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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A72C9 it is the complementary color #D58D36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A72C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A72C9 shade: #2F72C4, #4084D7, #5196EA, #62A8FD and #73BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A72C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A72C9 shade: #2A72C9, #1960B6, #084EA3, #003C90 and #002A7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A72C9 shade: #2A72C9, #2A47C9, #382AC9, #632AC9 and #8E2AC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A72C9 shade: #2A72C9, #2A47C9 and #2A2AC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A72C9 shade matches the following richer shades: #2A72C9, #1771DD and #036FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A72C9 shade: #2A72C9, #3E74B6, #5276A2, #66788E and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A72C9 shade: #2AC9C9, #2A9FC9, #2A75C9, #2A4AC9 and #352AC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A72C9 shade: #1C4C85, #235FA7, #2A72C9, #4688D7 and #689EDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A72C9 shade: #2A72C9, #9F2AC9 and #B4C92A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A72C9 shade: #2A72C9, #C92A75 and #75C92A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A72C9 shade: #2A72C9, #9F2AC9, #C97F2A and #55C92A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A72C9 shade: #2A72C9, #C92AC4, #C97F2A and #2AC930

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 43 / 0 / 21

HEX #2A72C9

RGB 42 114 201

HSL 212.83, 0.65%, 0.48%

LAB 47.94, 8.94, -51.49

 

Complementary color

CMYK 0 / 34 / 75 / 16

HEX #D58D36

RGB 213 141 54

HSL 32.83, 0.65%, 0.52%

LAB 64.53, 20.02, 55.2

 

CMYK 76 / 42 / 0 / 23

HEX #2F72C4

RGB 47 114 196

HSL 213.02, 0.61%, 0.48%

LAB 47.78, 7.63, -48.85

 

CMYK 70 / 39 / 0 / 16

HEX #4084D7

RGB 64 132 215

HSL 212.98, 0.65%, 0.55%

LAB 54.55, 5.8, -48.84

 

CMYK 65 / 36 / 0 / 8

HEX #5196EA

RGB 81 150 234

HSL 212.94, 0.78%, 0.62%

LAB 61.22, 4.33, -48.82

 

CMYK 61 / 34 / 0 / 1

HEX #62A8FD

RGB 98 168 253

HSL 212.9, 0.97%, 0.69%

LAB 67.79, 3.14, -48.8

 

CMYK 55 / 27 / 0 / 0

HEX #73BAFF

RGB 115 186 255

HSL 209.57, 1%, 0.73%

LAB 73.53, -3.04, -40.83

 

CMYK 79 / 43 / 0 / 21

HEX #2A72C9

RGB 42 114 201

HSL 212.83, 0.65%, 0.48%

LAB 47.94, 8.94, -51.49

 

CMYK 86 / 47 / 0 / 29

HEX #1960B6

RGB 25 96 182

HSL 212.87, 0.76%, 0.41%

LAB 41.14, 11.52, -51.42

 

CMYK 95 / 52 / 0 / 36

HEX #084EA3

RGB 8 78 163

HSL 212.9, 0.91%, 0.34%

LAB 34.28, 14.78, -51.25

 

CMYK 100 / 58 / 0 / 44

HEX #003C90

RGB 0 60 144

HSL 215, 1%, 0.28%

LAB 27.42, 18.86, -50.86

 

CMYK 100 / 66 / 0 / 51

HEX #002A7D

RGB 0 42 125

HSL 219.84, 1%, 0.25%

LAB 20.58, 23.59, -50.18

 

CMYK 79 / 43 / 0 / 21

HEX #2A72C9

RGB 42 114 201

HSL 212.83, 0.65%, 0.48%

LAB 47.94, 8.94, -51.49

 

CMYK 79 / 65 / 0 / 21

HEX #2A47C9

RGB 42 71 201

HSL 229.06, 0.65%, 0.48%

LAB 36.4, 36.63, -70.2

 

CMYK 72 / 79 / 0 / 21

HEX #382AC9

RGB 56 42 201

HSL 245.28, 0.65%, 0.48%

LAB 31.15, 54.41, -78.83

 

CMYK 51 / 79 / 0 / 21

HEX #632AC9

RGB 99 42 201

HSL 261.51, 0.65%, 0.48%

LAB 35.05, 58.95, -72.25

 

CMYK 29 / 79 / 0 / 21

HEX #8E2AC9

RGB 142 42 201

HSL 277.74, 0.65%, 0.48%

LAB 40.61, 65.41, -62.93

 

CMYK 79 / 43 / 0 / 21

HEX #2A72C9

RGB 42 114 201

HSL 212.83, 0.65%, 0.48%

LAB 47.94, 8.94, -51.49

 

CMYK 79 / 65 / 0 / 21

HEX #2A47C9

RGB 42 71 201

HSL 229.06, 0.65%, 0.48%

LAB 36.4, 36.63, -70.2

 

CMYK 79 / 79 / 0 / 21

HEX #2A2AC9

RGB 42 42 201

HSL 240, 0.65%, 0.48%

LAB 30.32, 53.44, -80.23

 

CMYK 79 / 43 / 0 / 21

HEX #2A72C9

RGB 42 114 201

HSL 212.83, 0.65%, 0.48%

LAB 47.94, 8.94, -51.49

 

CMYK 90 / 49 / 0 / 13

HEX #1771DD

RGB 23 113 221

HSL 212.73, 0.81%, 0.48%

LAB 48.53, 15.8, -61.94

 

