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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CDE1B it is the complementary color #D321E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CDE1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CDE1B shade: #31DE16, #42F029, #53FF3C, #64FF4F and #75FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CDE1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CDE1B shade: #2CDE1B, #1BCC08, #0ABA00, #00A800 and #009600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CDE1B shade: #2CDE1B, #61DE1B, #95DE1B, #CADE1B and #DEBE1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CDE1B shade: #2CDE1B, #1BDE3F, #1BDE73, #1BDEA8 and #1BDEDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CDE1B shade matches the following richer shades: #2CDE1B and #1BF207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CDE1B shade: #2CDE1B, #3DCA2F, #4DB543, #5EA158 and #6F8D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CDE1B shade: #96DE1B, #62DE1B, #2EDE1B, #1BDE3B and #1BDE6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CDE1B shade: #1D9412, #25B916, #2CDE1B, #4BE63C and #6DEB60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CDE1B shade: #2CDE1B, #1BCADE and #DE1B7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CDE1B shade: #2CDE1B, #1B2EDE and #DE1B2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CDE1B shade: #2CDE1B, #1BCADE, #CA1BDE and #DE2E1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CDE1B shade: #2CDE1B, #1B90DE, #CA1BDE and #DE691B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 88 / 13

HEX #2CDE1B

RGB 44 222 27

HSL 114.77, 0.78%, 0.49%

LAB 77.79, -74.14, 72.09

 

Complementary color

CMYK 7 / 86 / 0 / 11

HEX #D321E4

RGB 211 33 228

HSL 294.77, 0.78%, 0.51%

LAB 52.44, 84.05, -58.77

 

CMYK 78 / 0 / 90 / 13

HEX #31DE16

RGB 49 222 22

HSL 111.9, 0.82%, 0.48%

LAB 77.85, -73.68, 73.01

 

CMYK 73 / 0 / 83 / 6

HEX #42F029

RGB 66 240 41

HSL 112.46, 0.87%, 0.55%

LAB 83.78, -75.81, 74.57

 

CMYK 67 / 0 / 76 / 0

HEX #53FF3C

RGB 83 255 60

HSL 112.92, 1%, 0.62%

LAB 88.77, -76.47, 74.27

 

CMYK 61 / 0 / 69 / 0

HEX #64FF4F

RGB 100 255 79

HSL 112.84, 1%, 0.65%

LAB 89.3, -71.74, 68.62

 

CMYK 54 / 0 / 62 / 0

HEX #75FF62

RGB 117 255 98

HSL 112.74, 1%, 0.69%

LAB 89.94, -66.09, 62.06

 

CMYK 80 / 0 / 88 / 13

HEX #2CDE1B

RGB 44 222 27

HSL 114.77, 0.78%, 0.49%

LAB 77.79, -74.14, 72.09

 

CMYK 87 / 0 / 96 / 20

HEX #1BCC08

RGB 27 204 8

HSL 114.18, 0.92%, 0.42%

LAB 71.85, -71.26, 69.67

 

CMYK 95 / 0 / 100 / 27

HEX #0ABA00

RGB 10 186 0

HSL 116.77, 1%, 0.36%

LAB 65.89, -67.53, 65.68

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 80 / 0 / 88 / 13

HEX #2CDE1B

RGB 44 222 27

HSL 114.77, 0.78%, 0.49%

LAB 77.79, -74.14, 72.09

 

CMYK 56 / 0 / 88 / 13

HEX #61DE1B

RGB 97 222 27

HSL 98.46, 0.78%, 0.49%

LAB 78.96, -64.23, 73.55

 

CMYK 33 / 0 / 88 / 13

HEX #95DE1B

RGB 149 222 27

HSL 82.46, 0.78%, 0.49%

LAB 81.13, -48.04, 76.26

 

CMYK 9 / 0 / 88 / 13

HEX #CADE1B

RGB 202 222 27

HSL 66.15, 0.78%, 0.49%

LAB 84.42, -27.41, 80.31

 

CMYK 0 / 14 / 88 / 13

HEX #DEBE1B

RGB 222 190 27

HSL 50.15, 0.78%, 0.49%

LAB 77.54, -3, 75.5

 

CMYK 80 / 0 / 88 / 13

HEX #2CDE1B

RGB 44 222 27

HSL 114.77, 0.78%, 0.49%

LAB 77.79, -74.14, 72.09

 

CMYK 88 / 0 / 72 / 13

HEX #1BDE3F

RGB 27 222 63

HSL 131.08, 0.78%, 0.49%

LAB 77.78, -73.63, 62.07

 

CMYK 88 / 0 / 48 / 13

HEX #1BDE73

RGB 27 222 115

HSL 147.08, 0.78%, 0.49%

LAB 78.29, -67.27, 40.07

 

CMYK 88 / 0 / 24 / 13

HEX #1BDEA8

RGB 27 222 168

HSL 163.38, 0.78%, 0.49%

LAB 79.22, -56.73, 14.15

 

CMYK 88 / 0 / 1 / 13

HEX #1BDEDC

RGB 27 222 220

HSL 179.38, 0.78%, 0.49%

LAB 80.54, -43.02, -11.55

 

CMYK 80 / 0 / 88 / 13

HEX #2CDE1B

RGB 44 222 27

HSL 114.77, 0.78%, 0.49%

LAB 77.79, -74.14, 72.09

 

CMYK 89 / 0 / 97 / 5

HEX #1BF207

RGB 27 242 7

HSL 114.89, 0.94%, 0.49%

LAB 83.84, -81.62, 79.53

 

CMYK 80 / 0 / 88 / 13

HEX #2CDE1B

RGB 44 222 27

HSL 114.77, 0.78%, 0.49%

LAB 77.79, -74.14, 72.09

 

