.99, 38.86

 

CMYK 68 / 61 / 0 / 44

HEX #2D378E

RGB 45 55 142

HSL 233.81, 0.52%, 0.37%

LAB 27.42, 25.69, -49.57

 

CMYK 0 / 69 / 27 / 44

HEX #8F2D69

RGB 143 45 105

HSL 323.27, 0.52%, 0.37%

LAB 35.47, 47.23, -12.85

 

CMYK 0 / 8 / 69 / 44

HEX #8F832D

RGB 143 131 45

HSL 52.65, 0.52%, 0.37%

LAB 54.3, -6.05, 46.27

 

CMYK 69 / 0 / 43 / 44

HEX #2D8F52

RGB 45 143 82

HSL 142.65, 0.52%, 0.37%

LAB 52.74, -42.53, 24.41

 

Description

Color code: HEX #2D378E | qconv.com Color code: HEX #2D378E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 55 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 55 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 61 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 61% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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