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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BE273 it is the complementary color #D41D8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BE273. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BE273 shade: #30E26E, #41F481, #52FF94, #63FFA7 and #74FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BE273. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BE273 shade: #2BE273, #1AD060, #09BE4D, #00AC3A and #009A27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BE273 shade: #2CE273, #2CE242, #46E22C, #77E22C and #A8E22C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BE273 shade: #2CE273, #2CE2A4, #2CE2D6, #2CBDE2 and #2C8CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BE273 shade matches the following richer shades: #2CE273 and #18F56F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BE273 shade: #2CE273, #3FCE77, #52BB7C, #66A880 and #799484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BE273 shade: #47E22C, #2CE241, #2CE271, #2CE2A2 and #2CE2D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BE273 shade: #16A54E, #1BC95F, #2CE273, #50E78B and #74ECA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BE273 shade: #2BE273, #2C77E2 and #E22C2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BE273 shade: #2BE273, #712CE2 and #E2712C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BE273 shade: #2BE273, #2C77E2, #E22C9C and #E2962C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BE273 shade: #2BE273, #2C41E2, #E22C9C and #E2CC2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 49 / 11

HEX #2BE273

RGB 43 226 115

HSL 143.61, 0.76%, 0.53%

LAB 79.7, -67.25, 41.86

 

Complementary color

CMYK 0 / 86 / 34 / 17

HEX #D41D8C

RGB 212 29 140

HSL 323.61, 0.76%, 0.47%

LAB 47.97, 73.28, -14.34

 

CMYK 79 / 0 / 51 / 11

HEX #30E26E

RGB 48 226 110

HSL 140.9, 0.75%, 0.54%

LAB 79.7, -67.47, 44.28

 

CMYK 73 / 0 / 47 / 4

HEX #41F481

RGB 65 244 129

HSL 141.45, 0.89%, 0.61%

LAB 85.71, -68.48, 42.74

 

CMYK 68 / 0 / 42 / 0

HEX #52FF94

RGB 82 255 148

HSL 142.89, 1%, 0.66%

LAB 89.6, -66.69, 38.56

 

CMYK 61 / 0 / 35 / 0

HEX #63FFA7

RGB 99 255 167

HSL 146.15, 1%, 0.69%

LAB 90.3, -60.37, 30.13

 

CMYK 55 / 0 / 27 / 0

HEX #74FFBA

RGB 116 255 186

HSL 150.22, 1%, 0.73%

LAB 91.13, -53.3, 21.73

 

CMYK 81 / 0 / 49 / 11

HEX #2BE273

RGB 43 226 115

HSL 143.61, 0.76%, 0.53%

LAB 79.7, -67.25, 41.86

 

CMYK 88 / 0 / 54 / 18

HEX #1AD060

RGB 26 208 96

HSL 143.08, 0.78%, 0.46%

LAB 73.66, -65.71, 43.5

 

CMYK 95 / 0 / 59 / 25

HEX #09BE4D

RGB 9 190 77

HSL 142.54, 0.91%, 0.39%

LAB 67.59, -63.58, 45.15

 

CMYK 100 / 0 / 66 / 33

HEX #00AC3A

RGB 0 172 58

HSL 140.23, 1%, 0.34%

LAB 61.49, -60.74, 46.68

 

CMYK 100 / 0 / 75 / 40

HEX #009A27

RGB 0 154 39

HSL 135.19, 1%, 0.3%

LAB 55.34, -57.2, 47.83

 

CMYK 81 / 0 / 49 / 11

HEX #2CE273

RGB 44 226 115

HSL 143.41, 0.76%, 0.53%

LAB 79.71, -67.15, 41.88

 

CMYK 81 / 0 / 71 / 11

HEX #2CE242

RGB 44 226 66

HSL 127.25, 0.76%, 0.53%

LAB 79.23, -73.01, 62.54

 

