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Color name
HEX #2AAC74

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AAC74 it is the complementary color #D5538B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AAC74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AAC74 shade: #2FAC6F, #40BE82, #51D095, #62E2A8 and #73F4BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AAC74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AAC74 shade: #2AAC74, #199A61, #08884E, #00763B and #006428

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AAC74 shade: #29AC74, #29AC50, #29AC2D, #49AC29 and #6CAC29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AAC74 shade: #29AC74, #29AC97, #299EAC, #297BAC and #2957AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AAC74 shade matches the following richer shades: #29AC74, #18BD76 and #07CF78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AAC74 shade: #29AC74, #3B9B71, #4C896F, #5D786C and #6F676A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AAC74 shade: #29AC2E, #29AC50, #29AC73, #29AC96 and #299FAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AAC74 shade: #196A47, #218B5D, #29AC74, #32CD8A and #53D59D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AAC74 shade: #2AAC74, #2948AC and #AC3F29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AAC74 shade: #2AAC74, #7329AC and #AC7329

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AAC74 shade: #2AAC74, #2948AC, #AC2962 and #AC8D29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AAC74 shade: #2AAC74, #3229AC, #AC2962 and #A3AC29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 33 / 33

HEX #2AAC74

RGB 42 172 116

HSL 154.15, 0.61%, 0.42%

LAB 62.73, -47.7, 19.16

 

Complementary color

CMYK 0 / 61 / 35 / 16

HEX #D5538B

RGB 213 83 139

HSL 334.15, 0.61%, 0.58%

LAB 54.24, 56.31, -4.33

 

CMYK 73 / 0 / 35 / 33

HEX #2FAC6F

RGB 47 172 111

HSL 150.72, 0.57%, 0.43%

LAB 62.72, -48.03, 21.89

 

CMYK 66 / 0 / 32 / 25

HEX #40BE82

RGB 64 190 130

HSL 151.43, 0.5%, 0.5%

LAB 69.13, -48.49, 20.43

 

CMYK 61 / 0 / 28 / 18

HEX #51D095

RGB 81 208 149

HSL 152.13, 0.57%, 0.57%

LAB 75.47, -48.72, 19.1

 

CMYK 57 / 0 / 26 / 11

HEX #62E2A8

RGB 98 226 168

HSL 152.81, 0.69%, 0.64%

LAB 81.74, -48.79, 17.88

 

CMYK 53 / 0 / 23 / 4

HEX #73F4BB

RGB 115 244 187

HSL 153.49, 0.85%, 0.7%

LAB 87.94, -48.75, 16.75

 

CMYK 76 / 0 / 33 / 33

HEX #2AAC74

RGB 42 172 116

HSL 154.15, 0.61%, 0.42%

LAB 62.73, -47.7, 19.16

 

CMYK 84 / 0 / 37 / 40

HEX #199A61

RGB 25 154 97

HSL 153.49, 0.72%, 0.35%

LAB 56.27, -46.73, 20.78

 

CMYK 94 / 0 / 43 / 47

HEX #08884E

RGB 8 136 78

HSL 152.81, 0.89%, 0.28%

LAB 49.75, -45.18, 22.59

 

CMYK 100 / 0 / 50 / 54

HEX #00763B

RGB 0 118 59

HSL 150, 1%, 0.23%

LAB 43.17, -42.83, 24.6

 

CMYK 100 / 0 / 60 / 61

HEX #006428

RGB 0 100 40

HSL 144, 1%, 0.2%

LAB 36.49, -39.67, 26.7

 

CMYK 76 / 0 / 33 / 33

HEX #29AC74

RGB 41 172 116

HSL 154.35, 0.62%, 0.42%

LAB 62.71, -47.83, 19.13

 

CMYK 76 / 0 / 53 / 33

HEX #29AC50

RGB 41 172 80

HSL 137.86, 0.62%, 0.42%

LAB 62.13, -54.42, 37.28

 

