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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BC55C it is the complementary color #D43AA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BC55C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BC55C shade: #30C557, #41D76A, #52E97D, #63FB90 and #74FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BC55C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BC55C shade: #2BC55C, #1AB349, #09A136, #008F23 and #007D10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BC55C shade: #2BC45B, #2BC432, #4DC42B, #76C42B and #9FC42B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BC55C shade: #2BC45B, #2BC485, #2BC4AE, #2BB1C4 and #2B87C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BC55C shade matches the following richer shades: #2BC45B, #17D754 and #04EB4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BC55C shade: #2BC45B, #3EB163, #519D6A, #658A71 and #787678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BC55C shade: #4CC42B, #2BC432, #2BC45B, #2BC484 and #2BC4AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BC55C shade: #1C803C, #23A24C, #2BC45B, #43D571 and #65DD8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BC55C shade: #2BC55C, #2B75C4 and #C42B37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BC55C shade: #2BC55C, #5B2BC4 and #C45B2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BC55C shade: #2BC55C, #2B75C4, #C42B93 and #C47A2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BC55C shade: #2BC55C, #2B47C4, #C42B93 and #C4A82B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 53 / 23

HEX #2BC55C

RGB 43 197 92

HSL 139.09, 0.64%, 0.47%

LAB 70.33, -61.01, 41.41

 

Complementary color

CMYK 0 / 73 / 23 / 17

HEX #D43AA3

RGB 212 58 163

HSL 319.09, 0.64%, 0.53%

LAB 51.46, 68.55, -22.74

 

CMYK 76 / 0 / 56 / 23

HEX #30C557

RGB 48 197 87

HSL 135.7, 0.61%, 0.48%

LAB 70.35, -61.05, 43.84

 

CMYK 70 / 0 / 51 / 16

HEX #41D76A

RGB 65 215 106

HSL 136.4, 0.65%, 0.55%

LAB 76.54, -61.94, 42.36

 

CMYK 65 / 0 / 46 / 9

HEX #52E97D

RGB 82 233 125

HSL 137.09, 0.77%, 0.62%

LAB 82.67, -62.49, 40.91

 

CMYK 61 / 0 / 43 / 2

HEX #63FB90

RGB 99 251 144

HSL 137.76, 0.95%, 0.69%

LAB 88.76, -62.8, 39.51

 

CMYK 55 / 0 / 36 / 0

HEX #74FFA3

RGB 116 255 163

HSL 140.29, 1%, 0.73%

LAB 90.72, -57.54, 32.78

 

CMYK 78 / 0 / 53 / 23

HEX #2BC55C

RGB 43 197 92

HSL 139.09, 0.64%, 0.47%

LAB 70.33, -61.01, 41.41

 

CMYK 85 / 0 / 59 / 30

HEX #1AB349

RGB 26 179 73

HSL 138.43, 0.75%, 0.4%

LAB 64.11, -59.53, 42.97

 

CMYK 94 / 0 / 66 / 37

HEX #09A136

RGB 9 161 54

HSL 137.76, 0.89%, 0.33%

LAB 57.86, -57.34, 44.42

 

CMYK 100 / 0 / 76 / 44

HEX #008F23

RGB 0 143 35

HSL 134.69, 1%, 0.28%

LAB 51.57, -54.23, 45.5

 

CMYK 100 / 0 / 87 / 51

HEX #007D10

RGB 0 125 16

HSL 127.68, 1%, 0.25%

LAB 45.23, -50.15, 45.58

 

CMYK 78 / 0 / 54 / 23

HEX #2BC45B

RGB 43 196 91

HSL 138.82, 0.64%, 0.47%

LAB 70, -60.81, 41.5

 

CMYK 78 / 0 / 74 / 23

HEX #2BC432

RGB 43 196 50

HSL 122.75, 0.64%, 0.47%

LAB 69.63, -65.33, 58.44

 

