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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C98C3 it is the complementary color #D3673C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C98C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C98C3 shade: #3198BE, #42AAD1, #53BCE4, #64CEF7 and #75E0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C98C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C98C3 shade: #2C98C3, #1B86B0, #0A749D, #00628A and #005077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C98C3 shade: #2C98C3, #2C6FC3, #2C46C3, #3A2CC3 and #632CC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C98C3 shade: #2C98C3, #2C6FC3, #2C46C3 and #2C2CC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C98C3 shade matches the following richer shades: #2C98C3, #18A0D6 and #05A9EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C98C3 shade: #2C98C3, #3F8FAF, #53879C, #667F89 and #797675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C98C3 shade: #2CC39D, #2CC0C3, #2C98C3, #2C70C3 and #2C48C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C98C3 shade: #1D6380, #247EA1, #2C98C3, #44ABD4 and #65BADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C98C3 shade: #2C98C3, #752CC3 and #C3B12C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C98C3 shade: #2C98C3, #C32C98 and #98C32C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C98C3 shade: #2C98C3, #752CC3, #C3572C and #7AC32C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C98C3 shade: #2C98C3, #A22CC3, #C3572C and #4DC32C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

Complementary color

CMYK 0 / 51 / 72 / 17

HEX #D3673C

RGB 211 103 60

HSL 17.09, 0.63%, 0.53%

LAB 55.96, 39.56, 43.31

 

CMYK 74 / 20 / 0 / 25

HEX #3198BE

RGB 49 152 190

HSL 196.17, 0.59%, 0.47%

LAB 58.81, -16.46, -28.08

 

CMYK 68 / 19 / 0 / 18

HEX #42AAD1

RGB 66 170 209

HSL 196.36, 0.61%, 0.54%

LAB 65.37, -17.51, -28.55

 

CMYK 64 / 18 / 0 / 11

HEX #53BCE4

RGB 83 188 228

HSL 196.55, 0.73%, 0.61%

LAB 71.83, -18.32, -28.97

 

CMYK 60 / 17 / 0 / 3

HEX #64CEF7

RGB 100 206 247

HSL 196.73, 0.9%, 0.68%

LAB 78.21, -18.95, -29.36

 

CMYK 54 / 12 / 0 / 0

HEX #75E0FF

RGB 117 224 255

HSL 193.48, 1%, 0.73%

LAB 84.13, -22.54, -24.5

 

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

CMYK 85 / 24 / 0 / 31

HEX #1B86B0

RGB 27 134 176

HSL 196.91, 0.73%, 0.4%

LAB 52.31, -13.74, -30.24

 

CMYK 94 / 26 / 0 / 38

HEX #0A749D

RGB 10 116 157

HSL 196.73, 0.88%, 0.33%

LAB 45.62, -11.63, -29.62

 

CMYK 100 / 29 / 0 / 46

HEX #00628A

RGB 0 98 138

HSL 197.39, 1%, 0.27%

LAB 38.85, -8.89, -28.9

 

CMYK 100 / 33 / 0 / 53

HEX #005077

RGB 0 80 119

HSL 199.66, 1%, 0.23%

LAB 31.96, -5.48, -28.06

 

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

CMYK 77 / 43 / 0 / 24

HEX #2C6FC3

RGB 44 111 195

HSL 213.38, 0.63%, 0.47%

LAB 46.77, 8.78, -49.9

 

CMYK 77 / 64 / 0 / 24

HEX #2C46C3

RGB 44 70 195

HSL 229.67, 0.63%, 0.47%

LAB 35.71, 35.27, -67.83

 

CMYK 70 / 77 / 0 / 24

HEX #3A2CC3

RGB 58 44 195

HSL 245.56, 0.63%, 0.47%

LAB 30.98, 51.76, -75.59

 

CMYK 49 / 77 / 0 / 24

HEX #632CC3

RGB 99 44 195

HSL 261.85, 0.63%, 0.47%

LAB 34.79, 56.56, -69.17

 

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

CMYK 77 / 43 / 0 / 24

HEX #2C6FC3

RGB 44 111 195

HSL 213.38, 0.63%, 0.47%

LAB 46.77, 8.78, -49.9

 

CMYK 77 / 64 / 0 / 24

HEX #2C46C3

RGB 44 70 195

HSL 229.67, 0.63%, 0.47%

LAB 35.71, 35.27, -67.83

 

CMYK 77 / 77 / 0 / 24

HEX #2C2CC3

RGB 44 44 195

HSL 240, 0.63%, 0.47%

LAB 30.1, 50.65, -77.07

 

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

CMYK 89 / 25 / 0 / 16

HEX #18A0D6

RGB 24 160 214

HSL 197.05, 0.8%, 0.47%

LAB 61.82, -14.7, -36.89

 

