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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BBEF1 it is the complementary color #D4410E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BBEF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BBEF1 shade: #30BEEC, #41D0FF, #52E2FF, #63F4FF and #74FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BBEF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BBEF1 shade: #2BBEF1, #1AACDE, #099ACB, #0088B8 and #0076A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BBEF1 shade: #2CBEF1, #2C89F1, #2C54F1, #392CF1 and #6E2CF1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BBEF1 shade: #2CBEF1, #2C89F1, #2C54F1 and #2C2CF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BBEF1 shade matches the following richer shades: #2CBEF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BBEF1 shade: #2CBEF1, #3EB5DF, #50ADCD, #62A4BB and #749BA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BBEF1 shade: #2CF1B9, #2CF1EE, #2CC0F1, #2C8BF1 and #2C56F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BBEF1 shade: #0C90BE, #0EAEE5, #2CBEF1, #52CAF4 and #79D6F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BBEF1 shade: #2BBEF1, #842CF1 and #F1D32C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BBEF1 shade: #2BBEF1, #F12CC0 and #C0F12C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BBEF1 shade: #2BBEF1, #842CF1, #F15D2C and #98F12C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BBEF1 shade: #2BBEF1, #C02CF1, #F15D2C and #5DF12C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 21 / 0 / 5

HEX #2BBEF1

RGB 43 190 241

HSL 195.45, 0.88%, 0.56%

LAB 72.02, -20.05, -35.79

 

Complementary color

CMYK 0 / 69 / 93 / 17

HEX #D4410E

RGB 212 65 14

HSL 15.45, 0.88%, 0.44%

LAB 49.26, 55.76, 57.09

 

CMYK 80 / 19 / 0 / 7

HEX #30BEEC

RGB 48 190 236

HSL 194.68, 0.83%, 0.56%

LAB 71.9, -21.28, -33.27

 

CMYK 75 / 18 / 0 / 0

HEX #41D0FF

RGB 65 208 255

HSL 194.84, 1%, 0.63%

LAB 78.14, -22.59, -33.81

 

CMYK 68 / 11 / 0 / 0

HEX #52E2FF

RGB 82 226 255

HSL 190.06, 1%, 0.66%

LAB 83.66, -29.38, -25.32

 

CMYK 61 / 4 / 0 / 0

HEX #63F4FF

RGB 99 244 255

HSL 184.23, 1%, 0.69%

LAB 89.19, -35.39, -16.9

 

CMYK 55 / 0 / 0 / 0

HEX #74FFFF

RGB 116 255 255

HSL 180, 1%, 0.73%

LAB 92.77, -37.54, -11.49

 

CMYK 82 / 21 / 0 / 5

HEX #2BBEF1

RGB 43 190 241

HSL 195.45, 0.88%, 0.56%

LAB 72.02, -20.05, -35.79

 

CMYK 88 / 23 / 0 / 13

HEX #1AACDE

RGB 26 172 222

HSL 195.31, 0.79%, 0.49%

LAB 65.75, -18.23, -35.19

 

CMYK 96 / 24 / 0 / 20

HEX #099ACB

RGB 9 154 203

HSL 195.15, 0.92%, 0.42%

LAB 59.42, -16.01, -34.5

 

CMYK 100 / 26 / 0 / 28

HEX #0088B8

RGB 0 136 184

HSL 195.65, 1%, 0.36%

LAB 53.02, -13.31, -33.73

 

CMYK 100 / 28 / 0 / 35

HEX #0076A5

RGB 0 118 165

HSL 197.09, 1%, 0.32%

LAB 46.54, -10.2, -32.88

 

CMYK 82 / 21 / 0 / 5

HEX #2CBEF1

RGB 44 190 241

HSL 195.53, 0.88%, 0.56%

LAB 72.04, -19.96, -35.77

 

CMYK 82 / 43 / 0 / 5

HEX #2C89F1

RGB 44 137 241

HSL 211.68, 0.88%, 0.56%

LAB 56.86, 9.95, -59.71

 

CMYK 82 / 65 / 0 / 5

HEX #2C54F1

RGB 44 84 241

HSL 227.82, 0.88%, 0.56%

LAB 43.1, 43.07, -82.05

 

CMYK 76 / 82 / 0 / 5

HEX #392CF1

RGB 57 44 241

HSL 243.96, 0.88%, 0.56%

LAB 36.03, 65.33, -93.72

 

CMYK 54 / 82 / 0 / 5

HEX #6E2CF1

RGB 110 44 241

HSL 260.1, 0.88%, 0.56%

LAB 40.36, 69.6, -86.42

 

CMYK 82 / 21 / 0 / 5

HEX #2CBEF1

RGB 44 190 241

HSL 195.53, 0.88%, 0.56%

LAB 72.04, -19.96, -35.77

 

CMYK 82 / 43 / 0 / 5

HEX #2C89F1

RGB 44 137 241

HSL 211.68, 0.88%, 0.56%

LAB 56.86, 9.95, -59.71

 

CMYK 82 / 65 / 0 / 5

HEX #2C54F1

RGB 44 84 241

HSL 227.82, 0.88%, 0.56%

LAB 43.1, 43.07, -82.05

 

CMYK 82 / 82 / 0 / 5

HEX #2C2CF1

RGB 44 44 241

HSL 240, 0.88%, 0.56%

LAB 35.38, 64.71, -94.82

 

CMYK 82 / 21 / 0 / 5

HEX #2CBEF1

RGB 44 190 241

HSL 195.53, 0.88%, 0.56%

LAB 72.04, -19.96, -35.77

 

CMYK 82 / 21 / 0 / 5

HEX #2CBEF1

RGB 44 190 241

HSL 195.53, 0.88%, 0.56%

LAB 72.04, -19.96, -35.77

 