CMYK 61 / 0 / 78 / 23

HEX #4DC42B

RGB 77 196 43

HSL 106.67, 0.64%, 0.47%

LAB 70.34, -59.51, 61.68

 

CMYK 40 / 0 / 78 / 23

HEX #76C42B

RGB 118 196 43

HSL 90.59, 0.64%, 0.47%

LAB 71.9, -47.58, 63.7

 

CMYK 19 / 0 / 78 / 23

HEX #9FC42B

RGB 159 196 43

HSL 74.51, 0.64%, 0.47%

LAB 74.21, -32.24, 66.68

 

CMYK 78 / 0 / 54 / 23

HEX #2BC45B

RGB 43 196 91

HSL 138.82, 0.64%, 0.47%

LAB 70, -60.81, 41.5

 

CMYK 78 / 0 / 32 / 23

HEX #2BC485

RGB 43 196 133

HSL 155.29, 0.64%, 0.47%

LAB 70.65, -53.28, 20.84

 

CMYK 78 / 0 / 11 / 23

HEX #2BC4AE

RGB 43 196 174

HSL 171.37, 0.64%, 0.47%

LAB 71.59, -43.36, 0.02

 

CMYK 78 / 10 / 0 / 23

HEX #2BB1C4

RGB 43 177 196

HSL 187.45, 0.64%, 0.47%

LAB 66.48, -28.11, -19.7

 

CMYK 78 / 31 / 0 / 23

HEX #2B87C4

RGB 43 135 196

HSL 203.92, 0.64%, 0.47%

LAB 53.84, -5.53, -39.25

 

CMYK 78 / 0 / 54 / 23

HEX #2BC45B

RGB 43 196 91

HSL 138.82, 0.64%, 0.47%

LAB 70, -60.81, 41.5

 

CMYK 89 / 0 / 61 / 16

HEX #17D754

RGB 23 215 84

HSL 139.06, 0.81%, 0.47%

LAB 75.71, -69.69, 51.41

 

CMYK 98 / 0 / 67 / 8

HEX #04EB4D

RGB 4 235 77

HSL 138.96, 0.97%, 0.47%

LAB 81.83, -77.13, 61.06

 

CMYK 78 / 0 / 54 / 23

HEX #2BC45B

RGB 43 196 91

HSL 138.82, 0.64%, 0.47%

LAB 70, -60.81, 41.5

 

CMYK 65 / 0 / 44 / 31

HEX #3EB163

RGB 62 177 99

HSL 139.3, 0.48%, 0.47%

LAB 64.46, -49.6, 30.62

 

CMYK 48 / 0 / 32 / 38

HEX #519D6A

RGB 81 157 106

HSL 139.74, 0.32%, 0.47%

LAB 58.89, -35.37, 19.6

 

CMYK 27 / 0 / 18 / 46

HEX #658A71

RGB 101 138 113

HSL 139.46, 0.15%, 0.47%

LAB 54.17, -18.36, 9.27

 

CMYK 0 / 2 / 0 / 53

HEX #787678

RGB 120 118 120

HSL 300, 0.01%, 0.47%

LAB 49.87, 1.16, -0.83

 

CMYK 61 / 0 / 78 / 23

HEX #4CC42B

RGB 76 196 43

HSL 107.06, 0.64%, 0.47%

LAB 70.31, -59.74, 61.64

 

CMYK 78 / 0 / 74 / 23

HEX #2BC432

RGB 43 196 50

HSL 122.75, 0.64%, 0.47%

LAB 69.63, -65.33, 58.44

 

CMYK 78 / 0 / 54 / 23

HEX #2BC45B

RGB 43 196 91

HSL 138.82, 0.64%, 0.47%

LAB 70, -60.81, 41.5

 

CMYK 78 / 0 / 33 / 23

HEX #2BC484

RGB 43 196 132

HSL 154.9, 0.64%, 0.47%

LAB 70.64, -53.49, 21.35

 

CMYK 78 / 0 / 12 / 23

HEX #2BC4AD

RGB 43 196 173

HSL 170.98, 0.64%, 0.47%

LAB 71.56, -43.63, 0.52

 

