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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C9269 it is the complementary color #D36D96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C9269. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C9269 shade: #319264, #42A477, #53B68A, #64C89D and #75DAB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C9269. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C9269 shade: #2C9269, #1B8056, #0A6E43, #005C30 and #004A1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C9269 shade: #2B9168, #2B914C, #2B9131, #40912B and #5C912B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C9269 shade: #2B9168, #2B9183, #2B8391, #2B6791 and #2B4C91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C9269 shade matches the following richer shades: #2B9168, #1CA06B and #0CAF6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C9269 shade: #2B9168, #3A8265, #497262, #59635F and #68545C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C9269 shade: #2B9130, #2B914B, #2B9166, #2B9182 and #2B8591

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C9269 shade: #18513A, #217151, #2B9168, #34B17F and #47C894

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C9269 shade: #2C9269, #2B4191 and #913E2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C9269 shade: #2C9269, #662B91 and #91662B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C9269 shade: #2C9269, #2B4191, #912B55 and #917B2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C9269 shade: #2C9269, #332B91, #912B55 and #88912B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 28 / 43

HEX #2C9269

RGB 44 146 105

HSL 155.88, 0.54%, 0.37%

LAB 54.15, -39.14, 13.46

 

Complementary color

CMYK 0 / 48 / 29 / 17

HEX #D36D96

RGB 211 109 150

HSL 335.88, 0.54%, 0.63%

LAB 58.96, 44.7, -3.82

 

CMYK 66 / 0 / 32 / 43

HEX #319264

RGB 49 146 100

HSL 151.55, 0.5%, 0.38%

LAB 54.17, -39.35, 16.33

 

CMYK 60 / 0 / 27 / 36

HEX #42A477

RGB 66 164 119

HSL 152.45, 0.43%, 0.45%

LAB 60.82, -39.52, 14.97

 

CMYK 54 / 0 / 24 / 29

HEX #53B68A

RGB 83 182 138

HSL 153.33, 0.4%, 0.52%

LAB 67.37, -39.51, 13.75

 

CMYK 50 / 0 / 22 / 22

HEX #64C89D

RGB 100 200 157

HSL 154.2, 0.48%, 0.59%

LAB 73.84, -39.41, 12.64

 

CMYK 46 / 0 / 19 / 15

HEX #75DAB0

RGB 117 218 176

HSL 155.05, 0.58%, 0.66%

LAB 80.21, -39.26, 11.62

 

CMYK 70 / 0 / 28 / 43

HEX #2C9269

RGB 44 146 105

HSL 155.88, 0.54%, 0.37%

LAB 54.15, -39.14, 13.46

 

CMYK 79 / 0 / 33 / 50

HEX #1B8056

RGB 27 128 86

HSL 155.05, 0.65%, 0.3%

LAB 47.42, -38.51, 14.98

 

CMYK 91 / 0 / 39 / 57

HEX #0A6E43

RGB 10 110 67

HSL 154.2, 0.83%, 0.24%

LAB 40.61, -37.31, 16.73

 

CMYK 100 / 0 / 48 / 64

HEX #005C30

RGB 0 92 48

HSL 151.3, 1%, 0.18%

LAB 33.71, -35.25, 18.75

 

CMYK 100 / 0 / 61 / 71

HEX #004A1D

RGB 0 74 29

HSL 143.51, 1%, 0.15%

LAB 26.7, -32.03, 20.98

 

CMYK 70 / 0 / 28 / 43

HEX #2B9168

RGB 43 145 104

HSL 155.88, 0.54%, 0.37%

LAB 53.78, -39.11, 13.5

 

CMYK 70 / 0 / 48 / 43

HEX #2B914C

RGB 43 145 76

HSL 139.41, 0.54%, 0.37%

LAB 53.26, -44.77, 28.31

 

CMYK 70 / 0 / 66 / 43

HEX #2B9131

RGB 43 145 49

HSL 123.53, 0.54%, 0.37%

LAB 52.93, -48.58, 41.33

 

