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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CA945 it is the complementary color #D356BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CA945. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CA945 shade: #31A940, #42BB53, #53CD66, #64DF79 and #75F18C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CA945. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CA945 shade: #2CA945, #1B9732, #0A851F, #00730C and #006100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CA945 shade: #2BAA45, #34AA2B, #56AA2B, #78AA2B and #9AAA2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CA945 shade: #2BAA45, #2BAA67, #2BAA89, #2BA9AA and #2B87AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CA945 shade matches the following richer shades: #2BAA45, #1ABB3A and #09CC30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CA945 shade: #2BAA45, #3D984F, #4E8759, #5F7664 and #71646E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CA945 shade: #56AA2B, #34AA2B, #2BAA45, #2BAA66 and #2BAA88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CA945 shade: #1A682A, #238937, #2BAA45, #34CA52 and #55D36E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CA945 shade: #2CA945, #2B77AA and #AA2B45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CA945 shade: #2CA945, #452BAA and #AA452B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CA945 shade: #2CA945, #2B77AA, #AA2B91 and #AA5E2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CA945 shade: #2CA945, #2B51AA, #AA2B91 and #AA842B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 59 / 34

HEX #2CA945

RGB 44 169 69

HSL 132, 0.59%, 0.42%

LAB 61.08, -54.45, 41.38

 

Complementary color

CMYK 0 / 59 / 12 / 17

HEX #D356BA

RGB 211 86 186

HSL 312, 0.59%, 0.58%

LAB 56.14, 60.78, -28.93

 

CMYK 71 / 0 / 62 / 34

HEX #31A940

RGB 49 169 64

HSL 127.5, 0.55%, 0.43%

LAB 61.13, -54.22, 43.78

 

CMYK 65 / 0 / 56 / 27

HEX #42BB53

RGB 66 187 83

HSL 128.43, 0.48%, 0.5%

LAB 67.52, -54.97, 42.45

 

CMYK 60 / 0 / 50 / 20

HEX #53CD66

RGB 83 205 102

HSL 129.34, 0.55%, 0.56%

LAB 73.84, -55.37, 41.07

 

CMYK 55 / 0 / 46 / 13

HEX #64DF79

RGB 100 223 121

HSL 130.24, 0.66%, 0.63%

LAB 80.1, -55.54, 39.71

 

CMYK 51 / 0 / 42 / 5

HEX #75F18C

RGB 117 241 140

HSL 131.13, 0.82%, 0.7%

LAB 86.3, -55.55, 38.39

 

CMYK 74 / 0 / 59 / 34

HEX #2CA945

RGB 44 169 69

HSL 132, 0.59%, 0.42%

LAB 61.08, -54.45, 41.38

 

CMYK 82 / 0 / 67 / 41

HEX #1B9732

RGB 27 151 50

HSL 131.13, 0.7%, 0.35%

LAB 54.65, -53.06, 42.7

 

CMYK 92 / 0 / 77 / 48

HEX #0A851F

RGB 10 133 31

HSL 130.24, 0.86%, 0.28%

LAB 48.18, -50.8, 43.6

 

CMYK 100 / 0 / 90 / 55

HEX #00730C

RGB 0 115 12

HSL 126.26, 1%, 0.23%

LAB 41.67, -47.34, 43.41

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 75 / 0 / 59 / 33

HEX #2BAA45

RGB 43 170 69

HSL 132.28, 0.6%, 0.42%

LAB 61.39, -54.96, 41.73

 

CMYK 69 / 0 / 75 / 33

HEX #34AA2B

RGB 52 170 43

HSL 115.75, 0.6%, 0.42%

LAB 61.35, -56.05, 52.67

 

CMYK 49 / 0 / 75 / 33

HEX #56AA2B

RGB 86 170 43

HSL 99.69, 0.6%, 0.42%

LAB 62.43, -47.5, 54.09

 

