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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B5D48 it is the complementary color #D4A2B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B5D48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B5D48 shade: #305D43, #416F56, #528169, #63937C and #74A58F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B5D48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B5D48 shade: #2B5D48, #1A4B35, #093922, #00270F and #001500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B5D48 shade: #2B5E48, #2B5E3B, #2B5E2D, #375E2B and #445E2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B5D48 shade: #2B5E48, #2B5E56, #2B585E, #2B4A5E and #2B3C5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B5D48 shade matches the following richer shades: #2B5E48, #20694A, #15744C and #097F4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B5D48 shade: #2B5E48, #365347, #414845, #4C3C43 and #573141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B5D48 shade: #2B5E2D, #2B5E3A, #2B5E48, #2B5E55 and #2B595E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B5D48 shade: #11251D, #1E4233, #2B5E48, #387A5E and #459674

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B5D48 shade: #2B5D48, #2B375E and #5E332B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B5D48 shade: #2B5D48, #482B5E and #5E482B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B5D48 shade: #2B5D48, #2B375E, #5E2B41 and #5E522B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B5D48 shade: #2B5D48, #2E2B5E, #5E2B41 and #5A5E2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 23 / 64

HEX #2B5D48

RGB 43 93 72

HSL 154.8, 0.37%, 0.27%

LAB 35.62, -22.51, 6.97

 

Complementary color

CMYK 0 / 24 / 14 / 17

HEX #D4A2B7

RGB 212 162 183

HSL 334.8, 0.37%, 0.73%

LAB 71.73, 21.74, -3.64

 

CMYK 48 / 0 / 28 / 64

HEX #305D43

RGB 48 93 67

HSL 145.33, 0.32%, 0.28%

LAB 35.72, -22.23, 10.22

 

CMYK 41 / 0 / 23 / 56

HEX #416F56

RGB 65 111 86

HSL 147.39, 0.26%, 0.35%

LAB 43.01, -21.95, 9.04

 

CMYK 36 / 0 / 19 / 49

HEX #528169

RGB 82 129 105

HSL 149.36, 0.22%, 0.41%

LAB 50.11, -21.67, 8

 

CMYK 33 / 0 / 16 / 42

HEX #63937C

RGB 99 147 124

HSL 151.25, 0.2%, 0.48%

LAB 57.05, -21.41, 7.05

 

CMYK 30 / 0 / 13 / 35

HEX #74A58F

RGB 116 165 143

HSL 153.06, 0.21%, 0.55%

LAB 63.84, -21.18, 6.18

 

CMYK 54 / 0 / 23 / 64

HEX #2B5D48

RGB 43 93 72

HSL 154.8, 0.37%, 0.27%

LAB 35.62, -22.51, 6.97

 

CMYK 65 / 0 / 29 / 71

HEX #1A4B35

RGB 26 75 53

HSL 153.06, 0.49%, 0.2%

LAB 28.14, -22.57, 8.3

 

CMYK 84 / 0 / 40 / 78

HEX #093922

RGB 9 57 34

HSL 151.25, 0.73%, 0.13%

LAB 20.44, -22.22, 9.94

 

CMYK 100 / 0 / 62 / 85

HEX #00270F

RGB 0 39 15

HSL 143.08, 1%, 0.08%

LAB 12.52, -20.7, 11.63

 

CMYK 100 / 0 / 100 / 92

HEX #001500

RGB 0 21 0

HSL 120, 1%, 0.04%

LAB 4.84, -9.9, 7.07

 

CMYK 54 / 0 / 23 / 63

HEX #2B5E48

RGB 43 94 72

HSL 154.12, 0.37%, 0.27%

LAB 35.96, -23.03, 7.45

 

CMYK 54 / 0 / 37 / 63

HEX #2B5E3B

RGB 43 94 59

HSL 138.82, 0.37%, 0.27%

LAB 35.66, -25.97, 14.98

 

CMYK 54 / 0 / 52 / 63

HEX #2B5E2D

RGB 43 94 45

HSL 122.35, 0.37%, 0.27%

LAB 35.42, -28.55, 22.86

 

