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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B6C8C it is the complementary color #D49373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B6C8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B6C8C shade: #306C87, #417E9A, #5290AD, #63A2C0 and #74B4D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B6C8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B6C8C shade: #2B6C8C, #1A5A79, #094866, #003653 and #002440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B6C8C shade: #2B6C8C, #2B528C, #2B378C, #382B8C and #522B8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B6C8C shade: #2B6C8C, #2B528C, #2B378C and #2B2B8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B6C8C shade matches the following richer shades: #2B6C8C, #1C719B and #0D76AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B6C8C shade: #2B6C8C, #39677D, #48626E, #575D5F and #665851

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B6C8C shade: #2B8C77, #2B878C, #2B6D8C, #2B538C and #2B398C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B6C8C shade: #173B4D, #21546C, #2B6C8C, #3484AC and #449BC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B6C8C shade: #2B6C8C, #5D2B8C and #8C842B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B6C8C shade: #2B6C8C, #8C2B6D and #6D8C2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B6C8C shade: #2B6C8C, #5D2B8C, #8C492B and #5A8C2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B6C8C shade: #2B6C8C, #7A2B8C, #8C492B and #3C8C2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 23 / 0 / 45

HEX #2B6C8C

RGB 43 108 140

HSL 199.79, 0.53%, 0.36%

LAB 42.96, -9.8, -23.62

 

Complementary color

CMYK 0 / 31 / 46 / 17

HEX #D49373

RGB 212 147 115

HSL 19.79, 0.53%, 0.64%

LAB 66.6, 20.78, 26.78

 

CMYK 64 / 20 / 0 / 47

HEX #306C87

RGB 48 108 135

HSL 198.62, 0.48%, 0.36%

LAB 42.92, -10.63, -20.68

 

CMYK 58 / 18 / 0 / 40

HEX #417E9A

RGB 65 126 154

HSL 198.88, 0.41%, 0.43%

LAB 49.95, -11.26, -21.04

 

CMYK 53 / 17 / 0 / 32

HEX #5290AD

RGB 82 144 173

HSL 199.12, 0.36%, 0.5%

LAB 56.84, -11.71, -21.39

 

CMYK 48 / 16 / 0 / 25

HEX #63A2C0

RGB 99 162 192

HSL 199.35, 0.42%, 0.57%

LAB 63.59, -12.04, -21.72

 

CMYK 45 / 15 / 0 / 17

HEX #74B4D3

RGB 116 180 211

HSL 199.58, 0.52%, 0.64%

LAB 70.22, -12.28, -22.05

 

CMYK 69 / 23 / 0 / 45

HEX #2B6C8C

RGB 43 108 140

HSL 199.79, 0.53%, 0.36%

LAB 42.96, -9.8, -23.62

 

CMYK 79 / 26 / 0 / 53

HEX #1A5A79

RGB 26 90 121

HSL 199.58, 0.65%, 0.29%

LAB 35.82, -8.56, -23.23

 

CMYK 91 / 29 / 0 / 60

HEX #094866

RGB 9 72 102

HSL 199.35, 0.84%, 0.22%

LAB 28.52, -6.71, -22.75

 

CMYK 100 / 35 / 0 / 67

HEX #003653

RGB 0 54 83

HSL 200.96, 1%, 0.16%

LAB 21.07, -3.88, -22.11

 

CMYK 100 / 44 / 0 / 75

HEX #002440

RGB 0 36 64

HSL 206.25, 1%, 0.13%

LAB 13.42, 0.14, -21.29

 

CMYK 69 / 23 / 0 / 45

HEX #2B6C8C

RGB 43 108 140

HSL 199.79, 0.53%, 0.36%

LAB 42.96, -9.8, -23.62

 

CMYK 69 / 41 / 0 / 45

HEX #2B528C

RGB 43 82 140

HSL 215.88, 0.53%, 0.36%

LAB 34.89, 6.41, -36.31

 

