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Color name
HEX #2A9119

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A9119 it is the complementary color #D56EE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A9119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A9119 shade: #2F9114, #40A327, #51B53A, #62C74D and #73D960

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A9119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A9119 shade: #2A9119, #197F06, #086D00, #005B00 and #004900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A9119 shade: #298F18, #498F18, #698F18, #8A8F18 and #8F7518

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A9119 shade: #298F18, #188F27, #188F47, #188F68 and #188F88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A9119 shade matches the following richer shades: #298F18 and #1F9D0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A9119 shade: #298F18, #338226, #3C7433, #466741 and #50594E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A9119 shade: #6A8F18, #4A8F18, #2A8F18, #188F26 and #188F46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A9119 shade: #15490C, #1F6C12, #298F18, #33B31E and #3DD624

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A9119 shade: #2A9119, #18898F and #8F185A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A9119 shade: #2A9119, #182A8F and #8F182A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A9119 shade: #2A9119, #18898F, #7D188F and #8F1E18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A9119 shade: #2A9119, #18668F, #7D188F and #8F4218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 83 / 43

HEX #2A9119

RGB 42 145 25

HSL 111.5, 0.71%, 0.33%

LAB 52.74, -50.78, 50.19

 

Complementary color

CMYK 7 / 52 / 0 / 10

HEX #D56EE6

RGB 213 110 230

HSL 291.5, 0.71%, 0.67%

LAB 62.52, 57.79, -43.85

 

CMYK 68 / 0 / 86 / 43

HEX #2F9114

RGB 47 145 20

HSL 107.04, 0.76%, 0.32%

LAB 52.85, -50, 51.69

 

CMYK 61 / 0 / 76 / 36

HEX #40A327

RGB 64 163 39

HSL 107.9, 0.61%, 0.4%

LAB 59.37, -51.25, 52.22

 

CMYK 55 / 0 / 68 / 29

HEX #51B53A

RGB 81 181 58

HSL 108.78, 0.51%, 0.47%

LAB 65.83, -51.98, 51.8

 

CMYK 51 / 0 / 61 / 22

HEX #62C74D

RGB 98 199 77

HSL 109.67, 0.52%, 0.54%

LAB 72.21, -52.37, 50.92

 

CMYK 47 / 0 / 56 / 15

HEX #73D960

RGB 115 217 96

HSL 110.58, 0.61%, 0.61%

LAB 78.53, -52.54, 49.82

 

CMYK 71 / 0 / 83 / 43

HEX #2A9119

RGB 42 145 25

HSL 111.5, 0.71%, 0.33%

LAB 52.74, -50.78, 50.19

 

CMYK 80 / 0 / 95 / 50

HEX #197F06

RGB 25 127 6

HSL 110.58, 0.91%, 0.26%

LAB 46.18, -48.66, 48.72

 

CMYK 93 / 0 / 100 / 57

HEX #086D00

RGB 8 109 0

HSL 115.6, 1%, 0.21%

LAB 39.56, -45.29, 44.59

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 71 / 0 / 83 / 44

HEX #298F18

RGB 41 143 24

HSL 111.43, 0.71%, 0.33%

LAB 52.04, -50.35, 49.82

 

CMYK 49 / 0 / 83 / 44

HEX #498F18

RGB 73 143 24

HSL 95.29, 0.71%, 0.33%

LAB 53.09, -41.94, 51.16

 

CMYK 27 / 0 / 83 / 44

HEX #698F18

RGB 105 143 24

HSL 79.16, 0.71%, 0.33%

LAB 54.78, -30.07, 53.32

 

CMYK 3 / 0 / 83 / 44

HEX #8A8F18

RGB 138 143 24

HSL 62.52, 0.71%, 0.33%

LAB 57.19, -15.76, 56.36

 

CMYK 0 / 18 / 83 / 44

HEX #8F7518

RGB 143 117 24

HSL 46.89, 0.71%, 0.33%

LAB 50.25, 0.8, 50.52

 

CMYK 71 / 0 / 83 / 44

HEX #298F18

RGB 41 143 24

HSL 111.43, 0.71%, 0.33%

LAB 52.04, -50.35, 49.82

 

CMYK 83 / 0 / 73 / 44

HEX #188F27

RGB 24 143 39

HSL 127.56, 0.71%, 0.33%

LAB 51.82, -51.92, 44.28

 

CMYK 83 / 0 / 50 / 44

HEX #188F47

RGB 24 143 71

HSL 143.7, 0.71%, 0.33%

LAB 52.17, -47.71, 29.51

 

CMYK 83 / 0 / 27 / 44

HEX #188F68

RGB 24 143 104

HSL 160.34, 0.71%, 0.33%

LAB 52.77, -40.83, 12.05

 

CMYK 83 / 0 / 5 / 44

HEX #188F88

RGB 24 143 136

HSL 176.47, 0.71%, 0.33%

LAB 53.62, -32.04, -5.14

 

CMYK 71 / 0 / 83 / 44

HEX #298F18

RGB 41 143 24

HSL 111.43, 0.71%, 0.33%

LAB 52.04, -50.35, 49.82

 

CMYK 80 / 0 / 94 / 38

HEX #1F9D0A

RGB 31 157 10

HSL 111.43, 0.88%, 0.33%

LAB 56.51, -57.09, 56.74

 

CMYK 71 / 0 / 83 / 44

HEX #298F18

RGB 41 143 24

HSL 111.43, 0.71%, 0.33%

LAB 52.04, -50.35, 49.82

 

