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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B5F29 it is the complementary color #D4A0D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B5F29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B5F29 shade: #305F24, #417137, #52834A, #63955D and #74A770

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B5F29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B5F29 shade: #2B5F29, #1A4D16, #093B03, #002900 and #001700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B5F29 shade: #2B6029, #3A6029, #496029, #576029 and #605A29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B5F29 shade: #2B6029, #296036, #296044, #296053 and #295E60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B5F29 shade matches the following richer shades: #2B6029, #216B1E, #167613 and #0C8107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B5F29 shade: #2B6029, #355534, #3F4A3F, #4A3E4A and #543355

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B5F29 shade: #496029, #3A6029, #2C6029, #296035 and #296043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B5F29 shade: #112610, #1E431C, #2B6029, #387D35 and #459A42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B5F29 shade: #2B5F29, #295860 and #602942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B5F29 shade: #2B5F29, #292C60 and #60292C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B5F29 shade: #2B5F29, #295860, #5D2960 and #603129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B5F29 shade: #2B5F29, #294760, #5D2960 and #604229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 57 / 63

HEX #2B5F29

RGB 43 95 41

HSL 117.78, 0.4%, 0.27%

LAB 35.71, -29.62, 25.45

 

Complementary color

CMYK 1 / 25 / 0 / 16

HEX #D4A0D6

RGB 212 160 214

HSL 297.78, 0.4%, 0.73%

LAB 72.22, 28.29, -19.99

 

CMYK 49 / 0 / 62 / 63

HEX #305F24

RGB 48 95 36

HSL 107.8, 0.45%, 0.26%

LAB 35.87, -28.67, 28.37

 

CMYK 42 / 0 / 51 / 56

HEX #417137

RGB 65 113 55

HSL 109.66, 0.35%, 0.33%

LAB 43.08, -28.67, 27.03

 

CMYK 37 / 0 / 44 / 49

HEX #52834A

RGB 82 131 74

HSL 111.58, 0.28%, 0.4%

LAB 50.12, -28.51, 25.68

 

CMYK 34 / 0 / 38 / 42

HEX #63955D

RGB 99 149 93

HSL 113.57, 0.23%, 0.47%

LAB 57.01, -28.29, 24.4

 

CMYK 31 / 0 / 33 / 35

HEX #74A770

RGB 116 167 112

HSL 115.64, 0.24%, 0.55%

LAB 63.77, -28.05, 23.2

 

CMYK 55 / 0 / 57 / 63

HEX #2B5F29

RGB 43 95 41

HSL 117.78, 0.4%, 0.27%

LAB 35.71, -29.62, 25.45

 

CMYK 66 / 0 / 71 / 70

HEX #1A4D16

RGB 26 77 22

HSL 115.64, 0.56%, 0.19%

LAB 28.34, -29.26, 26.79

 

CMYK 85 / 0 / 95 / 77

HEX #093B03

RGB 9 59 3

HSL 113.57, 0.9%, 0.12%

LAB 20.8, -28.04, 27.09

 

CMYK 100 / 0 / 100 / 84

HEX #002900

RGB 0 41 0

HSL 120, 1%, 0.08%

LAB 13.14, -24.17, 18.88

 

CMYK 100 / 0 / 100 / 91

HEX #001700

RGB 0 23 0

HSL 120, 1%, 0.05%

LAB 5.54, -11.31, 8.08

 

CMYK 55 / 0 / 57 / 62

HEX #2B6029

RGB 43 96 41

HSL 117.82, 0.4%, 0.27%

LAB 36.06, -30.08, 25.87

 

CMYK 40 / 0 / 57 / 62

HEX #3A6029

RGB 58 96 41

HSL 101.45, 0.4%, 0.27%

LAB 36.79, -24.9, 26.92

 

CMYK 24 / 0 / 57 / 62

HEX #496029

RGB 73 96 41

HSL 85.09, 0.4%, 0.27%

LAB 37.74, -18.8, 28.28

 