CMYK 72 / 19 / 0 / 13

HEX #3EB5DF

RGB 62 181 223

HSL 195.65, 0.72%, 0.56%

LAB 69.04, -19.33, -30.59

 

CMYK 61 / 16 / 0 / 20

HEX #50ADCD

RGB 80 173 205

HSL 195.36, 0.56%, 0.56%

LAB 66.52, -18.04, -24.52

 

CMYK 48 / 12 / 0 / 27

HEX #62A4BB

RGB 98 164 187

HSL 195.51, 0.4%, 0.56%

LAB 63.95, -14.77, -18.39

 

CMYK 31 / 8 / 0 / 34

HEX #749BA8

RGB 116 155 168

HSL 195, 0.23%, 0.56%

LAB 61.64, -10.11, -11.1

 

CMYK 82 / 0 / 23 / 5

HEX #2CF1B9

RGB 44 241 185

HSL 162.94, 0.88%, 0.56%

LAB 85.48, -58.85, 14.11

 

CMYK 82 / 0 / 1 / 5

HEX #2CF1EE

RGB 44 241 238

HSL 179.09, 0.88%, 0.56%

LAB 86.81, -45.18, -11.68

 

CMYK 82 / 20 / 0 / 5

HEX #2CC0F1

RGB 44 192 241

HSL 194.92, 0.88%, 0.56%

LAB 72.62, -21, -34.87

 

CMYK 82 / 42 / 0 / 5

HEX #2C8BF1

RGB 44 139 241

HSL 211.07, 0.88%, 0.56%

LAB 57.42, 8.74, -58.82

 

CMYK 82 / 64 / 0 / 5

HEX #2C56F1

RGB 44 86 241

HSL 227.21, 0.88%, 0.56%

LAB 43.57, 41.84, -81.28

 

CMYK 94 / 24 / 0 / 25

HEX #0C90BE

RGB 12 144 190

HSL 195.51, 0.88%, 0.4%

LAB 55.83, -15.12, -32.76

 

CMYK 94 / 24 / 0 / 10

HEX #0EAEE5

RGB 14 174 229

HSL 195.35, 0.88%, 0.48%

LAB 66.54, -17.39, -37.81

 

CMYK 82 / 21 / 0 / 5

HEX #2CBEF1

RGB 44 190 241

HSL 195.53, 0.88%, 0.56%

LAB 72.04, -19.96, -35.77

 

CMYK 66 / 17 / 0 / 4

HEX #52CAF4

RGB 82 202 244

HSL 195.56, 0.88%, 0.64%

LAB 76.42, -20.77, -30.55

 

CMYK 51 / 13 / 0 / 4

HEX #79D6F6

RGB 121 214 246

HSL 195.36, 0.87%, 0.72%

LAB 81.19, -19.18, -24.2

 

CMYK 82 / 21 / 0 / 5

HEX #2BBEF1

RGB 43 190 241

HSL 195.45, 0.88%, 0.56%

LAB 72.02, -20.05, -35.79

 

CMYK 45 / 82 / 0 / 5

HEX #842CF1

RGB 132 44 241

HSL 266.8, 0.88%, 0.56%

LAB 42.85, 72.13, -82.22

 

CMYK 0 / 12 / 82 / 5

HEX #F1D32C

RGB 241 211 44

HSL 50.86, 0.88%, 0.56%

LAB 84.73, -5.19, 78.16

 

CMYK 82 / 21 / 0 / 5

HEX #2BBEF1

RGB 43 190 241

HSL 195.45, 0.88%, 0.56%

LAB 72.02, -20.05, -35.79

 

CMYK 0 / 82 / 20 / 5

HEX #F12CC0

RGB 241 44 192

HSL 314.92, 0.88%, 0.56%

LAB 56.39, 82.47, -31.61

 

CMYK 20 / 0 / 82 / 5

HEX #C0F12C

RGB 192 241 44

HSL 74.92, 0.88%, 0.56%

LAB 89.06, -39.65, 80.45

 

CMYK 82 / 21 / 0 / 5

HEX #2BBEF1

RGB 43 190 241

HSL 195.45, 0.88%, 0.56%

LAB 72.02, -20.05, -35.79

 

CMYK 45 / 82 / 0 / 5

HEX #842CF1

RGB 132 44 241

HSL 266.8, 0.88%, 0.56%

LAB 42.85, 72.13, -82.22

 

CMYK 0 / 61 / 82 / 5

HEX #F15D2C

RGB 241 93 44

HSL 14.92, 0.88%, 0.56%

LAB 58.71, 54.69, 55.34

 

CMYK 37 / 0 / 82 / 5

HEX #98F12C

RGB 152 241 44

HSL 87.11, 0.88%, 0.56%

LAB 86.88, -54.17, 77.69

 

CMYK 82 / 21 / 0 / 5

HEX #2BBEF1

RGB 43 190 241

HSL 195.45, 0.88%, 0.56%

LAB 72.02, -20.05, -35.79

 

CMYK 20 / 82 / 0 / 5

HEX #C02CF1

RGB 192 44 241

HSL 285.08, 0.88%, 0.56%

LAB 51.1, 80.76, -68.4

 

CMYK 0 / 61 / 82 / 5

HEX #F15D2C

RGB 241 93 44

HSL 14.92, 0.88%, 0.56%

LAB 58.71, 54.69, 55.34

 

CMYK 61 / 0 / 82 / 5

HEX #5DF12C

RGB 93 241 44

HSL 105.08, 0.88%, 0.56%

LAB 84.7, -70.87, 74.91

 

Description

Color code: HEX #2BBEF1 | qconv.com Color code: HEX #2BBEF1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 190 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 190 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 21 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 21% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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