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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A879D it is the complementary color #D57862. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A879D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A879D shade: #2F8798, #4099AB, #51ABBE, #62BDD1 and #73CFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A879D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A879D shade: #2A879D, #19758A, #086377, #005164 and #003F51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A879D shade: #29879D, #29679D, #29489D, #29299D and #48299D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A879D shade: #29879D, #29679D, #29489D and #29299D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A879D shade matches the following richer shades: #29879D, #1990AD and #099ABD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A879D shade: #29879D, #397D8D, #49737C, #5A696C and #6A5F5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A879D shade: #299D74, #299D93, #29879D, #29699D and #294A9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A879D shade: #184F5B, #216B7C, #29879D, #32A3BD and #4AB5CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A879D shade: #2A879D, #55299D and #9D8429

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A879D shade: #2A879D, #9D2987 and #879D29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A879D shade: #2A879D, #55299D, #9D3E29 and #709D29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A879D shade: #2A879D, #78299D, #9D3E29 and #4E9D29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 14 / 0 / 38

HEX #2A879D

RGB 42 135 157

HSL 191.48, 0.58%, 0.39%

LAB 52.12, -19.27, -19.52

 

Complementary color

CMYK 0 / 44 / 54 / 16

HEX #D57862

RGB 213 120 98

HSL 11.48, 0.58%, 0.61%

LAB 60.3, 34.08, 27.96

 

CMYK 69 / 11 / 0 / 40

HEX #2F8798

RGB 47 135 152

HSL 189.71, 0.53%, 0.39%

LAB 52.06, -20.18, -16.71

 

CMYK 63 / 11 / 0 / 33

HEX #4099AB

RGB 64 153 171

HSL 190.09, 0.46%, 0.46%

LAB 58.8, -20.84, -17.32

 

CMYK 57 / 10 / 0 / 25

HEX #51ABBE

RGB 81 171 190

HSL 190.46, 0.46%, 0.53%

LAB 65.43, -21.3, -17.87

 

CMYK 53 / 10 / 0 / 18

HEX #62BDD1

RGB 98 189 209

HSL 190.81, 0.55%, 0.6%

LAB 71.96, -21.62, -18.38

 

CMYK 50 / 9 / 0 / 11

HEX #73CFE4

RGB 115 207 228

HSL 191.15, 0.68%, 0.67%

LAB 78.39, -21.86, -18.86

 

CMYK 73 / 14 / 0 / 38

HEX #2A879D

RGB 42 135 157

HSL 191.48, 0.58%, 0.39%

LAB 52.12, -19.27, -19.52

 

CMYK 82 / 15 / 0 / 46

HEX #19758A

RGB 25 117 138

HSL 191.15, 0.69%, 0.32%

LAB 45.31, -18.05, -18.84

 

CMYK 93 / 17 / 0 / 53

HEX #086377

RGB 8 99 119

HSL 190.81, 0.87%, 0.25%

LAB 38.39, -16.3, -18.04

 

CMYK 100 / 19 / 0 / 61

HEX #005164

RGB 0 81 100

HSL 191.4, 1%, 0.2%

LAB 31.36, -13.8, -17.07

 

CMYK 100 / 22 / 0 / 68

HEX #003F51

RGB 0 63 81

HSL 193.33, 1%, 0.16%

LAB 24.16, -10.6, -15.95

 

CMYK 74 / 14 / 0 / 38

HEX #29879D

RGB 41 135 157

HSL 191.38, 0.59%, 0.39%

LAB 52.1, -19.4, -19.56

 

CMYK 74 / 34 / 0 / 38

HEX #29679D

RGB 41 103 157

HSL 207.93, 0.59%, 0.39%

LAB 42.16, -0.92, -35.01

 

CMYK 74 / 54 / 0 / 38

HEX #29489D

RGB 41 72 157

HSL 223.97, 0.59%, 0.39%

LAB 33.01, 19.31, -49.66

 

CMYK 74 / 74 / 0 / 38

HEX #29299D

RGB 41 41 157

HSL 240, 0.59%, 0.39%

LAB 25.23, 39.48, -62.37

 

CMYK 54 / 74 / 0 / 38

HEX #48299D

RGB 72 41 157

HSL 256.03, 0.59%, 0.39%

LAB 27.84, 43.49, -57.99

 

CMYK 74 / 14 / 0 / 38

HEX #29879D

RGB 41 135 157

HSL 191.38, 0.59%, 0.39%

LAB 52.1, -19.4, -19.56

 

CMYK 74 / 34 / 0 / 38

HEX #29679D

RGB 41 103 157

HSL 207.93, 0.59%, 0.39%

LAB 42.16, -0.92, -35.01

 

CMYK 74 / 54 / 0 / 38

HEX #29489D

RGB 41 72 157

HSL 223.97, 0.59%, 0.39%

LAB 33.01, 19.31, -49.66

 

CMYK 74 / 74 / 0 / 38

HEX #29299D

RGB 41 41 157

HSL 240, 0.59%, 0.39%

LAB 25.23, 39.48, -62.37

 

CMYK 74 / 14 / 0 / 38

HEX #29879D

RGB 41 135 157

HSL 191.38, 0.59%, 0.39%

LAB 52.1, -19.4, -19.56

 

CMYK 86 / 17 / 0 / 32

HEX #1990AD

RGB 25 144 173

HSL 191.76, 0.75%, 0.39%

LAB 55.25, -20.41, -23.97

 

CMYK 95 / 19 / 0 / 26

HEX #099ABD

RGB 9 154 189

HSL 191.67, 0.91%, 0.39%

LAB 58.83, -20.97, -27.54

 

