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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BEB5E it is the complementary color #D414A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BEB5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BEB5E shade: #30EB59, #41FD6C, #52FF7F, #63FF92 and #74FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BEB5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BEB5E shade: #2BEB5E, #1AD94B, #09C738, #00B525 and #00A312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BEB5E shade: #2DEB5F, #2DEB2D, #61EB2D, #94EB2D and #C7EB2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BEB5E shade: #2DEB5F, #2DEB92, #2DEBC6, #2DDDEB and #2DA9EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BEB5E shade matches the following richer shades: #2DEB5F and #1AFE56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BEB5E shade: #2DEB5F, #3FD868, #52C671, #64B379 and #77A182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BEB5E shade: #62EB2D, #30EB2D, #2DEB5C, #2DEB8F and #2DEBC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BEB5E shade: #10B53C, #14DA49, #2DEB5F, #52EE7C and #78F298

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BEB5E shade: #2BEB5E, #2D95EB and #EB2D49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BEB5E shade: #2BEB5E, #5C2DEB and #EB5C2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BEB5E shade: #2BEB5E, #2D95EB, #EB2DBB and #EB822D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BEB5E shade: #2BEB5E, #2D5CEB, #EB2DBB and #EBBB2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 60 / 8

HEX #2BEB5E

RGB 43 235 94

HSL 135.94, 0.83%, 0.55%

LAB 82.24, -73, 54.58

 

Complementary color

CMYK 0 / 91 / 24 / 17

HEX #D414A1

RGB 212 20 161

HSL 315.94, 0.83%, 0.45%

LAB 48.35, 76.99, -26.36

 

CMYK 80 / 0 / 62 / 8

HEX #30EB59

RGB 48 235 89

HSL 133.16, 0.82%, 0.55%

LAB 82.25, -73.04, 56.75

 

CMYK 74 / 0 / 57 / 1

HEX #41FD6C

RGB 65 253 108

HSL 133.72, 0.98%, 0.62%

LAB 88.19, -74.35, 55.45

 

CMYK 68 / 0 / 50 / 0

HEX #52FF7F

RGB 82 255 127

HSL 135.61, 1%, 0.66%

LAB 89.32, -69.92, 48.26

 

CMYK 61 / 0 / 43 / 0

HEX #63FF92

RGB 99 255 146

HSL 138.08, 1%, 0.69%

LAB 89.97, -63.96, 40.1

 

CMYK 55 / 0 / 35 / 0

HEX #74FFA5

RGB 116 255 165

HSL 141.15, 1%, 0.73%

LAB 90.76, -57.19, 31.83

 

CMYK 82 / 0 / 60 / 8

HEX #2BEB5E

RGB 43 235 94

HSL 135.94, 0.83%, 0.55%

LAB 82.24, -73, 54.58

 

CMYK 88 / 0 / 65 / 15

HEX #1AD94B

RGB 26 217 75

HSL 135.39, 0.79%, 0.48%

LAB 76.29, -71.1, 55.87

 

CMYK 95 / 0 / 72 / 22

HEX #09C738

RGB 9 199 56

HSL 134.84, 0.91%, 0.41%

LAB 70.31, -68.56, 56.88

 

CMYK 100 / 0 / 80 / 29

HEX #00B525

RGB 0 181 37

HSL 132.27, 1%, 0.35%

LAB 64.31, -65.23, 57.34

 

CMYK 100 / 0 / 89 / 36

HEX #00A312

RGB 0 163 18

HSL 126.63, 1%, 0.32%

LAB 58.26, -61.12, 56.7

 

CMYK 81 / 0 / 60 / 8

HEX #2DEB5F

RGB 45 235 95

HSL 135.79, 0.83%, 0.55%

LAB 82.27, -72.67, 54.19

 

CMYK 81 / 0 / 81 / 8

HEX #2DEB2D

RGB 45 235 45

HSL 120, 0.83%, 0.55%

LAB 81.93, -76.95, 71.77

 

