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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AE302 it is the complementary color #D51CFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AE302. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AE302 shade: #2FE300, #40F510, #51FF23, #62FF36 and #73FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AE302. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AE302 shade: #2AE302, #19D100, #08BF00, #00AD00 and #009B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AE302 shade: #2AE302, #66E302, #A3E302, #E0E302 and #E3A902

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AE302 shade: #2AE302, #02E316, #02E353, #02E390 and #02E3CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AE302 shade matches the following richer shades: #2AE302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AE302 shade: #2AE302, #36D014, #42BE27, #4EAB39 and #5A984C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AE302 shade: #A3E302, #67E302, #2BE302, #02E315 and #02E351

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AE302 shade: #1B9101, #22BA01, #2AE302, #3BFC12 and #5DFD3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AE302 shade: #2AE302, #02DFE3 and #E30285

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AE302 shade: #2AE302, #022BE3 and #E3022B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AE302 shade: #2AE302, #02DFE3, #B902E3 and #E30602

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AE302 shade: #2AE302, #029BE3, #B902E3 and #E34902

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 99 / 11

HEX #2AE302

RGB 42 227 2

HSL 109.33, 0.98%, 0.45%

LAB 79.29, -76.33, 76.35

 

Complementary color

CMYK 16 / 89 / 0 / 1

HEX #D51CFD

RGB 213 28 253

HSL 289.33, 0.98%, 0.55%

LAB 54.1, 89.23, -70.11

 

CMYK 79 / 0 / 100 / 11

HEX #2FE300

RGB 47 227 0

HSL 107.58, 1%, 0.45%

LAB 79.35, -75.79, 76.6

 

CMYK 74 / 0 / 93 / 4

HEX #40F510

RGB 64 245 16

HSL 107.42, 0.92%, 0.51%

LAB 85.22, -78.37, 80.04

 

CMYK 68 / 0 / 86 / 0

HEX #51FF23

RGB 81 255 35

HSL 107.45, 1%, 0.57%

LAB 88.63, -78.02, 80.24

 

CMYK 62 / 0 / 79 / 0

HEX #62FF36

RGB 98 255 54

HSL 106.87, 1%, 0.61%

LAB 89.1, -73.82, 76.42

 

CMYK 55 / 0 / 71 / 0

HEX #73FF49

RGB 115 255 73

HSL 106.15, 1%, 0.64%

LAB 89.69, -68.69, 71.29

 

CMYK 81 / 0 / 99 / 11

HEX #2AE302

RGB 42 227 2

HSL 109.33, 0.98%, 0.45%

LAB 79.29, -76.33, 76.35

 

CMYK 88 / 0 / 100 / 18

HEX #19D100

RGB 25 209 0

HSL 112.82, 1%, 0.41%

LAB 73.42, -72.95, 71.76

 

CMYK 96 / 0 / 100 / 25

HEX #08BF00

RGB 8 191 0

HSL 117.49, 1%, 0.37%

LAB 67.51, -69, 66.98

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 81 / 0 / 99 / 11

HEX #2AE302

RGB 42 227 2

HSL 109.33, 0.98%, 0.45%

LAB 79.29, -76.33, 76.35

 

CMYK 55 / 0 / 99 / 11

HEX #66E302

RGB 102 227 2

HSL 93.33, 0.98%, 0.45%

LAB 80.61, -65.14, 77.95

 

CMYK 28 / 0 / 99 / 11

HEX #A3E302

RGB 163 227 2

HSL 77.07, 0.98%, 0.45%

LAB 83.3, -45.42, 81.21

 

CMYK 1 / 0 / 99 / 11

HEX #E0E302

RGB 224 227 2

HSL 60.8, 0.98%, 0.45%

LAB 87.38, -20.98, 86.09

 

CMYK 0 / 26 / 99 / 11

HEX #E3A902

RGB 227 169 2

HSL 44.53, 0.98%, 0.45%

LAB 72.7, 9.88, 75.7

 

CMYK 81 / 0 / 99 / 11

HEX #2AE302

RGB 42 227 2

HSL 109.33, 0.98%, 0.45%

LAB 79.29, -76.33, 76.35

 

CMYK 99 / 0 / 90 / 11

HEX #02E316

RGB 2 227 22

HSL 125.33, 0.98%, 0.45%

LAB 79.05, -78.43, 73.88

 

CMYK 99 / 0 / 63 / 11

HEX #02E353

RGB 2 227 83

HSL 141.6, 0.98%, 0.45%

LAB 79.37, -74.26, 55.94

 

CMYK 99 / 0 / 37 / 11

HEX #02E390

RGB 2 227 144

HSL 157.87, 0.98%, 0.45%

LAB 80.16, -64.74, 27.92

 

CMYK 99 / 0 / 10 / 11

HEX #02E3CC

RGB 2 227 204

HSL 173.87, 0.98%, 0.45%

LAB 81.46, -50.49, -1.69

 

CMYK 81 / 0 / 99 / 11

HEX #2AE302

RGB 42 227 2

HSL 109.33, 0.98%, 0.45%

LAB 79.29, -76.33, 76.35

 

CMYK 81 / 0 / 99 / 11

HEX #2AE302

RGB 42 227 2

HSL 109.33, 0.98%, 0.45%

LAB 79.29, -76.33, 76.35

 

CMYK 74 / 0 / 90 / 18

HEX #36D014

RGB 54 208 20

HSL 109.15, 0.82%, 0.45%

LAB 73.51, -68.9, 69.68

 

