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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC145 it is the complementary color #D33EBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC145 shade: #31C140, #42D353, #53E566, #64F779 and #75FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC145 shade: #2CC145, #1BAF32, #0A9D1F, #008B0C and #007900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC145 shade: #2BBF44, #3ABF2B, #62BF2B, #8ABF2B and #B2BF2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC145 shade: #2BBF44, #2BBF6C, #2BBF93, #2BBFBB and #2B9ABF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC145 shade matches the following richer shades: #2BBF44, #18D237 and #05E52A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC145 shade: #2BBF44, #3EAC50, #51995D, #64866A and #777376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC145 shade: #61BF2B, #3ABF2B, #2BBF44, #2BBF6B and #2BBF92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC145 shade: #1C7B2C, #239D38, #2BBF44, #40D358 and #61DB76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC145 shade: #2CC145, #2B89BF and #BF2B4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC145 shade: #2CC145, #442BBF and #BF442B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC145 shade: #2CC145, #2B89BF, #BF2BA6 and #BF612B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC145 shade: #2CC145, #2B5CBF, #BF2BA6 and #BF8D2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 64 / 24

HEX #2CC145

RGB 44 193 69

HSL 130.07, 0.63%, 0.46%

LAB 68.83, -62.49, 50.2

 

Complementary color

CMYK 0 / 71 / 12 / 17

HEX #D33EBA

RGB 211 62 186

HSL 310.07, 0.63%, 0.54%

LAB 52.77, 70.12, -34.17

 

CMYK 75 / 0 / 67 / 24

HEX #31C140

RGB 49 193 64

HSL 126.25, 0.6%, 0.47%

LAB 68.87, -62.29, 52.37

 

CMYK 69 / 0 / 61 / 17

HEX #42D353

RGB 66 211 83

HSL 127.03, 0.62%, 0.54%

LAB 75.06, -63.39, 51.26

 

CMYK 64 / 0 / 55 / 10

HEX #53E566

RGB 83 229 102

HSL 127.81, 0.74%, 0.61%

LAB 81.2, -64.09, 49.99

 

CMYK 60 / 0 / 51 / 3

HEX #64F779

RGB 100 247 121

HSL 128.57, 0.9%, 0.68%

LAB 87.3, -64.5, 48.67

 

CMYK 54 / 0 / 45 / 0

HEX #75FF8C

RGB 117 255 140

HSL 130, 1%, 0.73%

LAB 90.41, -60.97, 43.66

 

CMYK 77 / 0 / 64 / 24

HEX #2CC145

RGB 44 193 69

HSL 130.07, 0.63%, 0.46%

LAB 68.83, -62.49, 50.2

 

CMYK 85 / 0 / 71 / 31

HEX #1BAF32

RGB 27 175 50

HSL 129.32, 0.73%, 0.4%

LAB 62.61, -60.72, 51.21

 

CMYK 94 / 0 / 80 / 38

HEX #0A9D1F

RGB 10 157 31

HSL 128.57, 0.88%, 0.33%

LAB 56.36, -58.13, 51.62

 

CMYK 100 / 0 / 91 / 45

HEX #008B0C

RGB 0 139 12

HSL 125.18, 1%, 0.27%

LAB 50.09, -54.47, 50.8

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 77 / 0 / 64 / 25

HEX #2BBF44

RGB 43 191 68

HSL 130.14, 0.63%, 0.46%

LAB 68.16, -62.09, 49.89

 

CMYK 70 / 0 / 77 / 25

HEX #3ABF2B

RGB 58 191 43

HSL 113.92, 0.63%, 0.46%

LAB 68.27, -61.86, 59.52

 

CMYK 49 / 0 / 77 / 25

HEX #62BF2B

RGB 98 191 43

HSL 97.7, 0.63%, 0.46%

LAB 69.49, -52.02, 61.12

 

