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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CCB29 it is the complementary color #D334D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CCB29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CCB29 shade: #31CB24, #42DD37, #53EF4A, #64FF5D and #75FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CCB29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CCB29 shade: #2CCB29, #1BB916, #0AA703, #009500 and #008300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CCB29 shade: #2CCB29, #58CB29, #83CB29, #AFCB29 and #CBBB29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CCB29 shade: #2CCB29, #29CB52, #29CB7D, #29CBA9 and #29C1CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CCB29 shade matches the following richer shades: #2CCB29, #19DE15 and #06F202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CCB29 shade: #2CCB29, #3FB73D, #52A351, #658F65 and #787B78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CCB29 shade: #85CB29, #5ACB29, #2FCB29, #29CB4F and #29CB7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CCB29 shade: #1D861B, #25A822, #2CCB29, #47D845 and #69DF67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CCB29 shade: #2CCB29, #29B0CB and #CB296F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CCB29 shade: #2CCB29, #292FCB and #CB292F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CCB29 shade: #2CCB29, #29B0CB, #C529CB and #CB4429

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CCB29 shade: #2CCB29, #297FCB, #C529CB and #CB7529

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 80 / 20

HEX #2CCB29

RGB 44 203 41

HSL 118.89, 0.66%, 0.48%

LAB 71.83, -67.93, 63.43

 

Complementary color

CMYK 1 / 76 / 0 / 16

HEX #D334D6

RGB 211 52 214

HSL 298.89, 0.66%, 0.52%

LAB 53.12, 77.46, -49.72

 

CMYK 76 / 0 / 82 / 20

HEX #31CB24

RGB 49 203 36

HSL 115.33, 0.7%, 0.47%

LAB 71.89, -67.52, 64.88

 

CMYK 70 / 0 / 75 / 13

HEX #42DD37

RGB 66 221 55

HSL 116.02, 0.71%, 0.54%

LAB 77.96, -69.2, 65.18

 

CMYK 65 / 0 / 69 / 6

HEX #53EF4A

RGB 83 239 74

HSL 116.73, 0.84%, 0.61%

LAB 84, -70.38, 64.79

 

CMYK 61 / 0 / 64 / 0

HEX #64FF5D

RGB 100 255 93

HSL 117.41, 1%, 0.68%

LAB 89.4, -70.51, 63.36

 

CMYK 54 / 0 / 56 / 0

HEX #75FF70

RGB 117 255 112

HSL 117.9, 1%, 0.72%

LAB 90.08, -64.61, 56.22

 

CMYK 78 / 0 / 80 / 20

HEX #2CCB29

RGB 44 203 41

HSL 118.89, 0.66%, 0.48%

LAB 71.83, -67.93, 63.43

 

CMYK 85 / 0 / 88 / 27

HEX #1BB916

RGB 27 185 22

HSL 118.16, 0.79%, 0.41%

LAB 65.74, -65.48, 62.5

 

CMYK 94 / 0 / 98 / 35

HEX #0AA703

RGB 10 167 3

HSL 117.44, 0.96%, 0.33%

LAB 59.62, -62.16, 60.24

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 78 / 0 / 80 / 20

HEX #2CCB29

RGB 44 203 41

HSL 118.89, 0.66%, 0.48%

LAB 71.83, -67.93, 63.43

 

CMYK 57 / 0 / 80 / 20

HEX #58CB29

RGB 88 203 41

HSL 102.59, 0.66%, 0.48%

LAB 72.86, -59.34, 64.76

 

CMYK 35 / 0 / 80 / 20

HEX #83CB29

RGB 131 203 41

HSL 86.67, 0.66%, 0.48%

LAB 74.63, -46.06, 67.05

 

CMYK 14 / 0 / 80 / 20

HEX #AFCB29

RGB 175 203 41

HSL 70.37, 0.66%, 0.48%

LAB 77.27, -29.11, 70.42

 

CMYK 0 / 8 / 80 / 20

HEX #CBBB29

RGB 203 187 41

HSL 54.07, 0.66%, 0.48%

LAB 75.07, -9.33, 69.32

 

CMYK 78 / 0 / 80 / 20

HEX #2CCB29

RGB 44 203 41

HSL 118.89, 0.66%, 0.48%

LAB 71.83, -67.93, 63.43

 

CMYK 80 / 0 / 60 / 20

HEX #29CB52

RGB 41 203 82

HSL 135.19, 0.66%, 0.48%

LAB 72.09, -64.58, 48.17

 

CMYK 80 / 0 / 38 / 20

HEX #29CB7D

RGB 41 203 125

HSL 151.11, 0.66%, 0.48%

LAB 72.67, -57.74, 27.77

 

CMYK 80 / 0 / 17 / 20

HEX #29CBA9

RGB 41 203 169

HSL 167.41, 0.66%, 0.48%

LAB 73.58, -47.84, 5.61

 

CMYK 80 / 5 / 0 / 20

HEX #29C1CB

RGB 41 193 203

HSL 183.7, 0.66%, 0.48%

LAB 71.5, -33.87, -15.93

 

CMYK 78 / 0 / 80 / 20

HEX #2CCB29

RGB 44 203 41

HSL 118.89, 0.66%, 0.48%

LAB 71.83, -67.93, 63.43

 

CMYK 89 / 0 / 91 / 13

HEX #19DE15

RGB 25 222 21

HSL 118.81, 0.83%, 0.48%

LAB 77.58, -76.08, 72.83

 

CMYK 98 / 0 / 99 / 5

HEX #06F202

RGB 6 242 2

HSL 119, 0.98%, 0.48%

LAB 83.73, -82.62, 79.81

 

