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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AE977 it is the complementary color #D51688. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AE977. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AE977 shade: #2FE972, #40FB85, #51FF98, #62FFAB and #73FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AE977. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AE977 shade: #2AE977, #19D764, #08C551, #00B33E and #00A12B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AE977 shade: #2AE877, #2AE844, #44E82A, #77E82A and #ABE82A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AE977 shade: #2AE877, #2AE8AA, #2AE8DD, #2AC0E8 and #2A8DE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AE977 shade matches the following richer shades: #2AE877 and #17FB73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AE977 shade: #2AE877, #3DD57A, #50C27E, #63AF82 and #769C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AE977 shade: #44E82A, #2AE844, #2AE876, #2AE8A9 and #2AE8DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AE977 shade: #12AE51, #16D362, #2AE877, #50EC8F and #75F0A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AE977 shade: #2AE977, #2A76E8 and #E82A2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AE977 shade: #2AE977, #762AE8 and #E8762A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AE977 shade: #2AE977, #2A76E8, #E82A9C and #E89C2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AE977 shade: #2AE977, #2A3DE8, #E82A9C and #E8D52A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 49 / 9

HEX #2AE977

RGB 42 233 119

HSL 144.19, 0.81%, 0.54%

LAB 81.89, -69.04, 42.68

 

Complementary color

CMYK 0 / 90 / 36 / 16

HEX #D51688

RGB 213 22 136

HSL 324.19, 0.81%, 0.46%

LAB 47.62, 74.23, -12.42

 

CMYK 80 / 0 / 51 / 9

HEX #2FE972

RGB 47 233 114

HSL 141.61, 0.81%, 0.55%

LAB 81.89, -69.29, 45.08

 

CMYK 75 / 0 / 47 / 2

HEX #40FB85

RGB 64 251 133

HSL 142.14, 0.96%, 0.62%

LAB 87.86, -70.36, 43.53

 

CMYK 68 / 0 / 40 / 0

HEX #51FF98

RGB 81 255 152

HSL 144.48, 1%, 0.66%

LAB 89.64, -66.18, 36.64

 

CMYK 62 / 0 / 33 / 0

HEX #62FFAB

RGB 98 255 171

HSL 147.9, 1%, 0.69%

LAB 90.35, -59.82, 28.17

 

CMYK 55 / 0 / 25 / 0

HEX #73FFBE

RGB 115 255 190

HSL 152.14, 1%, 0.73%

LAB 91.18, -52.72, 19.75

 

CMYK 82 / 0 / 49 / 9

HEX #2AE977

RGB 42 233 119

HSL 144.19, 0.81%, 0.54%

LAB 81.89, -69.04, 42.68

 

CMYK 88 / 0 / 53 / 16

HEX #19D764

RGB 25 215 100

HSL 143.68, 0.79%, 0.47%

LAB 75.9, -67.44, 44.32

 

CMYK 96 / 0 / 59 / 23

HEX #08C551

RGB 8 197 81

HSL 143.17, 0.92%, 0.4%

LAB 69.88, -65.27, 45.98

 

CMYK 100 / 0 / 65 / 30

HEX #00B33E

RGB 0 179 62

HSL 140.78, 1%, 0.35%

LAB 63.83, -62.42, 47.54

 

CMYK 100 / 0 / 73 / 37

HEX #00A12B

RGB 0 161 43

HSL 136.02, 1%, 0.32%

LAB 57.72, -58.94, 48.75

 

CMYK 82 / 0 / 49 / 9

HEX #2AE877

RGB 42 232 119

HSL 144.32, 0.81%, 0.54%

LAB 81.59, -68.71, 42.3

 

CMYK 82 / 0 / 71 / 9

HEX #2AE844

RGB 42 232 68

HSL 128.21, 0.81%, 0.54%

LAB 81.08, -74.83, 63.73

 

