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Color name
HEX #2BACD8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BACD8 it is the complementary color #D45327. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BACD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BACD8 shade: #30ACD3, #41BEE6, #52D0F9, #63E2FF and #74F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BACD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BACD8 shade: #2BACD8, #1A9AC5, #0988B2, #00769F and #00648C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BACD8 shade: #2BACD8, #2B7DD8, #2B4FD8, #362BD8 and #652BD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BACD8 shade: #2BACD8, #2B7DD8, #2B4FD8 and #2B2BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BACD8 shade matches the following richer shades: #2BACD8 and #17B6EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BACD8 shade: #2BACD8, #40A2C4, #5498AF, #688E9B and #7C8487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BACD8 shade: #2BD8A7, #2BD8D5, #2BADD8, #2B7FD8 and #2B51D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BACD8 shade: #1B7696, #2192B8, #2BACD8, #4EBADE and #71C7E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BACD8 shade: #2BACD8, #792BD8 and #D8BE2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BACD8 shade: #2BACD8, #D82BAD and #ADD82B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BACD8 shade: #2BACD8, #792BD8, #D8562B and #8AD82B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BACD8 shade: #2BACD8, #AD2BD8, #D8562B and #56D82B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 20 / 0 / 15

HEX #2BACD8

RGB 43 172 216

HSL 195.26, 0.69%, 0.51%

LAB 65.73, -19.03, -31.89

 

Complementary color

CMYK 0 / 61 / 82 / 17

HEX #D45327

RGB 212 83 39

HSL 15.26, 0.69%, 0.49%

LAB 52.21, 48.73, 49.86

 

CMYK 77 / 18 / 0 / 17

HEX #30ACD3

RGB 48 172 211

HSL 194.36, 0.65%, 0.51%

LAB 65.62, -20.2, -29.29

 

CMYK 72 / 17 / 0 / 10

HEX #41BEE6

RGB 65 190 230

HSL 194.55, 0.77%, 0.58%

LAB 72, -21.36, -29.83

 

CMYK 67 / 16 / 0 / 2

HEX #52D0F9

RGB 82 208 249

HSL 194.73, 0.93%, 0.65%

LAB 78.31, -22.28, -30.31

 

CMYK 61 / 11 / 0 / 0

HEX #63E2FF

RGB 99 226 255

HSL 191.15, 1%, 0.69%

LAB 84.1, -26.8, -24.6

 

CMYK 55 / 4 / 0 / 0

HEX #74F4FF

RGB 116 244 255

HSL 184.75, 1%, 0.73%

LAB 89.69, -32.43, -16.1

 

CMYK 80 / 20 / 0 / 15

HEX #2BACD8

RGB 43 172 216

HSL 195.26, 0.69%, 0.51%

LAB 65.73, -19.03, -31.89

 

CMYK 87 / 22 / 0 / 23

HEX #1A9AC5

RGB 26 154 197

HSL 195.09, 0.77%, 0.44%

LAB 59.31, -17.33, -31.29

 

CMYK 95 / 24 / 0 / 30

HEX #0988B2

RGB 9 136 178

HSL 194.91, 0.9%, 0.37%

LAB 52.82, -15.18, -30.6

 

CMYK 100 / 26 / 0 / 38

HEX #00769F

RGB 0 118 159

HSL 195.47, 1%, 0.31%

LAB 46.26, -12.49, -29.81

 

CMYK 100 / 29 / 0 / 45

HEX #00648C

RGB 0 100 140

HSL 197.14, 1%, 0.27%

LAB 39.59, -9.3, -28.93

 

CMYK 80 / 20 / 0 / 15

HEX #2BACD8

RGB 43 172 216

HSL 195.26, 0.69%, 0.51%

LAB 65.73, -19.03, -31.89

 

CMYK 80 / 42 / 0 / 15

HEX #2B7DD8

RGB 43 125 216

HSL 211.56, 0.69%, 0.51%

LAB 51.99, 7.87, -53.52

 

