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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B925D it is the complementary color #D46DA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B925D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B925D shade: #309258, #41A46B, #52B67E, #63C891 and #74DAA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B925D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B925D shade: #2B925D, #1A804A, #096E37, #005C24 and #004A11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B925D shade: #2B915C, #2B9141, #30912B, #4C912B and #67912B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B925D shade: #2B915C, #2B9178, #2B8E91, #2B7391 and #2B5791

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B925D shade matches the following richer shades: #2B915C, #1CA05C and #0CAF5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B925D shade: #2B915C, #3A825D, #49725D, #59635E and #68545E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B925D shade: #30912B, #2B9141, #2B915C, #2B9177 and #2B8F91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B925D shade: #185134, #217148, #2B915C, #34B171 and #47C885

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B925D shade: #2B925D, #2B4B91 and #91332B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B925D shade: #2B925D, #5C2B91 and #915C2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B925D shade: #2B925D, #2B4B91, #912B60 and #91712B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B925D shade: #2B925D, #2B2D91, #912B60 and #918F2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 36 / 43

HEX #2B925D

RGB 43 146 93

HSL 149.13, 0.54%, 0.37%

LAB 53.88, -41.94, 19.83

 

Complementary color

CMYK 0 / 49 / 24 / 17

HEX #D46DA2

RGB 212 109 162

HSL 329.13, 0.54%, 0.63%

LAB 59.47, 46.68, -9.98

 

CMYK 67 / 0 / 40 / 43

HEX #309258

RGB 48 146 88

HSL 144.49, 0.51%, 0.38%

LAB 53.91, -42.02, 22.67

 

CMYK 60 / 0 / 35 / 36

HEX #41A46B

RGB 65 164 107

HSL 145.45, 0.43%, 0.45%

LAB 60.55, -42.24, 21.2

 

CMYK 55 / 0 / 31 / 29

HEX #52B67E

RGB 82 182 126

HSL 146.4, 0.41%, 0.52%

LAB 67.09, -42.25, 19.87

 

CMYK 51 / 0 / 28 / 22

HEX #63C891

RGB 99 200 145

HSL 147.33, 0.48%, 0.59%

LAB 73.55, -42.14, 18.66

 

CMYK 47 / 0 / 25 / 15

HEX #74DAA4

RGB 116 218 164

HSL 148.24, 0.58%, 0.65%

LAB 79.92, -41.97, 17.53

 

CMYK 71 / 0 / 36 / 43

HEX #2B925D

RGB 43 146 93

HSL 149.13, 0.54%, 0.37%

LAB 53.88, -41.94, 19.83

 

CMYK 80 / 0 / 42 / 50

HEX #1A804A

RGB 26 128 74

HSL 148.24, 0.66%, 0.3%

LAB 47.17, -41.23, 21.47

 

CMYK 92 / 0 / 50 / 57

HEX #096E37

RGB 9 110 55

HSL 147.33, 0.85%, 0.23%

LAB 40.39, -39.86, 23.31

 

CMYK 100 / 0 / 61 / 64

HEX #005C24

RGB 0 92 36

HSL 143.48, 1%, 0.18%

LAB 33.52, -37.46, 25.3

 

CMYK 100 / 0 / 77 / 71

HEX #004A11

RGB 0 74 17

HSL 133.78, 1%, 0.15%

LAB 26.56, -33.76, 27.1

 

CMYK 70 / 0 / 37 / 43

HEX #2B915C

RGB 43 145 92

HSL 148.82, 0.54%, 0.37%

LAB 53.53, -41.74, 19.92

 

CMYK 70 / 0 / 55 / 43

HEX #2B9141

RGB 43 145 65

HSL 132.94, 0.54%, 0.37%

LAB 53.11, -46.52, 33.86

 

CMYK 67 / 0 / 70 / 43

HEX #30912B

RGB 48 145 43

HSL 117.06, 0.54%, 0.37%

LAB 53.01, -48.16, 44.04

 

CMYK 48 / 0 / 70 / 43

HEX #4C912B

RGB 76 145 43

HSL 100.59, 0.54%, 0.37%

LAB 53.99, -40.52, 45.37

 

CMYK 29 / 0 / 70 / 43

HEX #67912B

RGB 103 145 43

HSL 84.71, 0.54%, 0.37%

LAB 55.39, -30.75, 47.26

 

CMYK 70 / 0 / 37 / 43

HEX #2B915C

RGB 43 145 92

HSL 148.82, 0.54%, 0.37%

LAB 53.53, -41.74, 19.92

 

CMYK 70 / 0 / 17 / 43

HEX #2B9178

RGB 43 145 120

HSL 165.29, 0.54%, 0.37%

LAB 54.15, -35.15, 4.9

 

CMYK 70 / 2 / 0 / 43

HEX #2B8E91

RGB 43 142 145

HSL 181.76, 0.54%, 0.37%

LAB 53.92, -26.59, -9.85

 

CMYK 70 / 21 / 0 / 43

HEX #2B7391

RGB 43 115 145

HSL 197.65, 0.54%, 0.37%

LAB 45.39, -12.12, -22.85

 

CMYK 70 / 40 / 0 / 43

HEX #2B5791

RGB 43 87 145

HSL 214.12, 0.54%, 0.37%

LAB 36.7, 5.03, -36.47

 

CMYK 70 / 0 / 37 / 43

HEX #2B915C

RGB 43 145 92

HSL 148.82, 0.54%, 0.37%

LAB 53.53, -41.74, 19.92

 

CMYK 83 / 0 / 43 / 37

HEX #1CA05C

RGB 28 160 92

HSL 149.09, 0.7%, 0.37%

LAB 58.19, -49.69, 26.05

 