CMYK 65 / 0 / 79 / 25

HEX #42BE27

RGB 66 190 39

HSL 109.27, 0.66%, 0.45%

LAB 68.12, -60.18, 60.67

 

CMYK 54 / 0 / 67 / 33

HEX #4EAB39

RGB 78 171 57

HSL 108.95, 0.5%, 0.45%

LAB 62.54, -49.07, 48.65

 

CMYK 41 / 0 / 50 / 40

HEX #5A984C

RGB 90 152 76

HSL 108.95, 0.33%, 0.45%

LAB 57.22, -35.3, 33.64

 

CMYK 28 / 0 / 99 / 11

HEX #A3E302

RGB 163 227 2

HSL 77.07, 0.98%, 0.45%

LAB 83.3, -45.42, 81.21

 

CMYK 55 / 0 / 99 / 11

HEX #67E302

RGB 103 227 2

HSL 93.07, 0.98%, 0.45%

LAB 80.64, -64.88, 77.99

 

CMYK 81 / 0 / 99 / 11

HEX #2BE302

RGB 43 227 2

HSL 109.07, 0.98%, 0.45%

LAB 79.3, -76.22, 76.36

 

CMYK 99 / 0 / 91 / 11

HEX #02E315

RGB 2 227 21

HSL 125.07, 0.98%, 0.45%

LAB 79.04, -78.45, 74.03

 

CMYK 99 / 0 / 64 / 11

HEX #02E351

RGB 2 227 81

HSL 141.07, 0.98%, 0.45%

LAB 79.35, -74.48, 56.75

 

CMYK 81 / 0 / 99 / 43

HEX #1B9101

RGB 27 145 1

HSL 109.17, 0.99%, 0.29%

LAB 52.38, -54.21, 54.77

 

CMYK 82 / 0 / 99 / 27

HEX #22BA01

RGB 34 186 1

HSL 109.3, 0.99%, 0.37%

LAB 66.11, -65.58, 65.82

 

CMYK 81 / 0 / 99 / 11

HEX #2AE302

RGB 42 227 2

HSL 109.33, 0.98%, 0.45%

LAB 79.29, -76.33, 76.35

 

CMYK 77 / 0 / 93 / 1

HEX #3BFC12

RGB 59 252 18

HSL 109.49, 0.98%, 0.53%

LAB 87.29, -81.03, 81.5

 

CMYK 63 / 0 / 77 / 1

HEX #5DFD3A

RGB 93 253 58

HSL 109.23, 0.98%, 0.61%

LAB 88.39, -74.02, 74.58

 

CMYK 81 / 0 / 99 / 11

HEX #2AE302

RGB 42 227 2

HSL 109.33, 0.98%, 0.45%

LAB 79.29, -76.33, 76.35

 

CMYK 99 / 2 / 0 / 11

HEX #02DFE3

RGB 2 223 227

HSL 181.07, 0.98%, 0.45%

LAB 80.92, -42.22, -14.71

 

CMYK 0 / 99 / 41 / 11

HEX #E30285

RGB 227 2 133

HSL 325.07, 0.98%, 0.45%

LAB 49.58, 78.88, -7.38

 

CMYK 81 / 0 / 99 / 11

HEX #2AE302

RGB 42 227 2

HSL 109.33, 0.98%, 0.45%

LAB 79.29, -76.33, 76.35

 

CMYK 99 / 81 / 0 / 11

HEX #022BE3

RGB 2 43 227

HSL 229.07, 0.98%, 0.45%

LAB 32.45, 59.88, -91.75

 

CMYK 0 / 99 / 81 / 11

HEX #E3022B

RGB 227 2 43

HSL 349.07, 0.98%, 0.45%

LAB 47.69, 73.82, 44.53

 

CMYK 81 / 0 / 99 / 11

HEX #2AE302

RGB 42 227 2

HSL 109.33, 0.98%, 0.45%

LAB 79.29, -76.33, 76.35

 

CMYK 99 / 2 / 0 / 11

HEX #02DFE3

RGB 2 223 227

HSL 181.07, 0.98%, 0.45%

LAB 80.92, -42.22, -14.71

 

CMYK 19 / 99 / 0 / 11

HEX #B902E3

RGB 185 2 227

HSL 288.8, 0.98%, 0.45%

LAB 46.85, 83.67, -67.45

 

CMYK 0 / 97 / 99 / 11

HEX #E30602

RGB 227 6 2

HSL 1.07, 0.98%, 0.45%

LAB 47.58, 72.89, 61.02

 

CMYK 81 / 0 / 99 / 11

HEX #2AE302

RGB 42 227 2

HSL 109.33, 0.98%, 0.45%

LAB 79.29, -76.33, 76.35

 

CMYK 99 / 32 / 0 / 11

HEX #029BE3

RGB 2 155 227

HSL 199.2, 0.98%, 0.45%

LAB 60.78, -8.01, -45.74

 

CMYK 19 / 99 / 0 / 11

HEX #B902E3

RGB 185 2 227

HSL 288.8, 0.98%, 0.45%

LAB 46.85, 83.67, -67.45

 

CMYK 0 / 68 / 99 / 11

HEX #E34902

RGB 227 73 2

HSL 18.93, 0.98%, 0.45%

LAB 53.06, 57.52, 63.51

 

Description

Color code: HEX #2AE302 | qconv.com Color code: HEX #2AE302 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 227 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 227 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 99 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 99% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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