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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C1578 it is the complementary color #D3EA87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C1578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C1578 shade: #311573, #422786, #533999, #644BAC and #755DBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C1578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C1578 shade: #2C1578, #1B0365, #0A0052, #00003F and #00002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C1578 shade: #2C1579, #471579, #621579, #791575 and #79155A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C1578 shade: #2C1579 and #151579

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C1578 shade matches the following richer shades: #2C1579 and #260984

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C1578 shade: #2C1579, #32206D, #392C62, #3F3856 and #45434B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C1578 shade: #153579, #151A79, #2B1579, #451579 and #601579

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C1578 shade: #120933, #1F0F56, #2C1579, #391B9C and #4621BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C1578 shade: #2C1578, #79154F and #277915

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C1578 shade: #2C1578, #792B15 and #15792B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C1578 shade: #2C1578, #79154F, #637915 and #15793F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C1578 shade: #2C1578, #791531, #637915 and #15795D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 83 / 0 / 53

HEX #2C1578

RGB 44 21 120

HSL 253.94, 0.7%, 0.28%

LAB 17.59, 38.7, -51.83

 

Complementary color

CMYK 10 / 0 / 42 / 8

HEX #D3EA87

RGB 211 234 135

HSL 73.94, 0.7%, 0.72%

LAB 89.13, -22.67, 45.45

 

CMYK 57 / 82 / 0 / 55

HEX #311573

RGB 49 21 115

HSL 257.87, 0.69%, 0.27%

LAB 17.59, 37.83, -48.6

 

CMYK 51 / 71 / 0 / 47

HEX #422786

RGB 66 39 134

HSL 257.05, 0.55%, 0.34%

LAB 24.74, 36.71, -48.89

 

CMYK 46 / 63 / 0 / 40

HEX #533999

RGB 83 57 153

HSL 256.25, 0.46%, 0.41%

LAB 31.95, 35.33, -48.8

 

CMYK 42 / 56 / 0 / 33

HEX #644BAC

RGB 100 75 172

HSL 255.46, 0.39%, 0.48%

LAB 39.1, 33.98, -48.58

 

CMYK 39 / 51 / 0 / 25

HEX #755DBF

RGB 117 93 191

HSL 254.69, 0.43%, 0.56%

LAB 46.14, 32.76, -48.36

 

CMYK 63 / 83 / 0 / 53

HEX #2C1578

RGB 44 21 120

HSL 253.94, 0.7%, 0.28%

LAB 17.59, 38.7, -51.83

 

CMYK 73 / 97 / 0 / 60

HEX #1B0365

RGB 27 3 101

HSL 254.69, 0.94%, 0.2%

LAB 10.83, 39.38, -50.68

 

CMYK 88 / 100 / 0 / 68

HEX #0A0052

RGB 10 0 82

HSL 247.32, 1%, 0.16%

LAB 6.09, 34.22, -45.78

 

CMYK 100 / 100 / 0 / 75

HEX #00003F

RGB 0 0 63

HSL 240, 1%, 0.12%

LAB 3.24, 22.73, -37.1

 

CMYK 100 / 100 / 0 / 83

HEX #00002C

RGB 0 0 44

HSL 240, 1%, 0.09%

LAB 1.64, 11.54, -25.61

 

CMYK 64 / 83 / 0 / 53

HEX #2C1579

RGB 44 21 121

HSL 253.8, 0.7%, 0.28%

LAB 17.7, 39.01, -52.29

 

CMYK 41 / 83 / 0 / 53

HEX #471579

RGB 71 21 121

HSL 270, 0.7%, 0.28%

LAB 21.04, 42.87, -46.68

 

CMYK 19 / 83 / 0 / 53

HEX #621579

RGB 98 21 121

HSL 286.2, 0.7%, 0.28%

LAB 25.3, 47.8, -39.56

 

CMYK 0 / 83 / 3 / 53

HEX #791575

RGB 121 21 117

HSL 302.4, 0.7%, 0.28%

LAB 29.12, 51.83, -30.67

 

CMYK 0 / 83 / 26 / 53

HEX #79155A

RGB 121 21 90

HSL 318.6, 0.7%, 0.28%

LAB 27.68, 47.75, -15.45

 

CMYK 64 / 83 / 0 / 53

HEX #2C1579

RGB 44 21 121

HSL 253.8, 0.7%, 0.28%

LAB 17.7, 39.01, -52.29

 

CMYK 83 / 83 / 0 / 53

HEX #151579

RGB 21 21 121

HSL 240, 0.7%, 0.28%

LAB 15.88, 36.91, -55.36

 

CMYK 64 / 83 / 0 / 53

HEX #2C1579

RGB 44 21 121

HSL 253.8, 0.7%, 0.28%

LAB 17.7, 39.01, -52.29

 

CMYK 71 / 93 / 0 / 48

HEX #260984

RGB 38 9 132

HSL 254.15, 0.87%, 0.28%

LAB 16.86, 46.47, -60.71

 

CMYK 64 / 83 / 0 / 53

HEX #2C1579

RGB 44 21 121

HSL 253.8, 0.7%, 0.28%

LAB 17.7, 39.01, -52.29

 

CMYK 54 / 71 / 0 / 57

HEX #32206D

RGB 50 32 109

HSL 254.03, 0.55%, 0.28%

LAB 19.29, 30, -41.92

 