CMYK 61 / 0 / 71 / 49

HEX #338226

RGB 51 130 38

HSL 111.52, 0.55%, 0.33%

LAB 48.02, -42.3, 40.89

 

CMYK 48 / 0 / 56 / 55

HEX #3C7433

RGB 60 116 51

HSL 111.69, 0.39%, 0.33%

LAB 43.79, -32.31, 29.98

 

CMYK 32 / 0 / 37 / 60

HEX #466741

RGB 70 103 65

HSL 112.11, 0.23%, 0.33%

LAB 40.22, -20.23, 17.74

 

CMYK 10 / 0 / 12 / 65

HEX #50594E

RGB 80 89 78

HSL 109.09, 0.07%, 0.33%

LAB 36.74, -5.91, 5.17

 

CMYK 26 / 0 / 83 / 44

HEX #6A8F18

RGB 106 143 24

HSL 78.66, 0.71%, 0.33%

LAB 54.84, -29.66, 53.4

 

CMYK 48 / 0 / 83 / 44

HEX #4A8F18

RGB 74 143 24

HSL 94.79, 0.71%, 0.33%

LAB 53.13, -41.62, 51.22

 

CMYK 71 / 0 / 83 / 44

HEX #2A8F18

RGB 42 143 24

HSL 110.92, 0.71%, 0.33%

LAB 52.07, -50.15, 49.85

 

CMYK 83 / 0 / 73 / 44

HEX #188F26

RGB 24 143 38

HSL 127.06, 0.71%, 0.33%

LAB 51.81, -52.01, 44.67

 

CMYK 83 / 0 / 51 / 44

HEX #188F46

RGB 24 143 70

HSL 143.19, 0.71%, 0.33%

LAB 52.15, -47.88, 30.02

 

CMYK 71 / 0 / 84 / 71

HEX #15490C

RGB 21 73 12

HSL 111.15, 0.72%, 0.17%

LAB 26.59, -29.95, 29.46

 

CMYK 71 / 0 / 83 / 58

HEX #1F6C12

RGB 31 108 18

HSL 111.33, 0.71%, 0.25%

LAB 39.68, -40.51, 40.01

 

CMYK 71 / 0 / 83 / 44

HEX #298F18

RGB 41 143 24

HSL 111.43, 0.71%, 0.33%

LAB 52.04, -50.35, 49.82

 

CMYK 72 / 0 / 83 / 30

HEX #33B31E

RGB 51 179 30

HSL 111.54, 0.71%, 0.41%

LAB 64.19, -60.02, 59.42

 

CMYK 71 / 0 / 83 / 16

HEX #3DD624

RGB 61 214 36

HSL 111.57, 0.71%, 0.49%

LAB 75.58, -68.98, 68.33

 

CMYK 71 / 0 / 83 / 43

HEX #2A9119

RGB 42 145 25

HSL 111.5, 0.71%, 0.33%

LAB 52.74, -50.78, 50.19

 

CMYK 83 / 4 / 0 / 44

HEX #18898F

RGB 24 137 143

HSL 183.03, 0.71%, 0.33%

LAB 51.91, -26.93, -11.74

 

CMYK 0 / 83 / 37 / 44

HEX #8F185A

RGB 143 24 90

HSL 326.72, 0.71%, 0.33%

LAB 32.33, 52.57, -7.97

 

CMYK 71 / 0 / 83 / 43

HEX #2A9119

RGB 42 145 25

HSL 111.5, 0.71%, 0.33%

LAB 52.74, -50.78, 50.19

 

CMYK 83 / 71 / 0 / 44

HEX #182A8F

RGB 24 42 143

HSL 230.92, 0.71%, 0.33%

LAB 23.11, 32.28, -57.28

 

CMYK 0 / 83 / 71 / 44

HEX #8F182A

RGB 143 24 42

HSL 350.92, 0.71%, 0.33%

LAB 31.02, 48.66, 21.76

 

CMYK 71 / 0 / 83 / 43

HEX #2A9119

RGB 42 145 25

HSL 111.5, 0.71%, 0.33%

LAB 52.74, -50.78, 50.19

 

CMYK 83 / 4 / 0 / 44

HEX #18898F

RGB 24 137 143

HSL 183.03, 0.71%, 0.33%

LAB 51.91, -26.93, -11.74

 

CMYK 13 / 83 / 0 / 44

HEX #7D188F

RGB 125 24 143

HSL 290.92, 0.71%, 0.33%

LAB 31.8, 56.4, -42.64

 

CMYK 0 / 79 / 83 / 44

HEX #8F1E18

RGB 143 30 24

HSL 3.03, 0.71%, 0.33%

LAB 31.43, 46.11, 33.27

 

CMYK 71 / 0 / 83 / 43

HEX #2A9119

RGB 42 145 25

HSL 111.5, 0.71%, 0.33%

LAB 52.74, -50.78, 50.19

 

CMYK 83 / 29 / 0 / 44

HEX #18668F

RGB 24 102 143

HSL 200.67, 0.71%, 0.33%

LAB 40.7, -7.69, -28.98

 

CMYK 13 / 83 / 0 / 44

HEX #7D188F

RGB 125 24 143

HSL 290.92, 0.71%, 0.33%

LAB 31.8, 56.4, -42.64

 

CMYK 0 / 54 / 83 / 44

HEX #8F4218

RGB 143 66 24

HSL 21.18, 0.71%, 0.33%

LAB 37.48, 29.96, 39.03

 

Description

Color code: HEX #2A9119 | qconv.com Color code: HEX #2A9119 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 145 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 145 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 83 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 83% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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