CMYK 76 / 0 / 74 / 33

HEX #29AC2D

RGB 41 172 45

HSL 121.83, 0.62%, 0.42%

LAB 61.8, -58.45, 52.31

 

CMYK 58 / 0 / 76 / 33

HEX #49AC29

RGB 73 172 41

HSL 105.34, 0.62%, 0.42%

LAB 62.58, -52.09, 54.77

 

CMYK 37 / 0 / 76 / 33

HEX #6CAC29

RGB 108 172 41

HSL 89.31, 0.62%, 0.42%

LAB 64.04, -41.13, 56.7

 

CMYK 76 / 0 / 33 / 33

HEX #29AC74

RGB 41 172 116

HSL 154.35, 0.62%, 0.42%

LAB 62.71, -47.83, 19.13

 

CMYK 76 / 0 / 12 / 33

HEX #29AC97

RGB 41 172 151

HSL 170.38, 0.62%, 0.42%

LAB 63.52, -39.26, 0.91

 

CMYK 76 / 8 / 0 / 33

HEX #299EAC

RGB 41 158 172

HSL 186.41, 0.62%, 0.42%

LAB 59.8, -26.45, -16.42

 

CMYK 76 / 28 / 0 / 33

HEX #297BAC

RGB 41 123 172

HSL 202.44, 0.62%, 0.42%

LAB 49.03, -7.45, -33.03

 

CMYK 76 / 49 / 0 / 33

HEX #2957AC

RGB 41 87 172

HSL 218.93, 0.62%, 0.42%

LAB 38.32, 15.09, -50.06

 

CMYK 76 / 0 / 33 / 33

HEX #29AC74

RGB 41 172 116

HSL 154.35, 0.62%, 0.42%

LAB 62.71, -47.83, 19.13

 

CMYK 87 / 0 / 38 / 26

HEX #18BD76

RGB 24 189 118

HSL 154.18, 0.77%, 0.42%

LAB 67.94, -55.56, 25.1

 

CMYK 97 / 0 / 42 / 19

HEX #07CF78

RGB 7 207 120

HSL 153.9, 0.93%, 0.42%

LAB 73.56, -62.35, 31.47

 

CMYK 76 / 0 / 33 / 33

HEX #29AC74

RGB 41 172 116

HSL 154.35, 0.62%, 0.42%

LAB 62.71, -47.83, 19.13

 

CMYK 62 / 0 / 27 / 39

HEX #3B9B71

RGB 59 155 113

HSL 153.75, 0.45%, 0.42%

LAB 57.62, -38.38, 13.84

 

CMYK 45 / 0 / 19 / 46

HEX #4C896F

RGB 76 137 111

HSL 154.43, 0.29%, 0.42%

LAB 52.48, -26.21, 7.84

 

CMYK 23 / 0 / 10 / 53

HEX #5D786C

RGB 93 120 108

HSL 153.33, 0.13%, 0.42%

LAB 48.06, -12.46, 3.39

 

CMYK 0 / 7 / 5 / 56

HEX #6F676A

RGB 111 103 106

HSL 337.5, 0.04%, 0.42%

LAB 44.41, 3.74, -0.56

 

CMYK 76 / 0 / 73 / 33

HEX #29AC2E

RGB 41 172 46

HSL 122.29, 0.62%, 0.42%

LAB 61.8, -58.37, 51.95

 

CMYK 76 / 0 / 53 / 33

HEX #29AC50

RGB 41 172 80

HSL 137.86, 0.62%, 0.42%

LAB 62.13, -54.42, 37.28

 

CMYK 76 / 0 / 33 / 33

HEX #29AC73

RGB 41 172 115

HSL 153.89, 0.62%, 0.42%

LAB 62.69, -48.05, 19.65

 

CMYK 76 / 0 / 13 / 33

HEX #29AC96

RGB 41 172 150

HSL 169.92, 0.62%, 0.42%

LAB 63.49, -39.54, 1.43

 

CMYK 76 / 8 / 0 / 33

HEX #299FAC

RGB 41 159 172

HSL 185.95, 0.62%, 0.42%

LAB 60.11, -26.95, -15.95

 

