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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BE1E2 it is the complementary color #D41E1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BE1E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BE1E2 shade: #30E1DD, #41F3F0, #52FFFF, #63FFFF and #74FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BE1E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BE1E2 shade: #2BE1E2, #1ACFCF, #09BDBC, #00ABA9 and #009996

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BE1E2 shade: #2CE1E2, #2CB0E2, #2C7EE2, #2C4DE2 and #3B2CE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BE1E2 shade: #2CE1E2, #2CB0E2, #2C7EE2, #2C4DE2 and #2C2CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BE1E2 shade matches the following richer shades: #2CE1E2 and #18F4F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BE1E2 shade: #2CE1E2, #3FCECE, #52BABB, #66A7A8 and #799494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BE1E2 shade: #2CE281, #2CE2B1, #2CE2E2, #2CB1E2 and #2C81E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BE1E2 shade: #16A4A5, #1BC8C9, #2CE1E2, #50E6E7 and #74EBEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BE1E2 shade: #2BE1E2, #502CE2 and #E2992C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BE1E2 shade: #2BE1E2, #E22CE2 and #E2E22C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BE1E2 shade: #2BE1E2, #502CE2, #E22C2C and #BDE22C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BE1E2 shade: #2BE1E2, #872CE2, #E22C2C and #87E22C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 0 / 11

HEX #2BE1E2

RGB 43 225 226

HSL 180.33, 0.76%, 0.53%

LAB 81.76, -41.6, -12.9

 

Complementary color

CMYK 0 / 86 / 86 / 17

HEX #D41E1D

RGB 212 30 29

HSL 0.33, 0.76%, 0.47%

LAB 45.65, 66.3, 48.76

 

CMYK 79 / 0 / 2 / 12

HEX #30E1DD

RGB 48 225 221

HSL 178.64, 0.75%, 0.54%

LAB 81.67, -42.62, -10.36

 

CMYK 73 / 0 / 1 / 5

HEX #41F3F0

RGB 65 243 240

HSL 178.99, 0.88%, 0.6%

LAB 87.74, -43.62, -11.32

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 55 / 0 / 0 / 0

HEX #74FFFF

RGB 116 255 255

HSL 180, 1%, 0.73%

LAB 92.77, -37.54, -11.49

 

CMYK 81 / 0 / 0 / 11

HEX #2BE1E2

RGB 43 225 226

HSL 180.33, 0.76%, 0.53%

LAB 81.76, -41.6, -12.9

 

CMYK 87 / 0 / 0 / 19

HEX #1ACFCF

RGB 26 207 207

HSL 180, 0.78%, 0.46%

LAB 75.67, -40.18, -11.86

 

CMYK 95 / 0 / 1 / 26

HEX #09BDBC

RGB 9 189 188

HSL 179.67, 0.91%, 0.39%

LAB 69.53, -38.41, -10.72

 

CMYK 100 / 0 / 1 / 33

HEX #00ABA9

RGB 0 171 169

HSL 179.3, 1%, 0.34%

LAB 63.33, -36.25, -9.45

 

CMYK 100 / 0 / 2 / 40

HEX #009996

RGB 0 153 150

HSL 178.82, 1%, 0.3%

LAB 57.06, -33.78, -8.09

 

CMYK 81 / 0 / 0 / 11

HEX #2CE1E2

RGB 44 225 226

HSL 180.33, 0.76%, 0.53%

LAB 81.77, -41.52, -12.88

 

CMYK 81 / 22 / 0 / 11

HEX #2CB0E2

RGB 44 176 226

HSL 196.48, 0.76%, 0.53%

LAB 67.33, -17.67, -34.9

 

CMYK 81 / 44 / 0 / 11

HEX #2C7EE2

RGB 44 126 226

HSL 212.97, 0.76%, 0.53%

LAB 52.89, 11.1, -57.71

 

CMYK 81 / 66 / 0 / 11

HEX #2C4DE2

RGB 44 77 226

HSL 229.12, 0.76%, 0.53%

LAB 40.14, 42.04, -78.43

 

CMYK 74 / 81 / 0 / 11

HEX #3B2CE2

RGB 59 44 226

HSL 244.95, 0.76%, 0.53%

LAB 34.44, 61.12, -87.82

 

CMYK 81 / 0 / 0 / 11

HEX #2CE1E2

RGB 44 225 226

HSL 180.33, 0.76%, 0.53%

LAB 81.77, -41.52, -12.88

 

CMYK 81 / 22 / 0 / 11

HEX #2CB0E2

RGB 44 176 226

HSL 196.48, 0.76%, 0.53%

LAB 67.33, -17.67, -34.9

 

CMYK 81 / 44 / 0 / 11

HEX #2C7EE2

RGB 44 126 226

HSL 212.97, 0.76%, 0.53%

LAB 52.89, 11.1, -57.71

 

CMYK 81 / 66 / 0 / 11

HEX #2C4DE2

RGB 44 77 226

HSL 229.12, 0.76%, 0.53%

LAB 40.14, 42.04, -78.43

 

CMYK 81 / 81 / 0 / 11

HEX #2C2CE2

RGB 44 44 226

HSL 240, 0.76%, 0.53%

LAB 33.62, 60.26, -89.2

 

CMYK 81 / 0 / 0 / 11

HEX #2CE1E2

RGB 44 225 226

HSL 180.33, 0.76%, 0.53%

LAB 81.77, -41.52, -12.88

 

CMYK 90 / 0 / 0 / 4

HEX #18F4F5

RGB 24 244 245

HSL 180.27, 0.92%, 0.53%

LAB 87.72, -45.59, -14

 

