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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BE025 it is the complementary color #D41FDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BE025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BE025 shade: #30E020, #41F233, #52FF46, #63FF59 and #74FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BE025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BE025 shade: #2BE025, #1ACE12, #09BC00, #00AA00 and #009800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BE025 shade: #2ADF24, #5CDF24, #8FDF24, #C1DF24 and #DFCA24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BE025 shade: #2ADF24, #24DF50, #24DF83, #24DFB5 and #24D7DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BE025 shade matches the following richer shades: #2ADF24 and #17F310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BE025 shade: #2ADF24, #3DCB38, #50B74C, #63A360 and #768E75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BE025 shade: #8EDF24, #5CDF24, #2ADF24, #24DF50 and #24DF82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BE025 shade: #1A9B16, #20BF1B, #2ADF24, #4DE448 and #70EA6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BE025 shade: #2BE025, #24C0DF and #DF2475

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BE025 shade: #2BE025, #242ADF and #DF242A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BE025 shade: #2BE025, #24C0DF, #D924DF and #DF4324

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BE025 shade: #2BE025, #2488DF, #D924DF and #DF7B24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 83 / 12

HEX #2BE025

RGB 43 224 37

HSL 118.07, 0.75%, 0.51%

LAB 78.44, -74.42, 70.56

 

Complementary color

CMYK 3 / 86 / 0 / 15

HEX #D41FDA

RGB 212 31 218

HSL 298.07, 0.75%, 0.49%

LAB 51.88, 83.03, -53.98

 

CMYK 79 / 0 / 86 / 12

HEX #30E020

RGB 48 224 32

HSL 115, 0.76%, 0.5%

LAB 78.49, -74.05, 71.74

 

CMYK 73 / 0 / 79 / 5

HEX #41F233

RGB 65 242 51

HSL 115.6, 0.88%, 0.57%

LAB 84.42, -76.05, 72.59

 

CMYK 68 / 0 / 73 / 0

HEX #52FF46

RGB 82 255 70

HSL 116.11, 1%, 0.64%

LAB 88.81, -75.99, 71.13

 

CMYK 61 / 0 / 65 / 0

HEX #63FF59

RGB 99 255 89

HSL 116.39, 1%, 0.67%

LAB 89.34, -71.1, 64.88

 

CMYK 55 / 0 / 58 / 0

HEX #74FF6C

RGB 116 255 108

HSL 116.73, 1%, 0.71%

LAB 90.01, -65.3, 57.88

 

CMYK 81 / 0 / 83 / 12

HEX #2BE025

RGB 43 224 37

HSL 118.07, 0.75%, 0.51%

LAB 78.44, -74.42, 70.56

 

CMYK 87 / 0 / 91 / 19

HEX #1ACE12

RGB 26 206 18

HSL 117.45, 0.84%, 0.44%

LAB 72.5, -71.67, 68.99

 

CMYK 95 / 0 / 100 / 26

HEX #09BC00

RGB 9 188 0

HSL 117.13, 1%, 0.37%

LAB 66.54, -68.13, 66.2

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 81 / 0 / 84 / 13

HEX #2ADF24

RGB 42 223 36

HSL 118.07, 0.75%, 0.51%

LAB 78.11, -74.29, 70.49

 

CMYK 59 / 0 / 84 / 13

HEX #5CDF24

RGB 92 223 36

HSL 102.03, 0.75%, 0.51%

LAB 79.14, -65.49, 71.81

 

CMYK 36 / 0 / 84 / 13

HEX #8FDF24

RGB 143 223 36

HSL 85.67, 0.75%, 0.51%

LAB 81.15, -50.3, 74.34

 

CMYK 13 / 0 / 84 / 13

HEX #C1DF24

RGB 193 223 36

HSL 69.63, 0.75%, 0.51%

LAB 84.09, -31.33, 78.03

 

CMYK 0 / 9 / 84 / 13

HEX #DFCA24

RGB 223 202 36

HSL 53.26, 0.75%, 0.51%

LAB 80.77, -8.51, 76.19

 

CMYK 81 / 0 / 84 / 13

HEX #2ADF24

RGB 42 223 36

HSL 118.07, 0.75%, 0.51%

LAB 78.11, -74.29, 70.49

 

CMYK 84 / 0 / 64 / 13

HEX #24DF50

RGB 36 223 80

HSL 134.12, 0.75%, 0.51%

LAB 78.3, -71.57, 56.06

 

CMYK 84 / 0 / 41 / 13

HEX #24DF83

RGB 36 223 131

HSL 150.48, 0.75%, 0.51%

LAB 78.92, -64.18, 32.93

 

CMYK 84 / 0 / 19 / 13

HEX #24DFB5

RGB 36 223 181

HSL 166.52, 0.75%, 0.51%

LAB 79.89, -53.39, 8.25

 

CMYK 84 / 4 / 0 / 13

HEX #24D7DF

RGB 36 215 223

HSL 182.57, 0.75%, 0.51%

LAB 78.64, -38.46, -15.99

 

CMYK 81 / 0 / 84 / 13

HEX #2ADF24

RGB 42 223 36

HSL 118.07, 0.75%, 0.51%

LAB 78.11, -74.29, 70.49

 

CMYK 91 / 0 / 93 / 5

HEX #17F310

RGB 23 243 16

HSL 118.15, 0.9%, 0.51%

LAB 84.13, -81.98, 78.95

 

CMYK 81 / 0 / 84 / 13

HEX #2ADF24

RGB 42 223 36

HSL 118.07, 0.75%, 0.51%

LAB 78.11, -74.29, 70.49

 

