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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C5567 it is the complementary color #D3AA98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C5567. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C5567 shade: #315562, #426775, #537988, #648B9B and #759DAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C5567. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C5567 shade: #2C5567, #1B4354, #0A3141, #001F2E and #000D1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C5567 shade: #2C5567, #2C4567, #2C3567, #332C67 and #432C67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C5567 shade: #2C5567, #2C4567, #2C3567 and #2C2C67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C5567 shade matches the following richer shades: #2C5567, #205A73, #145E7F and #08638B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C5567 shade: #2C5567, #38505B, #444C4F, #504743 and #5C4237

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C5567 shade: #2C6759, #2C6567, #2C5567, #2C4667 and #2C3667

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C5567 shade: #13252D, #1F3D4A, #2C5567, #386D84 and #4585A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C5567 shade: #2C5567, #492C67 and #67612C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C5567 shade: #2C5567, #672C55 and #55672C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C5567 shade: #2C5567, #492C67, #673E2C and #49672C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C5567 shade: #2C5567, #5B2C67, #673E2C and #38672C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

Complementary color

CMYK 0 / 19 / 28 / 17

HEX #D3AA98

RGB 211 170 152

HSL 18.31, 0.4%, 0.71%

LAB 72.8, 12.35, 14.95

 

CMYK 50 / 13 / 0 / 62

HEX #315562

RGB 49 85 98

HSL 195.92, 0.33%, 0.29%

LAB 34.05, -8.98, -11.56

 

CMYK 44 / 12 / 0 / 54

HEX #426775

RGB 66 103 117

HSL 196.47, 0.28%, 0.36%

LAB 41.44, -9.16, -11.99

 

CMYK 39 / 11 / 0 / 47

HEX #537988

RGB 83 121 136

HSL 196.98, 0.24%, 0.43%

LAB 48.63, -9.27, -12.41

 

CMYK 35 / 10 / 0 / 39

HEX #648B9B

RGB 100 139 155

HSL 197.45, 0.22%, 0.5%

LAB 55.63, -9.34, -12.83

 

CMYK 33 / 10 / 0 / 32

HEX #759DAE

RGB 117 157 174

HSL 197.89, 0.26%, 0.57%

LAB 62.47, -9.4, -13.24

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 68 / 20 / 0 / 67

HEX #1B4354

RGB 27 67 84

HSL 197.89, 0.51%, 0.22%

LAB 26.41, -8.03, -14.37

 

CMYK 85 / 25 / 0 / 75

HEX #0A3141

RGB 10 49 65

HSL 197.45, 0.73%, 0.15%

LAB 18.55, -6.92, -13.89

 

CMYK 100 / 33 / 0 / 82

HEX #001F2E

RGB 0 31 46

HSL 199.57, 1%, 0.09%

LAB 10.39, -4.8, -13.25

 

CMYK 100 / 52 / 0 / 89

HEX #000D1B

RGB 0 13 27

HSL 211.11, 1%, 0.05%

LAB 3.31, -0.29, -9.8

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 57 / 33 / 0 / 60

HEX #2C4567

RGB 44 69 103

HSL 214.58, 0.4%, 0.29%

LAB 28.83, 1.51, -22.81

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 50 / 57 / 0 / 60

HEX #332C67

RGB 51 44 103

HSL 247.12, 0.4%, 0.29%

LAB 21.89, 20.4, -33.8

 

CMYK 35 / 57 / 0 / 60

HEX #432C67

RGB 67 44 103

HSL 263.39, 0.4%, 0.29%

LAB 23.59, 24.67, -30.99

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 57 / 33 / 0 / 60

HEX #2C4567

RGB 44 69 103

HSL 214.58, 0.4%, 0.29%

LAB 28.83, 1.51, -22.81

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 57 / 57 / 0 / 60

HEX #2C2C67

RGB 44 44 103

HSL 240, 0.4%, 0.29%

LAB 21.27, 18.73, -34.83

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 72 / 22 / 0 / 55

HEX #205A73

RGB 32 90 115

HSL 198.07, 0.56%, 0.29%

LAB 35.71, -9.89, -19.68

 

CMYK 84 / 26 / 0 / 50

HEX #145E7F

RGB 20 94 127

HSL 198.5, 0.73%, 0.29%

LAB 37.27, -9.4, -24.65

 

