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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC32B it is the complementary color #D33CD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC32B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC32B shade: #31C326, #42D539, #53E74C, #64F95F and #75FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC32B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC32B shade: #2CC32B, #1BB118, #0A9F05, #008D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC32B shade: #2CC42B, #55C42B, #7EC42B, #A8C42B and #C4B72B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC32B shade: #2CC42B, #2BC453, #2BC47C, #2BC4A6 and #2BB9C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC32B shade matches the following richer shades: #2CC42B, #19D717 and #05EB04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC32B shade: #2CC42B, #3FB13E, #529D51, #658A65 and #787678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC32B shade: #7FC42B, #56C42B, #2DC42B, #2BC451 and #2BC47A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC32B shade: #1C801C, #24A223, #2CC42B, #44D543 and #65DD65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC32B shade: #2CC32B, #2BA8C4 and #C42B6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC32B shade: #2CC32B, #2B2DC4 and #C42B2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC32B shade: #2CC32B, #2BA8C4, #C12BC4 and #C4472B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC32B shade: #2CC32B, #2B7AC4, #C12BC4 and #C4752B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 78 / 24

HEX #2CC32B

RGB 44 195 43

HSL 119.61, 0.64%, 0.47%

LAB 69.28, -65.38, 60.41

 

Complementary color

CMYK 0 / 72 / 0 / 17

HEX #D33CD4

RGB 211 60 212

HSL 299.61, 0.64%, 0.53%

LAB 53.85, 74.75, -47.43

 

CMYK 75 / 0 / 81 / 24

HEX #31C326

RGB 49 195 38

HSL 115.8, 0.67%, 0.46%

LAB 69.34, -64.96, 61.98

 

CMYK 69 / 0 / 73 / 16

HEX #42D539

RGB 66 213 57

HSL 116.54, 0.65%, 0.53%

LAB 75.48, -66.51, 62.03

 

CMYK 64 / 0 / 67 / 9

HEX #53E74C

RGB 83 231 76

HSL 117.29, 0.76%, 0.6%

LAB 81.57, -67.57, 61.47

 

CMYK 60 / 0 / 62 / 2

HEX #64F95F

RGB 100 249 95

HSL 118.05, 0.93%, 0.67%

LAB 87.62, -68.26, 60.57

 

CMYK 54 / 0 / 55 / 0

HEX #75FF72

RGB 117 255 114

HSL 118.72, 1%, 0.72%

LAB 90.1, -64.38, 55.36

 

CMYK 77 / 0 / 78 / 24

HEX #2CC32B

RGB 44 195 43

HSL 119.61, 0.64%, 0.47%

LAB 69.28, -65.38, 60.41

 

CMYK 85 / 0 / 86 / 31

HEX #1BB118

RGB 27 177 24

HSL 118.82, 0.76%, 0.39%

LAB 63.13, -63.06, 59.78

 

CMYK 94 / 0 / 97 / 38

HEX #0A9F05

RGB 10 159 5

HSL 118.05, 0.94%, 0.32%

LAB 56.95, -59.83, 57.76

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 78 / 0 / 78 / 23

HEX #2CC42B

RGB 44 196 43

HSL 119.61, 0.64%, 0.47%

LAB 69.6, -65.69, 60.72

 

CMYK 57 / 0 / 78 / 23

HEX #55C42B

RGB 85 196 43

HSL 103.53, 0.64%, 0.47%

LAB 70.58, -57.52, 62

 

CMYK 36 / 0 / 78 / 23

HEX #7EC42B

RGB 126 196 43

HSL 87.45, 0.64%, 0.47%

LAB 72.29, -44.8, 64.21

 

CMYK 14 / 0 / 78 / 23

HEX #A8C42B

RGB 168 196 43

HSL 70.98, 0.64%, 0.47%

LAB 74.81, -28.58, 67.46

 

CMYK 0 / 7 / 78 / 23

HEX #C4B72B

RGB 196 183 43

HSL 54.9, 0.64%, 0.47%

LAB 73.4, -10.23, 67

 

CMYK 78 / 0 / 78 / 23

HEX #2CC42B

RGB 44 196 43

HSL 119.61, 0.64%, 0.47%

LAB 69.6, -65.69, 60.72

 

CMYK 78 / 0 / 58 / 23

HEX #2BC453

RGB 43 196 83

HSL 135.69, 0.64%, 0.47%

LAB 69.91, -61.92, 45.17

 

CMYK 78 / 0 / 37 / 23

HEX #2BC47C

RGB 43 196 124

HSL 151.76, 0.64%, 0.47%

LAB 70.49, -55.13, 25.38

 

CMYK 78 / 0 / 15 / 23

HEX #2BC4A6

RGB 43 196 166

HSL 168.24, 0.64%, 0.47%

LAB 71.38, -45.47, 4.07

 

CMYK 78 / 6 / 0 / 23

HEX #2BB9C4

RGB 43 185 196

HSL 184.31, 0.64%, 0.47%

LAB 68.89, -32.01, -16.03

 

CMYK 78 / 0 / 78 / 23

HEX #2CC42B

RGB 44 196 43

HSL 119.61, 0.64%, 0.47%

LAB 69.6, -65.69, 60.72

 

CMYK 88 / 0 / 89 / 16

HEX #19D717

RGB 25 215 23

HSL 119.38, 0.81%, 0.47%

LAB 75.37, -74.09, 70.63

 

CMYK 98 / 0 / 98 / 8

HEX #05EB04

RGB 5 235 4

HSL 119.74, 0.97%, 0.47%

LAB 81.54, -80.79, 77.88

 

CMYK 78 / 0 / 78 / 23

HEX #2CC42B

RGB 44 196 43

HSL 119.61, 0.64%, 0.47%

LAB 69.6, -65.69, 60.72

 

