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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B1D8F it is the complementary color #D4E270. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B1D8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B1D8F shade: #301D8A, #412F9D, #5241B0, #6353C3 and #7465D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B1D8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B1D8F shade: #2B1D8F, #1A0B7C, #090069, #000056 and #000043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B1D8F shade: #2B1D8F, #4A1D8F, #691D8F, #881D8F and #8F1D78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B1D8F shade: #2B1D8F and #1D1D8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B1D8F shade matches the following richer shades: #2B1D8F, #200F9D and #1601AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B1D8F shade: #2B1D8F, #362B81, #403973, #4B4765 and #555557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B1D8F shade: #1D4D8F, #1D2E8F, #2A1D8F, #491D8F and #671D8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B1D8F shade: #160F4B, #21166D, #2B1D8F, #3524B2 and #402CD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B1D8F shade: #2B1D8F, #8F1D6B and #3D8F1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B1D8F shade: #2B1D8F, #8F2A1D and #1D8F2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B1D8F shade: #2B1D8F, #8F1D6B, #828F1D and #1D8F41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B1D8F shade: #2B1D8F, #8F1D49, #828F1D and #1D8F64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 80 / 0 / 44

HEX #2B1D8F

RGB 43 29 143

HSL 247.37, 0.66%, 0.34%

LAB 21.49, 41.76, -59.92

 

Complementary color

CMYK 6 / 0 / 50 / 11

HEX #D4E270

RGB 212 226 112

HSL 67.37, 0.66%, 0.66%

LAB 86.78, -20.7, 53.55

 

CMYK 65 / 79 / 0 / 46

HEX #301D8A

RGB 48 29 138

HSL 250.46, 0.65%, 0.33%

LAB 21.36, 40.71, -56.99

 

CMYK 59 / 70 / 0 / 38

HEX #412F9D

RGB 65 47 157

HSL 249.82, 0.54%, 0.4%

LAB 28.36, 39.06, -57.17

 

CMYK 53 / 63 / 0 / 31

HEX #5241B0

RGB 82 65 176

HSL 249.19, 0.46%, 0.47%

LAB 35.42, 37.34, -57.01

 

CMYK 49 / 57 / 0 / 24

HEX #6353C3

RGB 99 83 195

HSL 248.57, 0.48%, 0.55%

LAB 42.43, 35.76, -56.73

 

CMYK 46 / 53 / 0 / 16

HEX #7465D6

RGB 116 101 214

HSL 247.96, 0.58%, 0.62%

LAB 49.34, 34.34, -56.43

 

CMYK 70 / 80 / 0 / 44

HEX #2B1D8F

RGB 43 29 143

HSL 247.37, 0.66%, 0.34%

LAB 21.49, 41.76, -59.92

 

CMYK 79 / 91 / 0 / 51

HEX #1A0B7C

RGB 26 11 124

HSL 247.96, 0.84%, 0.26%

LAB 15.03, 42.79, -58.69

 

CMYK 91 / 100 / 0 / 59

HEX #090069

RGB 9 0 105

HSL 245.14, 1%, 0.21%

LAB 9.63, 41.4, -55.38

 

CMYK 100 / 100 / 0 / 66

HEX #000056

RGB 0 0 86

HSL 240, 1%, 0.17%

LAB 6.07, 35.11, -48.57

 

CMYK 100 / 100 / 0 / 74

HEX #000043

RGB 0 0 67

HSL 240, 1%, 0.13%

LAB 3.66, 25.29, -39.29

 

CMYK 70 / 80 / 0 / 44

HEX #2B1D8F

RGB 43 29 143

HSL 247.37, 0.66%, 0.34%

LAB 21.49, 41.76, -59.92

 

CMYK 48 / 80 / 0 / 44

HEX #4A1D8F

RGB 74 29 143

HSL 263.68, 0.66%, 0.34%

LAB 24.7, 45.71, -54.53

 

CMYK 27 / 80 / 0 / 44

HEX #691D8F

RGB 105 29 143

HSL 280, 0.66%, 0.34%

LAB 29.07, 51.03, -47.21

 

CMYK 5 / 80 / 0 / 44

HEX #881D8F

RGB 136 29 143

HSL 296.32, 0.66%, 0.34%

LAB 34.18, 57.16, -38.71

 

CMYK 0 / 80 / 16 / 44

HEX #8F1D78

RGB 143 29 120

HSL 312.11, 0.66%, 0.34%

LAB 34.14, 55.03, -24.39

 

CMYK 70 / 80 / 0 / 44

HEX #2B1D8F

RGB 43 29 143

HSL 247.37, 0.66%, 0.34%

LAB 21.49, 41.76, -59.92

 

CMYK 80 / 80 / 0 / 44

HEX #1D1D8F

RGB 29 29 143

HSL 240, 0.66%, 0.34%

LAB 20.53, 40.56, -61.54

 

CMYK 70 / 80 / 0 / 44

HEX #2B1D8F

RGB 43 29 143

HSL 247.37, 0.66%, 0.34%

LAB 21.49, 41.76, -59.92

 

CMYK 80 / 90 / 0 / 38

HEX #200F9D

RGB 32 15 157

HSL 247.18, 0.83%, 0.34%

LAB 20.37, 51.32, -70.44

 

CMYK 87 / 99 / 0 / 33

HEX #1601AB

RGB 22 1 171

HSL 247.41, 0.99%, 0.34%

LAB 20.57, 58.66, -78.66

 

CMYK 70 / 80 / 0 / 44

HEX #2B1D8F

RGB 43 29 143

HSL 247.37, 0.66%, 0.34%

LAB 21.49, 41.76, -59.92

 