CMYK 93 / 0 / 48 / 31

HEX #0CAF5B

RGB 12 175 91

HSL 149.08, 0.87%, 0.37%

LAB 62.92, -56.44, 32.64

 

CMYK 70 / 0 / 37 / 43

HEX #2B915C

RGB 43 145 92

HSL 148.82, 0.54%, 0.37%

LAB 53.53, -41.74, 19.92

 

CMYK 55 / 0 / 28 / 49

HEX #3A825D

RGB 58 130 93

HSL 149.17, 0.38%, 0.37%

LAB 49.08, -31.75, 13.35

 

CMYK 36 / 0 / 18 / 55

HEX #49725D

RGB 73 114 93

HSL 149.27, 0.22%, 0.37%

LAB 44.58, -19.38, 7.14

 

CMYK 10 / 0 / 5 / 61

HEX #59635E

RGB 89 99 94

HSL 150, 0.05%, 0.37%

LAB 40.99, -4.94, 1.52

 

CMYK 0 / 19 / 10 / 59

HEX #68545E

RGB 104 84 94

HSL 330, 0.11%, 0.37%

LAB 38.01, 10.13, -2.68

 

CMYK 67 / 0 / 70 / 43

HEX #30912B

RGB 48 145 43

HSL 117.06, 0.54%, 0.37%

LAB 53.01, -48.16, 44.04

 

CMYK 70 / 0 / 55 / 43

HEX #2B9141

RGB 43 145 65

HSL 132.94, 0.54%, 0.37%

LAB 53.11, -46.52, 33.86

 

CMYK 70 / 0 / 37 / 43

HEX #2B915C

RGB 43 145 92

HSL 148.82, 0.54%, 0.37%

LAB 53.53, -41.74, 19.92

 

CMYK 70 / 0 / 18 / 43

HEX #2B9177

RGB 43 145 119

HSL 164.71, 0.54%, 0.37%

LAB 54.13, -35.41, 5.44

 

CMYK 70 / 1 / 0 / 43

HEX #2B8F91

RGB 43 143 145

HSL 181.18, 0.54%, 0.37%

LAB 54.24, -27.09, -9.37

 

CMYK 70 / 0 / 36 / 68

HEX #185134

RGB 24 81 52

HSL 149.47, 0.54%, 0.21%

LAB 30.22, -26.21, 11.79

 

CMYK 71 / 0 / 36 / 56

HEX #217148

RGB 33 113 72

HSL 149.25, 0.55%, 0.29%

LAB 42.16, -34.31, 15.96

 

CMYK 70 / 0 / 37 / 43

HEX #2B915C

RGB 43 145 92

HSL 148.82, 0.54%, 0.37%

LAB 53.53, -41.74, 19.92

 

CMYK 71 / 0 / 36 / 31

HEX #34B171

RGB 52 177 113

HSL 149.28, 0.55%, 0.45%

LAB 64.46, -48.81, 23.16

 

CMYK 65 / 0 / 34 / 22

HEX #47C885

RGB 71 200 133

HSL 148.84, 0.54%, 0.53%

LAB 72.46, -50.63, 23.39

 

CMYK 71 / 0 / 36 / 43

HEX #2B925D

RGB 43 146 93

HSL 149.13, 0.54%, 0.37%

LAB 53.88, -41.94, 19.83

 

CMYK 70 / 48 / 0 / 43

HEX #2B4B91

RGB 43 75 145

HSL 221.18, 0.54%, 0.37%

LAB 33.11, 12.97, -42.2

 

CMYK 0 / 65 / 70 / 43

HEX #91332B

RGB 145 51 43

HSL 4.71, 0.54%, 0.37%

LAB 35.13, 39.19, 26.19

 

CMYK 71 / 0 / 36 / 43

HEX #2B925D

RGB 43 146 93

HSL 149.13, 0.54%, 0.37%

LAB 53.88, -41.94, 19.83

 

CMYK 37 / 70 / 0 / 43

HEX #5C2B91

RGB 92 43 145

HSL 268.82, 0.54%, 0.37%

LAB 29.53, 42.8, -47.78

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 71 / 0 / 36 / 43

HEX #2B925D

RGB 43 146 93

HSL 149.13, 0.54%, 0.37%

LAB 53.88, -41.94, 19.83

 

CMYK 70 / 48 / 0 / 43

HEX #2B4B91

RGB 43 75 145

HSL 221.18, 0.54%, 0.37%

LAB 33.11, 12.97, -42.2

 

CMYK 0 / 70 / 34 / 43

HEX #912B60

RGB 145 43 96

HSL 328.82, 0.54%, 0.37%

LAB 35.19, 47.47, -7.51

 

CMYK 0 / 22 / 70 / 43

HEX #91712B

RGB 145 113 43

HSL 41.18, 0.54%, 0.37%

LAB 49.5, 4.89, 42.23

 

CMYK 71 / 0 / 36 / 43

HEX #2B925D

RGB 43 146 93

HSL 149.13, 0.54%, 0.37%

LAB 53.88, -41.94, 19.83

 

CMYK 70 / 69 / 0 / 43

HEX #2B2D91

RGB 43 45 145

HSL 238.82, 0.54%, 0.37%

LAB 25.06, 33.06, -55.28

 

CMYK 0 / 70 / 34 / 43

HEX #912B60

RGB 145 43 96

HSL 328.82, 0.54%, 0.37%

LAB 35.19, 47.47, -7.51

 

CMYK 0 / 1 / 70 / 43

HEX #918F2B

RGB 145 143 43

HSL 58.82, 0.54%, 0.37%

LAB 57.88, -11.77, 50.79

 

Description

Color code: HEX #2B925D | qconv.com Color code: HEX #2B925D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 146 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 146 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 36 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 36% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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