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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BE35F it is the complementary color #D41CA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BE35F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BE35F shade: #30E35A, #41F56D, #52FF80, #63FF93 and #74FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BE35F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BE35F shade: #2BE35F, #1AD14C, #09BF39, #00AD26 and #009B13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BE35F shade: #2AE35F, #2AE32D, #5AE32A, #8CE32A and #BDE32A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BE35F shade: #2AE35F, #2AE390, #2AE3C2, #2AD2E3 and #2AA0E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BE35F shade matches the following richer shades: #2AE35F and #17F656

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BE35F shade: #2AE35F, #3ED067, #51BC6F, #65A978 and #789580

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BE35F shade: #5CE32A, #2AE32A, #2AE35C, #2AE38D and #2AE3BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BE35F shade: #15A63E, #1ACA4C, #2AE35F, #4FE87A and #73EC96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BE35F shade: #2BE35F, #2A8DE3 and #E32A43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BE35F shade: #2BE35F, #5C2AE3 and #E35C2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BE35F shade: #2BE35F, #2A8DE3, #E32AB2 and #E3802A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BE35F shade: #2BE35F, #2A55E3, #E32AB2 and #E3B82A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 58 / 11

HEX #2BE35F

RGB 43 227 95

HSL 136.96, 0.77%, 0.53%

LAB 79.77, -70.38, 51.28

 

Complementary color

CMYK 0 / 87 / 25 / 17

HEX #D41CA0

RGB 212 28 160

HSL 316.96, 0.77%, 0.47%

LAB 48.72, 75.67, -25.19

 

CMYK 79 / 0 / 60 / 11

HEX #30E35A

RGB 48 227 90

HSL 134.08, 0.76%, 0.54%

LAB 79.79, -70.44, 53.52

 

CMYK 73 / 0 / 56 / 4

HEX #41F56D

RGB 65 245 109

HSL 134.67, 0.9%, 0.61%

LAB 85.77, -71.65, 52.16

 

CMYK 68 / 0 / 50 / 0

HEX #52FF80

RGB 82 255 128

HSL 135.95, 1%, 0.66%

LAB 89.33, -69.78, 47.81

 

CMYK 61 / 0 / 42 / 0

HEX #63FF93

RGB 99 255 147

HSL 138.46, 1%, 0.69%

LAB 89.99, -63.8, 39.63

 

CMYK 55 / 0 / 35 / 0

HEX #74FFA6

RGB 116 255 166

HSL 141.58, 1%, 0.73%

LAB 90.77, -57.02, 31.35

 

CMYK 81 / 0 / 58 / 11

HEX #2BE35F

RGB 43 227 95

HSL 136.96, 0.77%, 0.53%

LAB 79.77, -70.38, 51.28

 

CMYK 88 / 0 / 64 / 18

HEX #1AD14C

RGB 26 209 76

HSL 136.39, 0.78%, 0.46%

LAB 73.77, -68.58, 52.66

 

CMYK 95 / 0 / 70 / 25

HEX #09BF39

RGB 9 191 57

HSL 135.82, 0.91%, 0.39%

LAB 67.74, -66.13, 53.82

 

CMYK 100 / 0 / 78 / 32

HEX #00AD26

RGB 0 173 38

HSL 133.18, 1%, 0.34%

LAB 61.68, -62.87, 54.49

 

CMYK 100 / 0 / 88 / 39

HEX #009B13

RGB 0 155 19

HSL 127.35, 1%, 0.3%

LAB 55.57, -58.8, 54.12

 

CMYK 81 / 0 / 58 / 11

HEX #2AE35F

RGB 42 227 95

HSL 137.19, 0.77%, 0.53%

LAB 79.76, -70.48, 51.27

 

CMYK 81 / 0 / 80 / 11

HEX #2AE32D

RGB 42 227 45

HSL 120.97, 0.77%, 0.53%

LAB 79.4, -74.98, 69.41

 