CMYK 9 / 0 / 57 / 62

HEX #576029

RGB 87 96 41

HSL 69.82, 0.4%, 0.27%

LAB 38.82, -12.56, 29.81

 

CMYK 0 / 6 / 57 / 62

HEX #605A29

RGB 96 90 41

HSL 53.45, 0.4%, 0.27%

LAB 37.77, -4.88, 28.8

 

CMYK 55 / 0 / 57 / 62

HEX #2B6029

RGB 43 96 41

HSL 117.82, 0.4%, 0.27%

LAB 36.06, -30.08, 25.87

 

CMYK 57 / 0 / 44 / 62

HEX #296036

RGB 41 96 54

HSL 134.18, 0.4%, 0.27%

LAB 36.18, -28.49, 18.62

 

CMYK 57 / 0 / 29 / 62

HEX #296044

RGB 41 96 68

HSL 149.45, 0.4%, 0.27%

LAB 36.47, -25.53, 10.61

 

CMYK 57 / 0 / 14 / 62

HEX #296053

RGB 41 96 83

HSL 165.82, 0.4%, 0.27%

LAB 36.86, -21.72, 1.94

 

CMYK 57 / 2 / 0 / 62

HEX #295E60

RGB 41 94 96

HSL 182.18, 0.4%, 0.27%

LAB 36.6, -16.84, -6.51

 

CMYK 55 / 0 / 57 / 62

HEX #2B6029

RGB 43 96 41

HSL 117.82, 0.4%, 0.27%

LAB 36.06, -30.08, 25.87

 

CMYK 69 / 0 / 72 / 58

HEX #216B1E

RGB 33 107 30

HSL 117.66, 0.56%, 0.27%

LAB 39.47, -38.68, 35.12

 

CMYK 81 / 0 / 84 / 54

HEX #167613

RGB 22 118 19

HSL 118.18, 0.72%, 0.27%

LAB 43.02, -45.57, 42.78

 

CMYK 91 / 0 / 95 / 49

HEX #0C8107

RGB 12 129 7

HSL 117.54, 0.9%, 0.27%

LAB 46.7, -50.78, 48.89

 

CMYK 55 / 0 / 57 / 62

HEX #2B6029

RGB 43 96 41

HSL 117.82, 0.4%, 0.27%

LAB 36.06, -30.08, 25.87

 

CMYK 38 / 0 / 39 / 67

HEX #355534

RGB 53 85 52

HSL 118.18, 0.24%, 0.27%

LAB 32.92, -19.42, 15.64

 

CMYK 15 / 0 / 15 / 71

HEX #3F4A3F

RGB 63 74 63

HSL 120, 0.08%, 0.27%

LAB 30.19, -6.93, 5.1

 

CMYK 0 / 16 / 0 / 71

HEX #4A3E4A

RGB 74 62 74

HSL 300, 0.09%, 0.27%

LAB 27.83, 7.72, -5.36

 

CMYK 1 / 40 / 0 / 67

HEX #543355

RGB 84 51 85

HSL 298.24, 0.25%, 0.27%

LAB 26.47, 21.19, -14.53

 

CMYK 24 / 0 / 57 / 62

HEX #496029

RGB 73 96 41

HSL 85.09, 0.4%, 0.27%

LAB 37.74, -18.8, 28.28

 

CMYK 40 / 0 / 57 / 62

HEX #3A6029

RGB 58 96 41

HSL 101.45, 0.4%, 0.27%

LAB 36.79, -24.9, 26.92

 

CMYK 54 / 0 / 57 / 62

HEX #2C6029

RGB 44 96 41

HSL 116.73, 0.4%, 0.27%

LAB 36.1, -29.77, 25.94

 

CMYK 57 / 0 / 45 / 62

HEX #296035

RGB 41 96 53

HSL 133.09, 0.4%, 0.27%

LAB 36.17, -28.68, 19.18

 

