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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D1A9C it is the complementary color #D2E563. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D1A9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D1A9C shade: #321A97, #432CAA, #543EBD, #6550D0 and #7662E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D1A9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D1A9C shade: #2D1A9C, #1C0889, #0B0076, #000063 and #000050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D1A9C shade: #2D1A9C, #501A9C, #731A9C, #971A9C and #9C1A7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D1A9C shade: #2D1A9C and #1A1A9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D1A9C shade matches the following richer shades: #2D1A9C and #230BAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D1A9C shade: #2D1A9C, #38298E, #42387F, #4D4770 and #575661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D1A9C shade: #1A4E9C, #1A2C9C, #2C1A9C, #4E1A9C and #711A9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D1A9C shade: #190E56, #231479, #2D1A9C, #3720C0 and #472EDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D1A9C shade: #2D1A9C, #9C1A71 and #3D9C1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D1A9C shade: #2D1A9C, #9C2C1A and #1A9C2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D1A9C shade: #2D1A9C, #9C1A71, #8B9C1A and #1A9C46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D1A9C shade: #2D1A9C, #9C1A4A, #8B9C1A and #1A9C6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 83 / 0 / 39

HEX #2D1A9C

RGB 45 26 156

HSL 248.77, 0.71%, 0.36%

LAB 22.64, 47.44, -66.03

 

Complementary color

CMYK 8 / 0 / 57 / 10

HEX #D2E563

RGB 210 229 99

HSL 68.77, 0.71%, 0.64%

LAB 87.31, -24.03, 59.98

 

CMYK 67 / 83 / 0 / 41

HEX #321A97

RGB 50 26 151

HSL 251.52, 0.71%, 0.35%

LAB 22.48, 46.37, -63.21

 

CMYK 61 / 74 / 0 / 33

HEX #432CAA

RGB 67 44 170

HSL 250.95, 0.59%, 0.42%

LAB 29.15, 45.08, -63.72

 

CMYK 56 / 67 / 0 / 26

HEX #543EBD

RGB 84 62 189

HSL 250.39, 0.51%, 0.49%

LAB 35.99, 43.45, -63.74

 

CMYK 51 / 62 / 0 / 18

HEX #6550D0

RGB 101 80 208

HSL 249.84, 0.58%, 0.56%

LAB 42.85, 41.84, -63.55

 

CMYK 48 / 57 / 0 / 11

HEX #7662E3

RGB 118 98 227

HSL 249.3, 0.7%, 0.64%

LAB 49.66, 40.33, -63.29

 

CMYK 71 / 83 / 0 / 39

HEX #2D1A9C

RGB 45 26 156

HSL 248.77, 0.71%, 0.36%

LAB 22.64, 47.44, -66.03

 

CMYK 80 / 94 / 0 / 46

HEX #1C0889

RGB 28 8 137

HSL 249.3, 0.89%, 0.28%

LAB 16.63, 47.69, -64.26

 

CMYK 91 / 100 / 0 / 54

HEX #0B0076

RGB 11 0 118

HSL 245.59, 1%, 0.23%

LAB 11.82, 44.97, -60.21

 

CMYK 100 / 100 / 0 / 61

HEX #000063

RGB 0 0 99

HSL 240, 1%, 0.19%

LAB 8.14, 39.57, -53.9

 

CMYK 100 / 100 / 0 / 69

HEX #000050

RGB 0 0 80

HSL 240, 1%, 0.16%

LAB 5.23, 32.43, -45.83

 

CMYK 71 / 83 / 0 / 39

HEX #2D1A9C

RGB 45 26 156

HSL 248.77, 0.71%, 0.36%

LAB 22.64, 47.44, -66.03

 

CMYK 49 / 83 / 0 / 39

HEX #501A9C

RGB 80 26 156

HSL 264.92, 0.71%, 0.36%

LAB 26.29, 51.21, -59.89

 

CMYK 26 / 83 / 0 / 39

HEX #731A9C

RGB 115 26 156

HSL 281.08, 0.71%, 0.36%

LAB 31.31, 56.57, -51.48

 

CMYK 3 / 83 / 0 / 39

HEX #971A9C

RGB 151 26 156

HSL 297.69, 0.71%, 0.36%

LAB 37.33, 63.15, -41.46

 

CMYK 0 / 83 / 19 / 39

HEX #9C1A7F

RGB 156 26 127

HSL 313.38, 0.71%, 0.36%

LAB 36.63, 59.81, -24.7

 

CMYK 71 / 83 / 0 / 39

HEX #2D1A9C

RGB 45 26 156

HSL 248.77, 0.71%, 0.36%

LAB 22.64, 47.44, -66.03

 

CMYK 83 / 83 / 0 / 39

HEX #1A1A9C

RGB 26 26 156

HSL 240, 0.71%, 0.36%

LAB 21.43, 46.21, -68.09

 

CMYK 71 / 83 / 0 / 39

HEX #2D1A9C

RGB 45 26 156

HSL 248.77, 0.71%, 0.36%

LAB 22.64, 47.44, -66.03

 

CMYK 80 / 94 / 0 / 33

HEX #230BAB

RGB 35 11 171

HSL 249, 0.88%, 0.36%

LAB 22.08, 56.48, -76.12

 

CMYK 71 / 83 / 0 / 39

HEX #2D1A9C

RGB 45 26 156

HSL 248.77, 0.71%, 0.36%

LAB 22.64, 47.44, -66.03

 

CMYK 61 / 71 / 0 / 44

HEX #38298E

RGB 56 41 142

HSL 248.91, 0.55%, 0.36%

LAB 24.89, 36.35, -53.66

 