CMYK 60 / 0 / 81 / 11

HEX #5AE32A

RGB 90 227 42

HSL 104.43, 0.77%, 0.53%

LAB 80.34, -67.03, 71.41

 

CMYK 38 / 0 / 81 / 11

HEX #8CE32A

RGB 140 227 42

HSL 88.22, 0.77%, 0.53%

LAB 82.21, -52.71, 73.8

 

CMYK 17 / 0 / 81 / 11

HEX #BDE32A

RGB 189 227 42

HSL 72.32, 0.77%, 0.53%

LAB 84.96, -34.59, 77.28

 

CMYK 81 / 0 / 58 / 11

HEX #2AE35F

RGB 42 227 95

HSL 137.19, 0.77%, 0.53%

LAB 79.76, -70.48, 51.27

 

CMYK 81 / 0 / 37 / 11

HEX #2AE390

RGB 42 227 144

HSL 153.08, 0.77%, 0.53%

LAB 80.43, -62.6, 28.33

 

CMYK 81 / 0 / 15 / 11

HEX #2AE3C2

RGB 42 227 194

HSL 169.3, 0.77%, 0.53%

LAB 81.47, -51.27, 3.65

 

CMYK 81 / 7 / 0 / 11

HEX #2AD2E3

RGB 42 210 227

HSL 185.51, 0.77%, 0.53%

LAB 77.36, -34.5, -20.06

 

CMYK 81 / 30 / 0 / 11

HEX #2AA0E3

RGB 42 160 227

HSL 201.73, 0.77%, 0.53%

LAB 62.66, -8.79, -42.76

 

CMYK 81 / 0 / 58 / 11

HEX #2AE35F

RGB 42 227 95

HSL 137.19, 0.77%, 0.53%

LAB 79.76, -70.48, 51.27

 

CMYK 91 / 0 / 65 / 4

HEX #17F656

RGB 23 246 86

HSL 136.95, 0.93%, 0.53%

LAB 85.39, -78.66, 61.4

 

CMYK 81 / 0 / 58 / 11

HEX #2AE35F

RGB 42 227 95

HSL 137.19, 0.77%, 0.53%

LAB 79.76, -70.48, 51.27

 

CMYK 70 / 0 / 50 / 18

HEX #3ED067

RGB 62 208 103

HSL 136.85, 0.61%, 0.53%

LAB 74.26, -60.42, 40.99

 

CMYK 57 / 0 / 41 / 26

HEX #51BC6F

RGB 81 188 111

HSL 136.82, 0.44%, 0.53%

LAB 68.65, -47.78, 29.92

 

CMYK 40 / 0 / 29 / 34

HEX #65A978

RGB 101 169 120

HSL 136.76, 0.28%, 0.53%

LAB 63.75, -32.43, 18.68

 

CMYK 19 / 0 / 14 / 42

HEX #789580

RGB 120 149 128

HSL 136.55, 0.12%, 0.53%

LAB 59.02, -14.55, 7.76

 

CMYK 59 / 0 / 81 / 11

HEX #5CE32A

RGB 92 227 42

HSL 103.78, 0.77%, 0.53%

LAB 80.39, -66.57, 71.48

 

CMYK 81 / 0 / 81 / 11

HEX #2AE32A

RGB 42 227 42

HSL 120, 0.77%, 0.53%

LAB 79.38, -75.14, 70.19

 

CMYK 81 / 0 / 59 / 11

HEX #2AE35C

RGB 42 227 92

HSL 136.22, 0.77%, 0.53%

LAB 79.73, -70.85, 52.56

 

CMYK 81 / 0 / 38 / 11

HEX #2AE38D

RGB 42 227 141

HSL 152.11, 0.77%, 0.53%

LAB 80.38, -63.18, 29.8

 

CMYK 81 / 0 / 16 / 11

HEX #2AE3BE

RGB 42 227 190

HSL 168, 0.77%, 0.53%

LAB 81.37, -52.28, 5.62

 

