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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A6A7A it is the complementary color #D59585. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A6A7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A6A7A shade: #2F6A75, #407C88, #518E9B, #62A0AE and #73B2C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A6A7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A6A7A shade: #2A6A7A, #195867, #084654, #003441 and #00222E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A6A7A shade: #296979, #295479, #293E79, #2A2979 and #3F2979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A6A7A shade: #296979, #295479, #293E79 and #292979

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A6A7A shade matches the following richer shades: #296979, #1C7186, #0F7993 and #0281A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A6A7A shade: #296979, #36616C, #44595F, #515151 and #5E4944

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A6A7A shade: #29795E, #297974, #296979, #295479 and #293E79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A6A7A shade: #14343C, #1F4E5A, #296979, #348498 and #3E9EB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A6A7A shade: #2A6A7A, #492979 and #796929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A6A7A shade: #2A6A7A, #792969 and #697929

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A6A7A shade: #2A6A7A, #492979, #793929 and #597929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A6A7A shade: #2A6A7A, #612979, #793929 and #417929

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 13 / 0 / 52

HEX #2A6A7A

RGB 42 106 122

HSL 192, 0.49%, 0.32%

LAB 41.54, -14.99, -14.97

 

Complementary color

CMYK 0 / 30 / 38 / 16

HEX #D59585

RGB 213 149 133

HSL 12, 0.49%, 0.68%

LAB 67.53, 22.08, 18.11

 

CMYK 60 / 9 / 0 / 54

HEX #2F6A75

RGB 47 106 117

HSL 189.43, 0.43%, 0.32%

LAB 41.53, -15.62, -11.95

 

CMYK 53 / 9 / 0 / 47

HEX #407C88

RGB 64 124 136

HSL 190, 0.36%, 0.39%

LAB 48.61, -15.93, -12.52

 

CMYK 48 / 8 / 0 / 39

HEX #518E9B

RGB 81 142 155

HSL 190.54, 0.31%, 0.46%

LAB 55.54, -16.12, -13.05

 

CMYK 44 / 8 / 0 / 32

HEX #62A0AE

RGB 98 160 174

HSL 191.05, 0.32%, 0.53%

LAB 62.33, -16.23, -13.54

 

CMYK 40 / 8 / 0 / 24

HEX #73B2C1

RGB 115 178 193

HSL 191.54, 0.39%, 0.6%

LAB 68.99, -16.3, -14.01

 

CMYK 66 / 13 / 0 / 52

HEX #2A6A7A

RGB 42 106 122

HSL 192, 0.49%, 0.32%

LAB 41.54, -14.99, -14.97

 

CMYK 76 / 15 / 0 / 60

HEX #195867

RGB 25 88 103

HSL 191.54, 0.61%, 0.25%

LAB 34.32, -14.15, -14.36

 

CMYK 90 / 17 / 0 / 67

HEX #084654

RGB 8 70 84

HSL 191.05, 0.83%, 0.18%

LAB 26.94, -12.77, -13.61

 

CMYK 100 / 20 / 0 / 75

HEX #003441

RGB 0 52 65

HSL 192, 1%, 0.13%

LAB 19.38, -10.4, -12.63

 

CMYK 100 / 26 / 0 / 82

HEX #00222E

RGB 0 34 46

HSL 195.65, 1%, 0.09%

LAB 11.56, -6.91, -11.43

 

CMYK 66 / 13 / 0 / 53

HEX #296979

RGB 41 105 121

HSL 192, 0.49%, 0.32%

LAB 41.14, -14.95, -14.98

 

CMYK 66 / 31 / 0 / 53

HEX #295479

RGB 41 84 121

HSL 207.75, 0.49%, 0.32%

LAB 34.38, -2.36, -25.43

 

CMYK 66 / 49 / 0 / 53

HEX #293E79

RGB 41 62 121

HSL 224.25, 0.49%, 0.32%

LAB 27.57, 12.28, -36.24

 

CMYK 65 / 66 / 0 / 53

HEX #2A2979

RGB 42 41 121

HSL 240.75, 0.49%, 0.32%

LAB 21.79, 26.89, -45.58

 

CMYK 48 / 66 / 0 / 53

HEX #3F2979

RGB 63 41 121

HSL 256.5, 0.49%, 0.32%

LAB 23.75, 30.96, -42.31

 

CMYK 66 / 13 / 0 / 53

HEX #296979

RGB 41 105 121

HSL 192, 0.49%, 0.32%

LAB 41.14, -14.95, -14.98

 

CMYK 66 / 31 / 0 / 53

HEX #295479

RGB 41 84 121

HSL 207.75, 0.49%, 0.32%

LAB 34.38, -2.36, -25.43

 

CMYK 66 / 49 / 0 / 53

HEX #293E79

RGB 41 62 121

HSL 224.25, 0.49%, 0.32%

LAB 27.57, 12.28, -36.24

 

CMYK 66 / 66 / 0 / 53

HEX #292979

RGB 41 41 121

HSL 240, 0.49%, 0.32%

LAB 21.72, 26.73, -45.7

 

CMYK 66 / 13 / 0 / 53

HEX #296979

RGB 41 105 121

HSL 192, 0.49%, 0.32%

LAB 41.14, -14.95, -14.98

 

CMYK 79 / 16 / 0 / 47

HEX #1C7186

RGB 28 113 134

HSL 191.89, 0.65%, 0.32%

LAB 43.91, -16.92, -18.6

 

CMYK 90 / 18 / 0 / 42

HEX #0F7993

RGB 15 121 147

HSL 191.82, 0.81%, 0.32%

LAB 46.82, -17.87, -21.86

 

