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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B8590 it is the complementary color #D47A6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B8590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B8590 shade: #30858B, #41979E, #52A9B1, #63BBC4 and #74CDD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B8590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B8590 shade: #2B8590, #1A737D, #09616A, #004F57 and #003D44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B8590 shade: #2B8691, #2B6A91, #2B4F91, #2B3391 and #3E2B91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B8590 shade: #2B8691, #2B6A91, #2B4F91, #2B3391 and #2B2B91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B8590 shade matches the following richer shades: #2B8691, #1C92A0 and #0C9EAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B8590 shade: #2B8691, #3A7A82, #496E72, #596263 and #685654

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B8590 shade: #2B9165, #2B9180, #2B8791, #2B6B91 and #2B5091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B8590 shade: #184B51, #216871, #2B8691, #34A3B1 and #47BAC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B8590 shade: #2B8590, #492B91 and #91722B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B8590 shade: #2B8590, #912B87 and #87912B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B8590 shade: #2B8590, #492B91, #91352B and #72912B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B8590 shade: #2B8590, #682B91, #91352B and #54912B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 8 / 0 / 44

HEX #2B8590

RGB 43 133 144

HSL 186.53, 0.54%, 0.37%

LAB 51.04, -22.3, -13.61

 

Complementary color

CMYK 0 / 42 / 48 / 17

HEX #D47A6F

RGB 212 122 111

HSL 6.53, 0.54%, 0.63%

LAB 60.84, 33.82, 21.31

 

CMYK 65 / 4 / 0 / 45

HEX #30858B

RGB 48 133 139

HSL 183.96, 0.49%, 0.37%

LAB 51, -23.06, -10.74

 

CMYK 59 / 4 / 0 / 38

HEX #41979E

RGB 65 151 158

HSL 184.52, 0.42%, 0.44%

LAB 57.78, -23.52, -11.47

 

CMYK 54 / 5 / 0 / 31

HEX #52A9B1

RGB 82 169 177

HSL 185.05, 0.38%, 0.51%

LAB 64.44, -23.8, -12.12

 

CMYK 49 / 5 / 0 / 23

HEX #63BBC4

RGB 99 187 196

HSL 185.57, 0.45%, 0.58%

LAB 70.99, -23.98, -12.72

 

CMYK 46 / 5 / 0 / 16

HEX #74CDD7

RGB 116 205 215

HSL 186.06, 0.55%, 0.65%

LAB 77.45, -24.09, -13.29

 

CMYK 70 / 8 / 0 / 44

HEX #2B8590

RGB 43 133 144

HSL 186.53, 0.54%, 0.37%

LAB 51.04, -22.3, -13.61

 

CMYK 79 / 8 / 0 / 51

HEX #1A737D

RGB 26 115 125

HSL 186.06, 0.66%, 0.3%

LAB 44.18, -21.33, -12.81

 

CMYK 92 / 8 / 0 / 58

HEX #09616A

RGB 9 97 106

HSL 185.57, 0.84%, 0.23%

LAB 37.2, -19.85, -11.86

 

CMYK 100 / 9 / 0 / 66

HEX #004F57

RGB 0 79 87

HSL 185.52, 1%, 0.17%

LAB 30.11, -17.64, -10.71

 

CMYK 100 / 10 / 0 / 73

HEX #003D44

RGB 0 61 68

HSL 186.18, 1%, 0.13%

LAB 22.84, -14.64, -9.35

 

CMYK 70 / 8 / 0 / 43

HEX #2B8691

RGB 43 134 145

HSL 186.47, 0.54%, 0.37%

LAB 51.39, -22.5, -13.66

 

CMYK 70 / 27 / 0 / 43

HEX #2B6A91

RGB 43 106 145

HSL 202.94, 0.54%, 0.37%

LAB 42.56, -6.84, -27.23

 

CMYK 70 / 46 / 0 / 43

HEX #2B4F91

RGB 43 79 145

HSL 218.82, 0.54%, 0.37%

LAB 34.29, 10.29, -40.31

 

