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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C5856 it is the complementary color #D3A7A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C5856. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C5856 shade: #315851, #426A64, #537C77, #648E8A and #75A09D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C5856. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C5856 shade: #2C5856, #1B4643, #0A3430, #00221D and #00100A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C5856 shade: #2C5856, #2C584A, #2C583E, #2C5832 and #31582C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C5856 shade: #2C5856, #2C4E58, #2C4258, #2C3658 and #2C2C58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C5856 shade matches the following richer shades: #2C5856, #21625F, #166D69, #0C7873 and #01837D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C5856 shade: #2C5856, #374D4C, #414242, #4C3738 and #572D2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C5856 shade: #2C583E, #2C584A, #2C5855, #2C4E58 and #2C4358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C5856 shade: #102120, #1E3C3B, #2C5856, #3A7371 and #488F8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C5856 shade: #2C5856, #322C58 and #58442C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C5856 shade: #2C5856, #552C58 and #58552C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C5856 shade: #2C5856, #322C58, #582C2E and #51582C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C5856 shade: #2C5856, #402C58, #582C2E and #44582C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 2 / 65

HEX #2C5856

RGB 44 88 86

HSL 177.27, 0.33%, 0.26%

LAB 34.37, -15.75, -3.56

 

Complementary color

CMYK 0 / 21 / 20 / 17

HEX #D3A7A9

RGB 211 167 169

HSL 357.27, 0.33%, 0.74%

LAB 72.46, 16.44, 5.14

 

CMYK 44 / 0 / 8 / 65

HEX #315851

RGB 49 88 81

HSL 169.23, 0.28%, 0.27%

LAB 34.45, -15.74, -0.28

 

CMYK 38 / 0 / 6 / 58

HEX #426A64

RGB 66 106 100

HSL 171, 0.23%, 0.34%

LAB 41.82, -15.57, -1.1

 

CMYK 33 / 0 / 4 / 51

HEX #537C77

RGB 83 124 119

HSL 172.68, 0.2%, 0.41%

LAB 48.99, -15.42, -1.83

 

CMYK 30 / 0 / 3 / 44

HEX #648E8A

RGB 100 142 138

HSL 174.29, 0.17%, 0.47%

LAB 55.98, -15.27, -2.52

 

CMYK 27 / 0 / 2 / 37

HEX #75A09D

RGB 117 160 157

HSL 175.81, 0.18%, 0.54%

LAB 62.81, -15.15, -3.16

 

CMYK 50 / 0 / 2 / 65

HEX #2C5856

RGB 44 88 86

HSL 177.27, 0.33%, 0.26%

LAB 34.37, -15.75, -3.56

 

CMYK 61 / 0 / 4 / 73

HEX #1B4643

RGB 27 70 67

HSL 175.81, 0.44%, 0.19%

LAB 26.79, -15.66, -2.7

 

CMYK 81 / 0 / 8 / 80

HEX #0A3430

RGB 10 52 48

HSL 174.29, 0.68%, 0.12%

LAB 18.95, -15.25, -1.63

 

CMYK 100 / 0 / 15 / 87

HEX #00221D

RGB 0 34 29

HSL 171.18, 1%, 0.07%

LAB 10.8, -14.02, -0.19

 

CMYK 100 / 0 / 38 / 94

HEX #00100A

RGB 0 16 10

HSL 157.5, 1%, 0.03%

LAB 3.55, -5.45, 1.1

 

CMYK 50 / 0 / 2 / 65

HEX #2C5856

RGB 44 88 86

HSL 177.27, 0.33%, 0.26%

LAB 34.37, -15.75, -3.56

 

CMYK 50 / 0 / 16 / 65

HEX #2C584A

RGB 44 88 74

HSL 160.91, 0.33%, 0.26%

LAB 34, -19.08, 3.43

 

CMYK 50 / 0 / 30 / 65

HEX #2C583E

RGB 44 88 62

HSL 144.55, 0.33%, 0.26%

LAB 33.7, -22.01, 10.47

 