CMYK 80 / 63 / 0 / 15

HEX #2B4FD8

RGB 43 79 216

HSL 227.51, 0.69%, 0.51%

LAB 39.69, 37.12, -73.46

 

CMYK 75 / 80 / 0 / 15

HEX #362BD8

RGB 54 43 216

HSL 243.82, 0.69%, 0.51%

LAB 32.85, 58.3, -84.71

 

CMYK 53 / 80 / 0 / 15

HEX #652BD8

RGB 101 43 216

HSL 260.12, 0.69%, 0.51%

LAB 36.84, 62.66, -77.99

 

CMYK 80 / 20 / 0 / 15

HEX #2BACD8

RGB 43 172 216

HSL 195.26, 0.69%, 0.51%

LAB 65.73, -19.03, -31.89

 

CMYK 80 / 42 / 0 / 15

HEX #2B7DD8

RGB 43 125 216

HSL 211.56, 0.69%, 0.51%

LAB 51.99, 7.87, -53.52

 

CMYK 80 / 63 / 0 / 15

HEX #2B4FD8

RGB 43 79 216

HSL 227.51, 0.69%, 0.51%

LAB 39.69, 37.12, -73.46

 

CMYK 80 / 80 / 0 / 15

HEX #2B2BD8

RGB 43 43 216

HSL 240, 0.69%, 0.51%

LAB 32.26, 57.65, -85.72

 

CMYK 80 / 20 / 0 / 15

HEX #2BACD8

RGB 43 172 216

HSL 195.26, 0.69%, 0.51%

LAB 65.73, -19.03, -31.89

 

CMYK 90 / 23 / 0 / 7

HEX #17B6EC

RGB 23 182 236

HSL 195.21, 0.85%, 0.51%

LAB 69.25, -18.83, -37.4

 

CMYK 80 / 20 / 0 / 15

HEX #2BACD8

RGB 43 172 216

HSL 195.26, 0.69%, 0.51%

LAB 65.73, -19.03, -31.89

 

CMYK 67 / 17 / 0 / 23

HEX #40A2C4

RGB 64 162 196

HSL 195.45, 0.53%, 0.51%

LAB 62.44, -17.74, -25.83

 

CMYK 52 / 13 / 0 / 31

HEX #5498AF

RGB 84 152 175

HSL 195.16, 0.36%, 0.51%

LAB 59.38, -15.03, -18.64

 

CMYK 33 / 8 / 0 / 39

HEX #688E9B

RGB 104 142 155

HSL 195.29, 0.2%, 0.51%

LAB 56.74, -9.83, -11.13

 

CMYK 8 / 2 / 0 / 47

HEX #7C8487

RGB 124 132 135

HSL 196.36, 0.04%, 0.51%

LAB 54.59, -2.31, -2.64

 

CMYK 80 / 0 / 23 / 15

HEX #2BD8A7

RGB 43 216 167

HSL 163.01, 0.69%, 0.51%

LAB 77.53, -53.41, 12.32

 

CMYK 80 / 0 / 1 / 15

HEX #2BD8D5

RGB 43 216 213

HSL 178.96, 0.69%, 0.51%

LAB 78.71, -41.32, -10.52

 

CMYK 80 / 20 / 0 / 15

HEX #2BADD8

RGB 43 173 216

HSL 194.91, 0.69%, 0.51%

LAB 66.03, -19.55, -31.43

 

CMYK 80 / 41 / 0 / 15

HEX #2B7FD8

RGB 43 127 216

HSL 210.87, 0.69%, 0.51%

LAB 52.56, 6.64, -52.61

 

CMYK 80 / 63 / 0 / 15

HEX #2B51D8

RGB 43 81 216

HSL 226.82, 0.69%, 0.51%

LAB 40.17, 35.85, -72.66

 

