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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AA339 it is the complementary color #D55CC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AA339. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AA339 shade: #2FA334, #40B547, #51C75A, #62D96D and #73EB80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AA339. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AA339 shade: #2AA339, #199126, #087F13, #006D00 and #005B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AA339 shade: #29A238, #3BA229, #5BA229, #7CA229 and #9CA229

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AA339 shade: #29A238, #29A259, #29A279, #29A29A and #2989A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AA339 shade matches the following richer shades: #29A238, #19B22C and #08C31F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AA339 shade: #29A238, #3A9145, #4A8151, #5B705D and #6B606A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AA339 shade: #5BA229, #3BA229, #29A237, #29A257 and #29A278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AA339 shade: #186021, #21812D, #29A238, #32C244 and #4DD15D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AA339 shade: #2AA339, #297CA2 and #A2294B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AA339 shade: #2AA339, #3729A2 and #A23729

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AA339 shade: #2AA339, #297CA2, #A22994 and #A24F29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AA339 shade: #2AA339, #2957A2, #A22994 and #A27429

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 65 / 36

HEX #2AA339

RGB 42 163 57

HSL 127.44, 0.59%, 0.4%

LAB 58.96, -54.16, 44.44

 

Complementary color

CMYK 0 / 57 / 7 / 16

HEX #D55CC6

RGB 213 92 198

HSL 307.44, 0.59%, 0.6%

LAB 57.92, 60.58, -33.02

 

CMYK 71 / 0 / 68 / 36

HEX #2FA334

RGB 47 163 52

HSL 122.59, 0.55%, 0.41%

LAB 59.02, -53.82, 46.69

 

CMYK 65 / 0 / 61 / 29

HEX #40B547

RGB 64 181 71

HSL 123.59, 0.48%, 0.48%

LAB 65.43, -54.71, 45.6

 

CMYK 59 / 0 / 55 / 22

HEX #51C75A

RGB 81 199 90

HSL 124.58, 0.51%, 0.55%

LAB 71.78, -55.2, 44.32

 

CMYK 55 / 0 / 50 / 15

HEX #62D96D

RGB 98 217 109

HSL 125.55, 0.61%, 0.62%

LAB 78.07, -55.43, 43

 

CMYK 51 / 0 / 46 / 8

HEX #73EB80

RGB 115 235 128

HSL 126.5, 0.75%, 0.69%

LAB 84.29, -55.48, 41.69

 

CMYK 74 / 0 / 65 / 36

HEX #2AA339

RGB 42 163 57

HSL 127.44, 0.59%, 0.4%

LAB 58.96, -54.16, 44.44

 

CMYK 83 / 0 / 74 / 43

HEX #199126

RGB 25 145 38

HSL 126.5, 0.71%, 0.33%

LAB 52.51, -52.54, 45.38

 

CMYK 94 / 0 / 85 / 50

HEX #087F13

RGB 8 127 19

HSL 125.55, 0.88%, 0.26%

LAB 46.01, -49.95, 45.5

 

CMYK 100 / 0 / 100 / 57

HEX #006D00

RGB 0 109 0

HSL 120, 1%, 0.21%

LAB 39.47, -46.09, 44.48

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 75 / 0 / 65 / 36

HEX #29A238

RGB 41 162 56

HSL 127.44, 0.6%, 0.4%

LAB 58.6, -54.09, 44.48

 

CMYK 64 / 0 / 75 / 36

HEX #3BA229

RGB 59 162 41

HSL 111.07, 0.6%, 0.4%

LAB 58.91, -51.94, 50.99

 

CMYK 44 / 0 / 75 / 36

HEX #5BA229

RGB 91 162 41

HSL 95.21, 0.6%, 0.4%

LAB 60.09, -42.8, 52.56

 

CMYK 23 / 0 / 75 / 36

HEX #7CA229

RGB 124 162 41

HSL 78.84, 0.6%, 0.4%

LAB 61.9, -30.5, 54.95

 

CMYK 4 / 0 / 75 / 36

HEX #9CA229

RGB 156 162 41

HSL 62.98, 0.6%, 0.4%

LAB 64.22, -16.95, 57.97

 

CMYK 75 / 0 / 65 / 36

HEX #29A238

RGB 41 162 56

HSL 127.44, 0.6%, 0.4%

LAB 58.6, -54.09, 44.48

 

CMYK 75 / 0 / 45 / 36

HEX #29A259

RGB 41 162 89

HSL 143.8, 0.6%, 0.4%

LAB 59.01, -49.32, 28.75

 

CMYK 75 / 0 / 25 / 36

HEX #29A279

RGB 41 162 121

HSL 159.67, 0.6%, 0.4%

LAB 59.61, -42.62, 12.08

 

CMYK 75 / 0 / 5 / 36

HEX #29A29A

RGB 41 162 154

HSL 176.03, 0.6%, 0.4%

LAB 60.47, -33.86, -5.25

 

CMYK 75 / 15 / 0 / 36

HEX #2989A2

RGB 41 137 162

HSL 192.4, 0.6%, 0.4%

LAB 52.92, -18.81, -21.2

 

CMYK 75 / 0 / 65 / 36

HEX #29A238

RGB 41 162 56

HSL 127.44, 0.6%, 0.4%

LAB 58.6, -54.09, 44.48

 

CMYK 86 / 0 / 75 / 30

HEX #19B22C

RGB 25 178 44

HSL 127.45, 0.75%, 0.4%

LAB 63.53, -62.34, 54.35

 

CMYK 96 / 0 / 84 / 24

HEX #08C31F

RGB 8 195 31

HSL 127.38, 0.92%, 0.4%

LAB 68.88, -69.16, 63.24

 

