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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CD236 it is the complementary color #D32DC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CD236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CD236 shade: #31D231, #42E444, #53F657, #64FF6A and #75FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CD236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CD236 shade: #2CD236, #1BC023, #0AAE10, #009C00 and #008A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CD236 shade: #2CD236, #4FD22C, #7CD22C, #A8D22C and #D2CF2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CD236 shade: #2CD236, #2CD263, #2CD28F, #2CD2BC and #2CBBD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CD236 shade matches the following richer shades: #2CD236, #17E724 and #03FB12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CD236 shade: #2CD236, #41BD48, #55A95A, #6A946D and #7F7F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CD236 shade: #7CD22C, #50D22C, #2CD234, #2CD261 and #2CD28D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CD236 shade: #1E8E24, #25B02D, #2CD236, #4ED957 and #70E077

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CD236 shade: #2CD236, #2CA8D2 and #D22C66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CD236 shade: #2CD236, #342CD2 and #D2342C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CD236 shade: #2CD236, #2CA8D2, #D22CCA and #D2562C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CD236 shade: #2CD236, #2C77D2, #D22CCA and #D2872C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 74 / 18

HEX #2CD236

RGB 44 210 54

HSL 123.61, 0.65%, 0.5%

LAB 74.12, -69.17, 61.57

 

Complementary color

CMYK 0 / 79 / 5 / 17

HEX #D32DC9

RGB 211 45 201

HSL 303.61, 0.65%, 0.5%

LAB 51.77, 77.33, -44.42

 

CMYK 77 / 0 / 77 / 18

HEX #31D231

RGB 49 210 49

HSL 120, 0.64%, 0.51%

LAB 74.17, -68.87, 63.28

 

CMYK 71 / 0 / 70 / 11

HEX #42E444

RGB 66 228 68

HSL 120.74, 0.75%, 0.58%

LAB 80.21, -70.42, 62.95

 

CMYK 66 / 0 / 65 / 4

HEX #53F657

RGB 83 246 87

HSL 121.47, 0.9%, 0.65%

LAB 86.23, -71.5, 62.16

 

CMYK 61 / 0 / 58 / 0

HEX #64FF6A

RGB 100 255 106

HSL 122.32, 1%, 0.7%

LAB 89.52, -69.16, 58.06

 

CMYK 54 / 0 / 51 / 0

HEX #75FF7D

RGB 117 255 125

HSL 123.48, 1%, 0.73%

LAB 90.22, -63.03, 50.51

 

CMYK 79 / 0 / 74 / 18

HEX #2CD236

RGB 44 210 54

HSL 123.61, 0.65%, 0.5%

LAB 74.12, -69.17, 61.57

 

CMYK 86 / 0 / 82 / 25

HEX #1BC023

RGB 27 192 35

HSL 122.91, 0.75%, 0.43%

LAB 68.06, -66.9, 61.51

 

CMYK 94 / 0 / 91 / 32

HEX #0AAE10

RGB 10 174 16

HSL 122.2, 0.89%, 0.36%

LAB 61.98, -63.79, 60.31

 

CMYK 100 / 0 / 100 / 39

HEX #009C00

RGB 0 156 0

HSL 120, 1%, 0.31%

LAB 55.86, -59.7, 57.62

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 79 / 0 / 74 / 18

HEX #2CD236

RGB 44 210 54

HSL 123.61, 0.65%, 0.5%

LAB 74.12, -69.17, 61.57

 

CMYK 62 / 0 / 79 / 18

HEX #4FD22C

RGB 79 210 44

HSL 107.35, 0.65%, 0.5%

LAB 74.79, -63.75, 65.61

 

CMYK 41 / 0 / 79 / 18

HEX #7CD22C

RGB 124 210 44

HSL 91.08, 0.65%, 0.5%

LAB 76.41, -51.17, 67.72

 

CMYK 20 / 0 / 79 / 18

HEX #A8D22C

RGB 168 210 44

HSL 75.18, 0.65%, 0.5%

LAB 78.81, -35.07, 70.79

 

CMYK 0 / 1 / 79 / 18

HEX #D2CF2C

RGB 210 207 44

HSL 58.92, 0.65%, 0.5%

LAB 81.02, -16.33, 73.92

 

CMYK 79 / 0 / 74 / 18

HEX #2CD236

RGB 44 210 54

HSL 123.61, 0.65%, 0.5%

LAB 74.12, -69.17, 61.57

 

CMYK 79 / 0 / 53 / 18

HEX #2CD263

RGB 44 210 99

HSL 139.88, 0.65%, 0.5%

LAB 74.53, -64.23, 43.17

 

CMYK 79 / 0 / 32 / 18

HEX #2CD28F

RGB 44 210 143

HSL 155.78, 0.65%, 0.5%

LAB 75.21, -56.37, 21.79

 

CMYK 79 / 0 / 10 / 18

HEX #2CD2BC

RGB 44 210 188

HSL 172.05, 0.65%, 0.5%

LAB 76.23, -45.54, -0.78

 

CMYK 79 / 11 / 0 / 18

HEX #2CBBD2

RGB 44 187 210

HSL 188.31, 0.65%, 0.5%

LAB 69.99, -28.53, -22.05

 

CMYK 79 / 0 / 74 / 18

HEX #2CD236

RGB 44 210 54

HSL 123.61, 0.65%, 0.5%

LAB 74.12, -69.17, 61.57

 

CMYK 90 / 0 / 84 / 9

HEX #17E724

RGB 23 231 36

HSL 123.75, 0.82%, 0.5%

LAB 80.44, -78.12, 72.51

 

CMYK 99 / 0 / 93 / 2

HEX #03FB12

RGB 3 251 18

HSL 123.63, 0.98%, 0.5%

LAB 86.53, -84.79, 80.69

 

