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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BD3F4 it is the complementary color #D42C0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BD3F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BD3F4 shade: #30D3EF, #41E5FF, #52F7FF, #63FFFF and #74FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BD3F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BD3F4 shade: #2BD3F4, #1AC1E1, #09AFCE, #009DBB and #008BA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BD3F4 shade: #29D2F3, #299CF3, #2965F3, #292FF3 and #5A29F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BD3F4 shade: #29D2F3, #299CF3, #2965F3, #292FF3 and #2929F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BD3F4 shade matches the following richer shades: #29D2F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BD3F4 shade: #29D2F3, #3BC6E1, #4EBACF, #60AEBD and #72A1AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BD3F4 shade: #29F3A6, #29F3DC, #29D5F3, #299FF3 and #2969F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BD3F4 shade: #0AA2C0, #0CC4E8, #29D2F3, #51DAF5 and #78E2F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BD3F4 shade: #2BD3F4, #7029F3 and #F3C129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BD3F4 shade: #2BD3F4, #F329D5 and #D5F329

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BD3F4 shade: #2BD3F4, #7029F3, #F34829 and #ADF329

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BD3F4 shade: #2BD3F4, #AD29F3, #F34829 and #70F329

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 14 / 0 / 4

HEX #2BD3F4

RGB 43 211 244

HSL 189.85, 0.9%, 0.56%

LAB 78.25, -29.62, -27.81

 

Complementary color

CMYK 0 / 79 / 95 / 17

HEX #D42C0B

RGB 212 44 11

HSL 9.85, 0.9%, 0.44%

LAB 46.74, 62.7, 56.4

 

CMYK 80 / 12 / 0 / 6

HEX #30D3EF

RGB 48 211 239

HSL 188.8, 0.86%, 0.56%

LAB 78.14, -30.79, -25.29

 

CMYK 75 / 10 / 0 / 0

HEX #41E5FF

RGB 65 229 255

HSL 188.21, 1%, 0.63%

LAB 84.16, -32.88, -24.58

 

CMYK 68 / 3 / 0 / 0

HEX #52F7FF

RGB 82 247 255

HSL 182.77, 1%, 0.66%

LAB 89.64, -39.23, -16.26

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 55 / 0 / 0 / 0

HEX #74FFFF

RGB 116 255 255

HSL 180, 1%, 0.73%

LAB 92.77, -37.54, -11.49

 

CMYK 82 / 14 / 0 / 4

HEX #2BD3F4

RGB 43 211 244

HSL 189.85, 0.9%, 0.56%

LAB 78.25, -29.62, -27.81

 

CMYK 88 / 14 / 0 / 12

HEX #1AC1E1

RGB 26 193 225

HSL 189.65, 0.79%, 0.49%

LAB 72.09, -27.98, -27.03

 

CMYK 96 / 15 / 0 / 19

HEX #09AFCE

RGB 9 175 206

HSL 189.44, 0.92%, 0.42%

LAB 65.88, -25.96, -26.16

 

CMYK 100 / 16 / 0 / 27

HEX #009DBB

RGB 0 157 187

HSL 189.63, 1%, 0.37%

LAB 59.62, -23.54, -25.2

 

CMYK 100 / 17 / 0 / 34

HEX #008BA8

RGB 0 139 168

HSL 190.36, 1%, 0.33%

LAB 53.27, -20.77, -24.17

 

CMYK 83 / 14 / 0 / 5

HEX #29D2F3

RGB 41 210 243

HSL 189.8, 0.89%, 0.56%

LAB 77.9, -29.6, -27.81

 

CMYK 83 / 36 / 0 / 5

HEX #299CF3

RGB 41 156 243

HSL 205.84, 0.89%, 0.56%

LAB 62.27, -0.84, -52.19

 

CMYK 83 / 58 / 0 / 5

HEX #2965F3

RGB 41 101 243

HSL 222.18, 0.89%, 0.56%

LAB 47.3, 32.96, -76.3

 

CMYK 83 / 81 / 0 / 5

HEX #292FF3

RGB 41 47 243

HSL 238.22, 0.89%, 0.56%

LAB 35.94, 63.84, -95.02

 

CMYK 63 / 83 / 0 / 5

HEX #5A29F3

RGB 90 41 243

HSL 254.55, 0.89%, 0.56%

LAB 38.25, 69.32, -91.08

 

CMYK 83 / 14 / 0 / 5

HEX #29D2F3

RGB 41 210 243

HSL 189.8, 0.89%, 0.56%

LAB 77.9, -29.6, -27.81

 

CMYK 83 / 36 / 0 / 5

HEX #299CF3

RGB 41 156 243

HSL 205.84, 0.89%, 0.56%

LAB 62.27, -0.84, -52.19

 

CMYK 83 / 58 / 0 / 5

HEX #2965F3

RGB 41 101 243

HSL 222.18, 0.89%, 0.56%

LAB 47.3, 32.96, -76.3

 

CMYK 83 / 81 / 0 / 5

HEX #292FF3

RGB 41 47 243

HSL 238.22, 0.89%, 0.56%

LAB 35.94, 63.84, -95.02

 

CMYK 83 / 83 / 0 / 5

HEX #2929F3

RGB 41 41 243

HSL 240, 0.89%, 0.56%

LAB 35.06, 66.43, -96.48

 

CMYK 83 / 14 / 0 / 5

HEX #29D2F3

RGB 41 210 243

HSL 189.8, 0.89%, 0.56%

LAB 77.9, -29.6, -27.81

 

CMYK 83 / 14 / 0 / 5

HEX #29D2F3

RGB 41 210 243

HSL 189.8, 0.89%, 0.56%

LAB 77.9, -29.6, -27.81

 

