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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B9008 it is the complementary color #D46FF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B9008. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B9008 shade: #309003, #41A216, #52B429, #63C63C and #74D84F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B9008. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B9008 shade: #2B9008, #1A7E00, #096C00, #005A00 and #004800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B9008 shade: #2B9008, #509008, #749008, #908708 and #906208

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B9008 shade: #2B9008, #08900A, #08902E, #089053 and #089078

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B9008 shade matches the following richer shades: #2B9008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B9008 shade: #2B9008, #318414, #377721, #3D6B2D and #435F39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B9008 shade: #759008, #519008, #2C9008, #089008 and #08902C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B9008 shade: #144203, #1F6906, #2B9008, #37B70A and #42DE0C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B9008 shade: #2B9008, #089087 and #900863

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B9008 shade: #2B9008, #082C90 and #90082C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B9008 shade: #2B9008, #089087, #6C0890 and #900811

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B9008 shade: #2B9008, #087090, #6C0890 and #902808

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 94 / 44

HEX #2B9008

RGB 43 144 8

HSL 104.56, 0.89%, 0.3%

LAB 52.37, -50.95, 53.68

 

Complementary color

CMYK 14 / 55 / 0 / 3

HEX #D46FF7

RGB 212 111 247

HSL 284.56, 0.89%, 0.7%

LAB 63.41, 60.33, -51.87

 

CMYK 67 / 0 / 98 / 44

HEX #309003

RGB 48 144 3

HSL 100.85, 0.96%, 0.29%

LAB 52.49, -50.02, 54.69

 

CMYK 60 / 0 / 86 / 36

HEX #41A216

RGB 65 162 22

HSL 101.57, 0.76%, 0.36%

LAB 59, -51.59, 56.87

 

CMYK 54 / 0 / 77 / 29

HEX #52B429

RGB 82 180 41

HSL 102.3, 0.63%, 0.43%

LAB 65.43, -52.62, 57.66

 

CMYK 50 / 0 / 70 / 22

HEX #63C63C

RGB 99 198 60

HSL 103.04, 0.55%, 0.51%

LAB 71.8, -53.24, 57.49

 

CMYK 46 / 0 / 63 / 15

HEX #74D84F

RGB 116 216 79

HSL 103.8, 0.64%, 0.58%

LAB 78.1, -53.6, 56.81

 

CMYK 70 / 0 / 94 / 44

HEX #2B9008

RGB 43 144 8

HSL 104.56, 0.89%, 0.3%

LAB 52.37, -50.95, 53.68

 

CMYK 79 / 0 / 100 / 51

HEX #1A7E00

RGB 26 126 0

HSL 107.62, 1%, 0.25%

LAB 45.83, -48.41, 49.7

 

CMYK 92 / 0 / 100 / 58

HEX #096C00

RGB 9 108 0

HSL 115, 1%, 0.21%

LAB 39.21, -44.88, 44.31

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 70 / 0 / 94 / 44

HEX #2B9008

RGB 43 144 8

HSL 104.56, 0.89%, 0.3%

LAB 52.37, -50.95, 53.68

 

CMYK 44 / 0 / 94 / 44

HEX #509008

RGB 80 144 8

HSL 88.24, 0.89%, 0.3%

LAB 53.67, -40.57, 55.29

 

CMYK 19 / 0 / 94 / 44

HEX #749008

RGB 116 144 8

HSL 72.35, 0.89%, 0.3%

LAB 55.76, -26.4, 57.85

 

CMYK 0 / 6 / 94 / 44

HEX #908708

RGB 144 135 8

HSL 56.03, 0.89%, 0.3%

LAB 55.35, -9.13, 58.5

 

CMYK 0 / 32 / 94 / 44

HEX #906208

RGB 144 98 8

HSL 39.71, 0.89%, 0.3%

LAB 45.2, 11.8, 50.83

 

CMYK 70 / 0 / 94 / 44

HEX #2B9008

RGB 43 144 8

HSL 104.56, 0.89%, 0.3%

LAB 52.37, -50.95, 53.68

 

CMYK 94 / 0 / 93 / 44

HEX #08900A

RGB 8 144 10

HSL 120.88, 0.89%, 0.3%

LAB 51.86, -55.45, 52.7

 

CMYK 94 / 0 / 68 / 44

HEX #08902E

RGB 8 144 46

HSL 136.76, 0.89%, 0.3%

LAB 52.06, -52.93, 41.55

 

CMYK 94 / 0 / 42 / 44

HEX #089053

RGB 8 144 83

HSL 153.09, 0.89%, 0.3%

LAB 52.53, -47.14, 23.48

 

CMYK 94 / 0 / 17 / 44

HEX #089078

RGB 8 144 120

HSL 169.41, 0.89%, 0.3%

LAB 53.33, -38.22, 3.66

 

CMYK 70 / 0 / 94 / 44

HEX #2B9008

RGB 43 144 8

HSL 104.56, 0.89%, 0.3%

LAB 52.37, -50.95, 53.68

 

CMYK 70 / 0 / 94 / 44

HEX #2B9008

RGB 43 144 8

HSL 104.56, 0.89%, 0.3%

LAB 52.37, -50.95, 53.68

 

CMYK 63 / 0 / 85 / 48

HEX #318414

RGB 49 132 20

HSL 104.46, 0.74%, 0.3%

LAB 48.52, -44.89, 47.8

 

