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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B814C it is the complementary color #D47EB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B814C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B814C shade: #308147, #41935A, #52A56D, #63B780 and #74C993

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B814C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B814C shade: #2B814C, #1A6F39, #095D26, #004B13 and #003900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B814C shade: #2B824C, #2B8235, #38822B, #50822B and #67822B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B814C shade: #2B824C, #2B8263, #2B827B, #2B7182 and #2B5982

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B814C shade matches the following richer shades: #2B824C, #1D9049, #0F9E46 and #01AC42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B814C shade: #2B824C, #39744F, #476553, #555756 and #634959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B814C shade: #38822B, #2B8235, #2B824C, #2B8263 and #2B827A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B814C shade: #164428, #21633A, #2B824C, #35A05E and #40BF71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B814C shade: #2B814C, #2B4F82 and #822B2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B814C shade: #2B814C, #4C2B82 and #824C2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B814C shade: #2B814C, #2B4F82, #822B60 and #825D2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B814C shade: #2B814C, #2B3582, #822B60 and #82772B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 41 / 49

HEX #2B814C

RGB 43 129 76

HSL 143.02, 0.5%, 0.34%

LAB 47.93, -38.32, 21.41

 

Complementary color

CMYK 0 / 41 / 16 / 17

HEX #D47EB3

RGB 212 126 179

HSL 323.02, 0.5%, 0.66%

LAB 63.49, 40.48, -13.68

 

CMYK 63 / 0 / 45 / 49

HEX #308147

RGB 48 129 71

HSL 137.04, 0.46%, 0.35%

LAB 47.99, -38.15, 24.3

 

CMYK 56 / 0 / 39 / 42

HEX #41935A

RGB 65 147 90

HSL 138.29, 0.39%, 0.42%

LAB 54.79, -38.23, 22.83

 

CMYK 50 / 0 / 34 / 35

HEX #52A56D

RGB 82 165 109

HSL 139.52, 0.34%, 0.48%

LAB 61.49, -38.13, 21.48

 

CMYK 46 / 0 / 30 / 28

HEX #63B780

RGB 99 183 128

HSL 140.71, 0.37%, 0.55%

LAB 68.08, -37.93, 20.24

 

CMYK 42 / 0 / 27 / 21

HEX #74C993

RGB 116 201 147

HSL 141.88, 0.44%, 0.62%

LAB 74.57, -37.7, 19.11

 

CMYK 67 / 0 / 41 / 49

HEX #2B814C

RGB 43 129 76

HSL 143.02, 0.5%, 0.34%

LAB 47.93, -38.32, 21.41

 

CMYK 77 / 0 / 49 / 56

HEX #1A6F39

RGB 26 111 57

HSL 141.88, 0.62%, 0.27%

LAB 41.03, -37.76, 23.06

 

CMYK 90 / 0 / 59 / 64

HEX #095D26

RGB 9 93 38

HSL 140.71, 0.82%, 0.2%

LAB 34.04, -36.47, 24.86

 

CMYK 100 / 0 / 75 / 71

HEX #004B13

RGB 0 75 19

HSL 135.2, 1%, 0.15%

LAB 26.96, -33.87, 26.58

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 67 / 0 / 42 / 49

HEX #2B824C

RGB 43 130 76

HSL 142.76, 0.5%, 0.34%

LAB 48.26, -38.73, 21.85

 

CMYK 67 / 0 / 59 / 49

HEX #2B8235

RGB 43 130 53

HSL 126.9, 0.5%, 0.34%

LAB 47.93, -42.51, 33.72

 

CMYK 57 / 0 / 67 / 49

HEX #38822B

RGB 56 130 43

HSL 111.03, 0.5%, 0.34%

LAB 48.24, -40.44, 38.97

 

CMYK 38 / 0 / 67 / 49

HEX #50822B

RGB 80 130 43

HSL 94.48, 0.5%, 0.34%

LAB 49.31, -32.58, 40.45

 

CMYK 21 / 0 / 67 / 49

HEX #67822B

RGB 103 130 43

HSL 78.62, 0.5%, 0.34%

LAB 50.71, -23.43, 42.38

 

CMYK 67 / 0 / 42 / 49

HEX #2B824C

RGB 43 130 76

HSL 142.76, 0.5%, 0.34%

LAB 48.26, -38.73, 21.85

 

CMYK 67 / 0 / 24 / 49

HEX #2B8263

RGB 43 130 99

HSL 158.62, 0.5%, 0.34%

LAB 48.73, -33.67, 9.32

 

CMYK 67 / 0 / 5 / 49

HEX #2B827B

RGB 43 130 123

HSL 175.17, 0.5%, 0.34%

LAB 49.39, -27.2, -3.79

 

CMYK 67 / 13 / 0 / 49

HEX #2B7182

RGB 43 113 130

HSL 191.72, 0.5%, 0.34%

LAB 44.14, -16.08, -15.82

 

CMYK 67 / 32 / 0 / 49

HEX #2B5982

RGB 43 89 130

HSL 208.28, 0.5%, 0.34%

LAB 36.5, -1.84, -27.65

 

CMYK 67 / 0 / 42 / 49

HEX #2B824C

RGB 43 130 76

HSL 142.76, 0.5%, 0.34%

LAB 48.26, -38.73, 21.85

 

CMYK 80 / 0 / 49 / 44

HEX #1D9049

RGB 29 144 73

HSL 142.96, 0.66%, 0.34%

LAB 52.61, -47.12, 29.02

 

CMYK 91 / 0 / 56 / 38

HEX #0F9E46

RGB 15 158 70

HSL 143.08, 0.83%, 0.34%

LAB 57.07, -53.9, 36.04

 