CMYK 74 / 12 / 0 / 12

HEX #3BC6E1

RGB 59 198 225

HSL 189.76, 0.73%, 0.56%

LAB 74.03, -27.69, -24.02

 

CMYK 62 / 10 / 0 / 19

HEX #4EBACF

RGB 78 186 207

HSL 189.77, 0.57%, 0.56%

LAB 70.35, -24.48, -19.8

 

CMYK 49 / 8 / 0 / 26

HEX #60AEBD

RGB 96 174 189

HSL 189.68, 0.41%, 0.56%

LAB 66.85, -19.94, -15.11

 

CMYK 33 / 6 / 0 / 33

HEX #72A1AB

RGB 114 161 171

HSL 190.53, 0.25%, 0.56%

LAB 63.35, -13.2, -10.25

 

CMYK 83 / 0 / 32 / 5

HEX #29F3A6

RGB 41 243 166

HSL 157.13, 0.89%, 0.56%

LAB 85.67, -64.01, 24.17

 

CMYK 83 / 0 / 9 / 5

HEX #29F3DC

RGB 41 243 220

HSL 173.17, 0.89%, 0.56%

LAB 86.87, -51.17, -2.17

 

CMYK 83 / 12 / 0 / 5

HEX #29D5F3

RGB 41 213 243

HSL 188.91, 0.89%, 0.56%

LAB 78.77, -31.05, -26.47

 

CMYK 83 / 35 / 0 / 5

HEX #299FF3

RGB 41 159 243

HSL 204.95, 0.89%, 0.56%

LAB 63.13, -2.57, -50.83

 

CMYK 83 / 57 / 0 / 5

HEX #2969F3

RGB 41 105 243

HSL 220.99, 0.89%, 0.56%

LAB 48.32, 30.43, -74.64

 

CMYK 95 / 16 / 0 / 25

HEX #0AA2C0

RGB 10 162 192

HSL 189.89, 0.9%, 0.4%

LAB 61.4, -24.06, -25.26

 

CMYK 95 / 16 / 0 / 9

HEX #0CC4E8

RGB 12 196 232

HSL 189.82, 0.9%, 0.48%

LAB 73.14, -27.72, -29.21

 

CMYK 83 / 14 / 0 / 5

HEX #29D2F3

RGB 41 210 243

HSL 189.8, 0.89%, 0.56%

LAB 77.9, -29.6, -27.81

 

CMYK 67 / 11 / 0 / 4

HEX #51DAF5

RGB 81 218 245

HSL 189.88, 0.89%, 0.64%

LAB 81.01, -28.59, -24.06

 

CMYK 51 / 9 / 0 / 3

HEX #78E2F7

RGB 120 226 247

HSL 189.92, 0.89%, 0.72%

LAB 84.54, -25.11, -19.66

 

CMYK 82 / 14 / 0 / 4

HEX #2BD3F4

RGB 43 211 244

HSL 189.85, 0.9%, 0.56%

LAB 78.25, -29.62, -27.81

 

CMYK 54 / 83 / 0 / 5

HEX #7029F3

RGB 112 41 243

HSL 261.09, 0.89%, 0.56%

LAB 40.41, 71.34, -87.44

 

CMYK 0 / 21 / 83 / 5

HEX #F3C129

RGB 243 193 41

HSL 45.15, 0.89%, 0.56%

LAB 80.38, 4.82, 75.35

 

CMYK 82 / 14 / 0 / 4

HEX #2BD3F4

RGB 43 211 244

HSL 189.85, 0.9%, 0.56%

LAB 78.25, -29.62, -27.81

 

CMYK 0 / 83 / 12 / 5

HEX #F329D5

RGB 243 41 213

HSL 308.91, 0.89%, 0.56%

LAB 57.51, 86.16, -41.87

 

CMYK 12 / 0 / 83 / 5

HEX #D5F329

RGB 213 243 41

HSL 68.91, 0.89%, 0.56%

LAB 90.97, -32.4, 83.3

 

CMYK 82 / 14 / 0 / 4

HEX #2BD3F4

RGB 43 211 244

HSL 189.85, 0.9%, 0.56%

LAB 78.25, -29.62, -27.81

 

CMYK 54 / 83 / 0 / 5

HEX #7029F3

RGB 112 41 243

HSL 261.09, 0.89%, 0.56%

LAB 40.41, 71.34, -87.44

 

CMYK 0 / 70 / 83 / 5

HEX #F34829

RGB 243 72 41

HSL 9.21, 0.89%, 0.56%

LAB 55.94, 63.62, 54.32

 

CMYK 29 / 0 / 83 / 5

HEX #ADF329

RGB 173 243 41

HSL 80.79, 0.89%, 0.56%

LAB 88.52, -47.73, 80.23

 

CMYK 82 / 14 / 0 / 4

HEX #2BD3F4

RGB 43 211 244

HSL 189.85, 0.9%, 0.56%

LAB 78.25, -29.62, -27.81

 

CMYK 29 / 83 / 0 / 5

HEX #AD29F3

RGB 173 41 243

HSL 279.21, 0.89%, 0.56%

LAB 48.19, 78.98, -74.4

 

CMYK 0 / 70 / 83 / 5

HEX #F34829

RGB 243 72 41

HSL 9.21, 0.89%, 0.56%

LAB 55.94, 63.62, 54.32

 

CMYK 54 / 0 / 83 / 5

HEX #70F329

RGB 112 243 41

HSL 98.91, 0.89%, 0.56%

LAB 85.86, -67.08, 76.88

 

Description

Color code: HEX #2BD3F4 | qconv.com Color code: HEX #2BD3F4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 211 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 211 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 14 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 14% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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