CMYK 57 / 0 / 30 / 62

HEX #296043

RGB 41 96 67

HSL 148.36, 0.4%, 0.27%

LAB 36.45, -25.76, 11.18

 

CMYK 55 / 0 / 58 / 85

HEX #112610

RGB 17 38 16

HSL 117.27, 0.41%, 0.11%

LAB 12.88, -14.26, 11.7

 

CMYK 55 / 0 / 58 / 74

HEX #1E431C

RGB 30 67 28

HSL 116.92, 0.41%, 0.19%

LAB 24.87, -22.63, 19.54

 

CMYK 55 / 0 / 57 / 62

HEX #2B6029

RGB 43 96 41

HSL 117.82, 0.4%, 0.27%

LAB 36.06, -30.08, 25.87

 

CMYK 55 / 0 / 58 / 51

HEX #387D35

RGB 56 125 53

HSL 117.5, 0.4%, 0.35%

LAB 46.66, -37.2, 32.34

 

CMYK 55 / 0 / 57 / 40

HEX #459A42

RGB 69 154 66

HSL 117.95, 0.4%, 0.43%

LAB 56.85, -43.85, 38.02

 

CMYK 55 / 0 / 57 / 63

HEX #2B5F29

RGB 43 95 41

HSL 117.78, 0.4%, 0.27%

LAB 35.71, -29.62, 25.45

 

CMYK 57 / 8 / 0 / 62

HEX #295860

RGB 41 88 96

HSL 188.73, 0.4%, 0.27%

LAB 34.59, -13.43, -9.52

 

CMYK 0 / 57 / 31 / 62

HEX #602942

RGB 96 41 66

HSL 332.73, 0.4%, 0.27%

LAB 25.16, 28.12, -3.72

 

CMYK 55 / 0 / 57 / 63

HEX #2B5F29

RGB 43 95 41

HSL 117.78, 0.4%, 0.27%

LAB 35.71, -29.62, 25.45

 

CMYK 57 / 54 / 0 / 62

HEX #292C60

RGB 41 44 96

HSL 236.73, 0.4%, 0.27%

LAB 20.51, 15.48, -31.49

 

CMYK 0 / 57 / 54 / 62

HEX #60292C

RGB 96 41 44

HSL 356.73, 0.4%, 0.27%

LAB 24.5, 25.32, 10.2

 

CMYK 55 / 0 / 57 / 63

HEX #2B5F29

RGB 43 95 41

HSL 117.78, 0.4%, 0.27%

LAB 35.71, -29.62, 25.45

 

CMYK 57 / 8 / 0 / 62

HEX #295860

RGB 41 88 96

HSL 188.73, 0.4%, 0.27%

LAB 34.59, -13.43, -9.52

 

CMYK 3 / 57 / 0 / 62

HEX #5D2960

RGB 93 41 96

HSL 296.73, 0.4%, 0.27%

LAB 26.03, 32.5, -22.32

 

CMYK 0 / 49 / 57 / 62

HEX #603129

RGB 96 49 41

HSL 8.73, 0.4%, 0.27%

LAB 26.28, 20.33, 14.59

 

CMYK 55 / 0 / 57 / 63

HEX #2B5F29

RGB 43 95 41

HSL 117.78, 0.4%, 0.27%

LAB 35.71, -29.62, 25.45

 

CMYK 57 / 26 / 0 / 62

HEX #294760

RGB 41 71 96

HSL 207.27, 0.4%, 0.27%

LAB 28.96, -3.02, -18.14

 

CMYK 3 / 57 / 0 / 62

HEX #5D2960

RGB 93 41 96

HSL 296.73, 0.4%, 0.27%

LAB 26.03, 32.5, -22.32

 

CMYK 0 / 31 / 57 / 62

HEX #604229

RGB 96 66 41

HSL 27.27, 0.4%, 0.27%

LAB 30.74, 9.81, 20.3

 

Description

Color code: HEX #2B5F29 | qconv.com Color code: HEX #2B5F29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 95 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 95 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 57 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 57% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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