CMYK 79 / 0 / 74 / 18

HEX #2CD236

RGB 44 210 54

HSL 123.61, 0.65%, 0.5%

LAB 74.12, -69.17, 61.57

 

CMYK 66 / 0 / 62 / 26

HEX #41BD48

RGB 65 189 72

HSL 123.39, 0.49%, 0.5%

LAB 68.01, -57.24, 48.09

 

CMYK 50 / 0 / 47 / 34

HEX #55A95A

RGB 85 169 90

HSL 123.57, 0.33%, 0.5%

LAB 62.55, -42.26, 33

 

CMYK 28 / 0 / 26 / 42

HEX #6A946D

RGB 106 148 109

HSL 124.29, 0.17%, 0.5%

LAB 57.41, -22.58, 16.11

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 41 / 0 / 79 / 18

HEX #7CD22C

RGB 124 210 44

HSL 91.08, 0.65%, 0.5%

LAB 76.41, -51.17, 67.72

 

CMYK 62 / 0 / 79 / 18

HEX #50D22C

RGB 80 210 44

HSL 106.99, 0.65%, 0.5%

LAB 74.81, -63.52, 65.65

 

CMYK 79 / 0 / 75 / 18

HEX #2CD234

RGB 44 210 52

HSL 122.89, 0.65%, 0.5%

LAB 74.11, -69.31, 62.23

 

CMYK 79 / 0 / 54 / 18

HEX #2CD261

RGB 44 210 97

HSL 139.16, 0.65%, 0.5%

LAB 74.5, -64.52, 44.1

 

CMYK 79 / 0 / 33 / 18

HEX #2CD28D

RGB 44 210 141

HSL 155.06, 0.65%, 0.5%

LAB 75.17, -56.79, 22.78

 

CMYK 79 / 0 / 75 / 44

HEX #1E8E24

RGB 30 142 36

HSL 123.21, 0.65%, 0.34%

LAB 51.55, -51.06, 45.2

 

CMYK 79 / 0 / 74 / 31

HEX #25B02D

RGB 37 176 45

HSL 123.45, 0.65%, 0.42%

LAB 63.04, -60.29, 53.55

 

CMYK 79 / 0 / 74 / 18

HEX #2CD236

RGB 44 210 54

HSL 123.61, 0.65%, 0.5%

LAB 74.12, -69.17, 61.57

 

CMYK 64 / 0 / 60 / 15

HEX #4ED957

RGB 78 217 87

HSL 123.88, 0.65%, 0.58%

LAB 77.24, -62.7, 52.07

 

CMYK 50 / 0 / 47 / 12

HEX #70E077

RGB 112 224 119

HSL 123.75, 0.64%, 0.66%

LAB 80.79, -53.2, 41.64

 

CMYK 79 / 0 / 74 / 18

HEX #2CD236

RGB 44 210 54

HSL 123.61, 0.65%, 0.5%

LAB 74.12, -69.17, 61.57

 

CMYK 79 / 20 / 0 / 18

HEX #2CA8D2

RGB 44 168 210

HSL 195.18, 0.65%, 0.5%

LAB 64.32, -18.84, -30.76

 

CMYK 0 / 79 / 51 / 18

HEX #D22C66

RGB 210 44 102

HSL 339.04, 0.65%, 0.5%

LAB 47.58, 65.94, 8.25

 

CMYK 79 / 0 / 74 / 18

HEX #2CD236

RGB 44 210 54

HSL 123.61, 0.65%, 0.5%

LAB 74.12, -69.17, 61.57

 

CMYK 75 / 79 / 0 / 18

HEX #342CD2

RGB 52 44 210

HSL 242.89, 0.65%, 0.5%

LAB 32.22, 55.88, -82.29

 

CMYK 0 / 75 / 79 / 18

HEX #D2342C

RGB 210 52 44

HSL 2.89, 0.65%, 0.5%

LAB 47.42, 60.37, 42.59

 

CMYK 79 / 0 / 74 / 18

HEX #2CD236

RGB 44 210 54

HSL 123.61, 0.65%, 0.5%

LAB 74.12, -69.17, 61.57

 

CMYK 79 / 20 / 0 / 18

HEX #2CA8D2

RGB 44 168 210

HSL 195.18, 0.65%, 0.5%

LAB 64.32, -18.84, -30.76

 

CMYK 0 / 79 / 4 / 18

HEX #D22CCA

RGB 210 44 202

HSL 302.89, 0.65%, 0.5%

LAB 51.57, 77.53, -45.32

 

CMYK 0 / 59 / 79 / 18

HEX #D2562C

RGB 210 86 44

HSL 15.18, 0.65%, 0.5%

LAB 52.44, 46.79, 47.61

 

CMYK 79 / 0 / 74 / 18

HEX #2CD236

RGB 44 210 54

HSL 123.61, 0.65%, 0.5%

LAB 74.12, -69.17, 61.57

 

CMYK 79 / 43 / 0 / 18

HEX #2C77D2

RGB 44 119 210

HSL 212.89, 0.65%, 0.5%

LAB 49.96, 9.43, -53.38

 

CMYK 0 / 79 / 4 / 18

HEX #D22CCA

RGB 210 44 202

HSL 302.89, 0.65%, 0.5%

LAB 51.57, 77.53, -45.32

 

CMYK 0 / 36 / 79 / 18

HEX #D2872C

RGB 210 135 44

HSL 32.89, 0.65%, 0.5%

LAB 62.69, 21.58, 57.4

 

Description

Color code: HEX #2CD236 | qconv.com Color code: HEX #2CD236 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 210 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 210 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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