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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B9958 it is the complementary color #D466A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B9958. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B9958 shade: #309953, #41AB66, #52BD79, #63CF8C and #74E19F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B9958. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B9958 shade: #2B9958, #1A8745, #097532, #00631F and #00510C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B9958 shade: #2A9757, #2A9739, #38972A, #56972A and #73972A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B9958 shade: #2A9757, #2A9774, #2A9791, #2A7F97 and #2A6297

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B9958 shade matches the following richer shades: #2A9757, #1AA654 and #0BB651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B9958 shade: #2A9757, #3A8759, #49775C, #59685F and #695862

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B9958 shade: #39972A, #2A9739, #2A9756, #2A9772 and #2A978F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B9958 shade: #185631, #217644, #2A9757, #33B769 and #48CB7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B9958 shade: #2B9958, #2A5697 and #972A2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B9958 shade: #2B9958, #562A97 and #97562A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B9958 shade: #2B9958, #2A5697, #972A6B and #976B2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B9958 shade: #2B9958, #2A3597, #972A6B and #978C2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 42 / 40

HEX #2B9958

RGB 43 153 88

HSL 144.55, 0.56%, 0.38%

LAB 56.09, -45.73, 25.51

 

Complementary color

CMYK 0 / 52 / 21 / 17

HEX #D466A7

RGB 212 102 167

HSL 324.55, 0.56%, 0.62%

LAB 58.31, 50.85, -14.62

 

CMYK 69 / 0 / 46 / 40

HEX #309953

RGB 48 153 83

HSL 140, 0.52%, 0.39%

LAB 56.12, -45.74, 28.26

 

CMYK 62 / 0 / 40 / 33

HEX #41AB66

RGB 65 171 102

HSL 140.94, 0.45%, 0.46%

LAB 62.68, -46.08, 26.74

 

CMYK 57 / 0 / 36 / 26

HEX #52BD79

RGB 82 189 121

HSL 141.87, 0.45%, 0.53%

LAB 69.16, -46.17, 25.35

 

CMYK 52 / 0 / 32 / 19

HEX #63CF8C

RGB 99 207 140

HSL 142.78, 0.53%, 0.6%

LAB 75.56, -46.12, 24.05

 

CMYK 48 / 0 / 29 / 12

HEX #74E19F

RGB 116 225 159

HSL 143.67, 0.64%, 0.67%

LAB 81.87, -45.98, 22.85

 

CMYK 72 / 0 / 42 / 40

HEX #2B9958

RGB 43 153 88

HSL 144.55, 0.56%, 0.38%

LAB 56.09, -45.73, 25.51

 

CMYK 81 / 0 / 49 / 47

HEX #1A8745

RGB 26 135 69

HSL 143.67, 0.68%, 0.32%

LAB 49.47, -44.86, 27.18

 

CMYK 92 / 0 / 57 / 54

HEX #097532

RGB 9 117 50

HSL 142.78, 0.86%, 0.25%

LAB 42.78, -43.28, 28.98

 

CMYK 100 / 0 / 69 / 61

HEX #00631F

RGB 0 99 31

HSL 138.79, 1%, 0.19%

LAB 36.03, -40.62, 30.74

 

CMYK 100 / 0 / 85 / 68

HEX #00510C

RGB 0 81 12

HSL 128.89, 1%, 0.16%

LAB 29.19, -36.61, 31.85

 

CMYK 72 / 0 / 42 / 41

HEX #2A9757

RGB 42 151 87

HSL 144.77, 0.56%, 0.38%

LAB 55.39, -45.31, 25.14

 

CMYK 72 / 0 / 62 / 41

HEX #2A9739

RGB 42 151 57

HSL 128.26, 0.56%, 0.38%

LAB 54.99, -49.97, 39.97

 

CMYK 63 / 0 / 72 / 41

HEX #38972A

RGB 56 151 42

HSL 112.29, 0.56%, 0.38%

LAB 55.22, -48.6, 46.83

 

