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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BA844 it is the complementary color #D457BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BA844. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BA844 shade: #30A83F, #41BA52, #52CC65, #63DE78 and #74F08B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BA844. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BA844 shade: #2BA844, #1A9631, #09841E, #00720B and #006000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BA844 shade: #2AA643, #33A62A, #54A62A, #75A62A and #97A62A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BA844 shade: #2AA643, #2AA664, #2AA686, #2AA5A6 and #2A83A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BA844 shade matches the following richer shades: #2AA643, #19B739 and #09C82F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BA844 shade: #2AA643, #3B954D, #4C8457, #5D7361 and #6E626C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BA844 shade: #53A62A, #33A62A, #2AA643, #2AA664 and #2AA685

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BA844 shade: #196428, #228536, #2AA643, #33C750 and #51D26B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BA844 shade: #2BA844, #2A74A6 and #A62A43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BA844 shade: #2BA844, #432AA6 and #A6432A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BA844 shade: #2BA844, #2A74A6, #A62A8D and #A65C2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BA844 shade: #2BA844, #2A4FA6, #A62A8D and #A6812A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 60 / 34

HEX #2BA844

RGB 43 168 68

HSL 132, 0.59%, 0.41%

LAB 60.73, -54.39, 41.43

 

Complementary color

CMYK 0 / 59 / 12 / 17

HEX #D457BB

RGB 212 87 187

HSL 312, 0.59%, 0.59%

LAB 56.49, 60.77, -28.95

 

CMYK 71 / 0 / 63 / 34

HEX #30A83F

RGB 48 168 63

HSL 127.5, 0.56%, 0.42%

LAB 60.78, -54.17, 43.82

 

CMYK 65 / 0 / 56 / 27

HEX #41BA52

RGB 65 186 82

HSL 128.43, 0.48%, 0.49%

LAB 67.16, -54.95, 42.5

 

CMYK 60 / 0 / 50 / 20

HEX #52CC65

RGB 82 204 101

HSL 129.34, 0.54%, 0.56%

LAB 73.49, -55.36, 41.12

 

CMYK 55 / 0 / 46 / 13

HEX #63DE78

RGB 99 222 120

HSL 130.24, 0.65%, 0.63%

LAB 79.76, -55.54, 39.76

 

CMYK 52 / 0 / 42 / 6

HEX #74F08B

RGB 116 240 139

HSL 131.13, 0.81%, 0.7%

LAB 85.96, -55.56, 38.44

 

CMYK 74 / 0 / 60 / 34

HEX #2BA844

RGB 43 168 68

HSL 132, 0.59%, 0.41%

LAB 60.73, -54.39, 41.43

 

CMYK 83 / 0 / 67 / 41

HEX #1A9631

RGB 26 150 49

HSL 131.13, 0.7%, 0.35%

LAB 54.3, -52.96, 42.74

 

CMYK 93 / 0 / 77 / 48

HEX #09841E

RGB 9 132 30

HSL 130.24, 0.87%, 0.28%

LAB 47.82, -50.64, 43.61

 

CMYK 100 / 0 / 90 / 55

HEX #00720B

RGB 0 114 11

HSL 125.79, 1%, 0.22%

LAB 41.31, -47.08, 43.33

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 75 / 0 / 60 / 35

HEX #2AA643

RGB 42 166 67

HSL 132.1, 0.6%, 0.41%

LAB 60.04, -53.99, 41.1

 

CMYK 69 / 0 / 75 / 35

HEX #33A62A

RGB 51 166 42

HSL 115.65, 0.6%, 0.41%

LAB 60.02, -54.97, 51.68

 

CMYK 49 / 0 / 75 / 35

HEX #54A62A

RGB 84 166 42

HSL 99.68, 0.6%, 0.41%

LAB 61.07, -46.6, 53.07

 

CMYK 30 / 0 / 75 / 35

HEX #75A62A

RGB 117 166 42

HSL 83.71, 0.6%, 0.41%

LAB 62.69, -35.07, 55.22

 

CMYK 9 / 0 / 75 / 35

HEX #97A62A

RGB 151 166 42

HSL 67.26, 0.6%, 0.41%

LAB 64.98, -21.1, 58.21

 

CMYK 75 / 0 / 60 / 35

HEX #2AA643

RGB 42 166 67

HSL 132.1, 0.6%, 0.41%

LAB 60.04, -53.99, 41.1

 

CMYK 75 / 0 / 40 / 35

HEX #2AA664

RGB 42 166 100

HSL 148.06, 0.6%, 0.41%

LAB 60.5, -48.64, 24.84

 

CMYK 75 / 0 / 19 / 35

HEX #2AA686

RGB 42 166 134

HSL 164.52, 0.6%, 0.41%

LAB 61.21, -40.98, 7.08

 

CMYK 75 / 1 / 0 / 35

HEX #2AA5A6

RGB 42 165 166

HSL 180.48, 0.6%, 0.41%

LAB 61.79, -31.62, -10.04

 

CMYK 75 / 21 / 0 / 35

HEX #2A83A6

RGB 42 131 166

HSL 196.94, 0.6%, 0.41%

LAB 51.24, -14.02, -26.1

 

CMYK 75 / 0 / 60 / 35

HEX #2AA643

RGB 42 166 67

HSL 132.1, 0.6%, 0.41%

LAB 60.04, -53.99, 41.1

 

CMYK 86 / 0 / 69 / 28

HEX #19B739

RGB 25 183 57

HSL 132.15, 0.76%, 0.41%

LAB 65.25, -62.72, 51.23

 

CMYK 96 / 0 / 77 / 22

HEX #09C82F

RGB 9 200 47

HSL 131.94, 0.91%, 0.41%

LAB 70.57, -69.56, 60.28

 

