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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC897 it is the complementary color #D33768. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC897. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC897 shade: #31C892, #42DAA5, #53ECB8, #64FECB and #75FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC897. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC897 shade: #2CC897, #1BB684, #0AA471, #00925E and #00804B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC897 shade: #2CC897, #2CC86D, #2CC843, #3FC82C and #69C82C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC897 shade: #2CC897, #2CC8C1, #2CA5C8, #2C7BC8 and #2C50C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC897 shade matches the following richer shades: #2CC897, #18DC9E and #04F0A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC897 shade: #2CC897, #3FB490, #53A188, #678D81 and #7B797A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC897 shade: #2CC843, #2CC86D, #2CC897, #2CC8C0 and #2CA6C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC897 shade: #1D8564, #24A67D, #2CC897, #47D6A9 and #69DEB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC897 shade: #2CC897, #2C3EC8 and #C8582C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC897 shade: #2CC897, #972CC8 and #C8972C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC897 shade: #2CC897, #2C3EC8, #C82C5D and #C8B62C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC897 shade: #2CC897, #482CC8, #C82C5D and #ACC82C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

Complementary color

CMYK 0 / 74 / 51 / 17

HEX #D33768

RGB 211 55 104

HSL 341.15, 0.64%, 0.52%

LAB 48.98, 63.07, 9.05

 

CMYK 76 / 0 / 27 / 22

HEX #31C892

RGB 49 200 146

HSL 158.54, 0.61%, 0.49%

LAB 72.25, -51.27, 16.12

 

CMYK 70 / 0 / 24 / 15

HEX #42DAA5

RGB 66 218 165

HSL 159.08, 0.67%, 0.56%

LAB 78.47, -51.89, 14.77

 

CMYK 65 / 0 / 22 / 7

HEX #53ECB8

RGB 83 236 184

HSL 159.61, 0.8%, 0.63%

LAB 84.63, -52.28, 13.53

 

CMYK 61 / 0 / 20 / 0

HEX #64FECB

RGB 100 254 203

HSL 160.13, 0.99%, 0.69%

LAB 90.74, -52.51, 12.39

 

CMYK 54 / 0 / 13 / 0

HEX #75FFDE

RGB 117 255 222

HSL 165.65, 1%, 0.73%

LAB 91.94, -45.4, 4.37

 

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

CMYK 85 / 0 / 27 / 29

HEX #1BB684

RGB 27 182 132

HSL 160.65, 0.74%, 0.41%

LAB 66.02, -49.64, 14.95

 

CMYK 94 / 0 / 31 / 36

HEX #0AA471

RGB 10 164 113

HSL 160.13, 0.89%, 0.34%

LAB 59.71, -48.1, 16.61

 

CMYK 100 / 0 / 36 / 43

HEX #00925E

RGB 0 146 94

HSL 158.63, 1%, 0.29%

LAB 53.35, -46.01, 18.46

 

CMYK 100 / 0 / 41 / 50

HEX #00804B

RGB 0 128 75

HSL 155.16, 1%, 0.25%

LAB 46.9, -43.33, 20.5

 

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

CMYK 78 / 0 / 46 / 22

HEX #2CC86D

RGB 44 200 109

HSL 145, 0.64%, 0.48%

LAB 71.52, -59.23, 34.49

 

CMYK 78 / 0 / 67 / 22

HEX #2CC843

RGB 44 200 67

HSL 128.85, 0.64%, 0.48%

LAB 71.04, -64.94, 53.47

 

CMYK 69 / 0 / 78 / 22

HEX #3FC82C

RGB 63 200 44

HSL 112.69, 0.64%, 0.48%

LAB 71.25, -63.77, 62.11

 

CMYK 48 / 0 / 78 / 22

HEX #69C82C

RGB 105 200 44

HSL 96.54, 0.64%, 0.48%

LAB 72.56, -53.29, 63.82

 

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

CMYK 78 / 0 / 4 / 22

HEX #2CC8C1

RGB 44 200 193

HSL 177.31, 0.64%, 0.48%

LAB 73.35, -39.77, -7.73

 

CMYK 78 / 18 / 0 / 22

HEX #2CA5C8

RGB 44 165 200

HSL 193.46, 0.64%, 0.48%

LAB 63.02, -20.61, -27.2

 

CMYK 78 / 39 / 0 / 22

HEX #2C7BC8

RGB 44 123 200

HSL 209.62, 0.64%, 0.48%

LAB 50.54, 3.22, -46.76

 

CMYK 78 / 60 / 0 / 22

HEX #2C50C8

RGB 44 80 200

HSL 226.15, 0.64%, 0.48%

LAB 38.63, 30.68, -65.97

 

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

CMYK 89 / 0 / 28 / 14

HEX #18DC9E

RGB 24 220 158

HSL 161.02, 0.8%, 0.48%

LAB 78.37, -58.44, 18.23

 