CMYK 29 / 0 / 75 / 33

HEX #78AA2B

RGB 120 170 43

HSL 83.62, 0.6%, 0.42%

LAB 64.09, -35.67, 56.29

 

CMYK 9 / 0 / 75 / 33

HEX #9AAA2B

RGB 154 170 43

HSL 67.56, 0.6%, 0.42%

LAB 66.36, -21.77, 59.26

 

CMYK 75 / 0 / 59 / 33

HEX #2BAA45

RGB 43 170 69

HSL 132.28, 0.6%, 0.42%

LAB 61.39, -54.96, 41.73

 

CMYK 75 / 0 / 39 / 33

HEX #2BAA67

RGB 43 170 103

HSL 148.35, 0.6%, 0.42%

LAB 61.86, -49.45, 25.03

 

CMYK 75 / 0 / 19 / 33

HEX #2BAA89

RGB 43 170 137

HSL 164.41, 0.6%, 0.42%

LAB 62.57, -41.82, 7.35

 

CMYK 75 / 1 / 0 / 33

HEX #2BA9AA

RGB 43 169 170

HSL 180.47, 0.6%, 0.42%

LAB 63.17, -32.22, -10.22

 

CMYK 75 / 21 / 0 / 33

HEX #2B87AA

RGB 43 135 170

HSL 196.54, 0.6%, 0.42%

LAB 52.67, -14.73, -26.2

 

CMYK 75 / 0 / 59 / 33

HEX #2BAA45

RGB 43 170 69

HSL 132.28, 0.6%, 0.42%

LAB 61.39, -54.96, 41.73

 

CMYK 86 / 0 / 69 / 27

HEX #1ABB3A

RGB 26 187 58

HSL 131.93, 0.76%, 0.42%

LAB 66.57, -63.76, 52.23

 

CMYK 96 / 0 / 76 / 20

HEX #09CC30

RGB 9 204 48

HSL 132, 0.92%, 0.42%

LAB 71.86, -70.62, 61.22

 

CMYK 75 / 0 / 59 / 33

HEX #2BAA45

RGB 43 170 69

HSL 132.28, 0.6%, 0.42%

LAB 61.39, -54.96, 41.73

 

CMYK 60 / 0 / 48 / 40

HEX #3D984F

RGB 61 152 79

HSL 131.87, 0.43%, 0.42%

LAB 56.1, -43.22, 30.42

 

CMYK 42 / 0 / 34 / 47

HEX #4E8759

RGB 78 135 89

HSL 131.58, 0.27%, 0.42%

LAB 51.46, -29.2, 19.03

 

CMYK 19 / 0 / 15 / 54

HEX #5F7664

RGB 95 118 100

HSL 133.04, 0.11%, 0.42%

LAB 47.38, -12.32, 7.16

 

CMYK 0 / 12 / 3 / 56

HEX #71646E

RGB 113 100 110

HSL 313.85, 0.06%, 0.42%

LAB 43.87, 7.12, -3.74

 

CMYK 49 / 0 / 75 / 33

HEX #56AA2B

RGB 86 170 43

HSL 99.69, 0.6%, 0.42%

LAB 62.43, -47.5, 54.09

 

CMYK 69 / 0 / 75 / 33

HEX #34AA2B

RGB 52 170 43

HSL 115.75, 0.6%, 0.42%

LAB 61.35, -56.05, 52.67

 

CMYK 75 / 0 / 59 / 33

HEX #2BAA45

RGB 43 170 69

HSL 132.28, 0.6%, 0.42%

LAB 61.39, -54.96, 41.73

 

CMYK 75 / 0 / 40 / 33

HEX #2BAA66

RGB 43 170 102

HSL 147.87, 0.6%, 0.42%

LAB 61.85, -49.64, 25.54

 

CMYK 75 / 0 / 20 / 33

HEX #2BAA88

RGB 43 170 136

HSL 163.94, 0.6%, 0.42%

LAB 62.54, -42.07, 7.87

 