CMYK 82 / 21 / 0 / 41

HEX #1B7696

RGB 27 118 150

HSL 195.61, 0.69%, 0.35%

LAB 46.17, -14.13, -24.63

 

CMYK 82 / 21 / 0 / 28

HEX #2192B8

RGB 33 146 184

HSL 195.1, 0.7%, 0.43%

LAB 56.43, -17, -28.4

 

CMYK 80 / 20 / 0 / 15

HEX #2BACD8

RGB 43 172 216

HSL 195.26, 0.69%, 0.51%

LAB 65.73, -19.03, -31.89

 

CMYK 65 / 16 / 0 / 13

HEX #4EBADE

RGB 78 186 222

HSL 195, 0.69%, 0.59%

LAB 70.88, -19.94, -27.18

 

CMYK 51 / 13 / 0 / 10

HEX #71C7E5

RGB 113 199 229

HSL 195.52, 0.69%, 0.67%

LAB 76.08, -17.95, -22.91

 

CMYK 80 / 20 / 0 / 15

HEX #2BACD8

RGB 43 172 216

HSL 195.26, 0.69%, 0.51%

LAB 65.73, -19.03, -31.89

 

CMYK 44 / 80 / 0 / 15

HEX #792BD8

RGB 121 43 216

HSL 267.05, 0.69%, 0.51%

LAB 39.16, 65.21, -74.1

 

CMYK 0 / 12 / 80 / 15

HEX #D8BE2B

RGB 216 190 43

HSL 50.98, 0.69%, 0.51%

LAB 77.04, -5.18, 70.91

 

CMYK 80 / 20 / 0 / 15

HEX #2BACD8

RGB 43 172 216

HSL 195.26, 0.69%, 0.51%

LAB 65.73, -19.03, -31.89

 

CMYK 0 / 80 / 20 / 15

HEX #D82BAD

RGB 216 43 173

HSL 314.91, 0.69%, 0.51%

LAB 51.09, 75.01, -29.15

 

CMYK 20 / 0 / 80 / 15

HEX #ADD82B

RGB 173 216 43

HSL 74.91, 0.69%, 0.51%

LAB 80.83, -35.87, 73

 

CMYK 80 / 20 / 0 / 15

HEX #2BACD8

RGB 43 172 216

HSL 195.26, 0.69%, 0.51%

LAB 65.73, -19.03, -31.89

 

CMYK 44 / 80 / 0 / 15

HEX #792BD8

RGB 121 43 216

HSL 267.05, 0.69%, 0.51%

LAB 39.16, 65.21, -74.1

 

CMYK 0 / 60 / 80 / 15

HEX #D8562B

RGB 216 86 43

HSL 14.91, 0.69%, 0.51%

LAB 53.42, 48.93, 49.37

 

CMYK 36 / 0 / 80 / 15

HEX #8AD82B

RGB 138 216 43

HSL 87.05, 0.69%, 0.51%

LAB 78.86, -48.9, 70.49

 

CMYK 80 / 20 / 0 / 15

HEX #2BACD8

RGB 43 172 216

HSL 195.26, 0.69%, 0.51%

LAB 65.73, -19.03, -31.89

 

CMYK 20 / 80 / 0 / 15

HEX #AD2BD8

RGB 173 43 216

HSL 285.09, 0.69%, 0.51%

LAB 46.41, 73.3, -61.98

 

CMYK 0 / 60 / 80 / 15

HEX #D8562B

RGB 216 86 43

HSL 14.91, 0.69%, 0.51%

LAB 53.42, 48.93, 49.37

 

CMYK 60 / 0 / 80 / 15

HEX #56D82B

RGB 86 216 43

HSL 105.09, 0.69%, 0.51%

LAB 76.84, -64.22, 67.89

 

Description

Color code: HEX #2BACD8 | qconv.com Color code: HEX #2BACD8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 172 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 172 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 20 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 20% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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