CMYK 98 / 0 / 31 / 6

HEX #04F0A6

RGB 4 240 166

HSL 161.19, 0.97%, 0.48%

LAB 84.53, -64.7, 22.58

 

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

CMYK 65 / 0 / 20 / 29

HEX #3FB490

RGB 63 180 144

HSL 161.54, 0.48%, 0.48%

LAB 66.3, -41.34, 8.86

 

CMYK 48 / 0 / 16 / 37

HEX #53A188

RGB 83 161 136

HSL 160.77, 0.32%, 0.48%

LAB 60.88, -30.26, 5.64

 

CMYK 27 / 0 / 9 / 45

HEX #678D81

RGB 103 141 129

HSL 161.05, 0.16%, 0.48%

LAB 55.6, -15.86, 2.13

 

CMYK 0 / 2 / 1 / 52

HEX #7B797A

RGB 123 121 122

HSL 330, 0.01%, 0.48%

LAB 51.03, 0.96, -0.28

 

CMYK 78 / 0 / 67 / 22

HEX #2CC843

RGB 44 200 67

HSL 128.85, 0.64%, 0.48%

LAB 71.04, -64.94, 53.47

 

CMYK 78 / 0 / 46 / 22

HEX #2CC86D

RGB 44 200 109

HSL 145, 0.64%, 0.48%

LAB 71.52, -59.23, 34.49

 

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

CMYK 78 / 0 / 4 / 22

HEX #2CC8C0

RGB 44 200 192

HSL 176.92, 0.64%, 0.48%

LAB 73.32, -40.05, -7.23

 

CMYK 78 / 17 / 0 / 22

HEX #2CA6C8

RGB 44 166 200

HSL 193.08, 0.64%, 0.48%

LAB 63.32, -21.13, -26.74

 

CMYK 78 / 0 / 25 / 48

HEX #1D8564

RGB 29 133 100

HSL 160.96, 0.64%, 0.32%

LAB 49.44, -36.99, 9.69

 

CMYK 78 / 0 / 25 / 35

HEX #24A67D

RGB 36 166 125

HSL 161.08, 0.64%, 0.4%

LAB 60.89, -43.96, 11.64

 

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

CMYK 67 / 0 / 21 / 16

HEX #47D6A9

RGB 71 214 169

HSL 161.12, 0.64%, 0.56%

LAB 77.46, -48.58, 11.23

 

CMYK 53 / 0 / 17 / 13

HEX #69DEB9

RGB 105 222 185

HSL 161.03, 0.64%, 0.64%

LAB 81.15, -41.88, 8.13

 

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

CMYK 78 / 69 / 0 / 22

HEX #2C3EC8

RGB 44 62 200

HSL 233.08, 0.64%, 0.48%

LAB 34.3, 42.05, -73.07

 

CMYK 0 / 56 / 78 / 22

HEX #C8582C

RGB 200 88 44

HSL 16.92, 0.64%, 0.48%

LAB 51.2, 42.1, 45.84

 

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

CMYK 25 / 78 / 0 / 22

HEX #972CC8

RGB 151 44 200

HSL 281.15, 0.64%, 0.48%

LAB 42.08, 66.08, -59.91

 

CMYK 0 / 25 / 78 / 22

HEX #C8972C

RGB 200 151 44

HSL 41.15, 0.64%, 0.48%

LAB 65.43, 8.54, 59.53

 

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

CMYK 78 / 69 / 0 / 22

HEX #2C3EC8

RGB 44 62 200

HSL 233.08, 0.64%, 0.48%

LAB 34.3, 42.05, -73.07

 

CMYK 0 / 78 / 54 / 22

HEX #C82C5D

RGB 200 44 93

HSL 341.15, 0.64%, 0.48%

LAB 45.46, 62.54, 10.55

 

CMYK 0 / 9 / 78 / 22

HEX #C8B62C

RGB 200 182 44

HSL 53.08, 0.64%, 0.48%

LAB 73.49, -7.94, 66.9

 

CMYK 78 / 0 / 25 / 22

HEX #2CC897

RGB 44 200 151

HSL 161.15, 0.64%, 0.48%

LAB 72.28, -50.71, 13.47

 

CMYK 64 / 78 / 0 / 22

HEX #482CC8

RGB 72 44 200

HSL 250.77, 0.64%, 0.48%

LAB 32.59, 54.61, -75.82

 

CMYK 0 / 78 / 54 / 22

HEX #C82C5D

RGB 200 44 93

HSL 341.15, 0.64%, 0.48%

LAB 45.46, 62.54, 10.55

 

CMYK 14 / 0 / 78 / 22

HEX #ACC82C

RGB 172 200 44

HSL 70.77, 0.64%, 0.48%

LAB 76.23, -28.8, 68.56

 

Description

Color code: HEX #2CC897 | qconv.com Color code: HEX #2CC897 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 200 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 200 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 25 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 25% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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