CMYK 41 / 0 / 54 / 63

HEX #375E2B

RGB 55 94 43

HSL 105.88, 0.37%, 0.27%

LAB 35.97, -24.76, 24.8

 

CMYK 28 / 0 / 54 / 63

HEX #445E2B

RGB 68 94 43

HSL 90.59, 0.37%, 0.27%

LAB 36.76, -19.61, 25.94

 

CMYK 54 / 0 / 23 / 63

HEX #2B5E48

RGB 43 94 72

HSL 154.12, 0.37%, 0.27%

LAB 35.96, -23.03, 7.45

 

CMYK 54 / 0 / 9 / 63

HEX #2B5E56

RGB 43 94 86

HSL 170.59, 0.37%, 0.27%

LAB 36.35, -19.32, -0.65

 

CMYK 54 / 6 / 0 / 63

HEX #2B585E

RGB 43 88 94

HSL 187.06, 0.37%, 0.27%

LAB 34.6, -13.58, -8.24

 

CMYK 54 / 21 / 0 / 63

HEX #2B4A5E

RGB 43 74 94

HSL 203.53, 0.37%, 0.27%

LAB 29.96, -5.11, -15.3

 

CMYK 54 / 36 / 0 / 63

HEX #2B3C5E

RGB 43 60 94

HSL 220, 0.37%, 0.27%

LAB 25.42, 4.09, -22.36

 

CMYK 54 / 0 / 23 / 63

HEX #2B5E48

RGB 43 94 72

HSL 154.12, 0.37%, 0.27%

LAB 35.96, -23.03, 7.45

 

CMYK 70 / 0 / 30 / 59

HEX #20694A

RGB 32 105 74

HSL 154.52, 0.53%, 0.27%

LAB 39.42, -30.46, 11.02

 

CMYK 82 / 0 / 34 / 55

HEX #15744C

RGB 21 116 76

HSL 154.74, 0.69%, 0.27%

LAB 43.02, -36.57, 14.75

 

CMYK 93 / 0 / 39 / 50

HEX #097F4E

RGB 9 127 78

HSL 155.08, 0.87%, 0.27%

LAB 46.69, -41.68, 18.53

 

CMYK 54 / 0 / 23 / 63

HEX #2B5E48

RGB 43 94 72

HSL 154.12, 0.37%, 0.27%

LAB 35.96, -23.03, 7.45

 

CMYK 35 / 0 / 14 / 67

HEX #365347

RGB 54 83 71

HSL 155.17, 0.21%, 0.27%

LAB 32.76, -13.86, 3.6

 

CMYK 10 / 0 / 4 / 72

HEX #414845

RGB 65 72 69

HSL 154.29, 0.05%, 0.27%

LAB 29.88, -3.54, 0.82

 

CMYK 0 / 21 / 12 / 70

HEX #4C3C43

RGB 76 60 67

HSL 333.75, 0.12%, 0.27%

LAB 27.22, 8.36, -1.64

 

CMYK 0 / 44 / 25 / 66

HEX #573141

RGB 87 49 65

HSL 334.74, 0.28%, 0.27%

LAB 25.58, 19.69, -2.58

 

CMYK 54 / 0 / 52 / 63

HEX #2B5E2D

RGB 43 94 45

HSL 122.35, 0.37%, 0.27%

LAB 35.42, -28.55, 22.86

 

CMYK 54 / 0 / 38 / 63

HEX #2B5E3A

RGB 43 94 58

HSL 137.65, 0.37%, 0.27%

LAB 35.64, -26.18, 15.55

 

CMYK 54 / 0 / 23 / 63

HEX #2B5E48

RGB 43 94 72

HSL 154.12, 0.37%, 0.27%

LAB 35.96, -23.03, 7.45

 

CMYK 54 / 0 / 10 / 63

HEX #2B5E55

RGB 43 94 85

HSL 169.41, 0.37%, 0.27%

LAB 36.32, -19.6, -0.08

 