CMYK 71 / 0 / 82 / 9

HEX #44E82A

RGB 68 232 42

HSL 111.79, 0.81%, 0.54%

LAB 81.35, -73.03, 72.14

 

CMYK 49 / 0 / 82 / 9

HEX #77E82A

RGB 119 232 42

HSL 95.68, 0.81%, 0.54%

LAB 82.81, -61.2, 74

 

CMYK 26 / 0 / 82 / 9

HEX #ABE82A

RGB 171 232 42

HSL 79.26, 0.81%, 0.54%

LAB 85.27, -43.75, 77.13

 

CMYK 82 / 0 / 49 / 9

HEX #2AE877

RGB 42 232 119

HSL 144.32, 0.81%, 0.54%

LAB 81.59, -68.71, 42.3

 

CMYK 82 / 0 / 27 / 9

HEX #2AE8AA

RGB 42 232 170

HSL 160.42, 0.81%, 0.54%

LAB 82.44, -58.99, 17.64

 

CMYK 82 / 0 / 5 / 9

HEX #2AE8DD

RGB 42 232 221

HSL 176.53, 0.81%, 0.54%

LAB 83.67, -46.17, -7.41

 

CMYK 82 / 17 / 0 / 9

HEX #2AC0E8

RGB 42 192 232

HSL 192.63, 0.81%, 0.54%

LAB 72.24, -24.13, -30.58

 

CMYK 82 / 39 / 0 / 9

HEX #2A8DE8

RGB 42 141 232

HSL 208.74, 0.81%, 0.54%

LAB 57.43, 4.03, -53.8

 

CMYK 82 / 0 / 49 / 9

HEX #2AE877

RGB 42 232 119

HSL 144.32, 0.81%, 0.54%

LAB 81.59, -68.71, 42.3

 

CMYK 91 / 0 / 54 / 2

HEX #17FB73

RGB 23 251 115

HSL 144.21, 0.97%, 0.54%

LAB 87.2, -76.66, 51.03

 

CMYK 82 / 0 / 49 / 9

HEX #2AE877

RGB 42 232 119

HSL 144.32, 0.81%, 0.54%

LAB 81.59, -68.71, 42.3

 

CMYK 71 / 0 / 43 / 16

HEX #3DD57A

RGB 61 213 122

HSL 144.08, 0.64%, 0.54%

LAB 76.06, -59.31, 33.82

 

CMYK 59 / 0 / 35 / 24

HEX #50C27E

RGB 80 194 126

HSL 144.21, 0.48%, 0.54%

LAB 70.73, -47.74, 24.8

 

CMYK 43 / 0 / 26 / 31

HEX #63AF82

RGB 99 175 130

HSL 144.47, 0.32%, 0.54%

LAB 65.69, -33.88, 15.87

 

CMYK 24 / 0 / 14 / 39

HEX #769C86

RGB 118 156 134

HSL 145.26, 0.16%, 0.54%

LAB 61.09, -17.74, 7.3

 

CMYK 71 / 0 / 82 / 9

HEX #44E82A

RGB 68 232 42

HSL 111.79, 0.81%, 0.54%

LAB 81.35, -73.03, 72.14

 

CMYK 82 / 0 / 71 / 9

HEX #2AE844

RGB 42 232 68

HSL 128.21, 0.81%, 0.54%

LAB 81.08, -74.83, 63.73

 

CMYK 82 / 0 / 49 / 9

HEX #2AE876

RGB 42 232 118

HSL 144, 0.81%, 0.54%

LAB 81.57, -68.86, 42.76

 

CMYK 82 / 0 / 27 / 9

HEX #2AE8A9

RGB 42 232 169

HSL 160.11, 0.81%, 0.54%

LAB 82.42, -59.22, 18.13

 

CMYK 82 / 0 / 5 / 9

HEX #2AE8DC

RGB 42 232 220

HSL 176.21, 0.81%, 0.54%

LAB 83.64, -46.44, -6.93

 