CMYK 70 / 0 / 77 / 21

HEX #3DCA2F

RGB 61 202 47

HSL 114.58, 0.62%, 0.49%

LAB 71.85, -64.59, 61.74

 

CMYK 57 / 0 / 63 / 29

HEX #4DB543

RGB 77 181 67

HSL 114.74, 0.46%, 0.49%

LAB 65.77, -52.14, 47.88

 

CMYK 42 / 0 / 45 / 37

HEX #5EA158

RGB 94 161 88

HSL 115.07, 0.29%, 0.49%

LAB 60.4, -36.35, 31.41

 

CMYK 21 / 0 / 23 / 45

HEX #6F8D6C

RGB 111 141 108

HSL 114.55, 0.13%, 0.49%

LAB 55.6, -17.34, 14.22

 

CMYK 32 / 0 / 88 / 13

HEX #96DE1B

RGB 150 222 27

HSL 82.15, 0.78%, 0.49%

LAB 81.18, -47.68, 76.32

 

CMYK 56 / 0 / 88 / 13

HEX #62DE1B

RGB 98 222 27

HSL 98.15, 0.78%, 0.49%

LAB 78.99, -63.97, 73.59

 

CMYK 79 / 0 / 88 / 13

HEX #2EDE1B

RGB 46 222 27

HSL 114.15, 0.78%, 0.49%

LAB 77.82, -73.9, 72.12

 

CMYK 88 / 0 / 73 / 13

HEX #1BDE3B

RGB 27 222 59

HSL 129.85, 0.78%, 0.49%

LAB 77.75, -73.95, 63.45

 

CMYK 88 / 0 / 50 / 13

HEX #1BDE6F

RGB 27 222 111

HSL 145.85, 0.78%, 0.49%

LAB 78.24, -67.9, 41.95

 

CMYK 80 / 0 / 88 / 42

HEX #1D9412

RGB 29 148 18

HSL 114.92, 0.78%, 0.33%

LAB 53.48, -54.29, 52.59

 

CMYK 80 / 0 / 88 / 27

HEX #25B916

RGB 37 185 22

HSL 114.48, 0.79%, 0.41%

LAB 65.86, -64.37, 62.66

 

CMYK 80 / 0 / 88 / 13

HEX #2CDE1B

RGB 44 222 27

HSL 114.77, 0.78%, 0.49%

LAB 77.79, -74.14, 72.09

 

CMYK 67 / 0 / 74 / 10

HEX #4BE63C

RGB 75 230 60

HSL 114.71, 0.77%, 0.57%

LAB 80.97, -70.08, 66.57

 

CMYK 54 / 0 / 59 / 8

HEX #6DEB60

RGB 109 235 96

HSL 114.39, 0.78%, 0.65%

LAB 83.71, -61.04, 55.79

 

CMYK 80 / 0 / 88 / 13

HEX #2CDE1B

RGB 44 222 27

HSL 114.77, 0.78%, 0.49%

LAB 77.79, -74.14, 72.09

 

CMYK 88 / 9 / 0 / 13

HEX #1BCADE

RGB 27 202 222

HSL 186.15, 0.78%, 0.49%

LAB 74.67, -33.25, -21.47

 

CMYK 0 / 88 / 44 / 13

HEX #DE1B7C

RGB 222 27 124

HSL 330.15, 0.78%, 0.49%

LAB 49.21, 74.38, -2.56

 

CMYK 80 / 0 / 88 / 13

HEX #2CDE1B

RGB 44 222 27

HSL 114.77, 0.78%, 0.49%

LAB 77.79, -74.14, 72.09

 

CMYK 88 / 79 / 0 / 13

HEX #1B2EDE

RGB 27 46 222

HSL 234.15, 0.78%, 0.49%

LAB 32.83, 57.37, -88.23

 

CMYK 0 / 88 / 79 / 13

HEX #DE1B2E

RGB 222 27 46

HSL 354.15, 0.78%, 0.49%

LAB 47.64, 69.91, 42.48

 

CMYK 80 / 0 / 88 / 13

HEX #2CDE1B

RGB 44 222 27

HSL 114.77, 0.78%, 0.49%

LAB 77.79, -74.14, 72.09

 

CMYK 88 / 9 / 0 / 13

HEX #1BCADE

RGB 27 202 222

HSL 186.15, 0.78%, 0.49%

LAB 74.67, -33.25, -21.47

 

CMYK 9 / 88 / 0 / 13

HEX #CA1BDE

RGB 202 27 222

HSL 293.85, 0.78%, 0.49%

LAB 50.23, 82.64, -58.99

 

CMYK 0 / 79 / 88 / 13

HEX #DE2E1B

RGB 222 46 27

HSL 5.85, 0.78%, 0.49%

LAB 48.96, 65.27, 53.13

 

CMYK 80 / 0 / 88 / 13

HEX #2CDE1B

RGB 44 222 27

HSL 114.77, 0.78%, 0.49%

LAB 77.79, -74.14, 72.09

 

CMYK 88 / 35 / 0 / 13

HEX #1B90DE

RGB 27 144 222

HSL 204, 0.78%, 0.49%

LAB 57.51, -2.56, -48.12

 

CMYK 9 / 88 / 0 / 13

HEX #CA1BDE

RGB 202 27 222

HSL 293.85, 0.78%, 0.49%

LAB 50.23, 82.64, -58.99

 

CMYK 0 / 53 / 88 / 13

HEX #DE691B

RGB 222 105 27

HSL 24, 0.78%, 0.49%

LAB 57.76, 41.71, 59.95

 

Description

Color code: HEX #2CDE1B | qconv.com Color code: HEX #2CDE1B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 222 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 222 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 88 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 88% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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