CMYK 99 / 54 / 0 / 5

HEX #036FF1

RGB 3 111 241

HSL 212.77, 0.98%, 0.48%

LAB 49.18, 24.18, -72.14

 

CMYK 79 / 43 / 0 / 21

HEX #2A72C9

RGB 42 114 201

HSL 212.83, 0.65%, 0.48%

LAB 47.94, 8.94, -51.49

 

CMYK 66 / 36 / 0 / 29

HEX #3E74B6

RGB 62 116 182

HSL 213, 0.49%, 0.48%

LAB 48.12, 3.51, -40.2

 

CMYK 49 / 27 / 0 / 36

HEX #5276A2

RGB 82 118 162

HSL 213, 0.33%, 0.48%

LAB 48.71, -0.11, -27.57

 

CMYK 28 / 15 / 0 / 44

HEX #66788E

RGB 102 120 142

HSL 213, 0.16%, 0.48%

LAB 49.75, -1.26, -14.13

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 79 / 0 / 0 / 21

HEX #2AC9C9

RGB 42 201 201

HSL 180, 0.65%, 0.48%

LAB 73.86, -38.1, -11.31

 

CMYK 79 / 21 / 0 / 21

HEX #2A9FC9

RGB 42 159 201

HSL 195.85, 0.65%, 0.48%

LAB 61.23, -17.3, -30.54

 

CMYK 79 / 42 / 0 / 21

HEX #2A75C9

RGB 42 117 201

HSL 211.7, 0.65%, 0.48%

LAB 48.8, 7.07, -50.11

 

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

CMYK 74 / 79 / 0 / 21

HEX #352AC9

RGB 53 42 201

HSL 244.15, 0.65%, 0.48%

LAB 30.95, 54.18, -79.16

 

CMYK 79 / 43 / 0 / 48

HEX #1C4C85

RGB 28 76 133

HSL 212.57, 0.65%, 0.32%

LAB 32.05, 5.38, -36.57

 

CMYK 79 / 43 / 0 / 35

HEX #235FA7

RGB 35 95 167

HSL 212.73, 0.65%, 0.4%

LAB 40.13, 7.2, -44.19

 

CMYK 79 / 43 / 0 / 21

HEX #2A72C9

RGB 42 114 201

HSL 212.83, 0.65%, 0.48%

LAB 47.94, 8.94, -51.49

 

CMYK 67 / 37 / 0 / 16

HEX #4688D7

RGB 70 136 215

HSL 212.69, 0.64%, 0.56%

LAB 55.9, 4.31, -46.68

 

CMYK 53 / 29 / 0 / 13

HEX #689EDF

RGB 104 158 223

HSL 212.77, 0.65%, 0.64%

LAB 63.94, 0.56, -38.4

 

CMYK 79 / 43 / 0 / 21

HEX #2A72C9

RGB 42 114 201

HSL 212.83, 0.65%, 0.48%

LAB 47.94, 8.94, -51.49

 

CMYK 21 / 79 / 0 / 21

HEX #9F2AC9

RGB 159 42 201

HSL 284.15, 0.65%, 0.48%

LAB 43.13, 68.33, -58.73

 

CMYK 10 / 0 / 79 / 21

HEX #B4C92A

RGB 180 201 42

HSL 67.92, 0.65%, 0.48%

LAB 77.07, -26.06, 70.09

 

CMYK 79 / 43 / 0 / 21

HEX #2A72C9

RGB 42 114 201

HSL 212.83, 0.65%, 0.48%

LAB 47.94, 8.94, -51.49

 

CMYK 0 / 79 / 42 / 21

HEX #C92A75

RGB 201 42 117

HSL 331.7, 0.65%, 0.48%

LAB 46.12, 65.43, -3.29

 

CMYK 42 / 0 / 79 / 21

HEX #75C92A

RGB 117 201 42

HSL 91.7, 0.65%, 0.48%

LAB 73.37, -49.98, 65.35

 

CMYK 79 / 43 / 0 / 21

HEX #2A72C9

RGB 42 114 201

HSL 212.83, 0.65%, 0.48%

LAB 47.94, 8.94, -51.49

 

CMYK 21 / 79 / 0 / 21

HEX #9F2AC9

RGB 159 42 201

HSL 284.15, 0.65%, 0.48%

LAB 43.13, 68.33, -58.73

 

CMYK 0 / 37 / 79 / 21

HEX #C97F2A

RGB 201 127 42

HSL 32.08, 0.65%, 0.48%

LAB 59.67, 22, 54.97

 

CMYK 58 / 0 / 79 / 21

HEX #55C92A

RGB 85 201 42

HSL 103.77, 0.65%, 0.48%

LAB 72.14, -59.35, 63.77

 

CMYK 79 / 43 / 0 / 21

HEX #2A72C9

RGB 42 114 201

HSL 212.83, 0.65%, 0.48%

LAB 47.94, 8.94, -51.49

 

CMYK 0 / 79 / 2 / 21

HEX #C92AC4

RGB 201 42 196

HSL 301.89, 0.65%, 0.48%

LAB 49.57, 75.35, -45.14

 

CMYK 0 / 37 / 79 / 21

HEX #C97F2A

RGB 201 127 42

HSL 32.08, 0.65%, 0.48%

LAB 59.67, 22, 54.97

 

CMYK 79 / 0 / 76 / 21

HEX #2AC930

RGB 42 201 48

HSL 122.26, 0.65%, 0.48%

LAB 71.2, -67.13, 60.67

 

Description

Color code: HEX #2A72C9 | qconv.com Color code: HEX #2A72C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 114 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 114 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 43 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 43% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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