CMYK 69 / 0 / 81 / 11

HEX #46E22C

RGB 70 226 44

HSL 111.43, 0.76%, 0.53%

LAB 79.54, -70.73, 69.98

 

CMYK 47 / 0 / 81 / 11

HEX #77E22C

RGB 119 226 44

HSL 95.27, 0.76%, 0.53%

LAB 81.01, -58.9, 71.87

 

CMYK 26 / 0 / 81 / 11

HEX #A8E22C

RGB 168 226 44

HSL 79.12, 0.76%, 0.53%

LAB 83.39, -42.2, 74.9

 

CMYK 81 / 0 / 49 / 11

HEX #2CE273

RGB 44 226 115

HSL 143.41, 0.76%, 0.53%

LAB 79.71, -67.15, 41.88

 

CMYK 81 / 0 / 27 / 11

HEX #2CE2A4

RGB 44 226 164

HSL 159.56, 0.76%, 0.53%

LAB 80.52, -57.87, 18.1

 

CMYK 81 / 0 / 5 / 11

HEX #2CE2D6

RGB 44 226 214

HSL 176.04, 0.76%, 0.53%

LAB 81.72, -45.35, -6.59

 

CMYK 81 / 16 / 0 / 11

HEX #2CBDE2

RGB 44 189 226

HSL 192.2, 0.76%, 0.53%

LAB 71.16, -24.4, -28.98

 

CMYK 81 / 38 / 0 / 11

HEX #2C8CE2

RGB 44 140 226

HSL 208.35, 0.76%, 0.53%

LAB 56.86, 2.6, -51.37

 

CMYK 81 / 0 / 49 / 11

HEX #2CE273

RGB 44 226 115

HSL 143.41, 0.76%, 0.53%

LAB 79.71, -67.15, 41.88

 

CMYK 90 / 0 / 55 / 4

HEX #18F56F

RGB 24 245 111

HSL 143.62, 0.92%, 0.53%

LAB 85.33, -75.32, 50.6

 

CMYK 81 / 0 / 49 / 11

HEX #2CE273

RGB 44 226 115

HSL 143.41, 0.76%, 0.53%

LAB 79.71, -67.15, 41.88

 

CMYK 69 / 0 / 42 / 19

HEX #3FCE77

RGB 63 206 119

HSL 143.5, 0.59%, 0.53%

LAB 73.89, -56.95, 32.53

 

CMYK 56 / 0 / 34 / 27

HEX #52BB7C

RGB 82 187 124

HSL 144, 0.44%, 0.53%

LAB 68.6, -44.77, 22.99

 

CMYK 39 / 0 / 24 / 34

HEX #66A880

RGB 102 168 128

HSL 143.64, 0.28%, 0.53%

LAB 63.66, -30.1, 14.16

 

CMYK 18 / 0 / 11 / 42

HEX #799484

RGB 121 148 132

HSL 144.44, 0.11%, 0.53%

LAB 58.89, -12.87, 5.31

 

CMYK 69 / 0 / 81 / 11

HEX #47E22C

RGB 71 226 44

HSL 111.1, 0.76%, 0.53%

LAB 79.56, -70.54, 70.01

 

CMYK 81 / 0 / 71 / 11

HEX #2CE241

RGB 44 226 65

HSL 126.92, 0.76%, 0.53%

LAB 79.22, -73.09, 62.89

 

CMYK 81 / 0 / 50 / 11

HEX #2CE271

RGB 44 226 113

HSL 142.75, 0.76%, 0.53%

LAB 79.68, -67.45, 42.81

 

CMYK 81 / 0 / 28 / 11

HEX #2CE2A2

RGB 44 226 162

HSL 158.9, 0.76%, 0.53%

LAB 80.48, -58.31, 19.09

 

CMYK 81 / 0 / 7 / 11

HEX #2CE2D3

RGB 44 226 211

HSL 175.05, 0.76%, 0.53%

LAB 81.64, -46.18, -5.12

 

