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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C4563 it is the complementary color #D3BA9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C4563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C4563 shade: #31455E, #425771, #536984, #647B97 and #758DAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C4563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C4563 shade: #2C4563, #1B3350, #0A213D, #000F2A and #000017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C4563 shade: #2C4462, #2C3662, #302C62, #3F2C62 and #4E2C62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C4563 shade: #2C4462, #2C3662 and #2C2C62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C4563 shade matches the following richer shades: #2C4462, #20436E, #154279 and #094185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C4563 shade: #2C4462, #374556, #43474B, #4E483F and #5A4934

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C4563 shade: #2C6262, #2C5462, #2C4562, #2C3762 and #2F2C62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C4563 shade: #121D29, #1F3146, #2C4462, #39587F and #456C9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C4563 shade: #2C4563, #542C62 and #5B622C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C4563 shade: #2C4563, #622C45 and #45622C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C4563 shade: #2C4563, #542C62, #62492C and #3A622C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C4563 shade: #2C4563, #622C60, #62492C and #2C622E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 30 / 0 / 61

HEX #2C4563

RGB 44 69 99

HSL 212.73, 0.38%, 0.28%

LAB 28.62, 0.1, -20.57

 

Complementary color

CMYK 0 / 12 / 26 / 17

HEX #D3BA9C

RGB 211 186 156

HSL 32.73, 0.38%, 0.72%

LAB 76.9, 4.33, 18.49

 

CMYK 48 / 27 / 0 / 63

HEX #31455E

RGB 49 69 94

HSL 213.33, 0.31%, 0.28%

LAB 28.69, -0.23, -17.24

 

CMYK 42 / 23 / 0 / 56

HEX #425771

RGB 66 87 113

HSL 213.19, 0.26%, 0.35%

LAB 36.3, -0.67, -17.38

 

CMYK 37 / 20 / 0 / 48

HEX #536984

RGB 83 105 132

HSL 213.06, 0.23%, 0.42%

LAB 43.67, -1, -17.58

 

CMYK 34 / 19 / 0 / 41

HEX #647B97

RGB 100 123 151

HSL 212.94, 0.2%, 0.49%

LAB 50.82, -1.27, -17.8

 

CMYK 31 / 17 / 0 / 33

HEX #758DAA

RGB 117 141 170

HSL 212.83, 0.24%, 0.56%

LAB 57.78, -1.49, -18.06

 

CMYK 56 / 30 / 0 / 61

HEX #2C4563

RGB 44 69 99

HSL 212.73, 0.38%, 0.28%

LAB 28.62, 0.1, -20.57

 

CMYK 66 / 36 / 0 / 69

HEX #1B3350

RGB 27 51 80

HSL 212.83, 0.5%, 0.21%

LAB 20.75, 1.07, -20.55

 

CMYK 84 / 46 / 0 / 76

HEX #0A213D

RGB 10 33 61

HSL 212.94, 0.72%, 0.14%

LAB 12.54, 2.72, -20.57

 

CMYK 100 / 64 / 0 / 84

HEX #000F2A

RGB 0 15 42

HSL 218.57, 1%, 0.08%

LAB 4.6, 4.31, -19.43

 

CMYK 100 / 100 / 0 / 91

HEX #000017

RGB 0 0 23

HSL 240, 1%, 0.05%

LAB 0.56, 3.93, -10.69

 

CMYK 55 / 31 / 0 / 62

HEX #2C4462

RGB 44 68 98

HSL 213.33, 0.38%, 0.28%

LAB 28.25, 0.41, -20.51

 

CMYK 55 / 45 / 0 / 62

HEX #2C3662

RGB 44 54 98

HSL 228.89, 0.38%, 0.28%

LAB 23.85, 9.93, -27.43

 

CMYK 51 / 55 / 0 / 62

HEX #302C62

RGB 48 44 98

HSL 244.44, 0.38%, 0.28%

LAB 21.25, 17.93, -31.57

 

CMYK 36 / 55 / 0 / 62

HEX #3F2C62

RGB 63 44 98

HSL 261.11, 0.38%, 0.28%

LAB 22.79, 22.06, -29.02

 

CMYK 20 / 55 / 0 / 62

HEX #4E2C62

RGB 78 44 98

HSL 277.78, 0.38%, 0.28%

LAB 24.65, 26.57, -25.96

 

CMYK 55 / 31 / 0 / 62

HEX #2C4462

RGB 44 68 98

HSL 213.33, 0.38%, 0.28%

LAB 28.25, 0.41, -20.51

 

CMYK 55 / 45 / 0 / 62

HEX #2C3662

RGB 44 54 98

HSL 228.89, 0.38%, 0.28%

LAB 23.85, 9.93, -27.43

 

CMYK 55 / 55 / 0 / 62

HEX #2C2C62

RGB 44 44 98

HSL 240, 0.38%, 0.28%

LAB 20.9, 16.93, -32.16

 

CMYK 55 / 31 / 0 / 62

HEX #2C4462

RGB 44 68 98

HSL 213.33, 0.38%, 0.28%

LAB 28.25, 0.41, -20.51

 

CMYK 71 / 39 / 0 / 57

HEX #20436E

RGB 32 67 110

HSL 213.08, 0.55%, 0.28%

LAB 27.97, 2.88, -28.65

 

CMYK 83 / 45 / 0 / 53

HEX #154279

RGB 21 66 121

HSL 213, 0.7%, 0.28%

LAB 27.94, 6.4, -35.68

 

CMYK 93 / 51 / 0 / 48

HEX #094185

RGB 9 65 133

HSL 212.9, 0.87%, 0.28%

LAB 28.2, 11.15, -42.78

 

