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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B6381 it is the complementary color #D49C7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B6381. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B6381 shade: #30637C, #41758F, #5287A2, #6399B5 and #74ABC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B6381. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B6381 shade: #2B6381, #1A516E, #093F5B, #002D48 and #001B35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B6381 shade: #2B6382, #2B4C82, #2B3582, #392B82 and #502B82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B6381 shade: #2B6382, #2B4C82, #2B3582 and #2B2B82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B6381 shade matches the following richer shades: #2B6382, #1D6890, #0F6C9E and #0170AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B6381 shade: #2B6382, #395F74, #475B65, #555757 and #635249

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B6381 shade: #2B8270, #2B7C82, #2B6582, #2B4E82 and #2B3682

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B6381 shade: #163444, #214C63, #2B6382, #357BA0 and #4093BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B6381 shade: #2B6381, #592B82 and #827C2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B6381 shade: #2B6381, #822B65 and #65822B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B6381 shade: #2B6381, #592B82, #82482B and #53822B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B6381 shade: #2B6381, #732B82, #82482B and #39822B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 23 / 0 / 49

HEX #2B6381

RGB 43 99 129

HSL 200.93, 0.5%, 0.34%

LAB 39.62, -8.34, -22.17

 

Complementary color

CMYK 0 / 26 / 41 / 17

HEX #D49C7E

RGB 212 156 126

HSL 20.93, 0.5%, 0.66%

LAB 68.95, 17.08, 23.9

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 55 / 18 / 0 / 44

HEX #41758F

RGB 65 117 143

HSL 200, 0.38%, 0.41%

LAB 46.75, -9.6, -19.49

 

CMYK 49 / 17 / 0 / 36

HEX #5287A2

RGB 82 135 162

HSL 200.25, 0.33%, 0.48%

LAB 53.74, -9.98, -19.82

 

CMYK 45 / 15 / 0 / 29

HEX #6399B5

RGB 99 153 181

HSL 200.49, 0.36%, 0.55%

LAB 60.58, -10.25, -20.14

 

CMYK 42 / 15 / 0 / 22

HEX #74ABC8

RGB 116 171 200

HSL 200.71, 0.43%, 0.62%

LAB 67.28, -10.46, -20.46

 

CMYK 67 / 23 / 0 / 49

HEX #2B6381

RGB 43 99 129

HSL 200.93, 0.5%, 0.34%

LAB 39.62, -8.34, -22.17

 

CMYK 76 / 26 / 0 / 57

HEX #1A516E

RGB 26 81 110

HSL 200.71, 0.62%, 0.27%

LAB 32.33, -7.21, -21.83

 

CMYK 90 / 31 / 0 / 64

HEX #093F5B

RGB 9 63 91

HSL 200.49, 0.82%, 0.2%

LAB 24.85, -5.45, -21.4

 

CMYK 100 / 38 / 0 / 72

HEX #002D48

RGB 0 45 72

HSL 202.5, 1%, 0.14%

LAB 17.2, -2.63, -20.81

 

CMYK 100 / 49 / 0 / 79

HEX #001B35

RGB 0 27 53

HSL 209.43, 1%, 0.1%

LAB 9.33, 1.64, -20.01

 

CMYK 67 / 24 / 0 / 49

HEX #2B6382

RGB 43 99 130

HSL 201.38, 0.5%, 0.34%

LAB 39.66, -7.99, -22.71

 

CMYK 67 / 42 / 0 / 49

HEX #2B4C82

RGB 43 76 130

HSL 217.24, 0.5%, 0.34%

LAB 32.47, 6.59, -34.02

 

CMYK 67 / 59 / 0 / 49

HEX #2B3582

RGB 43 53 130

HSL 233.1, 0.5%, 0.34%

LAB 25.78, 22.26, -44.77

 

CMYK 56 / 67 / 0 / 49

HEX #392B82

RGB 57 43 130

HSL 249.66, 0.5%, 0.34%

LAB 24.35, 31.38, -47.04

 

CMYK 38 / 67 / 0 / 49

HEX #502B82

RGB 80 43 130

HSL 265.52, 0.5%, 0.34%

LAB 26.86, 36.19, -42.85

 

CMYK 67 / 24 / 0 / 49

HEX #2B6382

RGB 43 99 130

HSL 201.38, 0.5%, 0.34%

LAB 39.66, -7.99, -22.71

 

CMYK 67 / 42 / 0 / 49

HEX #2B4C82

RGB 43 76 130

HSL 217.24, 0.5%, 0.34%

LAB 32.47, 6.59, -34.02

 

CMYK 67 / 59 / 0 / 49

HEX #2B3582

RGB 43 53 130

HSL 233.1, 0.5%, 0.34%

LAB 25.78, 22.26, -44.77

 

CMYK 67 / 67 / 0 / 49

HEX #2B2B82

RGB 43 43 130

HSL 240, 0.5%, 0.34%

LAB 23.18, 28.98, -49.01

 

CMYK 67 / 24 / 0 / 49

HEX #2B6382

RGB 43 99 130

HSL 201.38, 0.5%, 0.34%

LAB 39.66, -7.99, -22.71

 

CMYK 80 / 28 / 0 / 44

HEX #1D6890

RGB 29 104 144

HSL 200.87, 0.66%, 0.34%

LAB 41.49, -7.97, -28.33

 

CMYK 91 / 32 / 0 / 38

HEX #0F6C9E

RGB 15 108 158

HSL 200.98, 0.83%, 0.34%

LAB 43.2, -6.25, -34

 

CMYK 99 / 35 / 0 / 33

HEX #0170AC

RGB 1 112 172

HSL 201.05, 0.99%, 0.34%

LAB 45.04, -3.85, -39.34

 