CMYK 74 / 14 / 0 / 38

HEX #29879D

RGB 41 135 157

HSL 191.38, 0.59%, 0.39%

LAB 52.1, -19.4, -19.56

 

CMYK 60 / 11 / 0 / 45

HEX #397D8D

RGB 57 125 141

HSL 191.43, 0.42%, 0.39%

LAB 48.83, -16.48, -15.16

 

CMYK 41 / 7 / 0 / 51

HEX #49737C

RGB 73 115 124

HSL 190.59, 0.26%, 0.39%

LAB 45.82, -12.07, -9.58

 

CMYK 17 / 3 / 0 / 58

HEX #5A696C

RGB 90 105 108

HSL 190, 0.09%, 0.39%

LAB 43.3, -4.95, -3.59

 

CMYK 0 / 10 / 13 / 58

HEX #6A5F5C

RGB 106 95 92

HSL 12.86, 0.07%, 0.39%

LAB 41.25, 3.84, 3.31

 

CMYK 74 / 0 / 26 / 38

HEX #299D74

RGB 41 157 116

HSL 158.79, 0.59%, 0.39%

LAB 57.89, -41.71, 12.47

 

CMYK 74 / 0 / 6 / 38

HEX #299D93

RGB 41 157 147

HSL 174.83, 0.59%, 0.39%

LAB 58.69, -33.54, -3.91

 

CMYK 74 / 14 / 0 / 38

HEX #29879D

RGB 41 135 157

HSL 191.38, 0.59%, 0.39%

LAB 52.1, -19.4, -19.56

 

CMYK 74 / 33 / 0 / 38

HEX #29699D

RGB 41 105 157

HSL 206.9, 0.59%, 0.39%

LAB 42.78, -2.15, -34.05

 

CMYK 74 / 53 / 0 / 38

HEX #294A9D

RGB 41 74 157

HSL 222.93, 0.59%, 0.39%

LAB 33.57, 17.96, -48.75

 

CMYK 74 / 13 / 0 / 64

HEX #184F5B

RGB 24 79 91

HSL 190.75, 0.58%, 0.23%

LAB 30.74, -13.36, -12.26

 

CMYK 73 / 14 / 0 / 51

HEX #216B7C

RGB 33 107 124

HSL 191.21, 0.58%, 0.31%

LAB 41.68, -16.39, -16

 

CMYK 74 / 14 / 0 / 38

HEX #29879D

RGB 41 135 157

HSL 191.38, 0.59%, 0.39%

LAB 52.1, -19.4, -19.56

 

CMYK 74 / 14 / 0 / 26

HEX #32A3BD

RGB 50 163 189

HSL 191.22, 0.58%, 0.47%

LAB 62.12, -22.48, -22.43

 

CMYK 64 / 12 / 0 / 19

HEX #4AB5CE

RGB 74 181 206

HSL 191.36, 0.57%, 0.55%

LAB 68.72, -22.91, -21.73

 

CMYK 73 / 14 / 0 / 38

HEX #2A879D

RGB 42 135 157

HSL 191.48, 0.58%, 0.39%

LAB 52.12, -19.27, -19.52

 

CMYK 46 / 74 / 0 / 38

HEX #55299D

RGB 85 41 157

HSL 262.76, 0.59%, 0.39%

LAB 29.29, 45.65, -55.56

 

CMYK 0 / 16 / 74 / 38

HEX #9D8429

RGB 157 132 41

HSL 47.07, 0.59%, 0.39%

LAB 55.92, -0.43, 50.03

 

CMYK 73 / 14 / 0 / 38

HEX #2A879D

RGB 42 135 157

HSL 191.48, 0.58%, 0.39%

LAB 52.12, -19.27, -19.52

 

CMYK 0 / 74 / 14 / 38

HEX #9D2987

RGB 157 41 135

HSL 311.38, 0.59%, 0.39%

LAB 38.73, 56.81, -26.36

 

CMYK 14 / 0 / 74 / 38

HEX #879D29

RGB 135 157 41

HSL 71.38, 0.59%, 0.39%

LAB 61.15, -23.49, 54.48

 

CMYK 73 / 14 / 0 / 38

HEX #2A879D

RGB 42 135 157

HSL 191.48, 0.58%, 0.39%

LAB 52.12, -19.27, -19.52

 

CMYK 46 / 74 / 0 / 38

HEX #55299D

RGB 85 41 157

HSL 262.76, 0.59%, 0.39%

LAB 29.29, 45.65, -55.56

 

CMYK 0 / 61 / 74 / 38

HEX #9D3E29

RGB 157 62 41

HSL 10.86, 0.59%, 0.39%

LAB 39.2, 38.32, 32.61

 

CMYK 29 / 0 / 74 / 38

HEX #709D29

RGB 112 157 41

HSL 83.28, 0.59%, 0.39%

LAB 59.63, -32.94, 52.48

 

CMYK 73 / 14 / 0 / 38

HEX #2A879D

RGB 42 135 157

HSL 191.48, 0.58%, 0.39%

LAB 52.12, -19.27, -19.52

 

CMYK 24 / 74 / 0 / 38

HEX #78299D

RGB 120 41 157

HSL 280.86, 0.59%, 0.39%

LAB 34.01, 52.36, -47.67

 

CMYK 0 / 61 / 74 / 38

HEX #9D3E29

RGB 157 62 41

HSL 10.86, 0.59%, 0.39%

LAB 39.2, 38.32, 32.61

 

CMYK 50 / 0 / 74 / 38

HEX #4E9D29

RGB 78 157 41

HSL 100.86, 0.59%, 0.39%

LAB 57.94, -44.94, 50.23

 

Description

Color code: HEX #2A879D | qconv.com Color code: HEX #2A879D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 135 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 135 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 14 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 14% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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