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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C2541 it is the complementary color #D3DABE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C2541. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C2541 shade: #31253C, #42374F, #534962, #645B75 and #756D88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C2541. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C2541 shade: #2C2541, #1B132E, #0A011B and #000008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C2541 shade: #2C2540, #332540, #3A2540, #40253F and #402537

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C2541 shade: #2C2540 and #252540

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C2541 shade matches the following richer shades: #2C2540, #271C49, #231451, #1F0C59 and #1B0461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C2541 shade: #2C2540, #302D38, #343530, #383D28 and #3C461F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C2541 shade: #252D40, #252540, #2C2540, #332540 and #3A2540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C2541 shade: #08070C, #1A1626, #2C2540, #3D345A and #4F4375

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C2541 shade: #2C2541, #402534 and #294025

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C2541 shade: #2C2541, #402C25 and #25402C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C2541 shade: #2C2541, #402534, #394025 and #254031

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C2541 shade: #2C2541, #40252C, #394025 and #254039

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 43 / 0 / 75

HEX #2C2541

RGB 44 37 65

HSL 255, 0.27%, 0.2%

LAB 16.7, 10.75, -16.61

 

Complementary color

CMYK 3 / 0 / 13 / 15

HEX #D3DABE

RGB 211 218 190

HSL 75, 0.27%, 0.8%

LAB 85.86, -7.23, 12.98

 

CMYK 18 / 38 / 0 / 76

HEX #31253C

RGB 49 37 60

HSL 271.3, 0.24%, 0.19%

LAB 17, 11.14, -12.63

 

CMYK 16 / 30 / 0 / 69

HEX #42374F

RGB 66 55 79

HSL 267.5, 0.18%, 0.26%

LAB 25.12, 10.4, -12.84

 

CMYK 15 / 26 / 0 / 62

HEX #534962

RGB 83 73 98

HSL 264, 0.15%, 0.34%

LAB 32.89, 9.8, -13.09

 

CMYK 15 / 22 / 0 / 54

HEX #645B75

RGB 100 91 117

HSL 260.77, 0.13%, 0.41%

LAB 40.37, 9.29, -13.38

 

CMYK 14 / 20 / 0 / 47

HEX #756D88

RGB 117 109 136

HSL 257.78, 0.11%, 0.48%

LAB 47.62, 8.86, -13.7

 

CMYK 32 / 43 / 0 / 75

HEX #2C2541

RGB 44 37 65

HSL 255, 0.27%, 0.2%

LAB 16.7, 10.75, -16.61

 

CMYK 41 / 59 / 0 / 82

HEX #1B132E

RGB 27 19 46

HSL 257.78, 0.42%, 0.13%

LAB 8.09, 11.86, -16.75

 

CMYK 63 / 96 / 0 / 89

HEX #0A011B

RGB 10 1 27

HSL 260.77, 0.93%, 0.05%

LAB 1.49, 7.24, -12.43

 

CMYK 100 / 100 / 0 / 97

HEX #000008

RGB 0 0 8

HSL 240, 1%, 0.02%

LAB 0.16, 1.11, -3.03

 

CMYK 31 / 42 / 0 / 75

HEX #2C2540

RGB 44 37 64

HSL 255.56, 0.27%, 0.2%

LAB 16.64, 10.44, -16.01

 

CMYK 20 / 42 / 0 / 75

HEX #332540

RGB 51 37 64

HSL 271.11, 0.27%, 0.2%

LAB 17.45, 13, -14.7

 

CMYK 9 / 42 / 0 / 75

HEX #3A2540

RGB 58 37 64

HSL 286.67, 0.27%, 0.2%

LAB 18.33, 15.65, -13.25

 

CMYK 0 / 42 / 2 / 75

HEX #40253F

RGB 64 37 63

HSL 302.22, 0.27%, 0.2%

LAB 19.11, 17.72, -11.3

 

CMYK 0 / 42 / 14 / 75

HEX #402537

RGB 64 37 55

HSL 320, 0.27%, 0.2%

LAB 18.75, 16, -6.29

 

CMYK 31 / 42 / 0 / 75

HEX #2C2540

RGB 44 37 64

HSL 255.56, 0.27%, 0.2%

LAB 16.64, 10.44, -16.01

 

CMYK 42 / 42 / 0 / 75

HEX #252540

RGB 37 37 64

HSL 240, 0.27%, 0.2%

LAB 15.94, 8.01, -17.17

 

CMYK 31 / 42 / 0 / 75

HEX #2C2540

RGB 44 37 64

HSL 255.56, 0.27%, 0.2%

LAB 16.64, 10.44, -16.01

 

CMYK 47 / 62 / 0 / 71

HEX #271C49

RGB 39 28 73

HSL 254.67, 0.45%, 0.2%

LAB 14.08, 18.15, -26.35

 

CMYK 57 / 75 / 0 / 68

HEX #231451

RGB 35 20 81

HSL 254.75, 0.6%, 0.2%

LAB 12.3, 25.29, -34.76

 

CMYK 65 / 87 / 0 / 65

HEX #1F0C59

RGB 31 12 89

HSL 254.81, 0.76%, 0.2%

LAB 11.1, 31.87, -42.18

 

CMYK 72 / 96 / 0 / 62

HEX #1B0461

RGB 27 4 97

HSL 254.84, 0.92%, 0.2%

LAB 10.43, 37.75, -48.69

 

CMYK 31 / 42 / 0 / 75

HEX #2C2540

RGB 44 37 64

HSL 255.56, 0.27%, 0.2%

LAB 16.64, 10.44, -16.01

 