CMYK 54 / 5 / 0 / 63

HEX #2B595E

RGB 43 89 94

HSL 185.88, 0.37%, 0.27%

LAB 34.94, -14.15, -7.74

 

CMYK 54 / 0 / 22 / 85

HEX #11251D

RGB 17 37 29

HSL 156, 0.37%, 0.11%

LAB 12.8, -10.56, 2.82

 

CMYK 55 / 0 / 23 / 74

HEX #1E4233

RGB 30 66 51

HSL 155, 0.38%, 0.19%

LAB 24.99, -17.24, 5.19

 

CMYK 54 / 0 / 23 / 63

HEX #2B5E48

RGB 43 94 72

HSL 154.12, 0.37%, 0.27%

LAB 35.96, -23.03, 7.45

 

CMYK 54 / 0 / 23 / 52

HEX #387A5E

RGB 56 122 94

HSL 154.55, 0.37%, 0.35%

LAB 46.4, -28.22, 9.02

 

CMYK 54 / 0 / 23 / 41

HEX #459674

RGB 69 150 116

HSL 154.81, 0.37%, 0.43%

LAB 56.43, -33.18, 10.52

 

CMYK 54 / 0 / 23 / 64

HEX #2B5D48

RGB 43 93 72

HSL 154.8, 0.37%, 0.27%

LAB 35.62, -22.51, 6.97

 

CMYK 54 / 41 / 0 / 63

HEX #2B375E

RGB 43 55 94

HSL 225.88, 0.37%, 0.27%

LAB 23.85, 7.53, -24.84

 

CMYK 0 / 46 / 54 / 63

HEX #5E332B

RGB 94 51 43

HSL 9.41, 0.37%, 0.27%

LAB 26.51, 18.43, 13.52

 

CMYK 54 / 0 / 23 / 64

HEX #2B5D48

RGB 43 93 72

HSL 154.8, 0.37%, 0.27%

LAB 35.62, -22.51, 6.97

 

CMYK 23 / 54 / 0 / 63

HEX #482B5E

RGB 72 43 94

HSL 274.12, 0.37%, 0.27%

LAB 23.38, 24.3, -25.39

 

CMYK 0 / 23 / 54 / 63

HEX #5E482B

RGB 94 72 43

HSL 34.12, 0.37%, 0.27%

LAB 32.23, 5.31, 20.9

 

CMYK 54 / 0 / 23 / 64

HEX #2B5D48

RGB 43 93 72

HSL 154.8, 0.37%, 0.27%

LAB 35.62, -22.51, 6.97

 

CMYK 54 / 41 / 0 / 63

HEX #2B375E

RGB 43 55 94

HSL 225.88, 0.37%, 0.27%

LAB 23.85, 7.53, -24.84

 

CMYK 0 / 54 / 31 / 63

HEX #5E2B41

RGB 94 43 65

HSL 334.12, 0.37%, 0.27%

LAB 25.23, 26.08, -2.98

 

CMYK 0 / 13 / 54 / 63

HEX #5E522B

RGB 94 82 43

HSL 45.88, 0.37%, 0.27%

LAB 35.18, -0.85, 24.54

 

CMYK 54 / 0 / 23 / 64

HEX #2B5D48

RGB 43 93 72

HSL 154.8, 0.37%, 0.27%

LAB 35.62, -22.51, 6.97

 

CMYK 51 / 54 / 0 / 63

HEX #2E2B5E

RGB 46 43 94

HSL 243.53, 0.37%, 0.27%

LAB 20.51, 16.73, -30.15

 

CMYK 0 / 54 / 31 / 63

HEX #5E2B41

RGB 94 43 65

HSL 334.12, 0.37%, 0.27%

LAB 25.23, 26.08, -2.98

 

CMYK 4 / 0 / 54 / 63

HEX #5A5E2B

RGB 90 94 43

HSL 64.71, 0.37%, 0.27%

LAB 38.47, -9.83, 28.4

 

Description

Color code: HEX #2B5D48 | qconv.com Color code: HEX #2B5D48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 93 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 93 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 23 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 23% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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