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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B4F81 it is the complementary color #D4B07E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B4F81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B4F81 shade: #304F7C, #41618F, #5273A2, #6385B5 and #7497C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B4F81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B4F81 shade: #2B4F81, #1A3D6E, #092B5B, #001948 and #000735

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B4F81 shade: #2B4F82, #2B3882, #352B82, #4D2B82 and #642B82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B4F81 shade: #2B4F82, #2B3882 and #2B2B82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B4F81 shade matches the following richer shades: #2B4F82, #1D4D90, #0F4B9E and #0148AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B4F81 shade: #2B4F82, #395174, #475465, #555657 and #635849

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B4F81 shade: #2B7F82, #2B6882, #2B5082, #2B3982 and #342B82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B4F81 shade: #162944, #213C63, #2B4F82, #3562A0 and #4075BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B4F81 shade: #2B4F81, #6D2B82 and #73822B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B4F81 shade: #2B4F81, #822B50 and #50822B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B4F81 shade: #2B4F81, #6D2B82, #825C2B and #3F822B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B4F81 shade: #2B4F81, #822B7C, #825C2B and #2B8231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 39 / 0 / 49

HEX #2B4F81

RGB 43 79 129

HSL 214.88, 0.5%, 0.34%

LAB 33.33, 4.23, -32.03

 

Complementary color

CMYK 0 / 17 / 41 / 17

HEX #D4B07E

RGB 212 176 126

HSL 34.88, 0.5%, 0.66%

LAB 73.9, 6.3, 30.49

 

CMYK 61 / 36 / 0 / 51

HEX #304F7C

RGB 48 79 124

HSL 215.53, 0.44%, 0.34%

LAB 33.3, 3.42, -28.97

 

CMYK 55 / 32 / 0 / 44

HEX #41618F

RGB 65 97 143

HSL 215.38, 0.38%, 0.41%

LAB 40.66, 2.43, -28.93

 

CMYK 49 / 29 / 0 / 36

HEX #5273A2

RGB 82 115 162

HSL 215.25, 0.33%, 0.48%

LAB 47.83, 1.69, -28.94

 

CMYK 45 / 27 / 0 / 29

HEX #6385B5

RGB 99 133 181

HSL 215.12, 0.36%, 0.55%

LAB 54.83, 1.11, -28.99

 

CMYK 42 / 25 / 0 / 22

HEX #7497C8

RGB 116 151 200

HSL 215, 0.43%, 0.62%

LAB 61.67, 0.64, -29.07

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F81

RGB 43 79 129

HSL 214.88, 0.5%, 0.34%

LAB 33.33, 4.23, -32.03

 

CMYK 76 / 45 / 0 / 57

HEX #1A3D6E

RGB 26 61 110

HSL 215, 0.62%, 0.27%

LAB 25.81, 5.98, -32.11

 

CMYK 90 / 53 / 0 / 64

HEX #092B5B

RGB 9 43 91

HSL 215.12, 0.82%, 0.2%

LAB 18.1, 8.61, -32.14

 

CMYK 100 / 65 / 0 / 72

HEX #001948

RGB 0 25 72

HSL 219.17, 1%, 0.14%

LAB 10.28, 12.61, -31.94

 

CMYK 100 / 87 / 0 / 79

HEX #000735

RGB 0 7 53

HSL 232.08, 1%, 0.1%

LAB 3.69, 13.51, -29.08

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F82

RGB 43 79 130

HSL 215.17, 0.5%, 0.34%

LAB 33.39, 4.61, -32.56

 

CMYK 67 / 57 / 0 / 49

HEX #2B3882

RGB 43 56 130

HSL 231.03, 0.5%, 0.34%

LAB 26.6, 20.2, -43.44

 

CMYK 59 / 67 / 0 / 49

HEX #352B82

RGB 53 43 130

HSL 246.9, 0.5%, 0.34%

LAB 23.99, 30.65, -47.65

 

CMYK 41 / 67 / 0 / 49

HEX #4D2B82

RGB 77 43 130

HSL 263.45, 0.5%, 0.34%

LAB 26.5, 35.52, -43.46

 

CMYK 23 / 67 / 0 / 49

HEX #642B82

RGB 100 43 130

HSL 279.31, 0.5%, 0.34%

LAB 29.54, 40.93, -38.41

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F82

RGB 43 79 130

HSL 215.17, 0.5%, 0.34%

LAB 33.39, 4.61, -32.56

 

CMYK 67 / 57 / 0 / 49

HEX #2B3882

RGB 43 56 130

HSL 231.03, 0.5%, 0.34%

LAB 26.6, 20.2, -43.44

 

CMYK 67 / 67 / 0 / 49

HEX #2B2B82

RGB 43 43 130

HSL 240, 0.5%, 0.34%

LAB 23.18, 28.98, -49.01

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F82

RGB 43 79 130

HSL 215.17, 0.5%, 0.34%

LAB 33.39, 4.61, -32.56

 

CMYK 80 / 47 / 0 / 44

HEX #1D4D90

RGB 29 77 144

HSL 214.96, 0.66%, 0.34%

LAB 33.1, 9.26, -41.64

 

CMYK 91 / 53 / 0 / 38

HEX #0F4B9E

RGB 15 75 158

HSL 214.83, 0.83%, 0.34%

LAB 33.14, 15.11, -50.09

 