CMYK 48 / 56 / 0 / 50

HEX #42387F

RGB 66 56 127

HSL 248.45, 0.39%, 0.36%

LAB 28.16, 24.01, -38.95

 

CMYK 31 / 37 / 0 / 56

HEX #4D4770

RGB 77 71 112

HSL 248.78, 0.22%, 0.36%

LAB 32.38, 12.75, -22.77

 

CMYK 10 / 11 / 0 / 62

HEX #575661

RGB 87 86 97

HSL 245.45, 0.06%, 0.36%

LAB 37.01, 2.85, -6.2

 

CMYK 83 / 50 / 0 / 39

HEX #1A4E9C

RGB 26 78 156

HSL 216, 0.71%, 0.36%

LAB 34.13, 13.11, -47.28

 

CMYK 83 / 72 / 0 / 39

HEX #1A2C9C

RGB 26 44 156

HSL 231.69, 0.71%, 0.36%

LAB 25.02, 36, -62.14

 

CMYK 72 / 83 / 0 / 39

HEX #2C1A9C

RGB 44 26 156

HSL 248.31, 0.71%, 0.36%

LAB 22.56, 47.36, -66.16

 

CMYK 50 / 83 / 0 / 39

HEX #4E1A9C

RGB 78 26 156

HSL 264, 0.71%, 0.36%

LAB 26.04, 50.95, -60.31

 

CMYK 28 / 83 / 0 / 39

HEX #711A9C

RGB 113 26 156

HSL 280.15, 0.71%, 0.36%

LAB 31, 56.23, -52

 

CMYK 71 / 84 / 0 / 66

HEX #190E56

RGB 25 14 86

HSL 249.17, 0.72%, 0.2%

LAB 10.5, 29.07, -41.16

 

CMYK 71 / 83 / 0 / 53

HEX #231479

RGB 35 20 121

HSL 248.91, 0.72%, 0.28%

LAB 16.69, 38.55, -53.99

 

CMYK 71 / 83 / 0 / 39

HEX #2D1A9C

RGB 45 26 156

HSL 248.77, 0.71%, 0.36%

LAB 22.64, 47.44, -66.03

 

CMYK 71 / 83 / 0 / 25

HEX #3720C0

RGB 55 32 192

HSL 248.63, 0.71%, 0.44%

LAB 28.51, 56.19, -77.91

 

CMYK 68 / 79 / 0 / 14

HEX #472EDB

RGB 71 46 219

HSL 248.67, 0.71%, 0.52%

LAB 34.82, 59.1, -83.15

 

CMYK 71 / 83 / 0 / 39

HEX #2D1A9C

RGB 45 26 156

HSL 248.77, 0.71%, 0.36%

LAB 22.64, 47.44, -66.03

 

CMYK 0 / 83 / 28 / 39

HEX #9C1A71

RGB 156 26 113

HSL 319.85, 0.71%, 0.36%

LAB 35.98, 57.98, -16.92

 

CMYK 61 / 0 / 83 / 39

HEX #3D9C1A

RGB 61 156 26

HSL 103.85, 0.71%, 0.36%

LAB 56.92, -50.27, 53.94

 

CMYK 71 / 83 / 0 / 39

HEX #2D1A9C

RGB 45 26 156

HSL 248.77, 0.71%, 0.36%

LAB 22.64, 47.44, -66.03

 

CMYK 0 / 72 / 83 / 39

HEX #9C2C1A

RGB 156 44 26

HSL 8.31, 0.71%, 0.36%

LAB 35.88, 45.38, 37.35

 

CMYK 83 / 0 / 72 / 39

HEX #1A9C2C

RGB 26 156 44

HSL 128.31, 0.71%, 0.36%

LAB 56.27, -55.41, 46.93

 

CMYK 71 / 83 / 0 / 39

HEX #2D1A9C

RGB 45 26 156

HSL 248.77, 0.71%, 0.36%

LAB 22.64, 47.44, -66.03

 

CMYK 0 / 83 / 28 / 39

HEX #9C1A71

RGB 156 26 113

HSL 319.85, 0.71%, 0.36%

LAB 35.98, 57.98, -16.92

 

CMYK 11 / 0 / 83 / 39

HEX #8B9C1A

RGB 139 156 26

HSL 67.85, 0.71%, 0.36%

LAB 61.08, -21.93, 59.22

 

CMYK 83 / 0 / 55 / 39

HEX #1A9C46

RGB 26 156 70

HSL 140.31, 0.71%, 0.36%

LAB 56.52, -52.25, 35.4

 

CMYK 71 / 83 / 0 / 39

HEX #2D1A9C

RGB 45 26 156

HSL 248.77, 0.71%, 0.36%

LAB 22.64, 47.44, -66.03

 

CMYK 0 / 83 / 53 / 39

HEX #9C1A4A

RGB 156 26 74

HSL 337.85, 0.71%, 0.36%

LAB 34.6, 53.97, 6.09

 

CMYK 11 / 0 / 83 / 39

HEX #8B9C1A

RGB 139 156 26

HSL 67.85, 0.71%, 0.36%

LAB 61.08, -21.93, 59.22

 

CMYK 83 / 0 / 30 / 39

HEX #1A9C6D

RGB 26 156 109

HSL 158.31, 0.71%, 0.36%

LAB 57.17, -44.75, 15.35

 

Description

Color code: HEX #2D1A9C | qconv.com Color code: HEX #2D1A9C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 26 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 26 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 83 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 83% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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