CMYK 58 / 67 / 0 / 49

HEX #362B81

RGB 54 43 129

HSL 247.67, 0.5%, 0.34%

LAB 23.99, 30.49, -47.02

 

CMYK 44 / 50 / 0 / 55

HEX #403973

RGB 64 57 115

HSL 247.24, 0.34%, 0.34%

LAB 27.45, 18.99, -32.54

 

CMYK 26 / 30 / 0 / 60

HEX #4B4765

RGB 75 71 101

HSL 248, 0.17%, 0.34%

LAB 31.67, 9, -16.93

 

CMYK 2 / 2 / 0 / 66

HEX #555557

RGB 85 85 87

HSL 240, 0.01%, 0.34%

LAB 36.21, 0.43, -1.17

 

CMYK 80 / 46 / 0 / 44

HEX #1D4D8F

RGB 29 77 143

HSL 214.74, 0.66%, 0.34%

LAB 33.03, 8.85, -41.14

 

CMYK 80 / 68 / 0 / 44

HEX #1D2E8F

RGB 29 46 143

HSL 231.05, 0.66%, 0.34%

LAB 24.32, 30.08, -55.29

 

CMYK 71 / 80 / 0 / 44

HEX #2A1D8F

RGB 42 29 143

HSL 246.84, 0.66%, 0.34%

LAB 21.41, 41.66, -60.05

 

CMYK 49 / 80 / 0 / 44

HEX #491D8F

RGB 73 29 143

HSL 263.16, 0.66%, 0.34%

LAB 24.57, 45.56, -54.74

 

CMYK 28 / 80 / 0 / 44

HEX #671D8F

RGB 103 29 143

HSL 278.95, 0.66%, 0.34%

LAB 28.76, 50.66, -47.72

 

CMYK 71 / 80 / 0 / 71

HEX #160F4B

RGB 22 15 75

HSL 247, 0.67%, 0.18%

LAB 9.16, 24.13, -35.82

 

CMYK 70 / 80 / 0 / 57

HEX #21166D

RGB 33 22 109

HSL 247.59, 0.66%, 0.26%

LAB 15.49, 33.32, -48.21

 

CMYK 70 / 80 / 0 / 44

HEX #2B1D8F

RGB 43 29 143

HSL 247.37, 0.66%, 0.34%

LAB 21.49, 41.76, -59.92

 

CMYK 70 / 80 / 0 / 30

HEX #3524B2

RGB 53 36 178

HSL 247.18, 0.66%, 0.42%

LAB 27.39, 50.08, -71.47

 

CMYK 70 / 79 / 0 / 17

HEX #402CD3

RGB 64 44 211

HSL 247.19, 0.65%, 0.5%

LAB 33.12, 57.09, -81.35

 

CMYK 70 / 80 / 0 / 44

HEX #2B1D8F

RGB 43 29 143

HSL 247.37, 0.66%, 0.34%

LAB 21.49, 41.76, -59.92

 

CMYK 0 / 80 / 25 / 44

HEX #8F1D6B

RGB 143 29 107

HSL 318.95, 0.66%, 0.34%

LAB 33.52, 53.23, -17.11

 

CMYK 57 / 0 / 80 / 44

HEX #3D8F1D

RGB 61 143 29

HSL 103.16, 0.66%, 0.34%

LAB 52.65, -45.28, 49.05

 

CMYK 70 / 80 / 0 / 44

HEX #2B1D8F

RGB 43 29 143

HSL 247.37, 0.66%, 0.34%

LAB 21.49, 41.76, -59.92

 

CMYK 0 / 71 / 80 / 44

HEX #8F2A1D

RGB 143 42 29

HSL 6.84, 0.66%, 0.34%

LAB 33.1, 41.79, 32.12

 

CMYK 80 / 0 / 71 / 44

HEX #1D8F2A

RGB 29 143 42

HSL 126.84, 0.66%, 0.34%

LAB 51.92, -50.98, 43.18

 

CMYK 70 / 80 / 0 / 44

HEX #2B1D8F

RGB 43 29 143

HSL 247.37, 0.66%, 0.34%

LAB 21.49, 41.76, -59.92

 

CMYK 0 / 80 / 25 / 44

HEX #8F1D6B

RGB 143 29 107

HSL 318.95, 0.66%, 0.34%

LAB 33.52, 53.23, -17.11

 

CMYK 9 / 0 / 80 / 44

HEX #828F1D

RGB 130 143 29

HSL 66.84, 0.66%, 0.34%

LAB 56.56, -19.15, 54.1

 

CMYK 80 / 0 / 55 / 44

HEX #1D8F41

RGB 29 143 65

HSL 138.95, 0.66%, 0.34%

LAB 52.16, -48.06, 32.64

 

CMYK 70 / 80 / 0 / 44

HEX #2B1D8F

RGB 43 29 143

HSL 247.37, 0.66%, 0.34%

LAB 21.49, 41.76, -59.92

 

CMYK 0 / 80 / 49 / 44

HEX #8F1D49

RGB 143 29 73

HSL 336.84, 0.66%, 0.34%

LAB 32.26, 49.41, 3.04

 

CMYK 9 / 0 / 80 / 44

HEX #828F1D

RGB 130 143 29

HSL 66.84, 0.66%, 0.34%

LAB 56.56, -19.15, 54.1

 

CMYK 80 / 0 / 30 / 44

HEX #1D8F64

RGB 29 143 100

HSL 157.37, 0.66%, 0.34%

LAB 52.76, -41.23, 14.32

 

Description

Color code: HEX #2B1D8F | qconv.com Color code: HEX #2B1D8F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 29 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 29 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 80 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 80% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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