CMYK 69 / 61 / 0 / 45

HEX #2B378C

RGB 43 55 140

HSL 232.58, 0.53%, 0.36%

LAB 27.13, 24.64, -48.81

 

CMYK 60 / 69 / 0 / 45

HEX #382B8C

RGB 56 43 140

HSL 248.04, 0.53%, 0.36%

LAB 25.14, 34.5, -52.01

 

CMYK 41 / 69 / 0 / 45

HEX #522B8C

RGB 82 43 140

HSL 264.12, 0.53%, 0.36%

LAB 27.89, 39.38, -47.42

 

CMYK 69 / 23 / 0 / 45

HEX #2B6C8C

RGB 43 108 140

HSL 199.79, 0.53%, 0.36%

LAB 42.96, -9.8, -23.62

 

CMYK 69 / 41 / 0 / 45

HEX #2B528C

RGB 43 82 140

HSL 215.88, 0.53%, 0.36%

LAB 34.89, 6.41, -36.31

 

CMYK 69 / 61 / 0 / 45

HEX #2B378C

RGB 43 55 140

HSL 232.58, 0.53%, 0.36%

LAB 27.13, 24.64, -48.81

 

CMYK 69 / 69 / 0 / 45

HEX #2B2B8C

RGB 43 43 140

HSL 240, 0.53%, 0.36%

LAB 24.11, 32.55, -53.73

 

CMYK 69 / 23 / 0 / 45

HEX #2B6C8C

RGB 43 108 140

HSL 199.79, 0.53%, 0.36%

LAB 42.96, -9.8, -23.62

 

CMYK 82 / 27 / 0 / 39

HEX #1C719B

RGB 28 113 155

HSL 199.84, 0.69%, 0.36%

LAB 44.83, -9.31, -29.65

 

CMYK 92 / 31 / 0 / 33

HEX #0D76AA

RGB 13 118 170

HSL 199.87, 0.86%, 0.36%

LAB 46.9, -7.7, -35.23

 

CMYK 69 / 23 / 0 / 45

HEX #2B6C8C

RGB 43 108 140

HSL 199.79, 0.53%, 0.36%

LAB 42.96, -9.8, -23.62

 

CMYK 54 / 18 / 0 / 51

HEX #39677D

RGB 57 103 125

HSL 199.41, 0.37%, 0.36%

LAB 41.3, -9.06, -17.11

 

CMYK 35 / 11 / 0 / 57

HEX #48626E

RGB 72 98 110

HSL 198.95, 0.21%, 0.36%

LAB 39.98, -6.4, -9.9

 

CMYK 8 / 2 / 0 / 63

HEX #575D5F

RGB 87 93 95

HSL 195, 0.04%, 0.36%

LAB 39.04, -1.9, -1.96

 

CMYK 0 / 14 / 21 / 60

HEX #665851

RGB 102 88 81

HSL 20, 0.11%, 0.36%

LAB 38.55, 4.44, 6.16

 

CMYK 69 / 0 / 15 / 45

HEX #2B8C77

RGB 43 140 119

HSL 167.01, 0.53%, 0.36%

LAB 52.51, -33.12, 3.11

 

CMYK 69 / 4 / 0 / 45

HEX #2B878C

RGB 43 135 140

HSL 183.09, 0.53%, 0.36%

LAB 51.54, -24.59, -10.53

 

CMYK 69 / 22 / 0 / 45

HEX #2B6D8C

RGB 43 109 140

HSL 199.18, 0.53%, 0.36%

LAB 43.28, -10.39, -23.13

 

CMYK 69 / 41 / 0 / 45

HEX #2B538C

RGB 43 83 140

HSL 215.26, 0.53%, 0.36%

LAB 35.19, 5.75, -35.83

 

CMYK 69 / 59 / 0 / 45

HEX #2B398C

RGB 43 57 140

HSL 231.34, 0.53%, 0.36%

LAB 27.66, 23.29, -47.93

 