CMYK 50 / 0 / 43 / 65

HEX #2C5832

RGB 44 88 50

HSL 128.18, 0.33%, 0.26%

LAB 33.45, -24.49, 17.44

 

CMYK 44 / 0 / 50 / 65

HEX #31582C

RGB 49 88 44

HSL 113.18, 0.33%, 0.26%

LAB 33.59, -23.82, 21.22

 

CMYK 50 / 0 / 2 / 65

HEX #2C5856

RGB 44 88 86

HSL 177.27, 0.33%, 0.26%

LAB 34.37, -15.75, -3.56

 

CMYK 50 / 11 / 0 / 65

HEX #2C4E58

RGB 44 78 88

HSL 193.64, 0.33%, 0.26%

LAB 31.09, -9.28, -9.74

 

CMYK 50 / 25 / 0 / 65

HEX #2C4258

RGB 44 66 88

HSL 210, 0.33%, 0.26%

LAB 27.12, -1.71, -15.81

 

CMYK 50 / 39 / 0 / 65

HEX #2C3658

RGB 44 54 88

HSL 226.36, 0.33%, 0.26%

LAB 23.27, 6.38, -21.82

 

CMYK 50 / 50 / 0 / 65

HEX #2C2C58

RGB 44 44 88

HSL 240, 0.33%, 0.26%

LAB 20.21, 13.4, -26.66

 

CMYK 50 / 0 / 2 / 65

HEX #2C5856

RGB 44 88 86

HSL 177.27, 0.33%, 0.26%

LAB 34.37, -15.75, -3.56

 

CMYK 66 / 0 / 3 / 62

HEX #21625F

RGB 33 98 95

HSL 177.23, 0.5%, 0.26%

LAB 37.64, -21, -4.37

 

CMYK 80 / 0 / 4 / 57

HEX #166D69

RGB 22 109 105

HSL 177.24, 0.66%, 0.26%

LAB 41.42, -25.23, -4.9

 

CMYK 90 / 0 / 4 / 53

HEX #0C7873

RGB 12 120 115

HSL 177.22, 0.82%, 0.26%

LAB 45.29, -28.43, -5.19

 

CMYK 99 / 0 / 5 / 49

HEX #01837D

RGB 1 131 125

HSL 177.23, 0.98%, 0.26%

LAB 49.15, -31.19, -5.38

 

CMYK 50 / 0 / 2 / 65

HEX #2C5856

RGB 44 88 86

HSL 177.27, 0.33%, 0.26%

LAB 34.37, -15.75, -3.56

 

CMYK 29 / 0 / 1 / 70

HEX #374D4C

RGB 55 77 76

HSL 177.27, 0.17%, 0.26%

LAB 30.98, -8.7, -2.17

 

CMYK 2 / 0 / 0 / 74

HEX #414242

RGB 65 66 66

HSL 180, 0.01%, 0.26%

LAB 27.88, -0.42, -0.15

 

CMYK 0 / 28 / 26 / 70

HEX #4C3738

RGB 76 55 56

HSL 357.14, 0.16%, 0.26%

LAB 25.43, 9.54, 3.03

 

CMYK 0 / 48 / 46 / 66

HEX #572D2F

RGB 87 45 47

HSL 357.14, 0.32%, 0.26%

LAB 24.03, 19.47, 7.3

 

CMYK 50 / 0 / 30 / 65

HEX #2C583E

RGB 44 88 62

HSL 144.55, 0.33%, 0.26%

LAB 33.7, -22.01, 10.47

 

CMYK 50 / 0 / 16 / 65

HEX #2C584A

RGB 44 88 74

HSL 160.91, 0.33%, 0.26%

LAB 34, -19.08, 3.43

 

CMYK 50 / 0 / 3 / 65

HEX #2C5855

RGB 44 88 85

HSL 175.91, 0.33%, 0.26%

LAB 34.34, -16.04, -2.98

 

CMYK 50 / 11 / 0 / 65

HEX #2C4E58

RGB 44 78 88

HSL 193.64, 0.33%, 0.26%

LAB 31.09, -9.28, -9.74

 