CMYK 43 / 0 / 72 / 41

HEX #56972A

RGB 86 151 42

HSL 95.78, 0.56%, 0.38%

LAB 56.37, -39.8, 48.37

 

CMYK 24 / 0 / 72 / 41

HEX #73972A

RGB 115 151 42

HSL 79.82, 0.56%, 0.38%

LAB 57.99, -28.85, 50.53

 

CMYK 72 / 0 / 42 / 41

HEX #2A9757

RGB 42 151 87

HSL 144.77, 0.56%, 0.38%

LAB 55.39, -45.31, 25.14

 

CMYK 72 / 0 / 23 / 41

HEX #2A9774

RGB 42 151 116

HSL 160.73, 0.56%, 0.38%

LAB 55.97, -38.99, 9.77

 

CMYK 72 / 0 / 4 / 41

HEX #2A9791

RGB 42 151 145

HSL 176.7, 0.56%, 0.38%

LAB 56.75, -31.15, -5.64

 

CMYK 72 / 16 / 0 / 41

HEX #2A7F97

RGB 42 127 151

HSL 193.21, 0.56%, 0.38%

LAB 49.38, -16.94, -20.23

 

CMYK 72 / 35 / 0 / 41

HEX #2A6297

RGB 42 98 151

HSL 209.17, 0.56%, 0.38%

LAB 40.35, 0.11, -34.3

 

CMYK 72 / 0 / 42 / 41

HEX #2A9757

RGB 42 151 87

HSL 144.77, 0.56%, 0.38%

LAB 55.39, -45.31, 25.14

 

CMYK 84 / 0 / 49 / 35

HEX #1AA654

RGB 26 166 84

HSL 144.86, 0.73%, 0.38%

LAB 60.01, -53.5, 32.59

 

CMYK 94 / 0 / 55 / 29

HEX #0BB651

RGB 11 182 81

HSL 144.56, 0.89%, 0.38%

LAB 65.06, -60.4, 40.27

 

CMYK 72 / 0 / 42 / 41

HEX #2A9757

RGB 42 151 87

HSL 144.77, 0.56%, 0.38%

LAB 55.39, -45.31, 25.14

 

CMYK 57 / 0 / 34 / 47

HEX #3A8759

RGB 58 135 89

HSL 144.16, 0.4%, 0.38%

LAB 50.63, -34.88, 17.76

 

CMYK 39 / 0 / 23 / 53

HEX #49775C

RGB 73 119 92

HSL 144.78, 0.24%, 0.38%

LAB 46.15, -22.22, 9.96

 

CMYK 14 / 0 / 9 / 59

HEX #59685F

RGB 89 104 95

HSL 144, 0.08%, 0.38%

LAB 42.54, -7.66, 3.16

 

CMYK 0 / 16 / 7 / 59

HEX #695862

RGB 105 88 98

HSL 324.71, 0.09%, 0.38%

LAB 39.35, 8.86, -3.16

 

CMYK 62 / 0 / 72 / 41

HEX #39972A

RGB 57 151 42

HSL 111.74, 0.56%, 0.38%

LAB 55.25, -48.35, 46.87

 

CMYK 72 / 0 / 62 / 41

HEX #2A9739

RGB 42 151 57

HSL 128.26, 0.56%, 0.38%

LAB 54.99, -49.97, 39.97

 

CMYK 72 / 0 / 43 / 41

HEX #2A9756

RGB 42 151 86

HSL 144.22, 0.56%, 0.38%

LAB 55.38, -45.49, 25.66

 

CMYK 72 / 0 / 25 / 41

HEX #2A9772

RGB 42 151 114

HSL 159.63, 0.56%, 0.38%

LAB 55.93, -39.48, 10.84

 

CMYK 72 / 0 / 5 / 41

HEX #2A978F

RGB 42 151 143

HSL 175.6, 0.56%, 0.38%

LAB 56.69, -31.73, -4.58

 