CMYK 70 / 65 / 0 / 43

HEX #2B3391

RGB 43 51 145

HSL 235.29, 0.54%, 0.37%

LAB 26.52, 29.16, -52.88

 

CMYK 57 / 70 / 0 / 43

HEX #3E2B91

RGB 62 43 145

HSL 251.18, 0.54%, 0.37%

LAB 26.15, 37.1, -53.44

 

CMYK 70 / 8 / 0 / 43

HEX #2B8691

RGB 43 134 145

HSL 186.47, 0.54%, 0.37%

LAB 51.39, -22.5, -13.66

 

CMYK 70 / 27 / 0 / 43

HEX #2B6A91

RGB 43 106 145

HSL 202.94, 0.54%, 0.37%

LAB 42.56, -6.84, -27.23

 

CMYK 70 / 46 / 0 / 43

HEX #2B4F91

RGB 43 79 145

HSL 218.82, 0.54%, 0.37%

LAB 34.29, 10.29, -40.31

 

CMYK 70 / 65 / 0 / 43

HEX #2B3391

RGB 43 51 145

HSL 235.29, 0.54%, 0.37%

LAB 26.52, 29.16, -52.88

 

CMYK 70 / 70 / 0 / 43

HEX #2B2B91

RGB 43 43 145

HSL 240, 0.54%, 0.37%

LAB 24.59, 34.32, -56.04

 

CMYK 70 / 8 / 0 / 43

HEX #2B8691

RGB 43 134 145

HSL 186.47, 0.54%, 0.37%

LAB 51.39, -22.5, -13.66

 

CMYK 83 / 9 / 0 / 37

HEX #1C92A0

RGB 28 146 160

HSL 186.36, 0.7%, 0.37%

LAB 55.42, -25.58, -16.25

 

CMYK 93 / 10 / 0 / 31

HEX #0C9EAF

RGB 12 158 175

HSL 186.26, 0.87%, 0.37%

LAB 59.55, -27.68, -18.53

 

CMYK 70 / 8 / 0 / 43

HEX #2B8691

RGB 43 134 145

HSL 186.47, 0.54%, 0.37%

LAB 51.39, -22.5, -13.66

 

CMYK 55 / 6 / 0 / 49

HEX #3A7A82

RGB 58 122 130

HSL 186.67, 0.38%, 0.37%

LAB 47.53, -18.01, -10.63

 

CMYK 36 / 4 / 0 / 55

HEX #496E72

RGB 73 110 114

HSL 185.85, 0.22%, 0.37%

LAB 43.92, -11.98, -6.42

 

CMYK 10 / 1 / 0 / 61

HEX #596263

RGB 89 98 99

HSL 186, 0.05%, 0.37%

LAB 40.83, -3.24, -1.76

 

CMYK 0 / 17 / 19 / 59

HEX #685654

RGB 104 86 84

HSL 6, 0.11%, 0.37%

LAB 38.27, 7.04, 3.93

 

CMYK 70 / 0 / 30 / 43

HEX #2B9165

RGB 43 145 101

HSL 154.12, 0.54%, 0.37%

LAB 53.71, -39.79, 15.11

 

CMYK 70 / 0 / 12 / 43

HEX #2B9180

RGB 43 145 128

HSL 170, 0.54%, 0.37%

LAB 54.37, -33, 0.61

 

CMYK 70 / 7 / 0 / 43

HEX #2B8791

RGB 43 135 145

HSL 185.88, 0.54%, 0.37%

LAB 51.71, -23.02, -13.18

 

CMYK 70 / 26 / 0 / 43

HEX #2B6B91

RGB 43 107 145

HSL 202.35, 0.54%, 0.37%

LAB 42.87, -7.44, -26.75

 

CMYK 70 / 45 / 0 / 43

HEX #2B5091

RGB 43 80 145

HSL 218.24, 0.54%, 0.37%

LAB 34.59, 9.63, -39.83

 