CMYK 59 / 0 / 81 / 8

HEX #61EB2D

RGB 97 235 45

HSL 103.58, 0.83%, 0.55%

LAB 82.99, -67.93, 73.14

 

CMYK 37 / 0 / 81 / 8

HEX #94EB2D

RGB 148 235 45

HSL 87.47, 0.83%, 0.55%

LAB 84.95, -53.09, 75.64

 

CMYK 15 / 0 / 81 / 8

HEX #C7EB2D

RGB 199 235 45

HSL 71.37, 0.83%, 0.55%

LAB 87.85, -34.18, 79.32

 

CMYK 81 / 0 / 60 / 8

HEX #2DEB5F

RGB 45 235 95

HSL 135.79, 0.83%, 0.55%

LAB 82.27, -72.67, 54.19

 

CMYK 81 / 0 / 38 / 8

HEX #2DEB92

RGB 45 235 146

HSL 151.89, 0.83%, 0.55%

LAB 82.94, -64.77, 30.68

 

CMYK 81 / 0 / 16 / 8

HEX #2DEBC6

RGB 45 235 198

HSL 168.32, 0.83%, 0.55%

LAB 83.99, -53.26, 5.19

 

CMYK 81 / 6 / 0 / 8

HEX #2DDDEB

RGB 45 221 235

HSL 184.42, 0.83%, 0.55%

LAB 80.89, -36.98, -18.99

 

CMYK 81 / 28 / 0 / 8

HEX #2DA9EB

RGB 45 169 235

HSL 200.84, 0.83%, 0.55%

LAB 65.7, -10.7, -42.39

 

CMYK 81 / 0 / 60 / 8

HEX #2DEB5F

RGB 45 235 95

HSL 135.79, 0.83%, 0.55%

LAB 82.27, -72.67, 54.19

 

CMYK 90 / 0 / 66 / 0

HEX #1AFE56

RGB 26 254 86

HSL 135.79, 0.99%, 0.55%

LAB 87.86, -80.8, 64.11

 

CMYK 81 / 0 / 60 / 8

HEX #2DEB5F

RGB 45 235 95

HSL 135.79, 0.83%, 0.55%

LAB 82.27, -72.67, 54.19

 

CMYK 71 / 0 / 52 / 15

HEX #3FD868

RGB 63 216 104

HSL 136.08, 0.66%, 0.55%

LAB 76.78, -62.91, 43.61

 

CMYK 59 / 0 / 43 / 22

HEX #52C671

RGB 82 198 113

HSL 136.03, 0.5%, 0.55%

LAB 71.81, -51.21, 32.99

 

CMYK 44 / 0 / 32 / 30

HEX #64B379

RGB 100 179 121

HSL 135.95, 0.34%, 0.55%

LAB 66.77, -37.16, 22.24

 

CMYK 26 / 0 / 19 / 37

HEX #77A182

RGB 119 161 130

HSL 135.71, 0.18%, 0.55%

LAB 62.53, -20.78, 11.6

 

CMYK 58 / 0 / 81 / 8

HEX #62EB2D

RGB 98 235 45

HSL 103.26, 0.83%, 0.55%

LAB 83.02, -67.69, 73.18

 

CMYK 80 / 0 / 81 / 8

HEX #30EB2D

RGB 48 235 45

HSL 119.05, 0.83%, 0.55%

LAB 81.97, -76.61, 71.82

 

CMYK 81 / 0 / 61 / 8

HEX #2DEB5C

RGB 45 235 92

HSL 134.84, 0.83%, 0.55%

LAB 82.24, -73.03, 55.46

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 81 / 0 / 17 / 8

HEX #2DEBC2

RGB 45 235 194

HSL 167.05, 0.83%, 0.55%

LAB 83.9, -54.26, 7.16

 