CMYK 70 / 0 / 72 / 20

HEX #3DCB38

RGB 61 203 56

HSL 117.96, 0.59%, 0.51%

LAB 72.22, -64.26, 59.05

 

CMYK 56 / 0 / 58 / 28

HEX #50B74C

RGB 80 183 76

HSL 117.76, 0.43%, 0.51%

LAB 66.59, -51.13, 44.76

 

CMYK 39 / 0 / 41 / 36

HEX #63A360

RGB 99 163 96

HSL 117.31, 0.27%, 0.51%

LAB 61.39, -34.43, 28.5

 

CMYK 17 / 0 / 18 / 44

HEX #768E75

RGB 118 142 117

HSL 117.6, 0.1%, 0.51%

LAB 56.57, -13.64, 10.52

 

CMYK 36 / 0 / 84 / 13

HEX #8EDF24

RGB 142 223 36

HSL 85.99, 0.75%, 0.51%

LAB 81.1, -50.64, 74.28

 

CMYK 59 / 0 / 84 / 13

HEX #5CDF24

RGB 92 223 36

HSL 102.03, 0.75%, 0.51%

LAB 79.14, -65.49, 71.81

 

CMYK 81 / 0 / 84 / 13

HEX #2ADF24

RGB 42 223 36

HSL 118.07, 0.75%, 0.51%

LAB 78.11, -74.29, 70.49

 

CMYK 84 / 0 / 64 / 13

HEX #24DF50

RGB 36 223 80

HSL 134.12, 0.75%, 0.51%

LAB 78.3, -71.57, 56.06

 

CMYK 84 / 0 / 42 / 13

HEX #24DF82

RGB 36 223 130

HSL 150.16, 0.75%, 0.51%

LAB 78.9, -64.36, 33.42

 

CMYK 83 / 0 / 86 / 39

HEX #1A9B16

RGB 26 155 22

HSL 118.2, 0.75%, 0.35%

LAB 55.81, -56.66, 53.7

 

CMYK 83 / 0 / 86 / 25

HEX #20BF1B

RGB 32 191 27

HSL 118.17, 0.75%, 0.43%

LAB 67.76, -66.52, 63.24

 

CMYK 81 / 0 / 84 / 13

HEX #2ADF24

RGB 42 223 36

HSL 118.07, 0.75%, 0.51%

LAB 78.11, -74.29, 70.49

 

CMYK 66 / 0 / 68 / 11

HEX #4DE448

RGB 77 228 72

HSL 118.08, 0.74%, 0.59%

LAB 80.48, -68.11, 61.8

 

CMYK 52 / 0 / 54 / 8

HEX #70EA6C

RGB 112 234 108

HSL 118.1, 0.75%, 0.67%

LAB 83.64, -58.53, 50.35

 

CMYK 81 / 0 / 83 / 12

HEX #2BE025

RGB 43 224 37

HSL 118.07, 0.75%, 0.51%

LAB 78.44, -74.42, 70.56

 

CMYK 84 / 14 / 0 / 13

HEX #24C0DF

RGB 36 192 223

HSL 189.95, 0.75%, 0.51%

LAB 71.83, -27.51, -26.34

 

CMYK 0 / 84 / 48 / 13

HEX #DF2475

RGB 223 36 117

HSL 334.01, 0.75%, 0.51%

LAB 49.78, 72.35, 2.55

 

CMYK 81 / 0 / 83 / 12

HEX #2BE025

RGB 43 224 37

HSL 118.07, 0.75%, 0.51%

LAB 78.44, -74.42, 70.56

 

CMYK 84 / 81 / 0 / 13

HEX #242ADF

RGB 36 42 223

HSL 238.07, 0.75%, 0.51%

LAB 32.61, 59.92, -89.17

 

CMYK 0 / 84 / 81 / 13

HEX #DF242A

RGB 223 36 42

HSL 358.07, 0.75%, 0.51%

LAB 48.41, 68.33, 45.49

 

CMYK 81 / 0 / 83 / 12

HEX #2BE025

RGB 43 224 37

HSL 118.07, 0.75%, 0.51%

LAB 78.44, -74.42, 70.56

 

CMYK 84 / 14 / 0 / 13

HEX #24C0DF

RGB 36 192 223

HSL 189.95, 0.75%, 0.51%

LAB 71.83, -27.51, -26.34

 

CMYK 3 / 84 / 0 / 13

HEX #D924DF

RGB 217 36 223

HSL 298.07, 0.75%, 0.51%

LAB 53.32, 83.74, -54.47

 

CMYK 0 / 70 / 84 / 13

HEX #DF4324

RGB 223 67 36

HSL 9.95, 0.75%, 0.51%

LAB 51.64, 58.99, 51.44

 

CMYK 81 / 0 / 83 / 12

HEX #2BE025

RGB 43 224 37

HSL 118.07, 0.75%, 0.51%

LAB 78.44, -74.42, 70.56

 

CMYK 84 / 39 / 0 / 13

HEX #2488DF

RGB 36 136 223

HSL 207.91, 0.75%, 0.51%

LAB 55.39, 3.18, -52.04

 

CMYK 3 / 84 / 0 / 13

HEX #D924DF

RGB 217 36 223

HSL 298.07, 0.75%, 0.51%

LAB 53.32, 83.74, -54.47

 

CMYK 0 / 45 / 84 / 13

HEX #DF7B24

RGB 223 123 36

HSL 27.91, 0.75%, 0.51%

LAB 61.64, 33.15, 60.1

 

Description

Color code: HEX #2BE025 | qconv.com Color code: HEX #2BE025 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 224 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 224 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 83 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 83% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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