CMYK 54 / 0 / 72 / 53

HEX #377721

RGB 55 119 33

HSL 104.65, 0.57%, 0.3%

LAB 44.4, -37.21, 39.25

 

CMYK 43 / 0 / 58 / 58

HEX #3D6B2D

RGB 61 107 45

HSL 104.52, 0.41%, 0.3%

LAB 40.73, -28.59, 29.51

 

CMYK 29 / 0 / 40 / 63

HEX #435F39

RGB 67 95 57

HSL 104.21, 0.25%, 0.3%

LAB 37.25, -18.5, 18.5

 

CMYK 19 / 0 / 94 / 44

HEX #759008

RGB 117 144 8

HSL 71.91, 0.89%, 0.3%

LAB 55.83, -25.97, 57.93

 

CMYK 44 / 0 / 94 / 44

HEX #519008

RGB 81 144 8

HSL 87.79, 0.89%, 0.3%

LAB 53.72, -40.23, 55.35

 

CMYK 69 / 0 / 94 / 44

HEX #2C9008

RGB 44 144 8

HSL 104.12, 0.89%, 0.3%

LAB 52.4, -50.74, 53.71

 

CMYK 94 / 0 / 94 / 44

HEX #089008

RGB 8 144 8

HSL 120, 0.89%, 0.3%

LAB 51.85, -55.52, 53.04

 

CMYK 94 / 0 / 69 / 44

HEX #08902C

RGB 8 144 44

HSL 135.88, 0.89%, 0.3%

LAB 52.04, -53.15, 42.39

 

CMYK 70 / 0 / 95 / 74

HEX #144203

RGB 20 66 3

HSL 103.81, 0.91%, 0.14%

LAB 23.84, -28.1, 30.39

 

CMYK 70 / 0 / 94 / 59

HEX #1F6906

RGB 31 105 6

HSL 104.85, 0.89%, 0.22%

LAB 38.56, -40.06, 42.35

 

CMYK 70 / 0 / 94 / 44

HEX #2B9008

RGB 43 144 8

HSL 104.56, 0.89%, 0.3%

LAB 52.37, -50.95, 53.68

 

CMYK 70 / 0 / 95 / 28

HEX #37B70A

RGB 55 183 10

HSL 104.39, 0.9%, 0.38%

LAB 65.52, -61.26, 64.41

 

CMYK 70 / 0 / 95 / 13

HEX #42DE0C

RGB 66 222 12

HSL 104.57, 0.9%, 0.46%

LAB 78.13, -71.31, 74.65

 

CMYK 70 / 0 / 94 / 44

HEX #2B9008

RGB 43 144 8

HSL 104.56, 0.89%, 0.3%

LAB 52.37, -50.95, 53.68

 

CMYK 94 / 0 / 6 / 44

HEX #089087

RGB 8 144 135

HSL 176.03, 0.89%, 0.3%

LAB 53.76, -33.84, -4.37

 

CMYK 0 / 94 / 31 / 44

HEX #900863

RGB 144 8 99

HSL 319.85, 0.89%, 0.3%

LAB 31.82, 56.95, -14.57

 

CMYK 70 / 0 / 94 / 44

HEX #2B9008

RGB 43 144 8

HSL 104.56, 0.89%, 0.3%

LAB 52.37, -50.95, 53.68

 

CMYK 94 / 69 / 0 / 44

HEX #082C90

RGB 8 44 144

HSL 224.12, 0.89%, 0.3%

LAB 23.23, 30.4, -57.73

 

CMYK 0 / 94 / 69 / 44

HEX #90082C

RGB 144 8 44

HSL 344.12, 0.89%, 0.3%

LAB 30.12, 52.34, 19.37

 

CMYK 70 / 0 / 94 / 44

HEX #2B9008

RGB 43 144 8

HSL 104.56, 0.89%, 0.3%

LAB 52.37, -50.95, 53.68

 

CMYK 94 / 0 / 6 / 44

HEX #089087

RGB 8 144 135

HSL 176.03, 0.89%, 0.3%

LAB 53.76, -33.84, -4.37

 

CMYK 25 / 94 / 0 / 44

HEX #6C0890

RGB 108 8 144

HSL 284.12, 0.89%, 0.3%

LAB 27.78, 57.19, -49.9

 

CMYK 0 / 94 / 88 / 44

HEX #900811

RGB 144 8 17

HSL 356.03, 0.89%, 0.3%

LAB 29.77, 51.36, 35.68

 

CMYK 70 / 0 / 94 / 44

HEX #2B9008

RGB 43 144 8

HSL 104.56, 0.89%, 0.3%

LAB 52.37, -50.95, 53.68

 

CMYK 94 / 22 / 0 / 44

HEX #087090

RGB 8 112 144

HSL 194.12, 0.89%, 0.3%

LAB 43.73, -14.33, -24.87

 

CMYK 25 / 94 / 0 / 44

HEX #6C0890

RGB 108 8 144

HSL 284.12, 0.89%, 0.3%

LAB 27.78, 57.19, -49.9

 

CMYK 0 / 72 / 94 / 44

HEX #902808

RGB 144 40 8

HSL 14.12, 0.89%, 0.3%

LAB 32.84, 42.41, 42.02

 

Description

Color code: HEX #2B9008 | qconv.com Color code: HEX #2B9008 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 144 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 144 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 94 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 94% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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