CMYK 91 / 0 / 67 / 29

HEX #10B53C

RGB 16 181 60

HSL 136, 0.84%, 0.39%

LAB 64.55, -62.47, 49.21

 

CMYK 91 / 0 / 67 / 15

HEX #14DA49

RGB 20 218 73

HSL 136.06, 0.83%, 0.47%

LAB 76.54, -71.98, 56.95

 

CMYK 81 / 0 / 60 / 8

HEX #2DEB5F

RGB 45 235 95

HSL 135.79, 0.83%, 0.55%

LAB 82.27, -72.67, 54.19

 

CMYK 66 / 0 / 48 / 7

HEX #52EE7C

RGB 82 238 124

HSL 136.15, 0.82%, 0.63%

LAB 84.17, -64.43, 43.28

 

CMYK 50 / 0 / 37 / 5

HEX #78F298

RGB 120 242 152

HSL 135.74, 0.82%, 0.71%

LAB 86.88, -53.28, 33.2

 

CMYK 82 / 0 / 60 / 8

HEX #2BEB5E

RGB 43 235 94

HSL 135.94, 0.83%, 0.55%

LAB 82.24, -73, 54.58

 

CMYK 81 / 37 / 0 / 8

HEX #2D95EB

RGB 45 149 235

HSL 207.16, 0.83%, 0.55%

LAB 59.93, 0.67, -51.48

 

CMYK 0 / 81 / 69 / 8

HEX #EB2D49

RGB 235 45 73

HSL 351.16, 0.83%, 0.55%

LAB 51.86, 70.61, 32.37

 

CMYK 82 / 0 / 60 / 8

HEX #2BEB5E

RGB 43 235 94

HSL 135.94, 0.83%, 0.55%

LAB 82.24, -73, 54.58

 

CMYK 61 / 81 / 0 / 8

HEX #5C2DEB

RGB 92 45 235

HSL 254.84, 0.83%, 0.55%

LAB 38.11, 65.87, -86.79

 

CMYK 0 / 61 / 81 / 8

HEX #EB5C2D

RGB 235 92 45

HSL 14.84, 0.83%, 0.55%

LAB 57.57, 53.06, 53.48

 

CMYK 82 / 0 / 60 / 8

HEX #2BEB5E

RGB 43 235 94

HSL 135.94, 0.83%, 0.55%

LAB 82.24, -73, 54.58

 

CMYK 81 / 37 / 0 / 8

HEX #2D95EB

RGB 45 149 235

HSL 207.16, 0.83%, 0.55%

LAB 59.93, 0.67, -51.48

 

CMYK 0 / 81 / 20 / 8

HEX #EB2DBB

RGB 235 45 187

HSL 315.16, 0.83%, 0.55%

LAB 55.2, 80.38, -30.66

 

CMYK 0 / 45 / 81 / 8

HEX #EB822D

RGB 235 130 45

HSL 26.84, 0.83%, 0.55%

LAB 64.82, 34.64, 60.15

 

CMYK 82 / 0 / 60 / 8

HEX #2BEB5E

RGB 43 235 94

HSL 135.94, 0.83%, 0.55%

LAB 82.24, -73, 54.58

 

CMYK 81 / 61 / 0 / 8

HEX #2D5CEB

RGB 45 92 235

HSL 225.16, 0.83%, 0.55%

LAB 44.53, 36, -76.32

 

CMYK 0 / 81 / 20 / 8

HEX #EB2DBB

RGB 235 45 187

HSL 315.16, 0.83%, 0.55%

LAB 55.2, 80.38, -30.66

 

CMYK 0 / 20 / 81 / 8

HEX #EBBB2D

RGB 235 187 45

HSL 44.84, 0.83%, 0.55%

LAB 78.11, 4.63, 71.95

 

Description

Color code: HEX #2BEB5E | qconv.com Color code: HEX #2BEB5E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 235 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 235 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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