CMYK 94 / 29 / 0 / 45

HEX #08638B

RGB 8 99 139

HSL 198.32, 0.89%, 0.29%

LAB 39.31, -8.64, -28.77

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 38 / 12 / 0 / 64

HEX #38505B

RGB 56 80 91

HSL 198.86, 0.24%, 0.29%

LAB 32.55, -6, -9.37

 

CMYK 14 / 4 / 0 / 69

HEX #444C4F

RGB 68 76 79

HSL 196.36, 0.07%, 0.29%

LAB 31.72, -2.49, -2.88

 

CMYK 0 / 11 / 16 / 69

HEX #504743

RGB 80 71 67

HSL 18.46, 0.09%, 0.29%

LAB 30.92, 3.01, 3.78

 

CMYK 0 / 28 / 40 / 64

HEX #5C4237

RGB 92 66 55

HSL 17.84, 0.25%, 0.29%

LAB 30.51, 9.6, 11.11

 

CMYK 57 / 0 / 14 / 60

HEX #2C6759

RGB 44 103 89

HSL 165.76, 0.4%, 0.29%

LAB 39.51, -22.99, 2.1

 

CMYK 57 / 2 / 0 / 60

HEX #2C6567

RGB 44 101 103

HSL 182.03, 0.4%, 0.29%

LAB 39.28, -17.87, -6.8

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 57 / 32 / 0 / 60

HEX #2C4667

RGB 44 70 103

HSL 213.56, 0.4%, 0.29%

LAB 29.15, 0.85, -22.31

 

CMYK 57 / 48 / 0 / 60

HEX #2C3667

RGB 44 54 103

HSL 229.83, 0.4%, 0.29%

LAB 24.17, 11.74, -30.17

 

CMYK 58 / 18 / 0 / 82

HEX #13252D

RGB 19 37 45

HSL 198.46, 0.41%, 0.13%

LAB 13.54, -4.64, -7.59

 

CMYK 58 / 18 / 0 / 71

HEX #1F3D4A

RGB 31 61 74

HSL 198.14, 0.41%, 0.21%

LAB 24.07, -6.87, -11.37

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 58 / 17 / 0 / 48

HEX #386D84

RGB 56 109 132

HSL 198.16, 0.4%, 0.37%

LAB 43.42, -10.54, -18.07

 

CMYK 57 / 17 / 0 / 37

HEX #4585A1

RGB 69 133 161

HSL 198.26, 0.4%, 0.45%

LAB 52.52, -12.14, -21.15

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 29 / 57 / 0 / 60

HEX #492C67

RGB 73 44 103

HSL 269.49, 0.4%, 0.29%

LAB 24.31, 26.39, -29.78

 

CMYK 0 / 6 / 57 / 60

HEX #67612C

RGB 103 97 44

HSL 53.9, 0.4%, 0.29%

LAB 40.6, -5.4, 30.65

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 0 / 57 / 17 / 60

HEX #672C55

RGB 103 44 85

HSL 318.31, 0.4%, 0.29%

LAB 27.68, 32.04, -12.43

 

CMYK 17 / 0 / 57 / 60

HEX #55672C

RGB 85 103 44

HSL 78.31, 0.4%, 0.29%

LAB 40.92, -17.01, 30.63

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 29 / 57 / 0 / 60

HEX #492C67

RGB 73 44 103

HSL 269.49, 0.4%, 0.29%

LAB 24.31, 26.39, -29.78

 

CMYK 0 / 40 / 57 / 60

HEX #673E2C

RGB 103 62 44

HSL 18.31, 0.4%, 0.29%

LAB 30.67, 15.86, 18.55

 

CMYK 29 / 0 / 57 / 60

HEX #49672C

RGB 73 103 44

HSL 90.51, 0.4%, 0.29%

LAB 40.08, -22.12, 29.44

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 12 / 57 / 0 / 60

HEX #5B2C67

RGB 91 44 103

HSL 287.8, 0.4%, 0.29%

LAB 26.75, 31.74, -25.76

 

CMYK 0 / 40 / 57 / 60

HEX #673E2C

RGB 103 62 44

HSL 18.31, 0.4%, 0.29%

LAB 30.67, 15.86, 18.55

 

CMYK 46 / 0 / 57 / 60

HEX #38672C

RGB 56 103 44

HSL 107.8, 0.4%, 0.29%

LAB 39.11, -28.6, 28.05

 

Description

Color code: HEX #2C5567 | qconv.com Color code: HEX #2C5567 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 85 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 85 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 17 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 17% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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