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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC3C8 it is the complementary color #D33C37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC3C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC3C8 shade: #31C3C3, #42D5D6, #53E7E9, #64F9FC and #75FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC3C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC3C8 shade: #2CC3C8, #1BB1B5, #0A9FA2, #008D8F and #007B7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC3C8 shade: #2CC3C8, #2C99C8, #2C6FC8, #2C44C8 and #3D2CC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC3C8 shade: #2CC3C8, #2C99C8, #2C6FC8, #2C44C8 and #2C2CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC3C8 shade matches the following richer shades: #2CC3C8, #18D6DC and #04E8F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC3C8 shade: #2CC3C8, #3FB1B4, #539EA1, #678C8D and #7B7979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC3C8 shade: #2CC877, #2CC8A1, #2CC6C8, #2C9CC8 and #2C72C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC3C8 shade: #1D8185, #24A2A6, #2CC3C8, #47D2D6 and #69DADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC3C8 shade: #2CC3C8, #4E2CC8 and #C88C2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC3C8 shade: #2CC3C8, #C82CC6 and #C6C82C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC3C8 shade: #2CC3C8, #4E2CC8, #C82E2C and #A6C82C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC3C8 shade: #2CC3C8, #7D2CC8, #C82E2C and #77C82C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

Complementary color

CMYK 0 / 72 / 74 / 17

HEX #D33C37

RGB 211 60 55

HSL 1.92, 0.64%, 0.52%

LAB 48.71, 58.36, 37.96

 

CMYK 75 / 0 / 0 / 24

HEX #31C3C3

RGB 49 195 195

HSL 180, 0.6%, 0.48%

LAB 71.98, -36.4, -10.85

 

CMYK 69 / 0 / 0 / 16

HEX #42D5D6

RGB 66 213 214

HSL 180.41, 0.64%, 0.55%

LAB 78.23, -37.24, -11.74

 

CMYK 64 / 1 / 0 / 9

HEX #53E7E9

RGB 83 231 233

HSL 180.8, 0.77%, 0.62%

LAB 84.42, -37.87, -12.55

 

CMYK 60 / 1 / 0 / 1

HEX #64F9FC

RGB 100 249 252

HSL 181.18, 0.96%, 0.69%

LAB 90.55, -38.34, -13.3

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

CMYK 85 / 2 / 0 / 29

HEX #1BB1B5

RGB 27 177 181

HSL 181.56, 0.74%, 0.41%

LAB 65.76, -34.14, -12.49

 

CMYK 94 / 2 / 0 / 36

HEX #0A9FA2

RGB 10 159 162

HSL 181.18, 0.88%, 0.34%

LAB 59.41, -32.44, -11.39

 

CMYK 100 / 1 / 0 / 44

HEX #008D8F

RGB 0 141 143

HSL 180.84, 1%, 0.28%

LAB 52.99, -30.29, -10.16

 

CMYK 100 / 1 / 0 / 51

HEX #007B7C

RGB 0 123 124

HSL 180.48, 1%, 0.24%

LAB 46.47, -27.7, -8.78

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

CMYK 78 / 24 / 0 / 22

HEX #2C99C8

RGB 44 153 200

HSL 198.08, 0.64%, 0.48%

LAB 59.42, -14.18, -32.78

 

CMYK 78 / 45 / 0 / 22

HEX #2C6FC8

RGB 44 111 200

HSL 214.23, 0.64%, 0.48%

LAB 47.07, 10.67, -52.3

 

CMYK 78 / 66 / 0 / 22

HEX #2C44C8

RGB 44 68 200

HSL 230.77, 0.64%, 0.48%

LAB 35.67, 38.34, -70.8

 

CMYK 70 / 78 / 0 / 22

HEX #3D2CC8

RGB 61 44 200

HSL 246.54, 0.64%, 0.48%

LAB 31.72, 53.55, -77.28

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

CMYK 78 / 24 / 0 / 22

HEX #2C99C8

RGB 44 153 200

HSL 198.08, 0.64%, 0.48%

LAB 59.42, -14.18, -32.78

 

CMYK 78 / 45 / 0 / 22

HEX #2C6FC8

RGB 44 111 200

HSL 214.23, 0.64%, 0.48%

LAB 47.07, 10.67, -52.3

 

CMYK 78 / 66 / 0 / 22

HEX #2C44C8

RGB 44 68 200

HSL 230.77, 0.64%, 0.48%

LAB 35.67, 38.34, -70.8

 

CMYK 78 / 78 / 0 / 22

HEX #2C2CC8

RGB 44 44 200

HSL 240, 0.64%, 0.48%

LAB 30.66, 52.24, -79.08

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

CMYK 89 / 3 / 0 / 14

HEX #18D6DC

RGB 24 214 220

HSL 181.84, 0.8%, 0.48%

LAB 78.14, -39.58, -15.14

 