CMYK 75 / 0 / 60 / 35

HEX #2AA643

RGB 42 166 67

HSL 132.1, 0.6%, 0.41%

LAB 60.04, -53.99, 41.1

 

CMYK 60 / 0 / 48 / 42

HEX #3B954D

RGB 59 149 77

HSL 132, 0.43%, 0.41%

LAB 55.03, -42.8, 30.11

 

CMYK 42 / 0 / 34 / 48

HEX #4C8457

RGB 76 132 87

HSL 131.79, 0.27%, 0.41%

LAB 50.37, -28.76, 18.67

 

CMYK 19 / 0 / 16 / 55

HEX #5D7361

RGB 93 115 97

HSL 130.91, 0.11%, 0.41%

LAB 46.25, -12, 7.31

 

CMYK 0 / 11 / 2 / 57

HEX #6E626C

RGB 110 98 108

HSL 310, 0.06%, 0.41%

LAB 42.96, 6.76, -3.9

 

CMYK 50 / 0 / 75 / 35

HEX #53A62A

RGB 83 166 42

HSL 100.16, 0.6%, 0.41%

LAB 61.03, -46.91, 53.02

 

CMYK 69 / 0 / 75 / 35

HEX #33A62A

RGB 51 166 42

HSL 115.65, 0.6%, 0.41%

LAB 60.02, -54.97, 51.68

 

CMYK 75 / 0 / 60 / 35

HEX #2AA643

RGB 42 166 67

HSL 132.1, 0.6%, 0.41%

LAB 60.04, -53.99, 41.1

 

CMYK 75 / 0 / 40 / 35

HEX #2AA664

RGB 42 166 100

HSL 148.06, 0.6%, 0.41%

LAB 60.5, -48.64, 24.84

 

CMYK 75 / 0 / 20 / 35

HEX #2AA685

RGB 42 166 133

HSL 164.03, 0.6%, 0.41%

LAB 61.18, -41.24, 7.6

 

CMYK 75 / 0 / 60 / 61

HEX #196428

RGB 25 100 40

HSL 132, 0.6%, 0.25%

LAB 36.88, -36.42, 27.25

 

CMYK 74 / 0 / 59 / 48

HEX #228536

RGB 34 133 54

HSL 132.12, 0.59%, 0.33%

LAB 48.74, -45.28, 34.13

 

CMYK 75 / 0 / 60 / 35

HEX #2AA643

RGB 42 166 67

HSL 132.1, 0.6%, 0.41%

LAB 60.04, -53.99, 41.1

 

CMYK 74 / 0 / 60 / 22

HEX #33C750

RGB 51 199 80

HSL 131.76, 0.59%, 0.49%

LAB 70.96, -62.19, 47.81

 

CMYK 61 / 0 / 49 / 18

HEX #51D26B

RGB 81 210 107

HSL 132.09, 0.59%, 0.57%

LAB 75.39, -56.96, 40.54

 

CMYK 74 / 0 / 60 / 34

HEX #2BA844

RGB 43 168 68

HSL 132, 0.59%, 0.41%

LAB 60.73, -54.39, 41.43

 

CMYK 75 / 30 / 0 / 35

HEX #2A74A6

RGB 42 116 166

HSL 204.19, 0.6%, 0.41%

LAB 46.63, -5.36, -33.29

 

CMYK 0 / 75 / 60 / 35

HEX #A62A43

RGB 166 42 67

HSL 347.9, 0.6%, 0.41%

LAB 38.14, 51.44, 15.8

 

CMYK 74 / 0 / 60 / 34

HEX #2BA844

RGB 43 168 68

HSL 132, 0.59%, 0.41%

LAB 60.73, -54.39, 41.43

 

CMYK 60 / 75 / 0 / 35

HEX #432AA6

RGB 67 42 166

HSL 252.1, 0.6%, 0.41%

LAB 28.39, 44.92, -62.57

 

CMYK 0 / 60 / 75 / 35

HEX #A6432A

RGB 166 67 42

HSL 12.1, 0.6%, 0.41%

LAB 41.67, 39.35, 35.21

 

CMYK 74 / 0 / 60 / 34

HEX #2BA844

RGB 43 168 68

HSL 132, 0.59%, 0.41%

LAB 60.73, -54.39, 41.43

 

CMYK 75 / 30 / 0 / 35

HEX #2A74A6

RGB 42 116 166

HSL 204.19, 0.6%, 0.41%

LAB 46.63, -5.36, -33.29

 

CMYK 0 / 75 / 15 / 35

HEX #A62A8D

RGB 166 42 141

HSL 312.1, 0.6%, 0.41%

LAB 40.71, 59.55, -26.82

 

CMYK 0 / 45 / 75 / 35

HEX #A65C2A

RGB 166 92 42

HSL 24.19, 0.6%, 0.41%

LAB 46.88, 26.21, 40.77

 

CMYK 74 / 0 / 60 / 34

HEX #2BA844

RGB 43 168 68

HSL 132, 0.59%, 0.41%

LAB 60.73, -54.39, 41.43

 

CMYK 75 / 52 / 0 / 35

HEX #2A4FA6

RGB 42 79 166

HSL 222.1, 0.6%, 0.41%

LAB 35.67, 18.21, -50.76

 

CMYK 0 / 75 / 15 / 35

HEX #A62A8D

RGB 166 42 141

HSL 312.1, 0.6%, 0.41%

LAB 40.71, 59.55, -26.82

 

CMYK 0 / 22 / 75 / 35

HEX #A6812A

RGB 166 129 42

HSL 42.1, 0.6%, 0.41%

LAB 56.06, 5.39, 50.08

 

Description

Color code: HEX #2BA844 | qconv.com Color code: HEX #2BA844 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 168 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 168 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 60 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 60% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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