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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AC6CE it is the complementary color #D53931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AC6CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AC6CE shade: #2FC6C9, #40D8DC, #51EAEF, #62FCFF and #73FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AC6CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AC6CE shade: #2AC6CE, #19B4BB, #08A2A8, #009095 and #007E82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AC6CE shade: #2AC7CF, #2A9ACF, #2A6ECF, #2A41CF and #3F2ACF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AC6CE shade: #2AC7CF, #2A9ACF, #2A6ECF, #2A41CF and #2A2ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AC6CE shade matches the following richer shades: #2AC7CF, #16D9E3 and #02EBF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AC6CE shade: #2AC7CF, #3EB5BB, #52A2A6, #679092 and #7B7E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AC6CE shade: #2ACF7C, #2ACFA8, #2AC9CF, #2A9DCF and #2A71CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AC6CE shade: #1C858A, #23A6AD, #2AC7CF, #49D2D9 and #6BDBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AC6CE shade: #2AC6CE, #502ACF and #CF922A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AC6CE shade: #2AC6CE, #CF2AC9 and #C9CF2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AC6CE shade: #2AC6CE, #502ACF, #CF2F2A and #A8CF2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AC6CE shade: #2AC6CE, #822ACF, #CF2F2A and #77CF2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 4 / 0 / 19

HEX #2AC6CE

RGB 42 198 206

HSL 182.93, 0.66%, 0.49%

LAB 73.11, -35.23, -15.14

 

Complementary color

CMYK 0 / 73 / 77 / 16

HEX #D53931

RGB 213 57 49

HSL 2.93, 0.66%, 0.51%

LAB 48.63, 59.8, 41.31

 

CMYK 77 / 1 / 0 / 21

HEX #2FC6C9

RGB 47 198 201

HSL 181.17, 0.62%, 0.49%

LAB 73.03, -36.24, -12.54

 

CMYK 71 / 2 / 0 / 14

HEX #40D8DC

RGB 64 216 220

HSL 181.54, 0.69%, 0.56%

LAB 79.25, -37.17, -13.42

 

CMYK 66 / 2 / 0 / 6

HEX #51EAEF

RGB 81 234 239

HSL 181.9, 0.83%, 0.63%

LAB 85.42, -37.88, -14.23

 

CMYK 62 / 1 / 0 / 0

HEX #62FCFF

RGB 98 252 255

HSL 181.15, 1%, 0.69%

LAB 91.43, -39.22, -13.54

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 80 / 4 / 0 / 19

HEX #2AC6CE

RGB 42 198 206

HSL 182.93, 0.66%, 0.49%

LAB 73.11, -35.23, -15.14

 

CMYK 87 / 4 / 0 / 27

HEX #19B4BB

RGB 25 180 187

HSL 182.59, 0.76%, 0.42%

LAB 66.85, -33.84, -14.17

 

CMYK 95 / 4 / 0 / 34

HEX #08A2A8

RGB 8 162 168

HSL 182.25, 0.91%, 0.35%

LAB 60.53, -32.05, -13.09

 

CMYK 100 / 3 / 0 / 42

HEX #009095

RGB 0 144 149

HSL 182.01, 1%, 0.29%

LAB 54.15, -29.8, -11.87

 

CMYK 100 / 3 / 0 / 49

HEX #007E82

RGB 0 126 130

HSL 181.85, 1%, 0.25%

LAB 47.67, -27.2, -10.55

 

CMYK 80 / 4 / 0 / 19

HEX #2AC7CF

RGB 42 199 207

HSL 182.91, 0.66%, 0.49%

LAB 73.44, -35.39, -15.18

 

CMYK 80 / 26 / 0 / 19

HEX #2A9ACF

RGB 42 154 207

HSL 199.27, 0.66%, 0.49%

LAB 59.99, -12.5, -35.83

 

CMYK 80 / 47 / 0 / 19

HEX #2A6ECF

RGB 42 110 207

HSL 215.27, 0.66%, 0.49%

LAB 47.17, 13.75, -56.15

 

