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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B592A it is the complementary color #D4A6D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B592A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B592A shade: #305925, #416B38, #527D4B, #638F5E and #74A171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B592A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B592A shade: #2B592A, #1A4717, #093504, #002300 and #001100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B592A shade: #2B5A2A, #385A2A, #455A2A, #525A2A and #5A552A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B592A shade: #2B5A2A, #2A5A36, #2A5A43, #2A5A50 and #2A575A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B592A shade matches the following richer shades: #2B5A2A, #21641F, #166F14 and #0C7A0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B592A shade: #2B5A2A, #354F35, #3F443F, #4A394A and #542F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B592A shade: #455A2A, #385A2A, #2C5A2A, #2A5A35 and #2A5A42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B592A shade: #102210, #1D3E1D, #2B5A2A, #387637 and #469244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B592A shade: #2B592A, #2A525A and #5A2A3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B592A shade: #2B592A, #2A2C5A and #5A2A2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B592A shade: #2B592A, #2A525A, #582A5A and #5A322A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B592A shade: #2B592A, #2A435A, #582A5A and #5A402A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 53 / 65

HEX #2B592A

RGB 43 89 42

HSL 118.72, 0.36%, 0.26%

LAB 33.62, -26.69, 22.33

 

Complementary color

CMYK 0 / 22 / 0 / 16

HEX #D4A6D5

RGB 212 166 213

HSL 298.72, 0.36%, 0.74%

LAB 73.59, 24.84, -17.37

 

CMYK 46 / 0 / 58 / 65

HEX #305925

RGB 48 89 37

HSL 107.31, 0.41%, 0.25%

LAB 33.79, -25.7, 25.39

 

CMYK 39 / 0 / 48 / 58

HEX #416B38

RGB 65 107 56

HSL 109.41, 0.31%, 0.32%

LAB 41.1, -25.61, 24.01

 

CMYK 34 / 0 / 40 / 51

HEX #527D4B

RGB 82 125 75

HSL 111.6, 0.25%, 0.39%

LAB 48.22, -25.4, 22.66

 

CMYK 31 / 0 / 34 / 44

HEX #638F5E

RGB 99 143 94

HSL 113.88, 0.21%, 0.46%

LAB 55.18, -25.17, 21.41

 

CMYK 28 / 0 / 30 / 37

HEX #74A171

RGB 116 161 113

HSL 116.25, 0.2%, 0.54%

LAB 61.99, -24.93, 20.25

 

CMYK 52 / 0 / 53 / 65

HEX #2B592A

RGB 43 89 42

HSL 118.72, 0.36%, 0.26%

LAB 33.62, -26.69, 22.33

 

CMYK 63 / 0 / 68 / 72

HEX #1A4717

RGB 26 71 23

HSL 116.25, 0.51%, 0.18%

LAB 26.12, -26.52, 23.79

 

CMYK 83 / 0 / 92 / 79

HEX #093504

RGB 9 53 4

HSL 113.88, 0.86%, 0.11%

LAB 18.42, -25.58, 23.97

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 52 / 0 / 53 / 65

HEX #2B5A2A

RGB 43 90 42

HSL 118.75, 0.36%, 0.26%

LAB 33.97, -27.16, 22.77

 

CMYK 38 / 0 / 53 / 65

HEX #385A2A

RGB 56 90 42

HSL 102.5, 0.36%, 0.26%

LAB 34.64, -22.51, 23.75

 

CMYK 23 / 0 / 53 / 65

HEX #455A2A

RGB 69 90 42

HSL 86.25, 0.36%, 0.26%

LAB 35.49, -17.17, 24.97

 

CMYK 9 / 0 / 53 / 65

HEX #525A2A

RGB 82 90 42

HSL 70, 0.36%, 0.26%

LAB 36.51, -11.35, 26.44

 

CMYK 0 / 6 / 53 / 65

HEX #5A552A

RGB 90 85 42

HSL 53.75, 0.36%, 0.26%

LAB 35.67, -4.67, 25.61

 

CMYK 52 / 0 / 53 / 65

HEX #2B5A2A

RGB 43 90 42

HSL 118.75, 0.36%, 0.26%

LAB 33.97, -27.16, 22.77

 

CMYK 53 / 0 / 40 / 65

HEX #2A5A36

RGB 42 90 54

HSL 135, 0.36%, 0.26%

LAB 34.13, -25.33, 15.93

 

CMYK 53 / 0 / 26 / 65

HEX #2A5A43

RGB 42 90 67

HSL 151.25, 0.36%, 0.26%

LAB 34.42, -22.47, 8.37

 

CMYK 53 / 0 / 11 / 65

HEX #2A5A50

RGB 42 90 80

HSL 167.5, 0.36%, 0.26%

LAB 34.77, -19.1, 0.77

 

CMYK 53 / 3 / 0 / 65

HEX #2A575A

RGB 42 87 90

HSL 183.75, 0.36%, 0.26%

LAB 34.08, -14.5, -6.52

 

CMYK 52 / 0 / 53 / 65

HEX #2B5A2A

RGB 43 90 42

HSL 118.75, 0.36%, 0.26%

LAB 33.97, -27.16, 22.77

 

CMYK 67 / 0 / 69 / 61

HEX #21641F

RGB 33 100 31

HSL 118.26, 0.53%, 0.26%

LAB 37, -35.85, 31.99

 

CMYK 80 / 0 / 82 / 56

HEX #166F14

RGB 22 111 20

HSL 118.68, 0.69%, 0.26%

LAB 40.56, -43.14, 40.1

 

CMYK 90 / 0 / 92 / 52

HEX #0C7A0A

RGB 12 122 10

HSL 118.93, 0.85%, 0.26%

LAB 44.26, -48.52, 46.19

 