CMYK 28 / 0 / 77 / 25

HEX #8ABF2B

RGB 138 191 43

HSL 81.49, 0.63%, 0.46%

LAB 71.45, -38.21, 63.66

 

CMYK 7 / 0 / 77 / 25

HEX #B2BF2B

RGB 178 191 43

HSL 65.27, 0.63%, 0.46%

LAB 74.13, -21.99, 67.1

 

CMYK 77 / 0 / 64 / 25

HEX #2BBF44

RGB 43 191 68

HSL 130.14, 0.63%, 0.46%

LAB 68.16, -62.09, 49.89

 

CMYK 77 / 0 / 43 / 25

HEX #2BBF6C

RGB 43 191 108

HSL 146.35, 0.63%, 0.46%

LAB 68.65, -56.32, 31.3

 

CMYK 77 / 0 / 23 / 25

HEX #2BBF93

RGB 43 191 147

HSL 162.16, 0.63%, 0.46%

LAB 69.39, -48.14, 11.54

 

CMYK 77 / 0 / 2 / 25

HEX #2BBFBB

RGB 43 191 187

HSL 178.38, 0.63%, 0.46%

LAB 70.43, -37.5, -8.79

 

CMYK 77 / 19 / 0 / 25

HEX #2B9ABF

RGB 43 154 191

HSL 195, 0.63%, 0.46%

LAB 59.33, -17.91, -27.86

 

CMYK 77 / 0 / 64 / 25

HEX #2BBF44

RGB 43 191 68

HSL 130.14, 0.63%, 0.46%

LAB 68.16, -62.09, 49.89

 

CMYK 89 / 0 / 74 / 18

HEX #18D237

RGB 24 210 55

HSL 130, 0.79%, 0.46%

LAB 73.91, -71.02, 60.94

 

CMYK 98 / 0 / 82 / 10

HEX #05E52A

RGB 5 229 42

HSL 129.91, 0.96%, 0.46%

LAB 79.75, -78.05, 70.43

 

CMYK 77 / 0 / 64 / 25

HEX #2BBF44

RGB 43 191 68

HSL 130.14, 0.63%, 0.46%

LAB 68.16, -62.09, 49.89

 

CMYK 64 / 0 / 53 / 33

HEX #3EAC50

RGB 62 172 80

HSL 129.82, 0.47%, 0.46%

LAB 62.6, -50.67, 37.96

 

CMYK 47 / 0 / 39 / 40

HEX #51995D

RGB 81 153 93

HSL 130, 0.31%, 0.46%

LAB 57.39, -35.94, 24.73

 

CMYK 25 / 0 / 21 / 47

HEX #64866A

RGB 100 134 106

HSL 130.59, 0.15%, 0.46%

LAB 52.73, -17.99, 11.26

 

CMYK 0 / 3 / 1 / 53

HEX #777376

RGB 119 115 118

HSL 315, 0.02%, 0.46%

LAB 48.87, 2.13, -1.11

 

CMYK 49 / 0 / 77 / 25

HEX #61BF2B

RGB 97 191 43

HSL 98.11, 0.63%, 0.46%

LAB 69.45, -52.32, 61.07

 

CMYK 70 / 0 / 77 / 25

HEX #3ABF2B

RGB 58 191 43

HSL 113.92, 0.63%, 0.46%

LAB 68.27, -61.86, 59.52

 

CMYK 77 / 0 / 64 / 25

HEX #2BBF44

RGB 43 191 68

HSL 130.14, 0.63%, 0.46%

LAB 68.16, -62.09, 49.89

 

CMYK 77 / 0 / 44 / 25

HEX #2BBF6B

RGB 43 191 107

HSL 145.95, 0.63%, 0.46%

LAB 68.63, -56.5, 31.79

 

CMYK 77 / 0 / 24 / 25

HEX #2BBF92

RGB 43 191 146

HSL 161.76, 0.63%, 0.46%

LAB 69.36, -48.38, 12.05

 

