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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BDF24 it is the complementary color #D420DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BDF24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BDF24 shade: #30DF1F, #41F132, #52FF45, #63FF58 and #74FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BDF24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BDF24 shade: #2BDF24, #1ACD11, #09BB00, #00A900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BDF24 shade: #2BDF24, #5DDF24, #90DF24, #C2DF24 and #DFC924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BDF24 shade: #2BDF24, #24DF4F, #24DF82, #24DFB4 and #24D8DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BDF24 shade matches the following richer shades: #2BDF24 and #18F310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BDF24 shade: #2BDF24, #3ECB38, #50B74C, #63A360 and #768E75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BDF24 shade: #91DF24, #5FDF24, #2DDF24, #24DF4C and #24DF7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BDF24 shade: #1B9B16, #21BF1B, #2BDF24, #4EE448 and #71EA6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BDF24 shade: #2BDF24, #24C3DF and #DF2478

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BDF24 shade: #2BDF24, #242DDF and #DF242D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BDF24 shade: #2BDF24, #24C3DF, #D624DF and #DF4024

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BDF24 shade: #2BDF24, #248BDF, #D624DF and #DF7824

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 84 / 13

HEX #2BDF24

RGB 43 223 36

HSL 117.75, 0.75%, 0.51%

LAB 78.12, -74.18, 70.5

 

Complementary color

CMYK 3 / 85 / 0 / 14

HEX #D420DB

RGB 212 32 219

HSL 297.75, 0.75%, 0.49%

LAB 52, 83, -54.36

 

CMYK 78 / 0 / 86 / 13

HEX #30DF1F

RGB 48 223 31

HSL 114.69, 0.76%, 0.5%

LAB 78.17, -73.8, 71.66

 

CMYK 73 / 0 / 79 / 5

HEX #41F132

RGB 65 241 50

HSL 115.29, 0.87%, 0.57%

LAB 84.1, -75.81, 72.57

 

CMYK 68 / 0 / 73 / 0

HEX #52FF45

RGB 82 255 69

HSL 115.81, 1%, 0.64%

LAB 88.8, -76.06, 71.46

 

CMYK 61 / 0 / 65 / 0

HEX #63FF58

RGB 99 255 88

HSL 116.05, 1%, 0.67%

LAB 89.34, -71.19, 65.26

 

CMYK 55 / 0 / 58 / 0

HEX #74FF6B

RGB 116 255 107

HSL 116.35, 1%, 0.71%

LAB 90, -65.41, 58.3

 

CMYK 81 / 0 / 84 / 13

HEX #2BDF24

RGB 43 223 36

HSL 117.75, 0.75%, 0.51%

LAB 78.12, -74.18, 70.5

 

CMYK 87 / 0 / 92 / 20

HEX #1ACD11

RGB 26 205 17

HSL 117.13, 0.85%, 0.44%

LAB 72.18, -71.42, 68.86

 

CMYK 95 / 0 / 100 / 27

HEX #09BB00

RGB 9 187 0

HSL 117.11, 1%, 0.37%

LAB 66.21, -67.85, 65.94

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 81 / 0 / 84 / 13

HEX #2BDF24

RGB 43 223 36

HSL 117.75, 0.75%, 0.51%

LAB 78.12, -74.18, 70.5

 

CMYK 58 / 0 / 84 / 13

HEX #5DDF24

RGB 93 223 36

HSL 101.71, 0.75%, 0.51%

LAB 79.17, -65.24, 71.84

 

CMYK 35 / 0 / 84 / 13

HEX #90DF24

RGB 144 223 36

HSL 85.35, 0.75%, 0.51%

LAB 81.2, -49.95, 74.41

 

CMYK 13 / 0 / 84 / 13

HEX #C2DF24

RGB 194 223 36

HSL 69.3, 0.75%, 0.51%

LAB 84.16, -30.93, 78.11

 

CMYK 0 / 10 / 84 / 13

HEX #DFC924

RGB 223 201 36

HSL 52.94, 0.75%, 0.51%

LAB 80.51, -8.01, 75.97

 

CMYK 81 / 0 / 84 / 13

HEX #2BDF24

RGB 43 223 36

HSL 117.75, 0.75%, 0.51%

LAB 78.12, -74.18, 70.5

 

CMYK 84 / 0 / 65 / 13

HEX #24DF4F

RGB 36 223 79

HSL 133.8, 0.75%, 0.51%

LAB 78.3, -71.68, 56.47

 

CMYK 84 / 0 / 42 / 13

HEX #24DF82

RGB 36 223 130

HSL 150.16, 0.75%, 0.51%

LAB 78.9, -64.36, 33.42

 

CMYK 84 / 0 / 19 / 13

HEX #24DFB4

RGB 36 223 180

HSL 166.2, 0.75%, 0.51%

LAB 79.87, -53.63, 8.74

 

CMYK 84 / 3 / 0 / 13

HEX #24D8DF

RGB 36 216 223

HSL 182.25, 0.75%, 0.51%

LAB 78.93, -38.92, -15.55

 

CMYK 81 / 0 / 84 / 13

HEX #2BDF24

RGB 43 223 36

HSL 117.75, 0.75%, 0.51%

LAB 78.12, -74.18, 70.5

 

CMYK 90 / 0 / 93 / 5

HEX #18F310

RGB 24 243 16

HSL 117.89, 0.9%, 0.51%

LAB 84.14, -81.92, 78.96

 

CMYK 81 / 0 / 84 / 13

HEX #2BDF24

RGB 43 223 36

HSL 117.75, 0.75%, 0.51%

LAB 78.12, -74.18, 70.5

 