CMYK 99 / 0 / 62 / 33

HEX #01AC42

RGB 1 172 66

HSL 142.81, 0.99%, 0.34%

LAB 61.57, -59.74, 43.22

 

CMYK 67 / 0 / 42 / 49

HEX #2B824C

RGB 43 130 76

HSL 142.76, 0.5%, 0.34%

LAB 48.26, -38.73, 21.85

 

CMYK 51 / 0 / 32 / 55

HEX #39744F

RGB 57 116 79

HSL 142.37, 0.34%, 0.34%

LAB 44.13, -28.4, 14.67

 

CMYK 30 / 0 / 18 / 60

HEX #476553

RGB 71 101 83

HSL 144, 0.17%, 0.34%

LAB 40.03, -15.21, 6.69

 

CMYK 2 / 0 / 1 / 66

HEX #555756

RGB 85 87 86

HSL 150, 0.01%, 0.34%

LAB 36.78, -1.01, 0.3

 

CMYK 0 / 26 / 10 / 61

HEX #634959

RGB 99 73 89

HSL 323.08, 0.15%, 0.34%

LAB 34.27, 13.98, -5.13

 

CMYK 57 / 0 / 67 / 49

HEX #38822B

RGB 56 130 43

HSL 111.03, 0.5%, 0.34%

LAB 48.24, -40.44, 38.97

 

CMYK 67 / 0 / 59 / 49

HEX #2B8235

RGB 43 130 53

HSL 126.9, 0.5%, 0.34%

LAB 47.93, -42.51, 33.72

 

CMYK 67 / 0 / 42 / 49

HEX #2B824C

RGB 43 130 76

HSL 142.76, 0.5%, 0.34%

LAB 48.26, -38.73, 21.85

 

CMYK 67 / 0 / 24 / 49

HEX #2B8263

RGB 43 130 99

HSL 158.62, 0.5%, 0.34%

LAB 48.73, -33.67, 9.32

 

CMYK 67 / 0 / 6 / 49

HEX #2B827A

RGB 43 130 122

HSL 174.48, 0.5%, 0.34%

LAB 49.36, -27.49, -3.25

 

CMYK 68 / 0 / 41 / 73

HEX #164428

RGB 22 68 40

HSL 143.48, 0.51%, 0.18%

LAB 25.13, -23.22, 12.44

 

CMYK 67 / 0 / 41 / 61

HEX #21633A

RGB 33 99 58

HSL 142.73, 0.5%, 0.26%

LAB 37.03, -31.12, 17.32

 

CMYK 67 / 0 / 42 / 49

HEX #2B824C

RGB 43 130 76

HSL 142.76, 0.5%, 0.34%

LAB 48.26, -38.73, 21.85

 

CMYK 67 / 0 / 41 / 37

HEX #35A05E

RGB 53 160 94

HSL 142.99, 0.5%, 0.42%

LAB 58.7, -45.57, 25.74

 

CMYK 66 / 0 / 41 / 25

HEX #40BF71

RGB 64 191 113

HSL 143.15, 0.5%, 0.5%

LAB 69.14, -52.18, 29.43

 

CMYK 67 / 0 / 41 / 49

HEX #2B814C

RGB 43 129 76

HSL 143.02, 0.5%, 0.34%

LAB 47.93, -38.32, 21.41

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F82

RGB 43 79 130

HSL 215.17, 0.5%, 0.34%

LAB 33.39, 4.61, -32.56

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 67 / 0 / 41 / 49

HEX #2B814C

RGB 43 129 76

HSL 143.02, 0.5%, 0.34%

LAB 47.93, -38.32, 21.41

 

CMYK 42 / 67 / 0 / 49

HEX #4C2B82

RGB 76 43 130

HSL 262.76, 0.5%, 0.34%

LAB 26.38, 35.3, -43.66

 

CMYK 0 / 42 / 67 / 49

HEX #824C2B

RGB 130 76 43

HSL 22.76, 0.5%, 0.34%

LAB 38, 19.63, 28.98

 

CMYK 67 / 0 / 41 / 49

HEX #2B814C

RGB 43 129 76

HSL 143.02, 0.5%, 0.34%

LAB 47.93, -38.32, 21.41

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F82

RGB 43 79 130

HSL 215.17, 0.5%, 0.34%

LAB 33.39, 4.61, -32.56

 

CMYK 0 / 67 / 26 / 49

HEX #822B60

RGB 130 43 96

HSL 323.45, 0.5%, 0.34%

LAB 32.52, 42.95, -11.8

 

CMYK 0 / 28 / 67 / 49

HEX #825D2B

RGB 130 93 43

HSL 34.48, 0.5%, 0.34%

LAB 42.38, 9.59, 34

 

CMYK 67 / 0 / 41 / 49

HEX #2B814C

RGB 43 129 76

HSL 143.02, 0.5%, 0.34%

LAB 47.93, -38.32, 21.41

 

CMYK 67 / 59 / 0 / 49

HEX #2B3582

RGB 43 53 130

HSL 233.1, 0.5%, 0.34%

LAB 25.78, 22.26, -44.77

 

CMYK 0 / 67 / 26 / 49

HEX #822B60

RGB 130 43 96

HSL 323.45, 0.5%, 0.34%

LAB 32.52, 42.95, -11.8

 

CMYK 0 / 8 / 67 / 49

HEX #82772B

RGB 130 119 43

HSL 52.41, 0.5%, 0.34%

LAB 49.63, -5.46, 41.9

 

Description

Color code: HEX #2B814C | qconv.com Color code: HEX #2B814C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 129 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 129 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 41 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 41% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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