CMYK 76 / 0 / 33 / 58

HEX #196A47

RGB 25 106 71

HSL 154.07, 0.62%, 0.26%

LAB 39.53, -32.88, 12.94

 

CMYK 76 / 0 / 33 / 45

HEX #218B5D

RGB 33 139 93

HSL 153.96, 0.62%, 0.34%

LAB 51.36, -40.65, 16.38

 

CMYK 76 / 0 / 33 / 33

HEX #29AC74

RGB 41 172 116

HSL 154.35, 0.62%, 0.42%

LAB 62.71, -47.83, 19.13

 

CMYK 76 / 0 / 33 / 20

HEX #32CD8A

RGB 50 205 138

HSL 154.06, 0.61%, 0.5%

LAB 73.66, -54.83, 22.32

 

CMYK 61 / 0 / 26 / 16

HEX #53D59D

RGB 83 213 157

HSL 154.15, 0.61%, 0.58%

LAB 77.2, -48.71, 17.27

 

CMYK 76 / 0 / 33 / 33

HEX #2AAC74

RGB 42 172 116

HSL 154.15, 0.61%, 0.42%

LAB 62.73, -47.7, 19.16

 

CMYK 76 / 58 / 0 / 33

HEX #2948AC

RGB 41 72 172

HSL 225.8, 0.62%, 0.42%

LAB 34.16, 25.06, -56.79

 

CMYK 0 / 63 / 76 / 33

HEX #AC3F29

RGB 172 63 41

HSL 10.08, 0.62%, 0.42%

LAB 41.98, 43.42, 36.39

 

CMYK 76 / 0 / 33 / 33

HEX #2AAC74

RGB 42 172 116

HSL 154.15, 0.61%, 0.42%

LAB 62.73, -47.7, 19.16

 

CMYK 33 / 76 / 0 / 33

HEX #7329AC

RGB 115 41 172

HSL 273.89, 0.62%, 0.42%

LAB 34.41, 54.74, -56.09

 

CMYK 0 / 33 / 76 / 33

HEX #AC7329

RGB 172 115 41

HSL 33.89, 0.62%, 0.42%

LAB 53.16, 15.92, 47.87

 

CMYK 76 / 0 / 33 / 33

HEX #2AAC74

RGB 42 172 116

HSL 154.15, 0.61%, 0.42%

LAB 62.73, -47.7, 19.16

 

CMYK 76 / 58 / 0 / 33

HEX #2948AC

RGB 41 72 172

HSL 225.8, 0.62%, 0.42%

LAB 34.16, 25.06, -56.79

 

CMYK 0 / 76 / 43 / 33

HEX #AC2962

RGB 172 41 98

HSL 333.89, 0.62%, 0.42%

LAB 39.98, 56.16, -1.13

 

CMYK 0 / 18 / 76 / 33

HEX #AC8D29

RGB 172 141 41

HSL 45.8, 0.62%, 0.42%

LAB 59.87, 1.4, 54.37

 

CMYK 76 / 0 / 33 / 33

HEX #2AAC74

RGB 42 172 116

HSL 154.15, 0.61%, 0.42%

LAB 62.73, -47.7, 19.16

 

CMYK 71 / 76 / 0 / 33

HEX #3229AC

RGB 50 41 172

HSL 244.12, 0.62%, 0.42%

LAB 27.41, 45.35, -67.83

 

CMYK 0 / 76 / 43 / 33

HEX #AC2962

RGB 172 41 98

HSL 333.89, 0.62%, 0.42%

LAB 39.98, 56.16, -1.13

 

CMYK 5 / 0 / 76 / 33

HEX #A3AC29

RGB 163 172 41

HSL 64.12, 0.62%, 0.42%

LAB 67.61, -19.01, 61.34

 

Description

Color code: HEX #2AAC74 | qconv.com Color code: HEX #2AAC74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 172 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 172 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 33 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 33% 33% C M Y K

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Provide designers and agencies with accurate color values.

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