CMYK 87 / 0 / 63 / 35

HEX #15A63E

RGB 21 166 62

HSL 136.97, 0.78%, 0.37%

LAB 59.69, -57.16, 42.93

 

CMYK 87 / 0 / 62 / 21

HEX #1ACA4C

RGB 26 202 76

HSL 137.05, 0.77%, 0.45%

LAB 71.54, -66.44, 50.16

 

CMYK 81 / 0 / 58 / 11

HEX #2AE35F

RGB 42 227 95

HSL 137.19, 0.77%, 0.53%

LAB 79.76, -70.48, 51.27

 

CMYK 66 / 0 / 47 / 9

HEX #4FE87A

RGB 79 232 122

HSL 136.86, 0.77%, 0.61%

LAB 82.26, -63.14, 41.83

 

CMYK 51 / 0 / 36 / 7

HEX #73EC96

RGB 115 236 150

HSL 137.36, 0.76%, 0.69%

LAB 84.91, -52.42, 31.57

 

CMYK 81 / 0 / 58 / 11

HEX #2BE35F

RGB 43 227 95

HSL 136.96, 0.77%, 0.53%

LAB 79.77, -70.38, 51.28

 

CMYK 81 / 38 / 0 / 11

HEX #2A8DE3

RGB 42 141 227

HSL 207.89, 0.77%, 0.53%

LAB 57.16, 2.19, -51.45

 

CMYK 0 / 81 / 70 / 11

HEX #E32A43

RGB 227 42 67

HSL 351.89, 0.77%, 0.53%

LAB 49.97, 68.91, 33.26

 

CMYK 81 / 0 / 58 / 11

HEX #2BE35F

RGB 43 227 95

HSL 136.96, 0.77%, 0.53%

LAB 79.77, -70.38, 51.28

 

CMYK 59 / 81 / 0 / 11

HEX #5C2AE3

RGB 92 42 227

HSL 256.22, 0.77%, 0.53%

LAB 36.89, 64.94, -84.26

 

CMYK 0 / 59 / 81 / 11

HEX #E35C2A

RGB 227 92 42

HSL 16.22, 0.77%, 0.53%

LAB 56.24, 50.13, 53.13

 

CMYK 81 / 0 / 58 / 11

HEX #2BE35F

RGB 43 227 95

HSL 136.96, 0.77%, 0.53%

LAB 79.77, -70.38, 51.28

 

CMYK 81 / 38 / 0 / 11

HEX #2A8DE3

RGB 42 141 227

HSL 207.89, 0.77%, 0.53%

LAB 57.16, 2.19, -51.45

 

CMYK 0 / 81 / 22 / 11

HEX #E32AB2

RGB 227 42 178

HSL 315.89, 0.77%, 0.53%

LAB 53.17, 78.24, -28.69

 

CMYK 0 / 44 / 81 / 11

HEX #E3802A

RGB 227 128 42

HSL 27.89, 0.77%, 0.53%

LAB 63.29, 32.35, 59.53

 

CMYK 81 / 0 / 58 / 11

HEX #2BE35F

RGB 43 227 95

HSL 136.96, 0.77%, 0.53%

LAB 79.77, -70.38, 51.28

 

CMYK 81 / 63 / 0 / 11

HEX #2A55E3

RGB 42 85 227

HSL 226.05, 0.77%, 0.53%

LAB 42.05, 37.26, -75.86

 

CMYK 0 / 81 / 22 / 11

HEX #E32AB2

RGB 227 42 178

HSL 315.89, 0.77%, 0.53%

LAB 53.17, 78.24, -28.69

 

CMYK 0 / 19 / 81 / 11

HEX #E3B82A

RGB 227 184 42

HSL 46.05, 0.77%, 0.53%

LAB 76.54, 2.66, 71.18

 

Description

Color code: HEX #2BE35F | qconv.com Color code: HEX #2BE35F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 227 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 227 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 58 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 58% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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