CMYK 56 / 0 / 70 / 43

HEX #40912B

RGB 64 145 43

HSL 107.65, 0.54%, 0.37%

LAB 53.51, -44.15, 44.72

 

CMYK 37 / 0 / 70 / 43

HEX #5C912B

RGB 92 145 43

HSL 91.18, 0.54%, 0.37%

LAB 54.76, -34.96, 46.42

 

CMYK 70 / 0 / 28 / 43

HEX #2B9168

RGB 43 145 104

HSL 155.88, 0.54%, 0.37%

LAB 53.78, -39.11, 13.5

 

CMYK 70 / 0 / 10 / 43

HEX #2B9183

RGB 43 145 131

HSL 171.76, 0.54%, 0.37%

LAB 54.45, -32.17, -0.99

 

CMYK 70 / 10 / 0 / 43

HEX #2B8391

RGB 43 131 145

HSL 188.24, 0.54%, 0.37%

LAB 50.44, -20.93, -15.1

 

CMYK 70 / 29 / 0 / 43

HEX #2B6791

RGB 43 103 145

HSL 204.71, 0.54%, 0.37%

LAB 41.62, -5.03, -28.7

 

CMYK 70 / 48 / 0 / 43

HEX #2B4C91

RGB 43 76 145

HSL 220.59, 0.54%, 0.37%

LAB 33.41, 12.3, -41.73

 

CMYK 70 / 0 / 28 / 43

HEX #2B9168

RGB 43 145 104

HSL 155.88, 0.54%, 0.37%

LAB 53.78, -39.11, 13.5

 

CMYK 83 / 0 / 33 / 37

HEX #1CA06B

RGB 28 160 107

HSL 155.91, 0.7%, 0.37%

LAB 58.46, -46.59, 18.24

 

CMYK 93 / 0 / 37 / 31

HEX #0CAF6E

RGB 12 175 110

HSL 156.07, 0.87%, 0.37%

LAB 63.23, -52.81, 23.03

 

CMYK 70 / 0 / 28 / 43

HEX #2B9168

RGB 43 145 104

HSL 155.88, 0.54%, 0.37%

LAB 53.78, -39.11, 13.5

 

CMYK 55 / 0 / 22 / 49

HEX #3A8265

RGB 58 130 101

HSL 155.83, 0.38%, 0.37%

LAB 49.26, -29.92, 8.96

 

CMYK 36 / 0 / 14 / 55

HEX #497262

RGB 73 114 98

HSL 156.59, 0.22%, 0.37%

LAB 44.71, -18.23, 4.34

 

CMYK 10 / 0 / 4 / 61

HEX #59635F

RGB 89 99 95

HSL 156, 0.05%, 0.37%

LAB 41.01, -4.72, 0.95

 

CMYK 0 / 19 / 12 / 59

HEX #68545C

RGB 104 84 92

HSL 336, 0.11%, 0.37%

LAB 37.94, 9.74, -1.52

 

CMYK 70 / 0 / 67 / 43

HEX #2B9130

RGB 43 145 48

HSL 122.94, 0.54%, 0.37%

LAB 52.93, -48.68, 41.76

 

CMYK 70 / 0 / 48 / 43

HEX #2B914B

RGB 43 145 75

HSL 138.82, 0.54%, 0.37%

LAB 53.25, -44.94, 28.83

 

CMYK 70 / 0 / 30 / 43

HEX #2B9166

RGB 43 145 102

HSL 154.71, 0.54%, 0.37%

LAB 53.73, -39.57, 14.58

 

CMYK 70 / 0 / 10 / 43

HEX #2B9182

RGB 43 145 130

HSL 171.18, 0.54%, 0.37%

LAB 54.42, -32.45, -0.46

 

CMYK 70 / 8 / 0 / 43

HEX #2B8591

RGB 43 133 145

HSL 187.06, 0.54%, 0.37%

LAB 51.07, -21.98, -14.14

 