CMYK 78 / 0 / 53 / 50

HEX #1C803C

RGB 28 128 60

HSL 139.2, 0.64%, 0.31%

LAB 46.99, -43.49, 28.9

 

CMYK 78 / 0 / 53 / 36

HEX #23A24C

RGB 35 162 76

HSL 139.37, 0.64%, 0.39%

LAB 58.71, -52.34, 35.08

 

CMYK 78 / 0 / 54 / 23

HEX #2BC45B

RGB 43 196 91

HSL 138.82, 0.64%, 0.47%

LAB 70, -60.81, 41.5

 

CMYK 69 / 0 / 47 / 16

HEX #43D571

RGB 67 213 113

HSL 138.9, 0.63%, 0.55%

LAB 76.05, -59.83, 38.34

 

CMYK 54 / 0 / 37 / 13

HEX #65DD8B

RGB 101 221 139

HSL 139, 0.64%, 0.63%

LAB 79.81, -51.6, 30.29

 

CMYK 78 / 0 / 53 / 23

HEX #2BC55C

RGB 43 197 92

HSL 139.09, 0.64%, 0.47%

LAB 70.33, -61.01, 41.41

 

CMYK 78 / 40 / 0 / 23

HEX #2B75C4

RGB 43 117 196

HSL 210.98, 0.64%, 0.47%

LAB 48.54, 5.3, -47.66

 

CMYK 0 / 78 / 72 / 23

HEX #C42B37

RGB 196 43 55

HSL 355.29, 0.64%, 0.47%

LAB 43.86, 59.42, 31.65

 

CMYK 78 / 0 / 53 / 23

HEX #2BC55C

RGB 43 197 92

HSL 139.09, 0.64%, 0.47%

LAB 70.33, -61.01, 41.41

 

CMYK 54 / 78 / 0 / 23

HEX #5B2BC4

RGB 91 43 196

HSL 258.82, 0.64%, 0.47%

LAB 33.85, 56.17, -71.33

 

CMYK 0 / 54 / 78 / 23

HEX #C45B2B

RGB 196 91 43

HSL 18.82, 0.64%, 0.47%

LAB 51.14, 39.04, 46.06

 

CMYK 78 / 0 / 53 / 23

HEX #2BC55C

RGB 43 197 92

HSL 139.09, 0.64%, 0.47%

LAB 70.33, -61.01, 41.41

 

CMYK 78 / 40 / 0 / 23

HEX #2B75C4

RGB 43 117 196

HSL 210.98, 0.64%, 0.47%

LAB 48.54, 5.3, -47.66

 

CMYK 0 / 78 / 25 / 23

HEX #C42B93

RGB 196 43 147

HSL 319.22, 0.64%, 0.47%

LAB 46.41, 67.21, -21.21

 

CMYK 0 / 38 / 78 / 23

HEX #C47A2B

RGB 196 122 43

HSL 30.98, 0.64%, 0.47%

LAB 57.87, 22.61, 52.63

 

CMYK 78 / 0 / 53 / 23

HEX #2BC55C

RGB 43 197 92

HSL 139.09, 0.64%, 0.47%

LAB 70.33, -61.01, 41.41

 

CMYK 78 / 64 / 0 / 23

HEX #2B47C4

RGB 43 71 196

HSL 229.02, 0.64%, 0.47%

LAB 36, 34.9, -67.94

 

CMYK 0 / 78 / 25 / 23

HEX #C42B93

RGB 196 43 147

HSL 319.22, 0.64%, 0.47%

LAB 46.41, 67.21, -21.21

 

CMYK 0 / 14 / 78 / 23

HEX #C4A82B

RGB 196 168 43

HSL 49.02, 0.64%, 0.47%

LAB 69.41, -2.39, 63.39

 

Description

Color code: HEX #2BC55C | qconv.com Color code: HEX #2BC55C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 197 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 197 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 53 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 53% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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