CMYK 75 / 0 / 60 / 59

HEX #1A682A

RGB 26 104 42

HSL 132.31, 0.6%, 0.25%

LAB 38.35, -37.5, 27.95

 

CMYK 74 / 0 / 60 / 46

HEX #238937

RGB 35 137 55

HSL 131.76, 0.59%, 0.34%

LAB 50.13, -46.43, 35.27

 

CMYK 75 / 0 / 59 / 33

HEX #2BAA45

RGB 43 170 69

HSL 132.28, 0.6%, 0.42%

LAB 61.39, -54.96, 41.73

 

CMYK 74 / 0 / 59 / 21

HEX #34CA52

RGB 52 202 82

HSL 132, 0.59%, 0.5%

LAB 71.95, -62.79, 48.05

 

CMYK 60 / 0 / 48 / 17

HEX #55D36E

RGB 85 211 110

HSL 131.9, 0.59%, 0.58%

LAB 75.85, -56.03, 39.67

 

CMYK 74 / 0 / 59 / 34

HEX #2CA945

RGB 44 169 69

HSL 132, 0.59%, 0.42%

LAB 61.08, -54.45, 41.38

 

CMYK 75 / 30 / 0 / 33

HEX #2B77AA

RGB 43 119 170

HSL 204.09, 0.6%, 0.42%

LAB 47.76, -5.56, -33.84

 

CMYK 0 / 75 / 59 / 33

HEX #AA2B45

RGB 170 43 69

HSL 347.72, 0.6%, 0.42%

LAB 39.08, 52.45, 15.92

 

CMYK 74 / 0 / 59 / 34

HEX #2CA945

RGB 44 169 69

HSL 132, 0.59%, 0.42%

LAB 61.08, -54.45, 41.38

 

CMYK 59 / 75 / 0 / 33

HEX #452BAA

RGB 69 43 170

HSL 252.28, 0.6%, 0.42%

LAB 29.15, 45.88, -63.72

 

CMYK 0 / 59 / 75 / 33

HEX #AA452B

RGB 170 69 43

HSL 12.28, 0.6%, 0.42%

LAB 42.73, 39.94, 36

 

CMYK 74 / 0 / 59 / 34

HEX #2CA945

RGB 44 169 69

HSL 132, 0.59%, 0.42%

LAB 61.08, -54.45, 41.38

 

CMYK 75 / 30 / 0 / 33

HEX #2B77AA

RGB 43 119 170

HSL 204.09, 0.6%, 0.42%

LAB 47.76, -5.56, -33.84

 

CMYK 0 / 75 / 15 / 33

HEX #AA2B91

RGB 170 43 145

HSL 311.81, 0.6%, 0.42%

LAB 41.72, 60.76, -27.64

 

CMYK 0 / 45 / 75 / 33

HEX #AA5E2B

RGB 170 94 43

HSL 24.09, 0.6%, 0.42%

LAB 47.91, 26.86, 41.53

 

CMYK 74 / 0 / 59 / 34

HEX #2CA945

RGB 44 169 69

HSL 132, 0.59%, 0.42%

LAB 61.08, -54.45, 41.38

 

CMYK 75 / 52 / 0 / 33

HEX #2B51AA

RGB 43 81 170

HSL 222.05, 0.6%, 0.42%

LAB 36.56, 18.55, -51.71

 

CMYK 0 / 75 / 15 / 33

HEX #AA2B91

RGB 170 43 145

HSL 311.81, 0.6%, 0.42%

LAB 41.72, 60.76, -27.64

 

CMYK 0 / 22 / 75 / 33

HEX #AA842B

RGB 170 132 43

HSL 42.05, 0.6%, 0.42%

LAB 57.29, 5.57, 51.02

 

Description

Color code: HEX #2CA945 | qconv.com Color code: HEX #2CA945 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 169 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 169 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 59 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 59% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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