CMYK 99 / 58 / 0 / 33

HEX #0148AC

RGB 1 72 172

HSL 215.09, 0.99%, 0.34%

LAB 33.18, 22.29, -58.43

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F82

RGB 43 79 130

HSL 215.17, 0.5%, 0.34%

LAB 33.39, 4.61, -32.56

 

CMYK 51 / 30 / 0 / 55

HEX #395174

RGB 57 81 116

HSL 215.59, 0.34%, 0.34%

LAB 34.02, 1.53, -22.84

 

CMYK 30 / 17 / 0 / 60

HEX #475465

RGB 71 84 101

HSL 214, 0.17%, 0.34%

LAB 35.24, -0.68, -11.5

 

CMYK 2 / 1 / 0 / 66

HEX #555657

RGB 85 86 87

HSL 210, 0.01%, 0.34%

LAB 36.51, -0.18, -0.73

 

CMYK 0 / 11 / 26 / 61

HEX #635849

RGB 99 88 73

HSL 34.62, 0.15%, 0.34%

LAB 38.04, 1.81, 10.34

 

CMYK 67 / 2 / 0 / 49

HEX #2B7F82

RGB 43 127 130

HSL 182.07, 0.5%, 0.34%

LAB 48.64, -23.58, -9.02

 

CMYK 67 / 20 / 0 / 49

HEX #2B6882

RGB 43 104 130

HSL 197.93, 0.5%, 0.34%

LAB 41.26, -10.95, -20.24

 

CMYK 67 / 38 / 0 / 49

HEX #2B5082

RGB 43 80 130

HSL 214.48, 0.5%, 0.34%

LAB 33.7, 3.95, -32.07

 

CMYK 67 / 56 / 0 / 49

HEX #2B3982

RGB 43 57 130

HSL 230.34, 0.5%, 0.34%

LAB 26.88, 19.52, -42.98

 

CMYK 60 / 67 / 0 / 49

HEX #342B82

RGB 52 43 130

HSL 246.21, 0.5%, 0.34%

LAB 23.9, 30.47, -47.8

 

CMYK 68 / 40 / 0 / 73

HEX #162944

RGB 22 41 68

HSL 215.22, 0.51%, 0.18%

LAB 16.37, 2.24, -19.32

 

CMYK 67 / 39 / 0 / 61

HEX #213C63

RGB 33 60 99

HSL 215.45, 0.5%, 0.26%

LAB 25.12, 3.56, -26.11

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F82

RGB 43 79 130

HSL 215.17, 0.5%, 0.34%

LAB 33.39, 4.61, -32.56

 

CMYK 67 / 39 / 0 / 37

HEX #3562A0

RGB 53 98 160

HSL 214.77, 0.5%, 0.42%

LAB 41.26, 5.26, -38.19

 

CMYK 66 / 39 / 0 / 25

HEX #4075BF

RGB 64 117 191

HSL 214.96, 0.5%, 0.5%

LAB 48.98, 6.42, -44.04

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F81

RGB 43 79 129

HSL 214.88, 0.5%, 0.34%

LAB 33.33, 4.23, -32.03

 

CMYK 16 / 67 / 0 / 49

HEX #6D2B82

RGB 109 43 130

HSL 285.52, 0.5%, 0.34%

LAB 30.86, 43.16, -36.22

 

CMYK 12 / 0 / 67 / 49

HEX #73822B

RGB 115 130 43

HSL 70.34, 0.5%, 0.34%

LAB 51.59, -18.24, 43.57

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F81

RGB 43 79 129

HSL 214.88, 0.5%, 0.34%

LAB 33.33, 4.23, -32.03

 

CMYK 0 / 67 / 38 / 49

HEX #822B50

RGB 130 43 80

HSL 334.48, 0.5%, 0.34%

LAB 31.93, 40.85, -2.32

 

CMYK 38 / 0 / 67 / 49

HEX #50822B

RGB 80 130 43

HSL 94.48, 0.5%, 0.34%

LAB 49.31, -32.58, 40.45

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F81

RGB 43 79 129

HSL 214.88, 0.5%, 0.34%

LAB 33.33, 4.23, -32.03

 

CMYK 16 / 67 / 0 / 49

HEX #6D2B82

RGB 109 43 130

HSL 285.52, 0.5%, 0.34%

LAB 30.86, 43.16, -36.22

 

CMYK 0 / 29 / 67 / 49

HEX #825C2B

RGB 130 92 43

HSL 33.79, 0.5%, 0.34%

LAB 42.12, 10.18, 33.7

 

CMYK 52 / 0 / 67 / 49

HEX #3F822B

RGB 63 130 43

HSL 106.21, 0.5%, 0.34%

LAB 48.51, -38.37, 39.35

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F81

RGB 43 79 129

HSL 214.88, 0.5%, 0.34%

LAB 33.33, 4.23, -32.03

 

CMYK 0 / 67 / 5 / 49

HEX #822B7C

RGB 130 43 124

HSL 304.14, 0.5%, 0.34%

LAB 33.83, 47.41, -27.53

 

CMYK 0 / 29 / 67 / 49

HEX #825C2B

RGB 130 92 43

HSL 33.79, 0.5%, 0.34%

LAB 42.12, 10.18, 33.7

 

CMYK 67 / 0 / 62 / 49

HEX #2B8231

RGB 43 130 49

HSL 124.14, 0.5%, 0.34%

LAB 47.88, -43.04, 35.64

 

Description

Color code: HEX #2B4F81 | qconv.com Color code: HEX #2B4F81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 79 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 79 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 39 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 39% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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