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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ABF43 it is the complementary color #D540BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ABF43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ABF43 shade: #2FBF3E, #40D151, #51E364, #62F577 and #73FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ABF43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ABF43 shade: #2ABF43, #19AD30, #089B1D, #00890A and #007700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ABF43 shade: #2AC043, #39C02A, #62C02A, #8AC02A and #B2C02A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ABF43 shade: #2AC043, #2AC06B, #2AC094, #2AC0BC and #2A9BC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ABF43 shade matches the following richer shades: #2AC043, #17D336 and #04E62A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ABF43 shade: #2AC043, #3DAD50, #509A5C, #638769 and #767475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ABF43 shade: #61C02A, #39C02A, #2AC043, #2AC06B and #2AC093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ABF43 shade: #1B7C2B, #229E37, #2AC043, #3FD458 and #60DC75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ABF43 shade: #2ABF43, #2A89C0 and #C02A4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ABF43 shade: #2ABF43, #432AC0 and #C0432A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ABF43 shade: #2ABF43, #2A89C0, #C02AA7 and #C0612A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ABF43 shade: #2ABF43, #2A5CC0, #C02AA7 and #C08E2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 65 / 25

HEX #2ABF43

RGB 42 191 67

HSL 130.07, 0.64%, 0.46%

LAB 68.14, -62.33, 50.28

 

Complementary color

CMYK 0 / 70 / 12 / 16

HEX #D540BC

RGB 213 64 188

HSL 310.07, 0.64%, 0.54%

LAB 53.43, 70.2, -34.28

 

CMYK 75 / 0 / 68 / 25

HEX #2FBF3E

RGB 47 191 62

HSL 126.25, 0.61%, 0.47%

LAB 68.18, -62.14, 52.43

 

CMYK 69 / 0 / 61 / 18

HEX #40D151

RGB 64 209 81

HSL 127.03, 0.61%, 0.54%

LAB 74.37, -63.3, 51.34

 

CMYK 64 / 0 / 56 / 11

HEX #51E364

RGB 81 227 100

HSL 127.81, 0.72%, 0.6%

LAB 80.52, -64.04, 50.08

 

CMYK 60 / 0 / 51 / 4

HEX #62F577

RGB 98 245 119

HSL 128.57, 0.88%, 0.67%

LAB 86.62, -64.48, 48.76

 

CMYK 55 / 0 / 46 / 0

HEX #73FF8A

RGB 115 255 138

HSL 129.86, 1%, 0.73%

LAB 90.32, -61.73, 44.5

 

CMYK 78 / 0 / 65 / 25

HEX #2ABF43

RGB 42 191 67

HSL 130.07, 0.64%, 0.46%

LAB 68.14, -62.33, 50.28

 

CMYK 86 / 0 / 72 / 32

HEX #19AD30

RGB 25 173 48

HSL 129.32, 0.75%, 0.39%

LAB 61.92, -60.48, 51.25

 

CMYK 95 / 0 / 81 / 39

HEX #089B1D

RGB 8 155 29

HSL 128.57, 0.9%, 0.32%

LAB 55.67, -57.78, 51.57

 

CMYK 100 / 0 / 93 / 46

HEX #00890A

RGB 0 137 10

HSL 124.38, 1%, 0.27%

LAB 49.39, -53.96, 50.57

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 78 / 0 / 65 / 25

HEX #2AC043

RGB 42 192 67

HSL 130, 0.64%, 0.46%

LAB 68.46, -62.65, 50.63

 

CMYK 70 / 0 / 78 / 25

HEX #39C02A

RGB 57 192 42

HSL 114, 0.64%, 0.46%

LAB 68.56, -62.43, 60.11

 

CMYK 49 / 0 / 78 / 25

HEX #62C02A

RGB 98 192 42

HSL 97.6, 0.64%, 0.46%

LAB 69.8, -52.46, 61.72

 

CMYK 28 / 0 / 78 / 25

HEX #8AC02A

RGB 138 192 42

HSL 81.6, 0.64%, 0.46%

LAB 71.74, -38.7, 64.23

 

CMYK 7 / 0 / 78 / 25

HEX #B2C02A

RGB 178 192 42

HSL 65.6, 0.64%, 0.46%

LAB 74.4, -22.53, 67.65

 

CMYK 78 / 0 / 65 / 25

HEX #2AC043

RGB 42 192 67

HSL 130, 0.64%, 0.46%

LAB 68.46, -62.65, 50.63

 

CMYK 78 / 0 / 44 / 25

HEX #2AC06B

RGB 42 192 107

HSL 146, 0.64%, 0.46%

LAB 68.93, -56.98, 32.18

 

CMYK 78 / 0 / 23 / 25

HEX #2AC094

RGB 42 192 148

HSL 162.4, 0.64%, 0.46%

LAB 69.7, -48.41, 11.45

 

CMYK 78 / 0 / 2 / 25

HEX #2AC0BC

RGB 42 192 188

HSL 178.4, 0.64%, 0.46%

LAB 70.75, -37.77, -8.87

 

CMYK 78 / 19 / 0 / 25

HEX #2A9BC0

RGB 42 155 192

HSL 194.8, 0.64%, 0.46%

LAB 59.65, -18.21, -27.93

 

CMYK 78 / 0 / 65 / 25

HEX #2AC043

RGB 42 192 67

HSL 130, 0.64%, 0.46%

LAB 68.46, -62.65, 50.63

 

CMYK 89 / 0 / 74 / 17

HEX #17D336

RGB 23 211 54

HSL 129.89, 0.8%, 0.46%

LAB 74.21, -71.45, 61.59

 

CMYK 98 / 0 / 82 / 10

HEX #04E62A

RGB 4 230 42

HSL 130.09, 0.97%, 0.46%

LAB 80.06, -78.35, 70.71

 