CMYK 67 / 24 / 0 / 49

HEX #2B6382

RGB 43 99 130

HSL 201.38, 0.5%, 0.34%

LAB 39.66, -7.99, -22.71

 

CMYK 51 / 18 / 0 / 55

HEX #395F74

RGB 57 95 116

HSL 201.36, 0.34%, 0.34%

LAB 38.4, -7.17, -16.06

 

CMYK 30 / 10 / 0 / 60

HEX #475B65

RGB 71 91 101

HSL 200, 0.17%, 0.34%

LAB 37.41, -4.98, -8.22

 

CMYK 2 / 0 / 0 / 66

HEX #555757

RGB 85 87 87

HSL 180, 0.01%, 0.34%

LAB 36.81, -0.8, -0.28

 

CMYK 0 / 17 / 26 / 61

HEX #635249

RGB 99 82 73

HSL 20.77, 0.15%, 0.34%

LAB 36.31, 5.48, 7.91

 

CMYK 67 / 0 / 14 / 49

HEX #2B8270

RGB 43 130 112

HSL 167.59, 0.5%, 0.34%

LAB 49.07, -30.3, 2.2

 

CMYK 67 / 5 / 0 / 49

HEX #2B7C82

RGB 43 124 130

HSL 184.14, 0.5%, 0.34%

LAB 47.68, -22.02, -10.47

 

CMYK 67 / 22 / 0 / 49

HEX #2B6582

RGB 43 101 130

HSL 200, 0.5%, 0.34%

LAB 40.3, -9.18, -21.72

 

CMYK 67 / 40 / 0 / 49

HEX #2B4E82

RGB 43 78 130

HSL 215.86, 0.5%, 0.34%

LAB 33.08, 5.26, -33.05

 

CMYK 67 / 58 / 0 / 49

HEX #2B3682

RGB 43 54 130

HSL 232.41, 0.5%, 0.34%

LAB 26.05, 21.58, -44.33

 

CMYK 68 / 24 / 0 / 73

HEX #163444

RGB 22 52 68

HSL 200.87, 0.51%, 0.18%

LAB 20.22, -5.42, -13.32

 

CMYK 67 / 23 / 0 / 61

HEX #214C63

RGB 33 76 99

HSL 200.91, 0.5%, 0.26%

LAB 30.38, -6.96, -17.88

 

CMYK 67 / 24 / 0 / 49

HEX #2B6382

RGB 43 99 130

HSL 201.38, 0.5%, 0.34%

LAB 39.66, -7.99, -22.71

 

CMYK 67 / 23 / 0 / 37

HEX #357BA0

RGB 53 123 160

HSL 200.75, 0.5%, 0.42%

LAB 48.84, -9.89, -26.31

 

CMYK 66 / 23 / 0 / 25

HEX #4093BF

RGB 64 147 191

HSL 200.79, 0.5%, 0.5%

LAB 57.77, -11.2, -30.23

 

CMYK 67 / 23 / 0 / 49

HEX #2B6381

RGB 43 99 129

HSL 200.93, 0.5%, 0.34%

LAB 39.62, -8.34, -22.17

 

CMYK 32 / 67 / 0 / 49

HEX #592B82

RGB 89 43 130

HSL 271.72, 0.5%, 0.34%

LAB 28.02, 38.28, -40.93

 

CMYK 0 / 5 / 67 / 49

HEX #827C2B

RGB 130 124 43

HSL 55.86, 0.5%, 0.34%

LAB 51.08, -8.25, 43.42

 

CMYK 67 / 23 / 0 / 49

HEX #2B6381

RGB 43 99 129

HSL 200.93, 0.5%, 0.34%

LAB 39.62, -8.34, -22.17

 

CMYK 0 / 67 / 22 / 49

HEX #822B65

RGB 130 43 101

HSL 320, 0.5%, 0.34%

LAB 32.73, 43.68, -14.69

 

CMYK 22 / 0 / 67 / 49

HEX #65822B

RGB 101 130 43

HSL 80, 0.5%, 0.34%

LAB 50.58, -24.27, 42.19

 

CMYK 67 / 23 / 0 / 49

HEX #2B6381

RGB 43 99 129

HSL 200.93, 0.5%, 0.34%

LAB 39.62, -8.34, -22.17

 

CMYK 32 / 67 / 0 / 49

HEX #592B82

RGB 89 43 130

HSL 271.72, 0.5%, 0.34%

LAB 28.02, 38.28, -40.93

 

CMYK 0 / 45 / 67 / 49

HEX #82482B

RGB 130 72 43

HSL 20, 0.5%, 0.34%

LAB 37.03, 21.96, 27.85

 

CMYK 36 / 0 / 67 / 49

HEX #53822B

RGB 83 130 43

HSL 92.41, 0.5%, 0.34%

LAB 49.47, -31.46, 40.67

 

CMYK 67 / 23 / 0 / 49

HEX #2B6381

RGB 43 99 129

HSL 200.93, 0.5%, 0.34%

LAB 39.62, -8.34, -22.17

 

CMYK 12 / 67 / 0 / 49

HEX #732B82

RGB 115 43 130

HSL 289.66, 0.5%, 0.34%

LAB 31.77, 44.67, -34.7

 

CMYK 0 / 45 / 67 / 49

HEX #82482B

RGB 130 72 43

HSL 20, 0.5%, 0.34%

LAB 37.03, 21.96, 27.85

 

CMYK 56 / 0 / 67 / 49

HEX #39822B

RGB 57 130 43

HSL 110.34, 0.5%, 0.34%

LAB 48.27, -40.16, 39.02

 

Description

Color code: HEX #2B6381 | qconv.com Color code: HEX #2B6381 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 99 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 99 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 23 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 23% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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