CMYK 70 / 7 / 0 / 68

HEX #184B51

RGB 24 75 81

HSL 186.32, 0.54%, 0.21%

LAB 28.95, -14.54, -8.56

 

CMYK 71 / 8 / 0 / 56

HEX #216871

RGB 33 104 113

HSL 186.75, 0.55%, 0.29%

LAB 40.27, -18.45, -11.46

 

CMYK 70 / 8 / 0 / 43

HEX #2B8691

RGB 43 134 145

HSL 186.47, 0.54%, 0.37%

LAB 51.39, -22.5, -13.66

 

CMYK 71 / 8 / 0 / 31

HEX #34A3B1

RGB 52 163 177

HSL 186.72, 0.55%, 0.45%

LAB 61.74, -26.01, -16.28

 

CMYK 65 / 7 / 0 / 22

HEX #47BAC8

RGB 71 186 200

HSL 186.51, 0.54%, 0.53%

LAB 69.91, -27.7, -16.63

 

CMYK 70 / 8 / 0 / 44

HEX #2B8590

RGB 43 133 144

HSL 186.53, 0.54%, 0.37%

LAB 51.04, -22.3, -13.61

 

CMYK 50 / 70 / 0 / 43

HEX #492B91

RGB 73 43 145

HSL 257.65, 0.54%, 0.37%

LAB 27.27, 39.04, -51.56

 

CMYK 0 / 21 / 70 / 43

HEX #91722B

RGB 145 114 43

HSL 41.76, 0.54%, 0.37%

LAB 49.77, 4.32, 42.51

 

CMYK 70 / 8 / 0 / 44

HEX #2B8590

RGB 43 133 144

HSL 186.53, 0.54%, 0.37%

LAB 51.04, -22.3, -13.61

 

CMYK 0 / 70 / 7 / 43

HEX #912B87

RGB 145 43 135

HSL 305.88, 0.54%, 0.37%

LAB 36.92, 53.12, -29.34

 

CMYK 7 / 0 / 70 / 43

HEX #87912B

RGB 135 145 43

HSL 65.88, 0.54%, 0.37%

LAB 57.63, -17.27, 50.26

 

CMYK 70 / 8 / 0 / 44

HEX #2B8590

RGB 43 133 144

HSL 186.53, 0.54%, 0.37%

LAB 51.04, -22.3, -13.61

 

CMYK 50 / 70 / 0 / 43

HEX #492B91

RGB 73 43 145

HSL 257.65, 0.54%, 0.37%

LAB 27.27, 39.04, -51.56

 

CMYK 0 / 63 / 70 / 43

HEX #91352B

RGB 145 53 43

HSL 5.88, 0.54%, 0.37%

LAB 35.48, 38.25, 26.61

 

CMYK 21 / 0 / 70 / 43

HEX #72912B

RGB 114 145 43

HSL 78.24, 0.54%, 0.37%

LAB 56.09, -26.28, 48.2

 

CMYK 70 / 8 / 0 / 44

HEX #2B8590

RGB 43 133 144

HSL 186.53, 0.54%, 0.37%

LAB 51.04, -22.3, -13.61

 

CMYK 28 / 70 / 0 / 43

HEX #682B91

RGB 104 43 145

HSL 275.88, 0.54%, 0.37%

LAB 31.15, 45.38, -45.08

 

CMYK 0 / 63 / 70 / 43

HEX #91352B

RGB 145 53 43

HSL 5.88, 0.54%, 0.37%

LAB 35.48, 38.25, 26.61

 

CMYK 42 / 0 / 70 / 43

HEX #54912B

RGB 84 145 43

HSL 95.88, 0.54%, 0.37%

LAB 54.35, -37.83, 45.87

 

Description

Color code: HEX #2B8590 | qconv.com Color code: HEX #2B8590 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 133 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 133 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 8 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 8% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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