CMYK 78 / 0 / 65 / 25

HEX #2AC043

RGB 42 192 67

HSL 130, 0.64%, 0.46%

LAB 68.46, -62.65, 50.63

 

CMYK 65 / 0 / 54 / 32

HEX #3DAD50

RGB 61 173 80

HSL 130.18, 0.48%, 0.46%

LAB 62.89, -51.25, 38.31

 

CMYK 48 / 0 / 40 / 40

HEX #509A5C

RGB 80 154 92

HSL 129.73, 0.32%, 0.46%

LAB 57.65, -36.86, 25.6

 

CMYK 27 / 0 / 22 / 47

HEX #638769

RGB 99 135 105

HSL 130, 0.15%, 0.46%

LAB 52.95, -19.07, 12.13

 

CMYK 0 / 2 / 1 / 54

HEX #767475

RGB 118 116 117

HSL 330, 0.01%, 0.46%

LAB 49.04, 0.97, -0.29

 

CMYK 49 / 0 / 78 / 25

HEX #61C02A

RGB 97 192 42

HSL 98, 0.64%, 0.46%

LAB 69.76, -52.76, 61.67

 

CMYK 70 / 0 / 78 / 25

HEX #39C02A

RGB 57 192 42

HSL 114, 0.64%, 0.46%

LAB 68.56, -62.43, 60.11

 

CMYK 78 / 0 / 65 / 25

HEX #2AC043

RGB 42 192 67

HSL 130, 0.64%, 0.46%

LAB 68.46, -62.65, 50.63

 

CMYK 78 / 0 / 44 / 25

HEX #2AC06B

RGB 42 192 107

HSL 146, 0.64%, 0.46%

LAB 68.93, -56.98, 32.18

 

CMYK 78 / 0 / 23 / 25

HEX #2AC093

RGB 42 192 147

HSL 162, 0.64%, 0.46%

LAB 69.68, -48.65, 11.96

 

CMYK 78 / 0 / 65 / 51

HEX #1B7C2B

RGB 27 124 43

HSL 129.9, 0.64%, 0.3%

LAB 45.39, -44.62, 35.59

 

CMYK 78 / 0 / 65 / 38

HEX #229E37

RGB 34 158 55

HSL 130.16, 0.65%, 0.38%

LAB 57.14, -53.91, 43.27

 

CMYK 78 / 0 / 65 / 25

HEX #2AC043

RGB 42 192 67

HSL 130, 0.64%, 0.46%

LAB 68.46, -62.65, 50.63

 

CMYK 70 / 0 / 58 / 17

HEX #3FD458

RGB 63 212 88

HSL 130.07, 0.63%, 0.54%

LAB 75.36, -63.66, 49.36

 

CMYK 56 / 0 / 47 / 14

HEX #60DC75

RGB 96 220 117

HSL 130.16, 0.64%, 0.62%

LAB 79.02, -55.92, 40.28

 

CMYK 78 / 0 / 65 / 25

HEX #2ABF43

RGB 42 191 67

HSL 130.07, 0.64%, 0.46%

LAB 68.14, -62.33, 50.28

 

CMYK 78 / 29 / 0 / 25

HEX #2A89C0

RGB 42 137 192

HSL 202, 0.64%, 0.46%

LAB 54.23, -8.24, -36.37

 

CMYK 0 / 78 / 60 / 25

HEX #C02A4D

RGB 192 42 77

HSL 346, 0.64%, 0.46%

LAB 43.36, 59.77, 17.38

 

CMYK 78 / 0 / 65 / 25

HEX #2ABF43

RGB 42 191 67

HSL 130.07, 0.64%, 0.46%

LAB 68.14, -62.33, 50.28

 

CMYK 65 / 78 / 0 / 25

HEX #432AC0

RGB 67 42 192

HSL 250, 0.64%, 0.46%

LAB 31.01, 52.71, -73.75

 

CMYK 0 / 65 / 78 / 25

HEX #C0432A

RGB 192 67 42

HSL 10, 0.64%, 0.46%

LAB 46.16, 48.81, 41.32

 

CMYK 78 / 0 / 65 / 25

HEX #2ABF43

RGB 42 191 67

HSL 130.07, 0.64%, 0.46%

LAB 68.14, -62.33, 50.28

 

CMYK 78 / 29 / 0 / 25

HEX #2A89C0

RGB 42 137 192

HSL 202, 0.64%, 0.46%

LAB 54.23, -8.24, -36.37

 

CMYK 0 / 78 / 13 / 25

HEX #C02AA7

RGB 192 42 167

HSL 310, 0.64%, 0.46%

LAB 46.52, 69.23, -33.06

 

CMYK 0 / 49 / 78 / 25

HEX #C0612A

RGB 192 97 42

HSL 22, 0.64%, 0.46%

LAB 51.75, 34.33, 46.94

 

CMYK 78 / 0 / 65 / 25

HEX #2ABF43

RGB 42 191 67

HSL 130.07, 0.64%, 0.46%

LAB 68.14, -62.33, 50.28

 

CMYK 78 / 52 / 0 / 25

HEX #2A5CC0

RGB 42 92 192

HSL 220, 0.64%, 0.46%

LAB 41.14, 19.61, -57.23

 

CMYK 0 / 78 / 13 / 25

HEX #C02AA7

RGB 192 42 167

HSL 310, 0.64%, 0.46%

LAB 46.52, 69.23, -33.06

 

CMYK 0 / 26 / 78 / 25

HEX #C08E2A

RGB 192 142 42

HSL 40, 0.64%, 0.46%

LAB 62.27, 9.84, 57.01

 

Description

Color code: HEX #2ABF43 | qconv.com Color code: HEX #2ABF43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 191 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 191 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 65 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 65% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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