CMYK 70 / 0 / 28 / 68

HEX #18513A

RGB 24 81 58

HSL 155.79, 0.54%, 0.21%

LAB 30.36, -24.73, 8.22

 

CMYK 71 / 0 / 28 / 56

HEX #217151

RGB 33 113 81

HSL 156, 0.55%, 0.29%

LAB 42.35, -32.23, 10.92

 

CMYK 70 / 0 / 28 / 43

HEX #2B9168

RGB 43 145 104

HSL 155.88, 0.54%, 0.37%

LAB 53.78, -39.11, 13.5

 

CMYK 71 / 0 / 28 / 31

HEX #34B17F

RGB 52 177 127

HSL 156, 0.55%, 0.45%

LAB 64.73, -45.85, 15.94

 

CMYK 65 / 0 / 26 / 22

HEX #47C894

RGB 71 200 148

HSL 155.81, 0.54%, 0.53%

LAB 72.75, -47.5, 15.81

 

CMYK 70 / 0 / 28 / 43

HEX #2C9269

RGB 44 146 105

HSL 155.88, 0.54%, 0.37%

LAB 54.15, -39.14, 13.46

 

CMYK 70 / 55 / 0 / 43

HEX #2B4191

RGB 43 65 145

HSL 227.06, 0.54%, 0.37%

LAB 30.25, 19.74, -46.82

 

CMYK 0 / 57 / 70 / 43

HEX #913E2B

RGB 145 62 43

HSL 11.18, 0.54%, 0.37%

LAB 37.19, 33.77, 28.62

 

CMYK 70 / 0 / 28 / 43

HEX #2C9269

RGB 44 146 105

HSL 155.88, 0.54%, 0.37%

LAB 54.15, -39.14, 13.46

 

CMYK 30 / 70 / 0 / 43

HEX #662B91

RGB 102 43 145

HSL 274.71, 0.54%, 0.37%

LAB 30.87, 44.94, -45.54

 

CMYK 0 / 30 / 70 / 43

HEX #91662B

RGB 145 102 43

HSL 34.71, 0.54%, 0.37%

LAB 46.57, 11.25, 39.12

 

CMYK 70 / 0 / 28 / 43

HEX #2C9269

RGB 44 146 105

HSL 155.88, 0.54%, 0.37%

LAB 54.15, -39.14, 13.46

 

CMYK 70 / 55 / 0 / 43

HEX #2B4191

RGB 43 65 145

HSL 227.06, 0.54%, 0.37%

LAB 30.25, 19.74, -46.82

 

CMYK 0 / 70 / 41 / 43

HEX #912B55

RGB 145 43 85

HSL 335.29, 0.54%, 0.37%

LAB 34.81, 46.18, -1.01

 

CMYK 0 / 15 / 70 / 43

HEX #917B2B

RGB 145 123 43

HSL 47.06, 0.54%, 0.37%

LAB 52.24, -0.79, 45.08

 

CMYK 70 / 0 / 28 / 43

HEX #2C9269

RGB 44 146 105

HSL 155.88, 0.54%, 0.37%

LAB 54.15, -39.14, 13.46

 

CMYK 65 / 70 / 0 / 43

HEX #332B91

RGB 51 43 145

HSL 244.71, 0.54%, 0.37%

LAB 25.19, 35.4, -55.05

 

CMYK 0 / 70 / 41 / 43

HEX #912B55

RGB 145 43 85

HSL 335.29, 0.54%, 0.37%

LAB 34.81, 46.18, -1.01

 

CMYK 6 / 0 / 70 / 43

HEX #88912B

RGB 136 145 43

HSL 65.29, 0.54%, 0.37%

LAB 57.71, -16.83, 50.37

 

Description

Color code: HEX #2C9269 | qconv.com Color code: HEX #2C9269 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 146 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 146 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 28 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 28% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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