CMYK 72 / 0 / 43 / 66

HEX #185631

RGB 24 86 49

HSL 144.19, 0.56%, 0.22%

LAB 31.97, -29.17, 15.96

 

CMYK 72 / 0 / 42 / 54

HEX #217644

RGB 33 118 68

HSL 144.71, 0.56%, 0.3%

LAB 43.8, -37.27, 20.45

 

CMYK 72 / 0 / 42 / 41

HEX #2A9757

RGB 42 151 87

HSL 144.77, 0.56%, 0.38%

LAB 55.39, -45.31, 25.14

 

CMYK 72 / 0 / 43 / 28

HEX #33B769

RGB 51 183 105

HSL 144.55, 0.56%, 0.46%

LAB 66.21, -52.79, 29.71

 

CMYK 65 / 0 / 38 / 20

HEX #48CB7E

RGB 72 203 126

HSL 144.73, 0.56%, 0.54%

LAB 73.28, -52.96, 28.17

 

CMYK 72 / 0 / 42 / 40

HEX #2B9958

RGB 43 153 88

HSL 144.55, 0.56%, 0.38%

LAB 56.09, -45.73, 25.51

 

CMYK 72 / 43 / 0 / 41

HEX #2A5697

RGB 42 86 151

HSL 215.78, 0.56%, 0.38%

LAB 36.71, 7.81, -40.08

 

CMYK 0 / 72 / 72 / 41

HEX #972A2A

RGB 151 42 42

HSL 0, 0.56%, 0.38%

LAB 34.81, 45.11, 26.7

 

CMYK 72 / 0 / 42 / 40

HEX #2B9958

RGB 43 153 88

HSL 144.55, 0.56%, 0.38%

LAB 56.09, -45.73, 25.51

 

CMYK 43 / 72 / 0 / 41

HEX #562A97

RGB 86 42 151

HSL 264.22, 0.56%, 0.38%

LAB 29.08, 43.7, -52.23

 

CMYK 0 / 43 / 72 / 41

HEX #97562A

RGB 151 86 42

HSL 24.22, 0.56%, 0.38%

LAB 43.36, 23.1, 36.38

 

CMYK 72 / 0 / 42 / 40

HEX #2B9958

RGB 43 153 88

HSL 144.55, 0.56%, 0.38%

LAB 56.09, -45.73, 25.51

 

CMYK 72 / 43 / 0 / 41

HEX #2A5697

RGB 42 86 151

HSL 215.78, 0.56%, 0.38%

LAB 36.71, 7.81, -40.08

 

CMYK 0 / 72 / 29 / 41

HEX #972A6B

RGB 151 42 107

HSL 324.22, 0.56%, 0.38%

LAB 36.55, 50.97, -12.34

 

CMYK 0 / 29 / 72 / 41

HEX #976B2A

RGB 151 107 42

HSL 35.78, 0.56%, 0.38%

LAB 48.59, 11.04, 41.95

 

CMYK 72 / 0 / 42 / 40

HEX #2B9958

RGB 43 153 88

HSL 144.55, 0.56%, 0.38%

LAB 56.09, -45.73, 25.51

 

CMYK 72 / 65 / 0 / 41

HEX #2A3597

RGB 42 53 151

HSL 233.94, 0.56%, 0.38%

LAB 27.5, 29.92, -54.98

 

CMYK 0 / 72 / 29 / 41

HEX #972A6B

RGB 151 42 107

HSL 324.22, 0.56%, 0.38%

LAB 36.55, 50.97, -12.34

 

CMYK 0 / 7 / 72 / 41

HEX #978C2A

RGB 151 140 42

HSL 53.94, 0.56%, 0.38%

LAB 57.56, -7.51, 51.05

 

Description

Color code: HEX #2B9958 | qconv.com Color code: HEX #2B9958 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 153 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 153 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 42 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 42% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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