CMYK 81 / 0 / 0 / 11

HEX #2CE1E2

RGB 44 225 226

HSL 180.33, 0.76%, 0.53%

LAB 81.77, -41.52, -12.88

 

CMYK 69 / 0 / 0 / 19

HEX #3FCECE

RGB 63 206 206

HSL 180, 0.59%, 0.53%

LAB 75.86, -36.66, -10.99

 

CMYK 56 / 1 / 0 / 27

HEX #52BABB

RGB 82 186 187

HSL 180.57, 0.44%, 0.53%

LAB 69.82, -29.47, -9.6

 

CMYK 39 / 1 / 0 / 34

HEX #66A7A8

RGB 102 167 168

HSL 180.91, 0.28%, 0.53%

LAB 64.39, -20.44, -7.07

 

CMYK 18 / 0 / 0 / 42

HEX #799494

RGB 121 148 148

HSL 180, 0.11%, 0.53%

LAB 59.33, -9.45, -3.16

 

CMYK 81 / 0 / 43 / 11

HEX #2CE281

RGB 44 226 129

HSL 148.02, 0.76%, 0.53%

LAB 79.9, -64.83, 35.24

 

CMYK 81 / 0 / 22 / 11

HEX #2CE2B1

RGB 44 226 177

HSL 163.85, 0.76%, 0.53%

LAB 80.8, -54.89, 11.67

 

CMYK 81 / 0 / 0 / 11

HEX #2CE2E2

RGB 44 226 226

HSL 180, 0.76%, 0.53%

LAB 82.07, -41.97, -12.44

 

CMYK 81 / 22 / 0 / 11

HEX #2CB1E2

RGB 44 177 226

HSL 196.15, 0.76%, 0.53%

LAB 67.63, -18.2, -34.44

 

CMYK 81 / 43 / 0 / 11

HEX #2C81E2

RGB 44 129 226

HSL 211.98, 0.76%, 0.53%

LAB 53.74, 9.25, -56.36

 

CMYK 87 / 1 / 0 / 35

HEX #16A4A5

RGB 22 164 165

HSL 180.42, 0.76%, 0.37%

LAB 61.17, -33.26, -10.44

 

CMYK 87 / 0 / 0 / 21

HEX #1BC8C9

RGB 27 200 201

HSL 180.34, 0.76%, 0.45%

LAB 73.39, -38.74, -12.03

 

CMYK 81 / 0 / 0 / 11

HEX #2CE1E2

RGB 44 225 226

HSL 180.33, 0.76%, 0.53%

LAB 81.77, -41.52, -12.88

 

CMYK 65 / 0 / 0 / 9

HEX #50E6E7

RGB 80 230 231

HSL 180.4, 0.76%, 0.61%

LAB 84, -38.4, -12.13

 

CMYK 51 / 0 / 0 / 7

HEX #74EBEC

RGB 116 235 236

HSL 180.5, 0.76%, 0.69%

LAB 86.6, -33.15, -10.78

 

CMYK 81 / 0 / 0 / 11

HEX #2BE1E2

RGB 43 225 226

HSL 180.33, 0.76%, 0.53%

LAB 81.76, -41.6, -12.9

 

CMYK 65 / 81 / 0 / 11

HEX #502CE2

RGB 80 44 226

HSL 251.87, 0.76%, 0.53%

LAB 35.98, 62.74, -85.22

 

CMYK 0 / 32 / 81 / 11

HEX #E2992C

RGB 226 153 44

HSL 35.93, 0.76%, 0.53%

LAB 68.85, 18.74, 63.73

 

CMYK 81 / 0 / 0 / 11

HEX #2BE1E2

RGB 43 225 226

HSL 180.33, 0.76%, 0.53%

LAB 81.76, -41.6, -12.9

 

CMYK 0 / 81 / 0 / 11

HEX #E22CE2

RGB 226 44 226

HSL 300, 0.76%, 0.53%

LAB 55.54, 84.16, -52.53

 

CMYK 0 / 0 / 81 / 11

HEX #E2E22C

RGB 226 226 44

HSL 60, 0.76%, 0.53%

LAB 87.36, -18.96, 79.91

 

CMYK 81 / 0 / 0 / 11

HEX #2BE1E2

RGB 43 225 226

HSL 180.33, 0.76%, 0.53%

LAB 81.76, -41.6, -12.9

 

CMYK 65 / 81 / 0 / 11

HEX #502CE2

RGB 80 44 226

HSL 251.87, 0.76%, 0.53%

LAB 35.98, 62.74, -85.22

 

CMYK 0 / 81 / 81 / 11

HEX #E22C2C

RGB 226 44 44

HSL 0, 0.76%, 0.53%

LAB 49.68, 67.32, 45.87

 

CMYK 16 / 0 / 81 / 11

HEX #BDE22C

RGB 189 226 44

HSL 72.2, 0.76%, 0.53%

LAB 84.69, -34.07, 76.55

 

CMYK 81 / 0 / 0 / 11

HEX #2BE1E2

RGB 43 225 226

HSL 180.33, 0.76%, 0.53%

LAB 81.76, -41.6, -12.9

 

CMYK 40 / 81 / 0 / 11

HEX #872CE2

RGB 135 44 226

HSL 270, 0.76%, 0.53%

LAB 41.91, 69.11, -75.24

 

CMYK 0 / 81 / 81 / 11

HEX #E22C2C

RGB 226 44 44

HSL 0, 0.76%, 0.53%

LAB 49.68, 67.32, 45.87

 

CMYK 40 / 0 / 81 / 11

HEX #87E22C

RGB 135 226 44

HSL 90, 0.76%, 0.53%

LAB 81.69, -53.89, 72.73

 

Description

Color code: HEX #2BE1E2 | qconv.com Color code: HEX #2BE1E2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 225 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 225 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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