CMYK 69 / 0 / 72 / 20

HEX #3ECB38

RGB 62 203 56

HSL 117.55, 0.59%, 0.51%

LAB 72.24, -64.08, 59.08

 

CMYK 56 / 0 / 58 / 28

HEX #50B74C

RGB 80 183 76

HSL 117.76, 0.43%, 0.51%

LAB 66.59, -51.13, 44.76

 

CMYK 39 / 0 / 41 / 36

HEX #63A360

RGB 99 163 96

HSL 117.31, 0.27%, 0.51%

LAB 61.39, -34.43, 28.5

 

CMYK 17 / 0 / 18 / 44

HEX #768E75

RGB 118 142 117

HSL 117.6, 0.1%, 0.51%

LAB 56.57, -13.64, 10.52

 

CMYK 35 / 0 / 84 / 13

HEX #91DF24

RGB 145 223 36

HSL 85.03, 0.75%, 0.51%

LAB 81.25, -49.6, 74.47

 

CMYK 57 / 0 / 84 / 13

HEX #5FDF24

RGB 95 223 36

HSL 101.07, 0.75%, 0.51%

LAB 79.23, -64.75, 71.92

 

CMYK 80 / 0 / 84 / 13

HEX #2DDF24

RGB 45 223 36

HSL 117.11, 0.75%, 0.51%

LAB 78.15, -73.95, 70.54

 

CMYK 84 / 0 / 66 / 13

HEX #24DF4C

RGB 36 223 76

HSL 132.83, 0.75%, 0.51%

LAB 78.27, -71.99, 57.66

 

CMYK 84 / 0 / 43 / 13

HEX #24DF7E

RGB 36 223 126

HSL 148.88, 0.75%, 0.51%

LAB 78.84, -65.07, 35.35

 

CMYK 83 / 0 / 86 / 39

HEX #1B9B16

RGB 27 155 22

HSL 117.74, 0.75%, 0.35%

LAB 55.82, -56.54, 53.72

 

CMYK 83 / 0 / 86 / 25

HEX #21BF1B

RGB 33 191 27

HSL 117.8, 0.75%, 0.43%

LAB 67.77, -66.41, 63.26

 

CMYK 81 / 0 / 84 / 13

HEX #2BDF24

RGB 43 223 36

HSL 117.75, 0.75%, 0.51%

LAB 78.12, -74.18, 70.5

 

CMYK 66 / 0 / 68 / 11

HEX #4EE448

RGB 78 228 72

HSL 117.69, 0.74%, 0.59%

LAB 80.5, -67.92, 61.83

 

CMYK 52 / 0 / 54 / 8

HEX #71EA6C

RGB 113 234 108

HSL 117.62, 0.75%, 0.67%

LAB 83.67, -58.27, 50.4

 

CMYK 81 / 0 / 84 / 13

HEX #2BDF24

RGB 43 223 36

HSL 117.75, 0.75%, 0.51%

LAB 78.12, -74.18, 70.5

 

CMYK 84 / 13 / 0 / 13

HEX #24C3DF

RGB 36 195 223

HSL 188.98, 0.75%, 0.51%

LAB 72.72, -28.99, -24.98

 

CMYK 0 / 84 / 46 / 13

HEX #DF2478

RGB 223 36 120

HSL 333.05, 0.75%, 0.51%

LAB 49.86, 72.6, 0.85

 

CMYK 81 / 0 / 84 / 13

HEX #2BDF24

RGB 43 223 36

HSL 117.75, 0.75%, 0.51%

LAB 78.12, -74.18, 70.5

 

CMYK 84 / 80 / 0 / 13

HEX #242DDF

RGB 36 45 223

HSL 237.11, 0.75%, 0.51%

LAB 33.09, 58.51, -88.37

 

CMYK 0 / 84 / 80 / 13

HEX #DF242D

RGB 223 36 45

HSL 357.11, 0.75%, 0.51%

LAB 48.43, 68.41, 43.9

 

CMYK 81 / 0 / 84 / 13

HEX #2BDF24

RGB 43 223 36

HSL 117.75, 0.75%, 0.51%

LAB 78.12, -74.18, 70.5

 

CMYK 84 / 13 / 0 / 13

HEX #24C3DF

RGB 36 195 223

HSL 188.98, 0.75%, 0.51%

LAB 72.72, -28.99, -24.98

 

CMYK 4 / 84 / 0 / 13

HEX #D624DF

RGB 214 36 223

HSL 297.11, 0.75%, 0.51%

LAB 52.82, 83.22, -55.29

 

CMYK 0 / 71 / 84 / 13

HEX #DF4024

RGB 223 64 36

HSL 8.98, 0.75%, 0.51%

LAB 51.25, 60.08, 51.09

 

CMYK 81 / 0 / 84 / 13

HEX #2BDF24

RGB 43 223 36

HSL 117.75, 0.75%, 0.51%

LAB 78.12, -74.18, 70.5

 

CMYK 84 / 38 / 0 / 13

HEX #248BDF

RGB 36 139 223

HSL 206.95, 0.75%, 0.51%

LAB 56.26, 1.39, -50.67

 

CMYK 4 / 84 / 0 / 13

HEX #D624DF

RGB 214 36 223

HSL 297.11, 0.75%, 0.51%

LAB 52.82, 83.22, -55.29

 

CMYK 0 / 46 / 84 / 13

HEX #DF7824

RGB 223 120 36

HSL 26.95, 0.75%, 0.51%

LAB 61, 34.71, 59.55

 

Description

Color code: HEX #2BDF24 | qconv.com Color code: HEX #2BDF24 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 223 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 223 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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