CMYK 75 / 0 / 65 / 36

HEX #29A238

RGB 41 162 56

HSL 127.44, 0.6%, 0.4%

LAB 58.6, -54.09, 44.48

 

CMYK 60 / 0 / 52 / 43

HEX #3A9145

RGB 58 145 69

HSL 127.59, 0.43%, 0.4%

LAB 53.58, -42.66, 32.48

 

CMYK 43 / 0 / 37 / 49

HEX #4A8151

RGB 74 129 81

HSL 127.64, 0.27%, 0.4%

LAB 49.19, -29.06, 20.48

 

CMYK 19 / 0 / 17 / 56

HEX #5B705D

RGB 91 112 93

HSL 125.71, 0.1%, 0.4%

LAB 45.09, -11.88, 8.02

 

CMYK 0 / 10 / 1 / 58

HEX #6B606A

RGB 107 96 106

HSL 305.45, 0.05%, 0.4%

LAB 42.05, 6.39, -4.07

 

CMYK 44 / 0 / 75 / 36

HEX #5BA229

RGB 91 162 41

HSL 95.21, 0.6%, 0.4%

LAB 60.09, -42.8, 52.56

 

CMYK 64 / 0 / 75 / 36

HEX #3BA229

RGB 59 162 41

HSL 111.07, 0.6%, 0.4%

LAB 58.91, -51.94, 50.99

 

CMYK 75 / 0 / 66 / 36

HEX #29A237

RGB 41 162 55

HSL 126.94, 0.6%, 0.4%

LAB 58.59, -54.2, 44.9

 

CMYK 75 / 0 / 46 / 36

HEX #29A257

RGB 41 162 87

HSL 142.81, 0.6%, 0.4%

LAB 58.97, -49.67, 29.76

 

CMYK 75 / 0 / 26 / 36

HEX #29A278

RGB 41 162 120

HSL 159.17, 0.6%, 0.4%

LAB 59.59, -42.86, 12.61

 

CMYK 75 / 0 / 66 / 62

HEX #186021

RGB 24 96 33

HSL 127.5, 0.6%, 0.24%

LAB 35.34, -36.04, 29.08

 

CMYK 74 / 0 / 65 / 49

HEX #21812D

RGB 33 129 45

HSL 127.5, 0.59%, 0.32%

LAB 47.25, -45.16, 36.77

 

CMYK 75 / 0 / 65 / 36

HEX #29A238

RGB 41 162 56

HSL 127.44, 0.6%, 0.4%

LAB 58.6, -54.09, 44.48

 

CMYK 74 / 0 / 65 / 24

HEX #32C244

RGB 50 194 68

HSL 127.5, 0.59%, 0.48%

LAB 69.24, -62.05, 51.11

 

CMYK 63 / 0 / 56 / 18

HEX #4DD15D

RGB 77 209 93

HSL 127.27, 0.59%, 0.56%

LAB 74.81, -59.36, 46.5

 

CMYK 74 / 0 / 65 / 36

HEX #2AA339

RGB 42 163 57

HSL 127.44, 0.59%, 0.4%

LAB 58.96, -54.16, 44.44

 

CMYK 75 / 23 / 0 / 36

HEX #297CA2

RGB 41 124 162

HSL 198.84, 0.6%, 0.4%

LAB 48.88, -11.6, -27.44

 

CMYK 0 / 75 / 54 / 36

HEX #A2294B

RGB 162 41 75

HSL 343.14, 0.6%, 0.4%

LAB 37.44, 51.18, 9.61

 

CMYK 74 / 0 / 65 / 36

HEX #2AA339

RGB 42 163 57

HSL 127.44, 0.59%, 0.4%

LAB 58.96, -54.16, 44.44

 

CMYK 66 / 75 / 0 / 36

HEX #3729A2

RGB 55 41 162

HSL 246.94, 0.6%, 0.4%

LAB 26.75, 42.68, -62.87

 

CMYK 0 / 66 / 75 / 36

HEX #A23729

RGB 162 55 41

HSL 6.94, 0.6%, 0.4%

LAB 38.85, 43.42, 32.47

 

CMYK 74 / 0 / 65 / 36

HEX #2AA339

RGB 42 163 57

HSL 127.44, 0.59%, 0.4%

LAB 58.96, -54.16, 44.44

 

CMYK 75 / 23 / 0 / 36

HEX #297CA2

RGB 41 124 162

HSL 198.84, 0.6%, 0.4%

LAB 48.88, -11.6, -27.44

 

CMYK 0 / 75 / 9 / 36

HEX #A22994

RGB 162 41 148

HSL 306.94, 0.6%, 0.4%

LAB 40.26, 59.98, -31.85

 

CMYK 0 / 51 / 75 / 36

HEX #A24F29

RGB 162 79 41

HSL 18.84, 0.6%, 0.4%

LAB 43.41, 31.57, 37.43

 

CMYK 74 / 0 / 65 / 36

HEX #2AA339

RGB 42 163 57

HSL 127.44, 0.59%, 0.4%

LAB 58.96, -54.16, 44.44

 

CMYK 75 / 46 / 0 / 36

HEX #2957A2

RGB 41 87 162

HSL 217.19, 0.6%, 0.4%

LAB 37.66, 11.23, -45.17

 

CMYK 0 / 75 / 9 / 36

HEX #A22994

RGB 162 41 148

HSL 306.94, 0.6%, 0.4%

LAB 40.26, 59.98, -31.85

 

CMYK 0 / 28 / 75 / 36

HEX #A27429

RGB 162 116 41

HSL 37.19, 0.6%, 0.4%

LAB 52.21, 10.86, 46.53

 

Description

Color code: HEX #2AA339 | qconv.com Color code: HEX #2AA339 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 163 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 163 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 65 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 65% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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