CMYK 87 / 0 / 53 / 35

HEX #16A54E

RGB 22 165 78

HSL 143.5, 0.76%, 0.37%

LAB 59.55, -54.5, 35.07

 

CMYK 87 / 0 / 53 / 21

HEX #1BC95F

RGB 27 201 95

HSL 143.45, 0.76%, 0.45%

LAB 71.44, -63.51, 41.28

 

CMYK 81 / 0 / 49 / 11

HEX #2CE273

RGB 44 226 115

HSL 143.41, 0.76%, 0.53%

LAB 79.71, -67.15, 41.88

 

CMYK 65 / 0 / 40 / 9

HEX #50E78B

RGB 80 231 139

HSL 143.44, 0.76%, 0.61%

LAB 82.23, -59.82, 33.38

 

CMYK 51 / 0 / 31 / 7

HEX #74ECA3

RGB 116 236 163

HSL 143.5, 0.76%, 0.69%

LAB 85.17, -49.87, 25.3

 

CMYK 81 / 0 / 49 / 11

HEX #2BE273

RGB 43 226 115

HSL 143.61, 0.76%, 0.53%

LAB 79.7, -67.25, 41.86

 

CMYK 81 / 47 / 0 / 11

HEX #2C77E2

RGB 44 119 226

HSL 215.27, 0.76%, 0.53%

LAB 50.94, 15.45, -60.84

 

CMYK 0 / 81 / 79 / 11

HEX #E22C2F

RGB 226 44 47

HSL 359.01, 0.76%, 0.53%

LAB 49.71, 67.41, 44.3

 

CMYK 81 / 0 / 49 / 11

HEX #2BE273

RGB 43 226 115

HSL 143.61, 0.76%, 0.53%

LAB 79.7, -67.25, 41.86

 

CMYK 50 / 81 / 0 / 11

HEX #712CE2

RGB 113 44 226

HSL 262.75, 0.76%, 0.53%

LAB 39.25, 66.23, -79.72

 

CMYK 0 / 50 / 81 / 11

HEX #E2712C

RGB 226 113 44

HSL 22.75, 0.76%, 0.53%

LAB 60.03, 39.72, 55.71

 

CMYK 81 / 0 / 49 / 11

HEX #2BE273

RGB 43 226 115

HSL 143.61, 0.76%, 0.53%

LAB 79.7, -67.25, 41.86

 

CMYK 81 / 47 / 0 / 11

HEX #2C77E2

RGB 44 119 226

HSL 215.27, 0.76%, 0.53%

LAB 50.94, 15.45, -60.84

 

CMYK 0 / 81 / 31 / 11

HEX #E22C9C

RGB 226 44 156

HSL 323.08, 0.76%, 0.53%

LAB 52.25, 75, -17.16

 

CMYK 0 / 34 / 81 / 11

HEX #E2962C

RGB 226 150 44

HSL 34.95, 0.76%, 0.53%

LAB 68.14, 20.34, 63.1

 

CMYK 81 / 0 / 49 / 11

HEX #2BE273

RGB 43 226 115

HSL 143.61, 0.76%, 0.53%

LAB 79.7, -67.25, 41.86

 

CMYK 81 / 71 / 0 / 11

HEX #2C41E2

RGB 44 65 226

HSL 233.08, 0.76%, 0.53%

LAB 37.49, 49.23, -82.79

 

CMYK 0 / 81 / 31 / 11

HEX #E22C9C

RGB 226 44 156

HSL 323.08, 0.76%, 0.53%

LAB 52.25, 75, -17.16

 

CMYK 0 / 10 / 81 / 11

HEX #E2CC2C

RGB 226 204 44

HSL 52.75, 0.76%, 0.53%

LAB 81.59, -8.02, 74.94

 

Description

Color code: HEX #2BE273 | qconv.com Color code: HEX #2BE273 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 226 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 226 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 49 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 49% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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