CMYK 64 / 0 / 65 / 31

HEX #3FB13E

RGB 63 177 62

HSL 119.48, 0.48%, 0.47%

LAB 64.04, -54.49, 48.02

 

CMYK 48 / 0 / 48 / 38

HEX #529D51

RGB 82 157 81

HSL 119.21, 0.32%, 0.47%

LAB 58.51, -39.33, 32.57

 

CMYK 27 / 0 / 27 / 46

HEX #658A65

RGB 101 138 101

HSL 120, 0.15%, 0.47%

LAB 53.9, -20.68, 15.76

 

CMYK 0 / 2 / 0 / 53

HEX #787678

RGB 120 118 120

HSL 300, 0.01%, 0.47%

LAB 49.87, 1.16, -0.83

 

CMYK 35 / 0 / 78 / 23

HEX #7FC42B

RGB 127 196 43

HSL 87.06, 0.64%, 0.47%

LAB 72.34, -44.44, 64.28

 

CMYK 56 / 0 / 78 / 23

HEX #56C42B

RGB 86 196 43

HSL 103.14, 0.64%, 0.47%

LAB 70.62, -57.26, 62.04

 

CMYK 77 / 0 / 78 / 23

HEX #2DC42B

RGB 45 196 43

HSL 119.22, 0.64%, 0.47%

LAB 69.62, -65.55, 60.74

 

CMYK 78 / 0 / 59 / 23

HEX #2BC451

RGB 43 196 81

HSL 134.9, 0.64%, 0.47%

LAB 69.89, -62.18, 46.07

 

CMYK 78 / 0 / 38 / 23

HEX #2BC47A

RGB 43 196 122

HSL 150.98, 0.64%, 0.47%

LAB 70.45, -55.53, 26.39

 

CMYK 78 / 0 / 78 / 50

HEX #1C801C

RGB 28 128 28

HSL 120, 0.64%, 0.31%

LAB 46.67, -47.35, 43.28

 

CMYK 78 / 0 / 78 / 36

HEX #24A223

RGB 36 162 35

HSL 119.53, 0.64%, 0.39%

LAB 58.36, -56.75, 52.35

 

CMYK 78 / 0 / 78 / 23

HEX #2CC42B

RGB 44 196 43

HSL 119.61, 0.64%, 0.47%

LAB 69.6, -65.69, 60.72

 

CMYK 68 / 0 / 69 / 16

HEX #44D543

RGB 68 213 67

HSL 119.59, 0.63%, 0.55%

LAB 75.59, -65.32, 58.49

 

CMYK 54 / 0 / 54 / 13

HEX #65DD65

RGB 101 221 101

HSL 120, 0.64%, 0.63%

LAB 79.28, -57.26, 48.29

 

CMYK 77 / 0 / 78 / 24

HEX #2CC32B

RGB 44 195 43

HSL 119.61, 0.64%, 0.47%

LAB 69.28, -65.38, 60.41

 

CMYK 78 / 14 / 0 / 23

HEX #2BA8C4

RGB 43 168 196

HSL 190.98, 0.64%, 0.47%

LAB 63.76, -23.58, -23.85

 

CMYK 0 / 78 / 45 / 23

HEX #C42B6B

RGB 196 43 107

HSL 334.9, 0.64%, 0.47%

LAB 44.98, 62.92, 1.09

 

CMYK 77 / 0 / 78 / 24

HEX #2CC32B

RGB 44 195 43

HSL 119.61, 0.64%, 0.47%

LAB 69.28, -65.38, 60.41

 

CMYK 78 / 77 / 0 / 23

HEX #2B2DC4

RGB 43 45 196

HSL 239.22, 0.64%, 0.47%

LAB 30.34, 50.37, -77.26

 

CMYK 0 / 78 / 77 / 23

HEX #C42B2D

RGB 196 43 45

HSL 359.22, 0.64%, 0.47%

LAB 43.73, 59.02, 37.35

 

CMYK 77 / 0 / 78 / 24

HEX #2CC32B

RGB 44 195 43

HSL 119.61, 0.64%, 0.47%

LAB 69.28, -65.38, 60.41

 

CMYK 78 / 14 / 0 / 23

HEX #2BA8C4

RGB 43 168 196

HSL 190.98, 0.64%, 0.47%

LAB 63.76, -23.58, -23.85

 

CMYK 2 / 78 / 0 / 23

HEX #C12BC4

RGB 193 43 196

HSL 298.82, 0.64%, 0.47%

LAB 48.32, 73.52, -47.2

 

CMYK 0 / 64 / 78 / 23

HEX #C4472B

RGB 196 71 43

HSL 10.98, 0.64%, 0.47%

LAB 47.52, 48.51, 42.41

 

CMYK 77 / 0 / 78 / 24

HEX #2CC32B

RGB 44 195 43

HSL 119.61, 0.64%, 0.47%

LAB 69.28, -65.38, 60.41

 

CMYK 78 / 38 / 0 / 23

HEX #2B7AC4

RGB 43 122 196

HSL 209.02, 0.64%, 0.47%

LAB 50, 2.22, -45.33

 

CMYK 2 / 78 / 0 / 23

HEX #C12BC4

RGB 193 43 196

HSL 298.82, 0.64%, 0.47%

LAB 48.32, 73.52, -47.2

 

CMYK 0 / 40 / 78 / 23

HEX #C4752B

RGB 196 117 43

HSL 29.02, 0.64%, 0.47%

LAB 56.72, 25.34, 51.52

 

Description

Color code: HEX #2CC32B | qconv.com Color code: HEX #2CC32B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 195 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 195 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 78 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 78% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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