CMYK 55 / 31 / 0 / 62

HEX #2C4462

RGB 44 68 98

HSL 213.33, 0.38%, 0.28%

LAB 28.25, 0.41, -20.51

 

CMYK 36 / 20 / 0 / 66

HEX #374556

RGB 55 69 86

HSL 212.9, 0.22%, 0.28%

LAB 28.75, -0.86, -11.95

 

CMYK 11 / 5 / 0 / 71

HEX #43474B

RGB 67 71 75

HSL 210, 0.06%, 0.28%

LAB 29.93, -0.7, -2.96

 

CMYK 0 / 8 / 19 / 69

HEX #4E483F

RGB 78 72 63

HSL 36, 0.11%, 0.28%

LAB 30.91, 0.76, 6.31

 

CMYK 0 / 19 / 42 / 65

HEX #5A4934

RGB 90 73 52

HSL 33.16, 0.27%, 0.28%

LAB 32.23, 3.86, 15.28

 

CMYK 55 / 0 / 0 / 62

HEX #2C6262

RGB 44 98 98

HSL 180, 0.38%, 0.28%

LAB 38.12, -17.74, -5.47

 

CMYK 55 / 14 / 0 / 62

HEX #2C5462

RGB 44 84 98

HSL 195.56, 0.38%, 0.28%

LAB 33.47, -9.69, -12.46

 

CMYK 55 / 30 / 0 / 62

HEX #2C4562

RGB 44 69 98

HSL 212.22, 0.38%, 0.28%

LAB 28.57, -0.25, -20.01

 

CMYK 55 / 44 / 0 / 62

HEX #2C3762

RGB 44 55 98

HSL 227.78, 0.38%, 0.28%

LAB 24.16, 9.23, -26.95

 

CMYK 52 / 55 / 0 / 62

HEX #2F2C62

RGB 47 44 98

HSL 243.33, 0.38%, 0.28%

LAB 21.16, 17.68, -31.72

 

CMYK 56 / 29 / 0 / 84

HEX #121D29

RGB 18 29 41

HSL 211.3, 0.39%, 0.12%

LAB 10.31, -0.7, -9.64

 

CMYK 56 / 30 / 0 / 73

HEX #1F3146

RGB 31 49 70

HSL 212.31, 0.39%, 0.2%

LAB 19.76, -0.3, -15.34

 

CMYK 55 / 31 / 0 / 62

HEX #2C4462

RGB 44 68 98

HSL 213.33, 0.38%, 0.28%

LAB 28.25, 0.41, -20.51

 

CMYK 55 / 31 / 0 / 50

HEX #39587F

RGB 57 88 127

HSL 213.43, 0.38%, 0.36%

LAB 36.71, 0.77, -25.43

 

CMYK 55 / 30 / 0 / 39

HEX #456C9B

RGB 69 108 155

HSL 212.79, 0.38%, 0.44%

LAB 44.74, 0.56, -29.7

 

CMYK 56 / 30 / 0 / 61

HEX #2C4563

RGB 44 69 99

HSL 212.73, 0.38%, 0.28%

LAB 28.62, 0.1, -20.57

 

CMYK 14 / 55 / 0 / 62

HEX #542C62

RGB 84 44 98

HSL 284.44, 0.38%, 0.28%

LAB 25.47, 28.44, -24.61

 

CMYK 7 / 0 / 55 / 62

HEX #5B622C

RGB 91 98 44

HSL 67.78, 0.38%, 0.28%

LAB 39.82, -11.55, 29.47

 

CMYK 56 / 30 / 0 / 61

HEX #2C4563

RGB 44 69 99

HSL 212.73, 0.38%, 0.28%

LAB 28.62, 0.1, -20.57

 

CMYK 0 / 55 / 30 / 62

HEX #622C45

RGB 98 44 69

HSL 332.22, 0.38%, 0.28%

LAB 26.24, 27.64, -4.09

 

CMYK 30 / 0 / 55 / 62

HEX #45622C

RGB 69 98 44

HSL 92.22, 0.38%, 0.28%

LAB 38.17, -21.17, 27.1

 

CMYK 56 / 30 / 0 / 61

HEX #2C4563

RGB 44 69 99

HSL 212.73, 0.38%, 0.28%

LAB 28.62, 0.1, -20.57

 

CMYK 14 / 55 / 0 / 62

HEX #542C62

RGB 84 44 98

HSL 284.44, 0.38%, 0.28%

LAB 25.47, 28.44, -24.61

 

CMYK 0 / 26 / 55 / 62

HEX #62492C

RGB 98 73 44

HSL 32.22, 0.38%, 0.28%

LAB 33.01, 6.7, 21.38

 

CMYK 41 / 0 / 55 / 62

HEX #3A622C

RGB 58 98 44

HSL 104.44, 0.38%, 0.28%

LAB 37.51, -25.48, 26.16

 

CMYK 56 / 30 / 0 / 61

HEX #2C4563

RGB 44 69 99

HSL 212.73, 0.38%, 0.28%

LAB 28.62, 0.1, -20.57

 

CMYK 0 / 55 / 2 / 62

HEX #622C60

RGB 98 44 96

HSL 302.22, 0.38%, 0.28%

LAB 27.41, 32.44, -20.11

 

CMYK 0 / 26 / 55 / 62

HEX #62492C

RGB 98 73 44

HSL 32.22, 0.38%, 0.28%

LAB 33.01, 6.7, 21.38

 

CMYK 55 / 0 / 53 / 62

HEX #2C622E

RGB 44 98 46

HSL 122.22, 0.38%, 0.28%

LAB 36.87, -29.92, 24.11

 

Description

Color code: HEX #2C4563 | qconv.com Color code: HEX #2C4563 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 69 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 69 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 30 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 30% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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