CMYK 98 / 3 / 0 / 6

HEX #04E8F0

RGB 4 232 240

HSL 182.03, 0.97%, 0.48%

LAB 83.98, -42.31, -17

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

CMYK 65 / 2 / 0 / 29

HEX #3FB1B4

RGB 63 177 180

HSL 181.54, 0.48%, 0.48%

LAB 66.36, -30.4, -10.96

 

CMYK 48 / 2 / 0 / 37

HEX #539EA1

RGB 83 158 161

HSL 182.31, 0.32%, 0.48%

LAB 60.66, -22.4, -8.78

 

CMYK 27 / 1 / 0 / 45

HEX #678C8D

RGB 103 140 141

HSL 181.58, 0.16%, 0.48%

LAB 55.65, -12.53, -4.71

 

CMYK 0 / 2 / 2 / 52

HEX #7B7979

RGB 123 121 121

HSL 0, 0.01%, 0.48%

LAB 51, 0.76, 0.26

 

CMYK 78 / 0 / 41 / 22

HEX #2CC877

RGB 44 200 119

HSL 148.85, 0.64%, 0.48%

LAB 71.67, -57.45, 29.57

 

CMYK 78 / 0 / 20 / 22

HEX #2CC8A1

RGB 44 200 161

HSL 165, 0.64%, 0.48%

LAB 72.51, -48.3, 8.4

 

CMYK 78 / 1 / 0 / 22

HEX #2CC6C8

RGB 44 198 200

HSL 180.77, 0.64%, 0.48%

LAB 72.95, -36.83, -12.12

 

CMYK 78 / 22 / 0 / 22

HEX #2C9CC8

RGB 44 156 200

HSL 196.92, 0.64%, 0.48%

LAB 60.32, -15.81, -31.38

 

CMYK 78 / 43 / 0 / 22

HEX #2C72C8

RGB 44 114 200

HSL 213.08, 0.64%, 0.48%

LAB 47.93, 8.78, -50.92

 

CMYK 78 / 3 / 0 / 48

HEX #1D8185

RGB 29 129 133

HSL 182.31, 0.64%, 0.32%

LAB 49.08, -25.61, -10.16

 

CMYK 78 / 2 / 0 / 35

HEX #24A2A6

RGB 36 162 166

HSL 181.85, 0.64%, 0.4%

LAB 60.75, -30.83, -11.6

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

CMYK 67 / 2 / 0 / 16

HEX #47D2D6

RGB 71 210 214

HSL 181.68, 0.64%, 0.56%

LAB 77.45, -35.17, -12.89

 

CMYK 53 / 2 / 0 / 13

HEX #69DADE

RGB 105 218 222

HSL 182.05, 0.64%, 0.64%

LAB 80.97, -30.95, -11.81

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

CMYK 61 / 78 / 0 / 22

HEX #4E2CC8

RGB 78 44 200

HSL 253.08, 0.64%, 0.48%

LAB 33.12, 55.26, -74.93

 

CMYK 0 / 30 / 78 / 22

HEX #C88C2C

RGB 200 140 44

HSL 36.92, 0.64%, 0.48%

LAB 62.69, 14.54, 56.97

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

CMYK 0 / 78 / 1 / 22

HEX #C82CC6

RGB 200 44 198

HSL 300.77, 0.64%, 0.48%

LAB 49.69, 74.95, -46.12

 

CMYK 1 / 0 / 78 / 22

HEX #C6C82C

RGB 198 200 44

HSL 60.77, 0.64%, 0.48%

LAB 78.17, -17.94, 71.03

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

CMYK 61 / 78 / 0 / 22

HEX #4E2CC8

RGB 78 44 200

HSL 253.08, 0.64%, 0.48%

LAB 33.12, 55.26, -74.93

 

CMYK 0 / 77 / 78 / 22

HEX #C82E2C

RGB 200 46 44

HSL 0.77, 0.64%, 0.48%

LAB 44.82, 59.26, 39.31

 

CMYK 17 / 0 / 78 / 22

HEX #A6C82C

RGB 166 200 44

HSL 73.08, 0.64%, 0.48%

LAB 75.82, -31.24, 68.03

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

CMYK 38 / 78 / 0 / 22

HEX #7D2CC8

RGB 125 44 200

HSL 271.15, 0.64%, 0.48%

LAB 38.43, 61.7, -66.01

 

CMYK 0 / 77 / 78 / 22

HEX #C82E2C

RGB 200 46 44

HSL 0.77, 0.64%, 0.48%

LAB 44.82, 59.26, 39.31

 

CMYK 41 / 0 / 78 / 22

HEX #77C82C

RGB 119 200 44

HSL 91.15, 0.64%, 0.48%

LAB 73.16, -48.81, 64.61

 

Description

Color code: HEX #2CC3C8 | qconv.com Color code: HEX #2CC3C8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 195 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 195 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 3 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 3% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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