CMYK 42 / 55 / 0 / 62

HEX #392C62

RGB 57 44 98

HSL 254.44, 0.38%, 0.28%

LAB 22.14, 20.34, -30.11

 

CMYK 27 / 35 / 0 / 66

HEX #3F3856

RGB 63 56 86

HSL 254, 0.21%, 0.28%

LAB 25.43, 10.53, -17

 

CMYK 8 / 11 / 0 / 71

HEX #45434B

RGB 69 67 75

HSL 255, 0.06%, 0.28%

LAB 28.87, 2.66, -4.52

 

CMYK 83 / 56 / 0 / 53

HEX #153579

RGB 21 53 121

HSL 220.8, 0.7%, 0.28%

LAB 23.95, 15.55, -42.11

 

CMYK 83 / 79 / 0 / 53

HEX #151A79

RGB 21 26 121

HSL 237, 0.7%, 0.28%

LAB 16.89, 34.03, -53.69

 

CMYK 64 / 83 / 0 / 53

HEX #2B1579

RGB 43 21 121

HSL 253.2, 0.7%, 0.28%

LAB 17.6, 38.89, -52.46

 

CMYK 43 / 83 / 0 / 53

HEX #451579

RGB 69 21 121

HSL 268.8, 0.7%, 0.28%

LAB 20.76, 42.55, -47.15

 

CMYK 21 / 83 / 0 / 53

HEX #601579

RGB 96 21 121

HSL 285, 0.7%, 0.28%

LAB 24.96, 47.41, -40.12

 

CMYK 65 / 82 / 0 / 80

HEX #120933

RGB 18 9 51

HSL 252.86, 0.7%, 0.12%

LAB 5.09, 16.62, -25.31

 

CMYK 64 / 83 / 0 / 66

HEX #1F0F56

RGB 31 15 86

HSL 253.52, 0.7%, 0.2%

LAB 11.31, 29.29, -39.81

 

CMYK 64 / 83 / 0 / 53

HEX #2C1579

RGB 44 21 121

HSL 253.8, 0.7%, 0.28%

LAB 17.7, 39.01, -52.29

 

CMYK 63 / 83 / 0 / 39

HEX #391B9C

RGB 57 27 156

HSL 253.95, 0.7%, 0.36%

LAB 23.85, 48.09, -64

 

CMYK 63 / 83 / 0 / 25

HEX #4621BF

RGB 70 33 191

HSL 254.05, 0.71%, 0.44%

LAB 29.79, 56.71, -75.16

 

CMYK 63 / 83 / 0 / 53

HEX #2C1578

RGB 44 21 120

HSL 253.94, 0.7%, 0.28%

LAB 17.59, 38.7, -51.83

 

CMYK 0 / 83 / 35 / 53

HEX #79154F

RGB 121 21 79

HSL 325.2, 0.7%, 0.28%

LAB 27.2, 46.35, -8.9

 

CMYK 68 / 0 / 83 / 53

HEX #277915

RGB 39 121 21

HSL 109.2, 0.7%, 0.28%

LAB 44.46, -43.24, 43.63

 

CMYK 63 / 83 / 0 / 53

HEX #2C1578

RGB 44 21 120

HSL 253.94, 0.7%, 0.28%

LAB 17.59, 38.7, -51.83

 

CMYK 0 / 64 / 83 / 53

HEX #792B15

RGB 121 43 21

HSL 13.2, 0.7%, 0.28%

LAB 29.02, 32.85, 31.11

 

CMYK 83 / 0 / 64 / 53

HEX #15792B

RGB 21 121 43

HSL 133.2, 0.7%, 0.28%

LAB 44.25, -44.43, 34.27

 

CMYK 63 / 83 / 0 / 53

HEX #2C1578

RGB 44 21 120

HSL 253.94, 0.7%, 0.28%

LAB 17.59, 38.7, -51.83

 

CMYK 0 / 83 / 35 / 53

HEX #79154F

RGB 121 21 79

HSL 325.2, 0.7%, 0.28%

LAB 27.2, 46.35, -8.9

 

CMYK 18 / 0 / 83 / 53

HEX #637915

RGB 99 121 21

HSL 73.2, 0.7%, 0.28%

LAB 47.47, -21.93, 47.5

 

CMYK 83 / 0 / 48 / 53

HEX #15793F

RGB 21 121 63

HSL 145.2, 0.7%, 0.28%

LAB 44.51, -41.29, 24.14

 

CMYK 63 / 83 / 0 / 53

HEX #2C1578

RGB 44 21 120

HSL 253.94, 0.7%, 0.28%

LAB 17.59, 38.7, -51.83

 

CMYK 0 / 83 / 60 / 53

HEX #791531

RGB 121 21 49

HSL 343.2, 0.7%, 0.28%

LAB 26.22, 43.4, 9.96

 

CMYK 18 / 0 / 83 / 53

HEX #637915

RGB 99 121 21

HSL 73.2, 0.7%, 0.28%

LAB 47.47, -21.93, 47.5

 

CMYK 83 / 0 / 23 / 53

HEX #15795D

RGB 21 121 93

HSL 163.2, 0.7%, 0.28%

LAB 45.12, -34.5, 7.66

 

Description

Color code: HEX #2C1578 | qconv.com Color code: HEX #2C1578 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 21 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 21 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 83 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 83% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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