CMYK 50 / 24 / 0 / 65

HEX #2C4358

RGB 44 67 88

HSL 208.64, 0.33%, 0.26%

LAB 27.45, -2.36, -15.31

 

CMYK 52 / 0 / 3 / 87

HEX #102120

RGB 16 33 32

HSL 176.47, 0.35%, 0.1%

LAB 11.29, -7.41, -1.57

 

CMYK 50 / 0 / 2 / 76

HEX #1E3C3B

RGB 30 60 59

HSL 178, 0.33%, 0.18%

LAB 23.08, -11.48, -2.88

 

CMYK 50 / 0 / 2 / 65

HEX #2C5856

RGB 44 88 86

HSL 177.27, 0.33%, 0.26%

LAB 34.37, -15.75, -3.56

 

CMYK 50 / 0 / 2 / 55

HEX #3A7371

RGB 58 115 113

HSL 177.89, 0.33%, 0.34%

LAB 44.74, -19.19, -4.68

 

CMYK 50 / 0 / 3 / 44

HEX #488F8B

RGB 72 143 139

HSL 176.62, 0.33%, 0.42%

LAB 54.96, -23.28, -4.75

 

CMYK 50 / 0 / 2 / 65

HEX #2C5856

RGB 44 88 86

HSL 177.27, 0.33%, 0.26%

LAB 34.37, -15.75, -3.56

 

CMYK 43 / 50 / 0 / 65

HEX #322C58

RGB 50 44 88

HSL 248.18, 0.33%, 0.26%

LAB 20.77, 15.12, -25.74

 

CMYK 0 / 23 / 50 / 65

HEX #58442C

RGB 88 68 44

HSL 32.73, 0.33%, 0.26%

LAB 30.38, 5.05, 17.79

 

CMYK 50 / 0 / 2 / 65

HEX #2C5856

RGB 44 88 86

HSL 177.27, 0.33%, 0.26%

LAB 34.37, -15.75, -3.56

 

CMYK 3 / 50 / 0 / 65

HEX #552C58

RGB 85 44 88

HSL 295.91, 0.33%, 0.26%

LAB 25.07, 26.49, -18.68

 

CMYK 0 / 3 / 50 / 65

HEX #58552C

RGB 88 85 44

HSL 55.91, 0.33%, 0.26%

LAB 35.51, -5.4, 24.23

 

CMYK 50 / 0 / 2 / 65

HEX #2C5856

RGB 44 88 86

HSL 177.27, 0.33%, 0.26%

LAB 34.37, -15.75, -3.56

 

CMYK 43 / 50 / 0 / 65

HEX #322C58

RGB 50 44 88

HSL 248.18, 0.33%, 0.26%

LAB 20.77, 15.12, -25.74

 

CMYK 0 / 50 / 48 / 65

HEX #582C2E

RGB 88 44 46

HSL 357.27, 0.33%, 0.26%

LAB 23.91, 20.4, 7.84

 

CMYK 8 / 0 / 50 / 65

HEX #51582C

RGB 81 88 44

HSL 69.55, 0.33%, 0.26%

LAB 35.81, -10.43, 24.46

 

CMYK 50 / 0 / 2 / 65

HEX #2C5856

RGB 44 88 86

HSL 177.27, 0.33%, 0.26%

LAB 34.37, -15.75, -3.56

 

CMYK 27 / 50 / 0 / 65

HEX #402C58

RGB 64 44 88

HSL 267.27, 0.33%, 0.26%

LAB 22.29, 19.48, -23.23

 

CMYK 0 / 50 / 48 / 65

HEX #582C2E

RGB 88 44 46

HSL 357.27, 0.33%, 0.26%

LAB 23.91, 20.4, 7.84

 

CMYK 23 / 0 / 50 / 65

HEX #44582C

RGB 68 88 44

HSL 87.27, 0.33%, 0.26%

LAB 34.78, -16.24, 22.96

 

Description

Color code: HEX #2C5856 | qconv.com Color code: HEX #2C5856 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 88 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 88 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 2 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 2% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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