CMYK 80 / 69 / 0 / 19

HEX #2A41CF

RGB 42 65 207

HSL 231.64, 0.66%, 0.49%

LAB 35.55, 42.52, -75.07

 

CMYK 70 / 80 / 0 / 19

HEX #3F2ACF

RGB 63 42 207

HSL 247.64, 0.66%, 0.49%

LAB 32.3, 56.76, -80.4

 

CMYK 80 / 4 / 0 / 19

HEX #2AC7CF

RGB 42 199 207

HSL 182.91, 0.66%, 0.49%

LAB 73.44, -35.39, -15.18

 

CMYK 80 / 26 / 0 / 19

HEX #2A9ACF

RGB 42 154 207

HSL 199.27, 0.66%, 0.49%

LAB 59.99, -12.5, -35.83

 

CMYK 80 / 47 / 0 / 19

HEX #2A6ECF

RGB 42 110 207

HSL 215.27, 0.66%, 0.49%

LAB 47.17, 13.75, -56.15

 

CMYK 80 / 69 / 0 / 19

HEX #2A41CF

RGB 42 65 207

HSL 231.64, 0.66%, 0.49%

LAB 35.55, 42.52, -75.07

 

CMYK 80 / 80 / 0 / 19

HEX #2A2ACF

RGB 42 42 207

HSL 240, 0.66%, 0.49%

LAB 31, 55.31, -82.59

 

CMYK 80 / 4 / 0 / 19

HEX #2AC7CF

RGB 42 199 207

HSL 182.91, 0.66%, 0.49%

LAB 73.44, -35.39, -15.18

 

CMYK 90 / 4 / 0 / 11

HEX #16D9E3

RGB 22 217 227

HSL 182.93, 0.82%, 0.49%

LAB 79.24, -38.94, -17.24

 

CMYK 99 / 5 / 0 / 3

HEX #02EBF7

RGB 2 235 247

HSL 182.94, 0.98%, 0.49%

LAB 85.07, -41.61, -19.05

 

CMYK 80 / 4 / 0 / 19

HEX #2AC7CF

RGB 42 199 207

HSL 182.91, 0.66%, 0.49%

LAB 73.44, -35.39, -15.18

 

CMYK 67 / 3 / 0 / 27

HEX #3EB5BB

RGB 62 181 187

HSL 182.88, 0.5%, 0.49%

LAB 67.77, -30.45, -12.73

 

CMYK 51 / 2 / 0 / 35

HEX #52A2A6

RGB 82 162 166

HSL 182.86, 0.34%, 0.49%

LAB 61.99, -23.3, -9.63

 

CMYK 29 / 1 / 0 / 43

HEX #679092

RGB 103 144 146

HSL 182.79, 0.17%, 0.49%

LAB 56.98, -13.49, -5.61

 

CMYK 2 / 0 / 0 / 51

HEX #7B7E7E

RGB 123 126 126

HSL 180, 0.01%, 0.49%

LAB 52.55, -1.12, -0.4

 

CMYK 80 / 0 / 40 / 19

HEX #2ACF7C

RGB 42 207 124

HSL 149.82, 0.66%, 0.49%

LAB 73.92, -59.27, 29.94

 

CMYK 80 / 0 / 19 / 19

HEX #2ACFA8

RGB 42 207 168

HSL 165.82, 0.66%, 0.49%

LAB 74.79, -49.64, 7.89

 

CMYK 80 / 3 / 0 / 19

HEX #2AC9CF

RGB 42 201 207

HSL 182.18, 0.66%, 0.49%

LAB 74.04, -36.32, -14.28

 

CMYK 80 / 24 / 0 / 19

HEX #2A9DCF

RGB 42 157 207

HSL 198.18, 0.66%, 0.49%

LAB 60.88, -14.15, -34.43

 

CMYK 80 / 45 / 0 / 19

HEX #2A71CF

RGB 42 113 207

HSL 214.18, 0.66%, 0.49%

LAB 48.02, 11.85, -54.79

 