CMYK 70 / 23 / 0 / 70

HEX #173B4D

RGB 23 59 77

HSL 200, 0.54%, 0.2%

LAB 23.16, -6.37, -14.81

 

CMYK 69 / 22 / 0 / 58

HEX #21546C

RGB 33 84 108

HSL 199.2, 0.53%, 0.28%

LAB 33.45, -8.63, -18.81

 

CMYK 69 / 23 / 0 / 45

HEX #2B6C8C

RGB 43 108 140

HSL 199.79, 0.53%, 0.36%

LAB 42.96, -9.8, -23.62

 

CMYK 70 / 23 / 0 / 33

HEX #3484AC

RGB 52 132 172

HSL 200, 0.54%, 0.44%

LAB 52.08, -11.09, -28.25

 

CMYK 65 / 21 / 0 / 23

HEX #449BC5

RGB 68 155 197

HSL 199.53, 0.53%, 0.52%

LAB 60.52, -12.99, -29.34

 

CMYK 69 / 23 / 0 / 45

HEX #2B6C8C

RGB 43 108 140

HSL 199.79, 0.53%, 0.36%

LAB 42.96, -9.8, -23.62

 

CMYK 34 / 69 / 0 / 45

HEX #5D2B8C

RGB 93 43 140

HSL 270.93, 0.53%, 0.36%

LAB 29.28, 41.74, -45.09

 

CMYK 0 / 6 / 69 / 45

HEX #8C842B

RGB 140 132 43

HSL 55.05, 0.53%, 0.36%

LAB 54.29, -8.08, 47.03

 

CMYK 69 / 23 / 0 / 45

HEX #2B6C8C

RGB 43 108 140

HSL 199.79, 0.53%, 0.36%

LAB 42.96, -9.8, -23.62

 

CMYK 0 / 69 / 22 / 45

HEX #8C2B6D

RGB 140 43 109

HSL 319.18, 0.53%, 0.36%

LAB 34.82, 47.75, -16.43

 

CMYK 22 / 0 / 69 / 45

HEX #6D8C2B

RGB 109 140 43

HSL 79.18, 0.53%, 0.36%

LAB 54.22, -25.9, 46.17

 

CMYK 69 / 23 / 0 / 45

HEX #2B6C8C

RGB 43 108 140

HSL 199.79, 0.53%, 0.36%

LAB 42.96, -9.8, -23.62

 

CMYK 34 / 69 / 0 / 45

HEX #5D2B8C

RGB 93 43 140

HSL 270.93, 0.53%, 0.36%

LAB 29.28, 41.74, -45.09

 

CMYK 0 / 48 / 69 / 45

HEX #8C492B

RGB 140 73 43

HSL 18.56, 0.53%, 0.36%

LAB 38.75, 25.74, 30.23

 

CMYK 36 / 0 / 69 / 45

HEX #5A8C2B

RGB 90 140 43

HSL 90.93, 0.53%, 0.36%

LAB 53.06, -33.44, 44.61

 

CMYK 69 / 23 / 0 / 45

HEX #2B6C8C

RGB 43 108 140

HSL 199.79, 0.53%, 0.36%

LAB 42.96, -9.8, -23.62

 

CMYK 13 / 69 / 0 / 45

HEX #7A2B8C

RGB 122 43 140

HSL 288.87, 0.53%, 0.36%

LAB 33.48, 48.41, -38.12

 

CMYK 0 / 48 / 69 / 45

HEX #8C492B

RGB 140 73 43

HSL 18.56, 0.53%, 0.36%

LAB 38.75, 25.74, 30.23

 

CMYK 57 / 0 / 69 / 45

HEX #3C8C2B

RGB 60 140 43

HSL 109.48, 0.53%, 0.36%

LAB 51.71, -43.3, 42.77

 

Description

Color code: HEX #2B6C8C | qconv.com Color code: HEX #2B6C8C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 108 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 108 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 23 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 23% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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