CMYK 14 / 20 / 0 / 78

HEX #302D38

RGB 48 45 56

HSL 256.36, 0.11%, 0.2%

LAB 19.19, 4.06, -6.53

 

CMYK 2 / 0 / 9 / 79

HEX #343530

RGB 52 53 48

HSL 72, 0.05%, 0.2%

LAB 21.91, -1.56, 3

 

CMYK 8 / 0 / 34 / 76

HEX #383D28

RGB 56 61 40

HSL 74.29, 0.21%, 0.2%

LAB 24.74, -6.41, 12.28

 

CMYK 14 / 0 / 56 / 73

HEX #3C461F

RGB 60 70 31

HSL 75.38, 0.39%, 0.2%

LAB 27.95, -11.28, 21.98

 

CMYK 42 / 30 / 0 / 75

HEX #252D40

RGB 37 45 64

HSL 222.22, 0.27%, 0.2%

LAB 18.54, 2.28, -13.11

 

CMYK 42 / 42 / 0 / 75

HEX #252540

RGB 37 37 64

HSL 240, 0.27%, 0.2%

LAB 15.94, 8.01, -17.17

 

CMYK 31 / 42 / 0 / 75

HEX #2C2540

RGB 44 37 64

HSL 255.56, 0.27%, 0.2%

LAB 16.64, 10.44, -16.01

 

CMYK 20 / 42 / 0 / 75

HEX #332540

RGB 51 37 64

HSL 271.11, 0.27%, 0.2%

LAB 17.45, 13, -14.7

 

CMYK 9 / 42 / 0 / 75

HEX #3A2540

RGB 58 37 64

HSL 286.67, 0.27%, 0.2%

LAB 18.33, 15.65, -13.25

 

CMYK 33 / 42 / 0 / 95

HEX #08070C

RGB 8 7 12

HSL 252, 0.26%, 0.04%

LAB 2.08, 0.97, -1.84

 

CMYK 32 / 42 / 0 / 85

HEX #1A1626

RGB 26 22 38

HSL 255, 0.27%, 0.12%

LAB 8.42, 6.53, -10.29

 

CMYK 31 / 42 / 0 / 75

HEX #2C2540

RGB 44 37 64

HSL 255.56, 0.27%, 0.2%

LAB 16.64, 10.44, -16.01

 

CMYK 32 / 42 / 0 / 65

HEX #3D345A

RGB 61 52 90

HSL 254.21, 0.27%, 0.28%

LAB 24.28, 13.71, -21.44

 

CMYK 32 / 43 / 0 / 54

HEX #4F4375

RGB 79 67 117

HSL 254.4, 0.27%, 0.36%

LAB 31.72, 17.41, -26.94

 

CMYK 32 / 43 / 0 / 75

HEX #2C2541

RGB 44 37 65

HSL 255, 0.27%, 0.2%

LAB 16.7, 10.75, -16.61

 

CMYK 0 / 42 / 19 / 75

HEX #402534

RGB 64 37 52

HSL 326.67, 0.27%, 0.2%

LAB 18.63, 15.4, -4.38

 

CMYK 36 / 0 / 42 / 75

HEX #294025

RGB 41 64 37

HSL 111.11, 0.27%, 0.2%

LAB 24.55, -15.35, 13.74

 

CMYK 32 / 43 / 0 / 75

HEX #2C2541

RGB 44 37 65

HSL 255, 0.27%, 0.2%

LAB 16.7, 10.75, -16.61

 

CMYK 0 / 31 / 42 / 75

HEX #402C25

RGB 64 44 37

HSL 15.56, 0.27%, 0.2%

LAB 20.14, 8.13, 8.19

 

CMYK 42 / 0 / 31 / 75

HEX #25402C

RGB 37 64 44

HSL 135.56, 0.27%, 0.2%

LAB 24.46, -15.47, 9.07

 

CMYK 32 / 43 / 0 / 75

HEX #2C2541

RGB 44 37 65

HSL 255, 0.27%, 0.2%

LAB 16.7, 10.75, -16.61

 

CMYK 0 / 42 / 19 / 75

HEX #402534

RGB 64 37 52

HSL 326.67, 0.27%, 0.2%

LAB 18.63, 15.4, -4.38

 

CMYK 11 / 0 / 42 / 75

HEX #394025

RGB 57 64 37

HSL 75.56, 0.27%, 0.2%

LAB 25.77, -8.27, 15.57

 

CMYK 42 / 0 / 23 / 75

HEX #254031

RGB 37 64 49

HSL 146.67, 0.27%, 0.2%

LAB 24.58, -14.31, 5.98

 

CMYK 32 / 43 / 0 / 75

HEX #2C2541

RGB 44 37 65

HSL 255, 0.27%, 0.2%

LAB 16.7, 10.75, -16.61

 

CMYK 0 / 42 / 31 / 75

HEX #40252C

RGB 64 37 44

HSL 344.44, 0.27%, 0.2%

LAB 18.34, 13.93, 0.79

 

CMYK 11 / 0 / 42 / 75

HEX #394025

RGB 57 64 37

HSL 75.56, 0.27%, 0.2%

LAB 25.77, -8.27, 15.57

 

CMYK 42 / 0 / 11 / 75

HEX #254039

RGB 37 64 57

HSL 164.44, 0.27%, 0.2%

LAB 24.81, -12.23, 1.04

 

Description

Color code: HEX #2C2541 | qconv.com Color code: HEX #2C2541 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 37 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 37 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 43 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 43% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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