CMYK 90 / 0 / 53 / 32

HEX #12AE51

RGB 18 174 81

HSL 144.23, 0.81%, 0.38%

LAB 62.5, -57.38, 37.18

 

CMYK 90 / 0 / 54 / 17

HEX #16D362

RGB 22 211 98

HSL 144.13, 0.81%, 0.46%

LAB 74.6, -66.64, 43.68

 

CMYK 82 / 0 / 49 / 9

HEX #2AE877

RGB 42 232 119

HSL 144.32, 0.81%, 0.54%

LAB 81.59, -68.71, 42.3

 

CMYK 66 / 0 / 39 / 7

HEX #50EC8F

RGB 80 236 143

HSL 144.23, 0.8%, 0.62%

LAB 83.8, -60.98, 33.44

 

CMYK 51 / 0 / 30 / 6

HEX #75F0A7

RGB 117 240 167

HSL 144.39, 0.8%, 0.7%

LAB 86.45, -50.54, 25

 

CMYK 82 / 0 / 49 / 9

HEX #2AE977

RGB 42 233 119

HSL 144.19, 0.81%, 0.54%

LAB 81.89, -69.04, 42.68

 

CMYK 82 / 49 / 0 / 9

HEX #2A76E8

RGB 42 118 232

HSL 216, 0.81%, 0.54%

LAB 51.01, 18.16, -64.11

 

CMYK 0 / 82 / 82 / 9

HEX #E82A2A

RGB 232 42 42

HSL 0, 0.81%, 0.54%

LAB 50.66, 69.41, 48.26

 

CMYK 82 / 0 / 49 / 9

HEX #2AE977

RGB 42 233 119

HSL 144.19, 0.81%, 0.54%

LAB 81.89, -69.04, 42.68

 

CMYK 49 / 82 / 0 / 9

HEX #762AE8

RGB 118 42 232

HSL 264, 0.81%, 0.54%

LAB 40.14, 69, -81.65

 

CMYK 0 / 49 / 82 / 9

HEX #E8762A

RGB 232 118 42

HSL 24, 0.81%, 0.54%

LAB 61.89, 39.49, 58.54

 

CMYK 82 / 0 / 49 / 9

HEX #2AE977

RGB 42 233 119

HSL 144.19, 0.81%, 0.54%

LAB 81.89, -69.04, 42.68

 

CMYK 82 / 49 / 0 / 9

HEX #2A76E8

RGB 42 118 232

HSL 216, 0.81%, 0.54%

LAB 51.01, 18.16, -64.11

 

CMYK 0 / 82 / 33 / 9

HEX #E82A9C

RGB 232 42 156

HSL 324, 0.81%, 0.54%

LAB 53.18, 76.84, -15.65

 

CMYK 0 / 33 / 82 / 9

HEX #E89C2A

RGB 232 156 42

HSL 36, 0.81%, 0.54%

LAB 70.25, 19.63, 65.92

 

CMYK 82 / 0 / 49 / 9

HEX #2AE977

RGB 42 233 119

HSL 144.19, 0.81%, 0.54%

LAB 81.89, -69.04, 42.68

 

CMYK 82 / 74 / 0 / 9

HEX #2A3DE8

RGB 42 61 232

HSL 234, 0.81%, 0.54%

LAB 37.22, 53.37, -86.66

 

CMYK 0 / 82 / 33 / 9

HEX #E82A9C

RGB 232 42 156

HSL 324, 0.81%, 0.54%

LAB 53.18, 76.84, -15.65

 

CMYK 0 / 8 / 82 / 9

HEX #E8D52A

RGB 232 213 42

HSL 54, 0.81%, 0.54%

LAB 84.44, -10.07, 78.11

 

Description

Color code: HEX #2AE977 | qconv.com Color code: HEX #2AE977 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 233 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 233 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 49 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 49% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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