CMYK 99 / 20 / 0 / 37

HEX #0281A1

RGB 2 129 161

HSL 192.08, 0.98%, 0.32%

LAB 49.84, -17.82, -25.41

 

CMYK 66 / 13 / 0 / 53

HEX #296979

RGB 41 105 121

HSL 192, 0.49%, 0.32%

LAB 41.14, -14.95, -14.98

 

CMYK 50 / 10 / 0 / 58

HEX #36616C

RGB 54 97 108

HSL 192.22, 0.33%, 0.32%

LAB 38.58, -11.64, -10.88

 

CMYK 28 / 6 / 0 / 63

HEX #44595F

RGB 68 89 95

HSL 193.33, 0.17%, 0.32%

LAB 36.37, -6.4, -6.08

 

CMYK 0 / 0 / 0 / 68

HEX #515151

RGB 81 81 81

HSL 0, 0%, 0.32%

LAB 34.45, 0, -0

 

CMYK 0 / 22 / 28 / 63

HEX #5E4944

RGB 94 73 68

HSL 11.54, 0.16%, 0.32%

LAB 33.05, 8.07, 6.39

 

CMYK 66 / 0 / 22 / 53

HEX #29795E

RGB 41 121 94

HSL 159.75, 0.49%, 0.32%

LAB 45.57, -31.16, 7.77

 

CMYK 66 / 0 / 4 / 53

HEX #297974

RGB 41 121 116

HSL 176.25, 0.49%, 0.32%

LAB 46.19, -25.09, -4.39

 

CMYK 66 / 13 / 0 / 53

HEX #296979

RGB 41 105 121

HSL 192, 0.49%, 0.32%

LAB 41.14, -14.95, -14.98

 

CMYK 66 / 31 / 0 / 53

HEX #295479

RGB 41 84 121

HSL 207.75, 0.49%, 0.32%

LAB 34.38, -2.36, -25.43

 

CMYK 66 / 49 / 0 / 53

HEX #293E79

RGB 41 62 121

HSL 224.25, 0.49%, 0.32%

LAB 27.57, 12.28, -36.24

 

CMYK 67 / 13 / 0 / 76

HEX #14343C

RGB 20 52 60

HSL 192, 0.5%, 0.16%

LAB 19.77, -8.87, -8.58

 

CMYK 66 / 13 / 0 / 65

HEX #1F4E5A

RGB 31 78 90

HSL 192.2, 0.49%, 0.24%

LAB 30.59, -11.79, -11.83

 

CMYK 66 / 13 / 0 / 53

HEX #296979

RGB 41 105 121

HSL 192, 0.49%, 0.32%

LAB 41.14, -14.95, -14.98

 

CMYK 66 / 13 / 0 / 40

HEX #348498

RGB 52 132 152

HSL 192, 0.49%, 0.4%

LAB 51.27, -17.74, -17.9

 

CMYK 66 / 14 / 0 / 28

HEX #3E9EB7

RGB 62 158 183

HSL 192.4, 0.49%, 0.48%

LAB 60.69, -20.07, -21.22

 

CMYK 66 / 13 / 0 / 52

HEX #2A6A7A

RGB 42 106 122

HSL 192, 0.49%, 0.32%

LAB 41.54, -14.99, -14.97

 

CMYK 40 / 66 / 0 / 53

HEX #492979

RGB 73 41 121

HSL 264, 0.49%, 0.32%

LAB 24.9, 33.21, -40.39

 

CMYK 0 / 13 / 66 / 53

HEX #796929

RGB 121 105 41

HSL 48, 0.49%, 0.32%

LAB 44.7, -1.82, 37.29

 

CMYK 66 / 13 / 0 / 52

HEX #2A6A7A

RGB 42 106 122

HSL 192, 0.49%, 0.32%

LAB 41.54, -14.99, -14.97

 

CMYK 0 / 66 / 13 / 53

HEX #792969

RGB 121 41 105

HSL 312, 0.49%, 0.32%

LAB 31.05, 42.55, -19.98

 

CMYK 13 / 0 / 66 / 53

HEX #697929

RGB 105 121 41

HSL 72, 0.49%, 0.32%

LAB 48.06, -18.07, 40.49

 

CMYK 66 / 13 / 0 / 52

HEX #2A6A7A

RGB 42 106 122

HSL 192, 0.49%, 0.32%

LAB 41.54, -14.99, -14.97

 

CMYK 40 / 66 / 0 / 53

HEX #492979

RGB 73 41 121

HSL 264, 0.49%, 0.32%

LAB 24.9, 33.21, -40.39

 

CMYK 0 / 53 / 66 / 53

HEX #793929

RGB 121 57 41

HSL 12, 0.49%, 0.32%

LAB 32.15, 26.51, 22.85

 

CMYK 26 / 0 / 66 / 53

HEX #597929

RGB 89 121 41

HSL 84, 0.49%, 0.32%

LAB 46.92, -24.93, 38.93

 

CMYK 66 / 13 / 0 / 52

HEX #2A6A7A

RGB 42 106 122

HSL 192, 0.49%, 0.32%

LAB 41.54, -14.99, -14.97

 

CMYK 20 / 66 / 0 / 53

HEX #612979

RGB 97 41 121

HSL 282, 0.49%, 0.32%

LAB 28.13, 39.12, -35.01

 

CMYK 0 / 53 / 66 / 53

HEX #793929

RGB 121 57 41

HSL 12, 0.49%, 0.32%

LAB 32.15, 26.51, 22.85

 

CMYK 46 / 0 / 66 / 53

HEX #417929

RGB 65 121 41

HSL 102, 0.49%, 0.32%

LAB 45.58, -34.05, 37.08

 

Description

Color code: HEX #2A6A7A | qconv.com Color code: HEX #2A6A7A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 106 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 106 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 13 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 13% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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