CMYK 98 / 28 / 0 / 8

HEX #05A9EA

RGB 5 169 234

HSL 197.03, 0.96%, 0.47%

LAB 65.24, -13.17, -42.59

 

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

CMYK 64 / 18 / 0 / 31

HEX #3F8FAF

RGB 63 143 175

HSL 197.14, 0.47%, 0.47%

LAB 55.88, -14.39, -24.06

 

CMYK 47 / 13 / 0 / 39

HEX #53879C

RGB 83 135 156

HSL 197.26, 0.31%, 0.47%

LAB 53.56, -11.49, -16.61

 

CMYK 26 / 7 / 0 / 46

HEX #667F89

RGB 102 127 137

HSL 197.14, 0.15%, 0.47%

LAB 51.62, -6.57, -8.38

 

CMYK 0 / 2 / 3 / 53

HEX #797675

RGB 121 118 117

HSL 15, 0.02%, 0.47%

LAB 49.87, 0.95, 0.95

 

CMYK 77 / 0 / 19 / 24

HEX #2CC39D

RGB 44 195 157

HSL 164.9, 0.63%, 0.47%

LAB 70.87, -47.23, 8.23

 

CMYK 77 / 2 / 0 / 24

HEX #2CC0C3

RGB 44 192 195

HSL 181.19, 0.63%, 0.47%

LAB 70.99, -35.52, -12.33

 

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

CMYK 77 / 43 / 0 / 24

HEX #2C70C3

RGB 44 112 195

HSL 212.98, 0.63%, 0.47%

LAB 47.06, 8.15, -49.44

 

CMYK 77 / 63 / 0 / 24

HEX #2C48C3

RGB 44 72 195

HSL 228.87, 0.63%, 0.47%

LAB 36.2, 33.99, -67.03

 

CMYK 77 / 23 / 0 / 50

HEX #1D6380

RGB 29 99 128

HSL 197.58, 0.63%, 0.31%

LAB 39.14, -10.94, -22.33

 

CMYK 78 / 22 / 0 / 37

HEX #247EA1

RGB 36 126 161

HSL 196.8, 0.63%, 0.39%

LAB 49.34, -13.72, -26.15

 

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

CMYK 68 / 19 / 0 / 17

HEX #44ABD4

RGB 68 171 212

HSL 197.08, 0.63%, 0.55%

LAB 65.83, -16.78, -29.48

 

CMYK 54 / 15 / 0 / 14

HEX #65BADC

RGB 101 186 220

HSL 197.14, 0.63%, 0.63%

LAB 71.59, -16.3, -24.93

 

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

CMYK 40 / 77 / 0 / 24

HEX #752CC3

RGB 117 44 195

HSL 269.01, 0.63%, 0.47%

LAB 36.97, 59.26, -65.51

 

CMYK 0 / 9 / 77 / 24

HEX #C3B12C

RGB 195 177 44

HSL 52.85, 0.63%, 0.47%

LAB 71.71, -7.52, 65.12

 

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

CMYK 0 / 77 / 22 / 24

HEX #C32C98

RGB 195 44 152

HSL 317.09, 0.63%, 0.47%

LAB 46.54, 67.33, -24.03

 

CMYK 22 / 0 / 77 / 24

HEX #98C32C

RGB 152 195 44

HSL 77.09, 0.63%, 0.47%

LAB 73.47, -34.52, 65.54

 

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

CMYK 40 / 77 / 0 / 24

HEX #752CC3

RGB 117 44 195

HSL 269.01, 0.63%, 0.47%

LAB 36.97, 59.26, -65.51

 

CMYK 0 / 55 / 77 / 24

HEX #C3572C

RGB 195 87 44

HSL 17.09, 0.63%, 0.47%

LAB 50.22, 40.69, 44.59

 

CMYK 37 / 0 / 77 / 24

HEX #7AC32C

RGB 122 195 44

HSL 89.01, 0.63%, 0.47%

LAB 71.79, -45.74, 63.37

 

CMYK 77 / 22 / 0 / 24

HEX #2C98C3

RGB 44 152 195

HSL 197.09, 0.63%, 0.47%

LAB 58.91, -15.35, -30.76

 

CMYK 17 / 77 / 0 / 24

HEX #A22CC3

RGB 162 44 195

HSL 286.89, 0.63%, 0.47%

LAB 43.39, 67.11, -54.79

 

CMYK 0 / 55 / 77 / 24

HEX #C3572C

RGB 195 87 44

HSL 17.09, 0.63%, 0.47%

LAB 50.22, 40.69, 44.59

 

CMYK 61 / 0 / 77 / 24

HEX #4DC32C

RGB 77 195 44

HSL 106.89, 0.63%, 0.47%

LAB 70.03, -59.1, 61.07

 

Description

Color code: HEX #2C98C3 | qconv.com Color code: HEX #2C98C3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 152 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 152 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 22 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 22% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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