CMYK 78 / 0 / 80 / 20

HEX #2CCB29

RGB 44 203 41

HSL 118.89, 0.66%, 0.48%

LAB 71.83, -67.93, 63.43

 

CMYK 66 / 0 / 67 / 28

HEX #3FB73D

RGB 63 183 61

HSL 119.02, 0.5%, 0.48%

LAB 65.95, -56.71, 50.53

 

CMYK 50 / 0 / 50 / 36

HEX #52A351

RGB 82 163 81

HSL 119.27, 0.34%, 0.48%

LAB 60.41, -41.9, 34.93

 

CMYK 29 / 0 / 29 / 44

HEX #658F65

RGB 101 143 101

HSL 120, 0.17%, 0.48%

LAB 55.43, -23.24, 17.85

 

CMYK 2 / 0 / 2 / 52

HEX #787B78

RGB 120 123 120

HSL 120, 0.01%, 0.48%

LAB 51.28, -1.73, 1.24

 

CMYK 34 / 0 / 80 / 20

HEX #85CB29

RGB 133 203 41

HSL 85.93, 0.66%, 0.48%

LAB 74.74, -45.35, 67.18

 

CMYK 56 / 0 / 80 / 20

HEX #5ACB29

RGB 90 203 41

HSL 101.85, 0.66%, 0.48%

LAB 72.92, -58.82, 64.85

 

CMYK 77 / 0 / 80 / 20

HEX #2FCB29

RGB 47 203 41

HSL 117.78, 0.66%, 0.48%

LAB 71.88, -67.53, 63.49

 

CMYK 80 / 0 / 61 / 20

HEX #29CB4F

RGB 41 203 79

HSL 134.07, 0.66%, 0.48%

LAB 72.06, -64.94, 49.48

 

CMYK 80 / 0 / 40 / 20

HEX #29CB7A

RGB 41 203 122

HSL 150, 0.66%, 0.48%

LAB 72.62, -58.31, 29.26

 

CMYK 78 / 0 / 80 / 47

HEX #1D861B

RGB 29 134 27

HSL 118.88, 0.66%, 0.32%

LAB 48.75, -49.27, 45.67

 

CMYK 78 / 0 / 80 / 34

HEX #25A822

RGB 37 168 34

HSL 118.66, 0.66%, 0.4%

LAB 60.35, -58.57, 54.6

 

CMYK 78 / 0 / 80 / 20

HEX #2CCB29

RGB 44 203 41

HSL 118.89, 0.66%, 0.48%

LAB 71.83, -67.93, 63.43

 

CMYK 67 / 0 / 68 / 15

HEX #47D845

RGB 71 216 69

HSL 119.18, 0.65%, 0.56%

LAB 76.61, -65.57, 58.81

 

CMYK 53 / 0 / 54 / 13

HEX #69DF67

RGB 105 223 103

HSL 119, 0.65%, 0.64%

LAB 80.04, -56.76, 48.3

 

CMYK 78 / 0 / 80 / 20

HEX #2CCB29

RGB 44 203 41

HSL 118.89, 0.66%, 0.48%

LAB 71.83, -67.93, 63.43

 

CMYK 80 / 13 / 0 / 20

HEX #29B0CB

RGB 41 176 203

HSL 190, 0.66%, 0.48%

LAB 66.39, -25.57, -23.7

 

CMYK 0 / 80 / 45 / 20

HEX #CB296F

RGB 203 41 111

HSL 334.07, 0.66%, 0.48%

LAB 46.22, 65.66, 0.59

 

CMYK 78 / 0 / 80 / 20

HEX #2CCB29

RGB 44 203 41

HSL 118.89, 0.66%, 0.48%

LAB 71.83, -67.93, 63.43

 

CMYK 80 / 77 / 0 / 20

HEX #292FCB

RGB 41 47 203

HSL 237.78, 0.66%, 0.48%

LAB 31.38, 51.44, -79.63

 

CMYK 0 / 80 / 77 / 20

HEX #CB292F

RGB 203 41 47

HSL 357.78, 0.66%, 0.48%

LAB 44.92, 61.7, 37.9

 

CMYK 78 / 0 / 80 / 20

HEX #2CCB29

RGB 44 203 41

HSL 118.89, 0.66%, 0.48%

LAB 71.83, -67.93, 63.43

 

CMYK 80 / 13 / 0 / 20

HEX #29B0CB

RGB 41 176 203

HSL 190, 0.66%, 0.48%

LAB 66.39, -25.57, -23.7

 

CMYK 3 / 80 / 0 / 20

HEX #C529CB

RGB 197 41 203

HSL 297.78, 0.66%, 0.48%

LAB 49.21, 75.91, -49.79

 

CMYK 0 / 67 / 80 / 20

HEX #CB4429

RGB 203 68 41

HSL 10, 0.66%, 0.48%

LAB 48.25, 52.14, 44.57

 

CMYK 78 / 0 / 80 / 20

HEX #2CCB29

RGB 44 203 41

HSL 118.89, 0.66%, 0.48%

LAB 71.83, -67.93, 63.43

 

CMYK 80 / 37 / 0 / 20

HEX #297FCB

RGB 41 127 203

HSL 208.15, 0.66%, 0.48%

LAB 51.79, 1.58, -46.48

 

CMYK 3 / 80 / 0 / 20

HEX #C529CB

RGB 197 41 203

HSL 297.78, 0.66%, 0.48%

LAB 49.21, 75.91, -49.79

 

CMYK 0 / 42 / 80 / 20

HEX #CB7529

RGB 203 117 41

HSL 28.15, 0.66%, 0.48%

LAB 57.64, 28.22, 53.56

 

Description

Color code: HEX #2CCB29 | qconv.com Color code: HEX #2CCB29 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 203 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 203 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 80 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 80% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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