CMYK 77 / 0 / 64 / 52

HEX #1C7B2C

RGB 28 123 44

HSL 130.11, 0.63%, 0.3%

LAB 45.07, -43.98, 34.76

 

CMYK 78 / 0 / 64 / 38

HEX #239D38

RGB 35 157 56

HSL 130.33, 0.64%, 0.38%

LAB 56.84, -53.31, 42.48

 

CMYK 77 / 0 / 64 / 25

HEX #2BBF44

RGB 43 191 68

HSL 130.14, 0.63%, 0.46%

LAB 68.16, -62.09, 49.89

 

CMYK 70 / 0 / 58 / 17

HEX #40D358

RGB 64 211 88

HSL 129.8, 0.63%, 0.54%

LAB 75.07, -63.15, 49.02

 

CMYK 56 / 0 / 46 / 14

HEX #61DB76

RGB 97 219 118

HSL 130.33, 0.63%, 0.62%

LAB 78.76, -55.15, 39.47

 

CMYK 77 / 0 / 64 / 24

HEX #2CC145

RGB 44 193 69

HSL 130.07, 0.63%, 0.46%

LAB 68.83, -62.49, 50.2

 

CMYK 77 / 28 / 0 / 25

HEX #2B89BF

RGB 43 137 191

HSL 201.89, 0.63%, 0.46%

LAB 54.2, -8.48, -35.84

 

CMYK 0 / 77 / 60 / 25

HEX #BF2B4D

RGB 191 43 77

HSL 346.22, 0.63%, 0.46%

LAB 43.27, 59.18, 17.23

 

CMYK 77 / 0 / 64 / 24

HEX #2CC145

RGB 44 193 69

HSL 130.07, 0.63%, 0.46%

LAB 68.83, -62.49, 50.2

 

CMYK 64 / 77 / 0 / 25

HEX #442BBF

RGB 68 43 191

HSL 250.14, 0.63%, 0.46%

LAB 31.16, 52.03, -72.91

 

CMYK 0 / 64 / 77 / 25

HEX #BF442B

RGB 191 68 43

HSL 10.14, 0.63%, 0.46%

LAB 46.16, 48.06, 40.73

 

CMYK 77 / 0 / 64 / 24

HEX #2CC145

RGB 44 193 69

HSL 130.07, 0.63%, 0.46%

LAB 68.83, -62.49, 50.2

 

CMYK 77 / 28 / 0 / 25

HEX #2B89BF

RGB 43 137 191

HSL 201.89, 0.63%, 0.46%

LAB 54.2, -8.48, -35.84

 

CMYK 0 / 77 / 13 / 25

HEX #BF2BA6

RGB 191 43 166

HSL 310.14, 0.63%, 0.46%

LAB 46.39, 68.59, -32.67

 

CMYK 0 / 49 / 77 / 25

HEX #BF612B

RGB 191 97 43

HSL 21.89, 0.63%, 0.46%

LAB 51.61, 33.97, 46.28

 

CMYK 77 / 0 / 64 / 24

HEX #2CC145

RGB 44 193 69

HSL 130.07, 0.63%, 0.46%

LAB 68.83, -62.49, 50.2

 

CMYK 77 / 52 / 0 / 25

HEX #2B5CBF

RGB 43 92 191

HSL 220.14, 0.63%, 0.46%

LAB 41.1, 19.34, -56.71

 

CMYK 0 / 77 / 13 / 25

HEX #BF2BA6

RGB 191 43 166

HSL 310.14, 0.63%, 0.46%

LAB 46.39, 68.59, -32.67

 

CMYK 0 / 26 / 77 / 25

HEX #BF8D2B

RGB 191 141 43

HSL 39.73, 0.63%, 0.46%

LAB 61.91, 9.99, 56.26

 

Description

Color code: HEX #2CC145 | qconv.com Color code: HEX #2CC145 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 193 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 193 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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