CMYK 80 / 4 / 0 / 46

HEX #1C858A

RGB 28 133 138

HSL 182.73, 0.66%, 0.33%

LAB 50.52, -26.14, -10.92

 

CMYK 80 / 4 / 0 / 32

HEX #23A6AD

RGB 35 166 173

HSL 183.04, 0.66%, 0.41%

LAB 62.21, -30.71, -13.35

 

CMYK 80 / 4 / 0 / 19

HEX #2AC7CF

RGB 42 199 207

HSL 182.91, 0.66%, 0.49%

LAB 73.44, -35.39, -15.18

 

CMYK 66 / 3 / 0 / 15

HEX #49D2D9

RGB 73 210 217

HSL 182.92, 0.65%, 0.57%

LAB 77.59, -34.04, -14.29

 

CMYK 52 / 2 / 0 / 12

HEX #6BDBE0

RGB 107 219 224

HSL 182.56, 0.65%, 0.65%

LAB 81.39, -30.5, -12.25

 

CMYK 80 / 4 / 0 / 19

HEX #2AC6CE

RGB 42 198 206

HSL 182.93, 0.66%, 0.49%

LAB 73.11, -35.23, -15.14

 

CMYK 61 / 80 / 0 / 19

HEX #502ACF

RGB 80 42 207

HSL 253.82, 0.66%, 0.49%

LAB 33.7, 58.34, -78.03

 

CMYK 0 / 29 / 80 / 19

HEX #CF922A

RGB 207 146 42

HSL 37.82, 0.66%, 0.49%

LAB 64.95, 14.25, 60.11

 

CMYK 80 / 4 / 0 / 19

HEX #2AC6CE

RGB 42 198 206

HSL 182.93, 0.66%, 0.49%

LAB 73.11, -35.23, -15.14

 

CMYK 0 / 80 / 3 / 19

HEX #CF2AC9

RGB 207 42 201

HSL 302.18, 0.66%, 0.49%

LAB 50.85, 77.28, -45.93

 

CMYK 3 / 0 / 80 / 19

HEX #C9CF2A

RGB 201 207 42

HSL 62.18, 0.66%, 0.49%

LAB 80.3, -20.2, 73.55

 

CMYK 80 / 4 / 0 / 19

HEX #2AC6CE

RGB 42 198 206

HSL 182.93, 0.66%, 0.49%

LAB 73.11, -35.23, -15.14

 

CMYK 61 / 80 / 0 / 19

HEX #502ACF

RGB 80 42 207

HSL 253.82, 0.66%, 0.49%

LAB 33.7, 58.34, -78.03

 

CMYK 0 / 77 / 80 / 19

HEX #CF2F2A

RGB 207 47 42

HSL 1.82, 0.66%, 0.49%

LAB 46.27, 60.97, 42.32

 

CMYK 19 / 0 / 80 / 19

HEX #A8CF2A

RGB 168 207 42

HSL 74.18, 0.66%, 0.49%

LAB 77.94, -33.77, 70.57

 

CMYK 80 / 4 / 0 / 19

HEX #2AC6CE

RGB 42 198 206

HSL 182.93, 0.66%, 0.49%

LAB 73.11, -35.23, -15.14

 

CMYK 37 / 80 / 0 / 19

HEX #822ACF

RGB 130 42 207

HSL 272, 0.66%, 0.49%

LAB 39.42, 64.79, -68.42

 

CMYK 0 / 77 / 80 / 19

HEX #CF2F2A

RGB 207 47 42

HSL 1.82, 0.66%, 0.49%

LAB 46.27, 60.97, 42.32

 

CMYK 43 / 0 / 80 / 19

HEX #77CF2A

RGB 119 207 42

HSL 92, 0.66%, 0.49%

LAB 75.27, -51.71, 67.15

 

Description

Color code: HEX #2AC6CE | qconv.com Color code: HEX #2AC6CE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 198 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 198 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 4 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 4% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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