CMYK 52 / 0 / 53 / 65

HEX #2B5A2A

RGB 43 90 42

HSL 118.75, 0.36%, 0.26%

LAB 33.97, -27.16, 22.77

 

CMYK 33 / 0 / 33 / 69

HEX #354F35

RGB 53 79 53

HSL 120, 0.2%, 0.26%

LAB 30.89, -15.95, 12.3

 

CMYK 7 / 0 / 7 / 73

HEX #3F443F

RGB 63 68 63

HSL 120, 0.04%, 0.26%

LAB 28.25, -3.2, 2.31

 

CMYK 0 / 23 / 0 / 71

HEX #4A394A

RGB 74 57 74

HSL 300, 0.13%, 0.26%

LAB 26.38, 10.99, -7.54

 

CMYK 1 / 45 / 0 / 67

HEX #542F55

RGB 84 47 85

HSL 298.42, 0.29%, 0.26%

LAB 25.48, 23.67, -16.06

 

CMYK 23 / 0 / 53 / 65

HEX #455A2A

RGB 69 90 42

HSL 86.25, 0.36%, 0.26%

LAB 35.49, -17.17, 24.97

 

CMYK 38 / 0 / 53 / 65

HEX #385A2A

RGB 56 90 42

HSL 102.5, 0.36%, 0.26%

LAB 34.64, -22.51, 23.75

 

CMYK 51 / 0 / 53 / 65

HEX #2C5A2A

RGB 44 90 42

HSL 117.5, 0.36%, 0.26%

LAB 34.01, -26.83, 22.83

 

CMYK 53 / 0 / 41 / 65

HEX #2A5A35

RGB 42 90 53

HSL 133.75, 0.36%, 0.26%

LAB 34.11, -25.53, 16.5

 

CMYK 53 / 0 / 27 / 65

HEX #2A5A42

RGB 42 90 66

HSL 150, 0.36%, 0.26%

LAB 34.39, -22.71, 8.95

 

CMYK 53 / 0 / 53 / 87

HEX #102210

RGB 16 34 16

HSL 120, 0.36%, 0.1%

LAB 11.22, -12.35, 9.42

 

CMYK 53 / 0 / 53 / 76

HEX #1D3E1D

RGB 29 62 29

HSL 120, 0.36%, 0.18%

LAB 22.98, -20.31, 16.59

 

CMYK 52 / 0 / 53 / 65

HEX #2B5A2A

RGB 43 90 42

HSL 118.75, 0.36%, 0.26%

LAB 33.97, -27.16, 22.77

 

CMYK 53 / 0 / 53 / 54

HEX #387637

RGB 56 118 55

HSL 119.05, 0.36%, 0.34%

LAB 44.34, -33.89, 28.49

 

CMYK 52 / 0 / 53 / 43

HEX #469244

RGB 70 146 68

HSL 118.46, 0.36%, 0.42%

LAB 54.32, -40, 33.99

 

CMYK 52 / 0 / 53 / 65

HEX #2B592A

RGB 43 89 42

HSL 118.72, 0.36%, 0.26%

LAB 33.62, -26.69, 22.33

 

CMYK 53 / 9 / 0 / 65

HEX #2A525A

RGB 42 82 90

HSL 190, 0.36%, 0.26%

LAB 32.4, -11.58, -9.04

 

CMYK 0 / 53 / 30 / 65

HEX #5A2A3F

RGB 90 42 63

HSL 333.75, 0.36%, 0.26%

LAB 24.28, 24.8, -3.1

 

CMYK 52 / 0 / 53 / 65

HEX #2B592A

RGB 43 89 42

HSL 118.72, 0.36%, 0.26%

LAB 33.62, -26.69, 22.33

 

CMYK 53 / 51 / 0 / 65

HEX #2A2C5A

RGB 42 44 90

HSL 237.5, 0.36%, 0.26%

LAB 20.17, 13.56, -28.06

 

CMYK 0 / 53 / 51 / 65

HEX #5A2A2C

RGB 90 42 44

HSL 357.5, 0.36%, 0.26%

LAB 23.71, 22.22, 8.96

 

CMYK 52 / 0 / 53 / 65

HEX #2B592A

RGB 43 89 42

HSL 118.72, 0.36%, 0.26%

LAB 33.62, -26.69, 22.33

 

CMYK 53 / 9 / 0 / 65

HEX #2A525A

RGB 42 82 90

HSL 190, 0.36%, 0.26%

LAB 32.4, -11.58, -9.04

 

CMYK 2 / 53 / 0 / 65

HEX #582A5A

RGB 88 42 90

HSL 297.5, 0.36%, 0.26%

LAB 25.16, 29.09, -19.81

 

CMYK 0 / 44 / 53 / 65

HEX #5A322A

RGB 90 50 42

HSL 10, 0.36%, 0.26%

LAB 25.63, 17.13, 12.9

 

CMYK 52 / 0 / 53 / 65

HEX #2B592A

RGB 43 89 42

HSL 118.72, 0.36%, 0.26%

LAB 33.62, -26.69, 22.33

 

CMYK 53 / 26 / 0 / 65

HEX #2A435A

RGB 42 67 90

HSL 208.75, 0.36%, 0.26%

LAB 27.42, -2.25, -16.65

 

CMYK 2 / 53 / 0 / 65

HEX #582A5A

RGB 88 42 90

HSL 297.5, 0.36%, 0.26%

LAB 25.16, 29.09, -19.81

 

CMYK 0 / 29 / 53 / 65

HEX #5A402A

RGB 90 64 42

HSL 27.5, 0.36%, 0.26%

LAB 29.43, 8.3, 17.86

 

Description

Color code: HEX #2B592A | qconv.com Color code: HEX #2B592A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 89 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 89 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 53 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 53% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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